Genuine Han Uni!cation Dr. Ken Lunde | Senior Computer Scientist | Adobe Systems Incorporated
© 2011 Adobe Systems Incorporated. All Rights Reserved. IUC35, Santa Clara, CA, USA, Earth "e All-Important Disclaimer…
"is presentation contains events that may happen…
© 2011 Adobe Systems Incorporated. All Rights Reserved. 2 IUC35, Santa Clara, CA, USA, Earth "e All-Important Disclaimer…
"is presentation contains events that may happen… …not those that necessarily will happen
© 2011 Adobe Systems Incorporated. All Rights Reserved. 3 IUC35, Santa Clara, CA, USA, Earth "e All-Important Disclaimer…
"is presentation contains events that may happen… …not those that necessarily will happen ☺
© 2011 Adobe Systems Incorporated. All Rights Reserved. 4 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
© 2011 Adobe Systems Incorporated. All Rights Reserved. 5 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一
© 2011 Adobe Systems Incorporated. All Rights Reserved. 6 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
© 2011 Adobe Systems Incorporated. All Rights Reserved. 7 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実
© 2011 Adobe Systems Incorporated. All Rights Reserved. 8 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実 Chinese
© 2011 Adobe Systems Incorporated. All Rights Reserved. 9 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実 Chinese 実 Japanese
© 2011 Adobe Systems Incorporated. All Rights Reserved. 10 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実 Chinese 実 Japanese
骨
© 2011 Adobe Systems Incorporated. All Rights Reserved. 11 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実 Chinese 実 Japanese
骨 Chinese (Traditional) & Japanese
© 2011 Adobe Systems Incorporated. All Rights Reserved. 12 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese
実 Chinese 実 Japanese
骨 Chinese (Traditional) & Japanese 骨 Chinese (Simpli!ed)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 13 IUC35, Santa Clara, CA, USA, Earth Pop Quiz—Chinese or Japanese?
一 Chinese & Japanese → U+4E00
実 Chinese 実 Japanese → U+5B9F
骨 Chinese (Traditional) & Japanese 骨 Chinese (Simpli!ed) → U+9AA8
© 2011 Adobe Systems Incorporated. All Rights Reserved. 14 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
© 2011 Adobe Systems Incorporated. All Rights Reserved. 15 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary
© 2011 Adobe Systems Incorporated. All Rights Reserved. 16 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s
© 2011 Adobe Systems Incorporated. All Rights Reserved. 17 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
© 2011 Adobe Systems Incorporated. All Rights Reserved. 18 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
© 2011 Adobe Systems Incorporated. All Rights Reserved. 19 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
© 2011 Adobe Systems Incorporated. All Rights Reserved. 20 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
© 2011 Adobe Systems Incorporated. All Rights Reserved. 21 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
© 2011 Adobe Systems Incorporated. All Rights Reserved. 22 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
© 2011 Adobe Systems Incorporated. All Rights Reserved. 23 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
. Requires a lot of time and effort, and can lead to extrapolation
© 2011 Adobe Systems Incorporated. All Rights Reserved. 24 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
. Requires a lot of time and effort, and can lead to extrapolation
. Some are useful only for a single region, but may need to be rendered for other regions
© 2011 Adobe Systems Incorporated. All Rights Reserved. 25 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
. Requires a lot of time and effort, and can lead to extrapolation
. Some are useful only for a single region, but may need to be rendered for other regions
. East Asian writing systems will change in the future
© 2011 Adobe Systems Incorporated. All Rights Reserved. 26 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
. Requires a lot of time and effort, and can lead to extrapolation
. Some are useful only for a single region, but may need to be rendered for other regions
. East Asian writing systems will change in the future
. Can Unicode act as a catalyst for a single-glyph model that serves all regions?
