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2018 Youth Ocean Conservation Summit Schedule Saturday, December 1, 2018 – Mote Marine Laboratory
2018 Youth Ocean Conservation Summit Event Program December 1 ● Mote Marine Laboratory ● Sarasota, FL Empowering the next generation of ocean conservationists! 2018 Youth Ocean Conservation Summit Schedule Saturday, December 1, 2018 – Mote Marine Laboratory 8:45-9:25 Registration/Check-in 9:30-9:35 Welcome to the Summit and Mote Marine Laboratory 9:40-10:25 Keynote Presentation 10:30-11:00 Youth Ocean Conservation Team member presentations 11:10-12:00 Morning Workshop Sessions: Conservation Project Action Planning Session Careers in Ocean Conservation 12:00-12:50 Lunch (Lunch in two waves; Action Planning participants start at 12:00pm and Careers in Ocean Conservation participants start at 12:10pm) Afternoon Workshop Sessions: 1:00-1:50 Workshop Session 1 Fishing for Funding Presented by Rosemary Mann Products with a Purpose Presented by Fin Pin Shop & Planet Love Life Coral Restoration: Saving the Florida Reef Tract Presented by Dr. Erin Muller Be an Eco-Influencer! Presented by Lisa Moody Share Your Passion: The Power of Storytelling in Ocean Protection Presented by Gary Bremen Mote Aquarium Exploration 2:00-2:50 Workshop Session 2 Fishing for Funding Presented by Rosemary Mann Products with a Purpose Presented by Fin Pin Shop & Planet Love Life Coral Restoration: Saving the Florida Reef Tract Presented by Dr. Erin Muller Be an Eco-Influencer! Presented by Lisa Moody Share Your Passion: The Power of Storytelling in Ocean Protection Presented by Gary Bremen Mote Aquarium Exploration 3:10-4:00 Workshop Session 3 Drawn to -
Ocean Shore Management Plan
Ocean Shore Management Plan Oregon Parks and Recreation Department January 2005 Ocean Shore Management Plan Oregon Parks and Recreation Department January 2005 Oregon Parks and Recreation Department Planning Section 725 Summer Street NE Suite C Salem Oregon 97301 Kathy Schutt: Project Manager Contributions by OPRD staff: Michelle Michaud Terry Bergerson Nancy Niedernhofer Jean Thompson Robert Smith Steve Williams Tammy Baumann Coastal Area and Park Managers Table of Contents Planning for Oregon’s Ocean Shore: Executive Summary .......................................................................... 1 Chapter One Introduction.................................................................................................................. 9 Chapter Two Ocean Shore Management Goals.............................................................................19 Chapter Three Balancing the Demands: Natural Resource Management .......................................23 Chapter Four Balancing the Demands: Cultural/Historic Resource Management .........................29 Chapter Five Balancing the Demands: Scenic Resource Management.........................................33 Chapter Six Balancing the Demands: Recreational Use and Management .................................39 Chapter Seven Beach Access............................................................................................................57 Chapter Eight Beach Safety .............................................................................................................71 -
Ubiquitous Argonium \(Arh+\) in the Diffuse Interstellar Medium: A
A&A 566, A29 (2014) Astronomy DOI: 10.1051/0004-6361/201423727 & c ESO 2014 Astrophysics Ubiquitous argonium (ArH+) in the diffuse interstellar medium: A molecular tracer of almost purely atomic gas P. Schilke1, D. A. Neufeld2, H. S. P. Müller1, C. Comito1, E. A. Bergin3, D. C. Lis4;5, M. Gerin6, J. H. Black7, M. Wolfire8, N. Indriolo2, J. C. Pearson9, K. M. Menten10, B. Winkel10, Á. Sánchez-Monge1, T. Möller1, B. Godard6, and E. Falgarone6 1 I. Physikalisches Institut der Universität zu Köln, Zülpicher Str. 77, 50937 Köln, Germany e-mail: [email protected] 2 The Johns Hopkins University, Baltimore, MD 21218, USA 3 Department of Astronomy, The University of Michigan, 500 Church Street, Ann Arbor, MI 48109-1042, USA 4 California Institute of Technology, Pasadena, CA 91125, USA 5 Sorbonne Universités, Université Pierre et Marie Curie, Paris 6, CNRS, Observatoire de Paris, UMR 8112 LERMA, Paris, France 6 LERMA, CNRS UMR 8112, Observatoire de Paris & École Normale Supérieure, 24 rue Lhomond, 75005 Paris, France 7 Department of Earth and Space Sciences, Chalmers University of Technology, Onsala Space Observatory, 439 92 Onsala, Sweden 8 Astronomy Department, University of Maryland, College Park, MD 20742, USA 9 Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA 91109, USA 10 Max-Planck-Institut für Radioastronomie, Auf dem Hügel 69, 53121 Bonn, Germany Received 28 February 2014 / Accepted 29 March 2014 ABSTRACT Aims. We describe the assignment of a previously unidentified interstellar absorption line to ArH+ and discuss its relevance in the + context of hydride absorption in diffuse gas with a low H2 fraction. -