© 2011 Adobe Systems Incorporated. All Rights Reserved. 27 IUC35, Santa Clara, CA, USA, Earth Background & Goals
. East Asian writing systems have changed over time, through reform
. Reform is sometimes revolutionary—the hànzì simpli!cation of the 1950s—頭 → 头
. Character form (glyph) preferences change over time
. What was once deemed unacceptable is now the norm
. Today’s East Asian fonts fall into two categories
. Single-region fonts with a single glyph per CJK Uni!ed Ideograph
. Multiple-region (aka, Pan-CJK) fonts with multiple glyphs per CJK Uni!ed Ideograph
. Requires a lot of time and effort, and can lead to extrapolation
. Some are useful only for a single region, but may need to be rendered for other regions
. East Asian writing systems will change in the future
. Can Unicode act as a catalyst for a single-glyph model that serves all regions?
. Will greater cross-cultural communication play a role?
© 2011 Adobe Systems Incorporated. All Rights Reserved. 28 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
© 2011 Adobe Systems Incorporated. All Rights Reserved. 29 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 30 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire
© 2011 Adobe Systems Incorporated. All Rights Reserved. 31 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
© 2011 Adobe Systems Incorporated. All Rights Reserved. 32 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
© 2011 Adobe Systems Incorporated. All Rights Reserved. 33 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
© 2011 Adobe Systems Incorporated. All Rights Reserved. 34 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
© 2011 Adobe Systems Incorporated. All Rights Reserved. 35 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
© 2011 Adobe Systems Incorporated. All Rights Reserved. 36 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
. Naturally, there are exceptions
© 2011 Adobe Systems Incorporated. All Rights Reserved. 37 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
. Naturally, there are exceptions
. Source Separation Rule
© 2011 Adobe Systems Incorporated. All Rights Reserved. 38 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
. Naturally, there are exceptions
. Source Separation Rule
. Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form
© 2011 Adobe Systems Incorporated. All Rights Reserved. 39 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
. Naturally, there are exceptions
. Source Separation Rule
. Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form
. Simpli!ed forms
© 2011 Adobe Systems Incorporated. All Rights Reserved. 40 IUC35, Santa Clara, CA, USA, Earth What Is “Han Uni!cation”? What Is Being Uni!ed?
. “Uni!cation” of the most important East Asian (“Han”) character set standards
. Hànzì (Chinese), kanji (Japanese), and hanja (Korean)
. "e end result is a single repertoire: CJK Uni!ed Ideographs
. "ere are subtle—and sometimes not-so-subtle—region-speci!c forms
. "is is what is being uni!ed
. Han Uni!cation is based on a set of rules and principles
. "e notion of “Same Abstract Character” plays a signi!cant role
. Naturally, there are exceptions
. Source Separation Rule
. Applicable only to the URO (Uni!ed Repertoire & Ordering) in its original form
. Simpli!ed forms
. Some are uni!ed (骨 vs 骨 ), but some are not (車 vs 车 )
© 2011 Adobe Systems Incorporated. All Rights Reserved. 41 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29
© 2011 Adobe Systems Incorporated. All Rights Reserved. 42 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0
© 2011 Adobe Systems Incorporated. All Rights Reserved. 43 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1
© 2011 Adobe Systems Incorporated. All Rights Reserved. 44 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1 URO—appended U+9FA6–U+9FBB 22 4.1
© 2011 Adobe Systems Incorporated. All Rights Reserved. 45 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1 URO—appended U+9FA6–U+9FBB 22 4.1 URO—appended U+9FBC–U+9FC3 8 5.1
© 2011 Adobe Systems Incorporated. All Rights Reserved. 46 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1 URO—appended U+9FA6–U+9FBB 22 4.1 URO—appended U+9FBC–U+9FC3 8 5.1 URO—appended U+9FC4–U+9FCB 8 5.2 Extension C U+2A700–U+2B734 4,149 5.2
© 2011 Adobe Systems Incorporated. All Rights Reserved. 47 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1 URO—appended U+9FA6–U+9FBB 22 4.1 URO—appended U+9FBC–U+9FC3 8 5.1 URO—appended U+9FC4–U+9FCB 8 5.2 Extension C U+2A700–U+2B734 4,149 5.2 Extension D U+2B740–U+2B81D 222 6.0
© 2011 Adobe Systems Incorporated. All Rights Reserved. 48 IUC35, Santa Clara, CA, USA, Earth CJK Uni!ed Ideographs in Unicode as of Version 6.1: 74,617
Block Code Points Characters Version URO U+4E00–U+9FA5 20,902 1.1 CJK Compatibility U+FA0E, U+FA0F, U+FA11, U+FA13, 12 1.1 Ideographs U+FA14, U+FA1F, U+FA21, U+FA23, U+FA24, U+FA27–U+FA29 Extension A U+3400–U+4DB5 6,582 3.0 Extension B U+20000–U+2A6D6 42,711 3.1 URO—appended U+9FA6–U+9FBB 22 4.1 URO—appended U+9FBC–U+9FC3 8 5.1 URO—appended U+9FC4–U+9FCB 8 5.2 Extension C U+2A700–U+2B734 4,149 5.2 Extension D U+2B740–U+2B81D 222 6.0 URO—appended U+9FCC 1 6.1
© 2011 Adobe Systems Incorporated. All Rights Reserved. 49 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
© 2011 Adobe Systems Incorporated. All Rights Reserved. 50 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真
© 2011 Adobe Systems Incorporated. All Rights Reserved. 51 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都
© 2011 Adobe Systems Incorporated. All Rights Reserved. 52 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
© 2011 Adobe Systems Incorporated. All Rights Reserved. 53 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
© 2011 Adobe Systems Incorporated. All Rights Reserved. 54 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉
© 2011 Adobe Systems Incorporated. All Rights Reserved. 55 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头
© 2011 Adobe Systems Incorporated. All Rights Reserved. 56 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐
© 2011 Adobe Systems Incorporated. All Rights Reserved. 57 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
© 2011 Adobe Systems Incorporated. All Rights Reserved. 58 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
© 2011 Adobe Systems Incorporated. All Rights Reserved. 59 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
© 2011 Adobe Systems Incorporated. All Rights Reserved. 60 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
© 2011 Adobe Systems Incorporated. All Rights Reserved. 61 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
. Mutual intelligibility takes precedence over regional glyph preferences
© 2011 Adobe Systems Incorporated. All Rights Reserved. 62 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
. Mutual intelligibility takes precedence over regional glyph preferences
. Some communication mediums are deemed more forgiving
© 2011 Adobe Systems Incorporated. All Rights Reserved. 63 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
. Mutual intelligibility takes precedence over regional glyph preferences
. Some communication mediums are deemed more forgiving: mobile
© 2011 Adobe Systems Incorporated. All Rights Reserved. 64 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
. Mutual intelligibility takes precedence over regional glyph preferences
. Some communication mediums are deemed more forgiving: mobile
. Some glyph differences are in (relatively) free variation within a single region
© 2011 Adobe Systems Incorporated. All Rights Reserved. 65 IUC35, Santa Clara, CA, USA, Earth Some Preliminary "oughts…
. Minor glyph differences do not prevent mutual intelligibility
写真 vs 写真 京都 vs 京都 骨 vs 骨
. Simpli!ed Chinese resulted in greater orthographic complexity
漢 vs 汉 頭 vs 头 樂 vs 乐 車 vs 车
. Many minor glyph differences can be treated as regional preferences
. Writing systems undergo periodical reform
. "ere is much more cross-cultural digital communication than ever before
. Mutual intelligibility takes precedence over regional glyph preferences
. Some communication mediums are deemed more forgiving: mobile
. Some glyph differences are in (relatively) free variation within a single region
. Han Uni!cation is complex
© 2011 Adobe Systems Incorporated. All Rights Reserved. 66 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 67 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
© 2011 Adobe Systems Incorporated. All Rights Reserved. 68 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
© 2011 Adobe Systems Incorporated. All Rights Reserved. 69 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 70 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
© 2011 Adobe Systems Incorporated. All Rights Reserved. 71 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
© 2011 Adobe Systems Incorporated. All Rights Reserved. 72 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 73 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
© 2011 Adobe Systems Incorporated. All Rights Reserved. 74 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