Greek Sculpture and the Four Elements Art
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Sculpture and the Four Elements Art 7-1-2000 Greek Sculpture and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgs Part of the History of Art, Architecture, and Archaeology Commons Benson, J.L., "Greek Sculpture and the Four Elements [full text, not including figures]" (2000). Greek Sculpture and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgs/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Sculpture and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire About this book This is one part of the first comprehensive study of the development of Greek sculpture and painting with the aim of enriching the usual stylistic-sociological approaches through a serious, disciplined consideration of the basic Greek scientific orientation to the world. This world view, known as the Four Elements Theory, came to specific formulation at the same time as the perfected contrapposto of Polykleitos and a concern with the four root colors in painting (Polygnotos). All these factors are found to be intimately intertwined, for, at this stage of human culture, the spheres of science and art were not so drastically differentiated as in our era. The world of the four elements involved the concepts of polarity and complementarism at every level. -
The Art of Hans Arp After 1945
Stiftung Arp e. V. Papers The Art of Hans Arp after 1945 Volume 2 Edited by Jana Teuscher and Loretta Würtenberger Stiftung Arp e. V. Papers Volume 2 The Art of Arp after 1945 Edited by Jana Teuscher and Loretta Würtenberger Table of Contents 10 Director’s Foreword Engelbert Büning 12 Foreword Jana Teuscher and Loretta Würtenberger 16 The Art of Hans Arp after 1945 An Introduction Maike Steinkamp 25 At the Threshold of a New Sculpture On the Development of Arp’s Sculptural Principles in the Threshold Sculptures Jan Giebel 41 On Forest Wheels and Forest Giants A Series of Sculptures by Hans Arp 1961 – 1964 Simona Martinoli 60 People are like Flies Hans Arp, Camille Bryen, and Abhumanism Isabelle Ewig 80 “Cher Maître” Lygia Clark and Hans Arp’s Concept of Concrete Art Heloisa Espada 88 Organic Form, Hapticity and Space as a Primary Being The Polish Neo-Avant-Garde and Hans Arp Marta Smolińska 108 Arp’s Mysticism Rudolf Suter 125 Arp’s “Moods” from Dada to Experimental Poetry The Late Poetry in Dialogue with the New Avant-Gardes Agathe Mareuge 139 Families of Mind — Families of Forms Hans Arp, Alvar Aalto, and a Case of Artistic Influence Eeva-Liisa Pelkonen 157 Movement — Space Arp & Architecture Dick van Gameren 174 Contributors 178 Photo Credits 9 Director’s Foreword Engelbert Büning Hans Arp’s late work after 1945 can only be understood in the context of the horrific three decades that preceded it. The First World War, the catastro- phe of the century, and the Second World War that followed shortly thereaf- ter, were finally over. -
Fiscal Year 2020
CONSERVATION MATTERS THE JOURNAL OF CONSERVATION LAW FOUNDATION | www.clf.org NAVIGATING A NEW NORMAL 2020 2021 YEAR IN REVIEW LETTER FROM THE PRESIDENT THE LAST YEAR HAS SHOWN US JUST HOW PRECARIOUS OUR NORMS ARE. The COVID-19 pandemic disrupted, derailed, and disoriented our lives. But it also unearthed racial injustices and systemic failures that have been hiding in plain sight for far too long. Watching as we all shifted our priorities and re-imagined how we manage our lives both personally and professionally, I have been amazed at the ability of CLF’s talented staff and volunteers to pivot, refocus, and reinvent how we move our work forward. And, we have been buoyed by the continued passion and dedication of our donors in continuing to show up, speak up, and step up to ensure that we had the resources to keep going through such uncertainty. Now, as vaccination rates continue to rise, we appear poised to go back to life as usual. But should we merely pick up where so many of us left off almost Business as 18 months ago? I would argue that no, we should not – especially if “usual” means once again Unusual. burying the reality of the injustices that have plagued our country for centu- ries and still overburden communities of color today. Now is not the time to be complacent. Our responsibility – our obligation – is to create a new normal for and, most importantly, with the people we serve. We can overcome the challenges threatening our communities, from rooting out injustice, to exposing broken systems that leave so many of us vulnerable to harm, to ensur- ing a just transition to an equitable clean energy economy that lifts all New Englanders. -