© 2011 Adobe Systems Incorporated. All Rights Reserved. 75 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
© 2011 Adobe Systems Incorporated. All Rights Reserved. 76 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅
© 2011 Adobe Systems Incorporated. All Rights Reserved. 77 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡
© 2011 Adobe Systems Incorporated. All Rights Reserved. 78 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡 緑 vs 剝
© 2011 Adobe Systems Incorporated. All Rights Reserved. 79 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡
© 2011 Adobe Systems Incorporated. All Rights Reserved. 80 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸
© 2011 Adobe Systems Incorporated. All Rights Reserved. 81 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸 謹 vs 僅
© 2011 Adobe Systems Incorporated. All Rights Reserved. 82 IUC35, Santa Clara, CA, USA, Earth Signi!cant Events in Japan
. Jōyō Kanji (1981)
. 1,945 kanji in common use—95 kanji added
. Basic principle: simpli!ed forms are used only within the scope of Jōyō Kanji
. NLC (National Language Council) kanji set (2000)
. Established the “preferred forms” for 1,022 kanji, above and beyond Jōyō Kanji
. "e preferred form is Japan’s interpretation of the Kāngxī Zìdiǎn (康熙字典) form
. Jōyō Kanji (2010)
. 2,136 kanji in common use—196 kanji added; !ve kanji removed
. Incorporates many kanji from the NLC kanji set
. Incorporates a mixture of simpli!ed (pre-2010 revision) and traditional components
飯 vs 餅 慎 vs 塡 緑 vs 剝 込 vs 遡 著 vs 箸 謹 vs 僅 狭 vs 頰
© 2011 Adobe Systems Incorporated. All Rights Reserved. 83 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
© 2011 Adobe Systems Incorporated. All Rights Reserved. 84 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
© 2011 Adobe Systems Incorporated. All Rights Reserved. 85 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
© 2011 Adobe Systems Incorporated. All Rights Reserved. 86 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
© 2011 Adobe Systems Incorporated. All Rights Reserved. 87 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
© 2011 Adobe Systems Incorporated. All Rights Reserved. 88 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
© 2011 Adobe Systems Incorporated. All Rights Reserved. 89 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
. Some Simpli!ed Chinese forms have been uni!ed
© 2011 Adobe Systems Incorporated. All Rights Reserved. 90 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
. Some Simpli!ed Chinese forms have been uni!ed
骨 vs 骨
© 2011 Adobe Systems Incorporated. All Rights Reserved. 91 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
. Some Simpli!ed Chinese forms have been uni!ed
骨 vs 骨 —Uni!ed as U+9AA8
© 2011 Adobe Systems Incorporated. All Rights Reserved. 92 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
. Some Simpli!ed Chinese forms have been uni!ed
骨 vs 骨 —Uni!ed as U+9AA8
角 vs 角
© 2011 Adobe Systems Incorporated. All Rights Reserved. 93 IUC35, Santa Clara, CA, USA, Earth Unicode as a Catalyst
. Uni!cation of regional glyph preferences into a single code point
. Han Uni!cation
. Sets the stage for a “single glyph per code point” model
. Remember the exceptions!
. Source Separation Rule
. Simpli!ed forms
. Some Simpli!ed Chinese forms have been uni!ed
骨 vs 骨 —Uni!ed as U+9AA8
角 vs 角 —Uni!ed as U+89D2
© 2011 Adobe Systems Incorporated. All Rights Reserved. 94 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
© 2011 Adobe Systems Incorporated. All Rights Reserved. 95 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
© 2011 Adobe Systems Incorporated. All Rights Reserved. 96 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
© 2011 Adobe Systems Incorporated. All Rights Reserved. 97 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
© 2011 Adobe Systems Incorporated. All Rights Reserved. 98 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
© 2011 Adobe Systems Incorporated. All Rights Reserved. 99 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
© 2011 Adobe Systems Incorporated. All Rights Reserved. 100 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
© 2011 Adobe Systems Incorporated. All Rights Reserved. 101 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
© 2011 Adobe Systems Incorporated. All Rights Reserved. 102 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
. "e big question:
© 2011 Adobe Systems Incorporated. All Rights Reserved. 103 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
. "e big question: Which regional glyph becomes the preferred glyph?