Winter 2016 in This Issue Photo: Alex Constan Alex Photo: from the President in These Cold Winter Months, I Often Pause to Enjoy the Aquarium’S Tropical Exhibits
It’s time to live blue™ The Phoenix Islands Protected Area Meet Myrtle, the queen of the Giant Ocean Tank New England’s undersea treasure Members’ Magazine Volume 49, Number 1 Winter 2016 In This Issue Photo: Alex Constan Alex Photo: From the President In these cold winter months, I often pause to enjoy the Aquarium’s tropical exhibits. The colors and abundance of life consis- tently delight me and also remind me of how vulnerable these systems are. In this issue of blue, we’ll journey to one of the most remote tropical coral reef systems on the planet. In September, a team of scientists from the Aquarium, the Woods Hole Oceano- graphic Institution and other collaborators visited the Phoenix Islands Protected Area (PIPA), one of the largest marine protected areas in the world. They collected data that will help to manage the reserve and— in the midst of one of the most intense El Niños ever—observed the effects of climate change, without the complicating Cool Animals Future Ocean Protectors factors that affect most coral reef systems. 2 6 Myrtle the green sea turtle Nature is so weird. Did you know? Closer to home, our conservation team has been raising awareness of two extraordinary gems off our own coasts: 3 Research Briefs 8 Global Explorers Cashes Ledge, an underwater mountain A potential pregnancy test for Researchers return to the range that supports New England’s long-dead whales, and the growing Phoenix Islands Protected Area largest and deepest kelp forest, and the problem of big fish in home tanks Coral Canyons and Seamounts, home to 10 Members’ Notes rare deep sea corals and invertebrates. -
Characterisation and Prediction of Large-Scale, Long-Term Change of Coastal Geomorphological Behaviours: Final Science Report
Characterisation and prediction of large-scale, long-term change of coastal geomorphological behaviours: Final science report Science Report: SC060074/SR1 Product code: SCHO0809BQVL-E-P The Environment Agency is the leading public body protecting and improving the environment in England and Wales. It’s our job to make sure that air, land and water are looked after by everyone in today’s society, so that tomorrow’s generations inherit a cleaner, healthier world. Our work includes tackling flooding and pollution incidents, reducing industry’s impacts on the environment, cleaning up rivers, coastal waters and contaminated land, and improving wildlife habitats. This report is the result of research commissioned by the Environment Agency’s Science Department and funded by the joint Environment Agency/Defra Flood and Coastal Erosion Risk Management Research and Development Programme. Published by: Author(s): Environment Agency, Rio House, Waterside Drive, Richard Whitehouse, Peter Balson, Noel Beech, Alan Aztec West, Almondsbury, Bristol, BS32 4UD Brampton, Simon Blott, Helene Burningham, Nick Tel: 01454 624400 Fax: 01454 624409 Cooper, Jon French, Gregor Guthrie, Susan Hanson, www.environment-agency.gov.uk Robert Nicholls, Stephen Pearson, Kenneth Pye, Kate Rossington, James Sutherland, Mike Walkden ISBN: 978-1-84911-090-7 Dissemination Status: © Environment Agency – August 2009 Publicly available Released to all regions All rights reserved. This document may be reproduced with prior permission of the Environment Agency. Keywords: Coastal geomorphology, processes, systems, The views and statements expressed in this report are management, consultation those of the author alone. The views or statements expressed in this publication do not necessarily Research Contractor: represent the views of the Environment Agency and the HR Wallingford Ltd, Howbery Park, Wallingford, Oxon, Environment Agency cannot accept any responsibility for OX10 8BA, 01491 835381 such views or statements. -
Year in Review 2018/2019
Contents Shaping the Museum of the Future 2 Philanthropy on View 4 The Year at a Glance 8 Compelling Mix of Original and Touring Exhibitions 12 ROM Objects on Loan Locally and Globally 26 Leading-Edge Research 36 ROM Scholarship in Print 46 Community Connections 50 Access to First Peoples Art and Culture 58 Programming That Inspires 60 Learning at the ROM 66 Members and Volunteers 70 Digital Readiness 72 Philanthropy 74 ROM Leadership 80 Our Supporters 86 2 royal ontario museum year in review 2018–2019 3 One of the initiatives we were most proud of in 2018 was the opening of the Daphne Cockwell Gallery dedicated to First Peoples art & culture as free to the public every day the Museum is open. Initiatives such as this represent just one step on our journey. ROM