© 2011 Adobe Systems Incorporated. All Rights Reserved. 104 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
. "e big question: Which regional glyph becomes the preferred glyph?
. One could argue that GB 18030 already achieved Genuine Han Uni!cation
© 2011 Adobe Systems Incorporated. All Rights Reserved. 105 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
. "e big question: Which regional glyph becomes the preferred glyph?
. One could argue that GB 18030 already achieved Genuine Han Uni!cation
. "ere was obvious—and necessary—bias in the choice of glyphs
© 2011 Adobe Systems Incorporated. All Rights Reserved. 106 IUC35, Santa Clara, CA, USA, Earth How Can Genuine Han Uni!cation Be Achieved?
. Future generations see regional glyph preferences as a communication barrier
. GB 18030 offers a glimpse into a possible model
. Established a “single glyph per code point” model
. Some amount of extrapolation was necessarily applied
鵤 → 鵤 (U+9D64)
. "e original (2000) version did this for the URO and Extension A in their entirety
. "e 2005 revision expanded this to include Extension B in its entirety
. "e only national standard that includes entire CJK Uni!ed Ideographs blocks
. "e big question: Which regional glyph becomes the preferred glyph?
. One could argue that GB 18030 already achieved Genuine Han Uni!cation
. "ere was obvious—and necessary—bias in the choice of glyphs
. Motivation and international cooperation are key success factors
© 2011 Adobe Systems Incorporated. All Rights Reserved. 107 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
© 2011 Adobe Systems Incorporated. All Rights Reserved. 108 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
© 2011 Adobe Systems Incorporated. All Rights Reserved. 109 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction:
© 2011 Adobe Systems Incorporated. All Rights Reserved. 110 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
© 2011 Adobe Systems Incorporated. All Rights Reserved. 111 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
© 2011 Adobe Systems Incorporated. All Rights Reserved. 112 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
. Unicode serves as the foundation for modern digital text
© 2011 Adobe Systems Incorporated. All Rights Reserved. 113 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
. Unicode serves as the foundation for modern digital text
. Periodic changes to the preferred form of region-speci!c glyphs
© 2011 Adobe Systems Incorporated. All Rights Reserved. 114 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
. Unicode serves as the foundation for modern digital text
. Periodic changes to the preferred form of region-speci!c glyphs
. Ever-increasing cross-cultural communication
© 2011 Adobe Systems Incorporated. All Rights Reserved. 115 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
. Unicode serves as the foundation for modern digital text
. Periodic changes to the preferred form of region-speci!c glyphs
. Ever-increasing cross-cultural communication
. Users tend to be more forgiving for region-speci!c glyphs in mobile environments
© 2011 Adobe Systems Incorporated. All Rights Reserved. 116 IUC35, Santa Clara, CA, USA, Earth Is Genuine Han Uni!cation Possible?
. I !rmly believe so, but it is not possible today
. "ere exists far too much bias and preference in today’s generations and regions
. My prediction: Genuine Han Uni!cation is possible within 25 years
. "ere is sufficient evidence to back up this prediction
. Unicode serves as the foundation for modern digital text
. Periodic changes to the preferred form of region-speci!c glyphs
. Ever-increasing cross-cultural communication
. Users tend to be more forgiving for region-speci!c glyphs in mobile environments
. "is may lead people to eventually becoming “numb” to such differences
© 2011 Adobe Systems Incorporated. All Rights Reserved. 117 IUC35, Santa Clara, CA, USA, Earth
“Genuine Han Uni!cation is not outside the realm of extreme possibilities.” — Fox William Mulder, FBI Special Agent
© 2011 Adobe Systems Incorporated. All Rights Reserved. 118 IUC35, Santa Clara, CA, USA, Earth © 2011 Adobe Systems Incorporated. All Rights Reserved.