programs and exhibitions continue to be bold, ambitious, and diverse, fostering discourse at home and around the world. Being Japanese Canadian: reflections on a broken world, Gods in My Home: Chinese New Year with Ancestor Portraits and Deity Prints and The Evidence Room helped ROM visitors connect past to present and understand forces and influences that have shaped our world, while #MeToo & the Arts brought forward a critical conversation about the arts, institutions, and cultural movements. Immersive and interactive exhibitions such as aptured in these pages is a pivotal Zuul: Life of an Armoured Dinosaur and Spiders: year for the Royal Ontario Museum. Fear & Fascination showcased groundbreaking Shaping Not only did the Museum’s robust ROM research and world-class storytelling. The Cattendance of 1.34 million visitors contribute to success achieved with these exhibitions set the our ranking as the #1 most-visited museum in stage for upcoming ROM-originals Bloodsuckers: the Canada and #7 in North America according to The Legends to Leeches, The Cloth That Changed the Art Newspaper, but a new report by Deloitte shows World: India’s Painted and Printed Cottons, and the the ROM, through its various activities, contributed busy slate of art, culture, and nature ahead. -
User Guide Multi Processor FX
MPX 1 Multi Processor FX User Guide Unpacking and Inspection After unpacking the MPX 1, save all packing materials in case you ever need to ship the unit. Thoroughly inspect the unit and packing materials for signs of damage. Report any shipment damage to the carrier at once; report equipment malfunction to your dealer. Precautions Save these instructions for later use. Follow all instructions and warnings marked on the unit. Always use with the correct line voltage. Refer to the manufacturer's operating instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug. Do not install the unit in an unventilated rack, or directly above heat producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification. Slots and openings on the case are provided for ventilation; to ensure reliable operation and prevent it from overheating, these openings must not be blocked or covered. Never push objects of any kind through any of the ventilation slots. Never spill a liquid of any kind on the unit. This product is equipped with a 3-wire grounding type plug. This is a safety feature and should not be defeated. Never attach audio power amplifier outputs directly to any of the unit's connectors. To prevent shock or fire hazard, do not expose the unit to rain or moisture, or operate it where it will be exposed to water. Do not attempt to operate the unit if it has been dropped, damaged, exposed to liquids, or if it exhibits a distinct change in performance indicating the need for service. -
A Report on the Guano-Producing Birds of Peru [“Informe Sobre Aves Guaneras”]
PACIFIC COOPERATIVE STUDIES UNIT UNIVERSITY OF HAWAI`I AT MĀNOA Dr. David C. Duffy, Unit Leader Department of Botany 3190 Maile Way, St. John #408 Honolulu, Hawai’i 96822 Technical Report 197 A report on the guano-producing birds of Peru [“Informe sobre Aves Guaneras”] July 2018* *Original manuscript completed1942 William Vogt1 with translation and notes by David Cameron Duffy2 1 Deceased Associate Director of the Division of Science and Education of the Office of the Coordinator in Inter-American Affairs. 2 Director, Pacific Cooperative Studies Unit, Department of Botany, University of Hawai‘i at Manoa Honolulu, Hawai‘i 96822, USA PCSU is a cooperative program between the University of Hawai`i and U.S. National Park Service, Cooperative Ecological Studies Unit. Organization Contact Information: Pacific Cooperative Studies Unit, Department of Botany, University of Hawai‘i at Manoa 3190 Maile Way, St. John 408, Honolulu, Hawai‘i 96822, USA Recommended Citation: Vogt, W. with translation and notes by D.C. Duffy. 2018. A report on the guano-producing birds of Peru. Pacific Cooperative Studies Unit Technical Report 197. University of Hawai‘i at Mānoa, Department of Botany. Honolulu, HI. 198 pages. Key words: El Niño, Peruvian Anchoveta (Engraulis ringens), Guanay Cormorant (Phalacrocorax bougainvillii), Peruvian Booby (Sula variegate), Peruvian Pelican (Pelecanus thagus), upwelling, bird ecology behavior nesting and breeding Place key words: Peru Translated from the surviving Spanish text: Vogt, W. 1942. Informe elevado a la Compañia Administradora del Guano par el ornitólogo americano, Señor William Vogt, a la terminación del contracto de tres años que con autorización del Supremo Gobierno celebrara con la Compañia, con el fin de que llevara a cabo estudios relativos a la mejor forma de protección de las aves guaneras y aumento de la produción de las aves guaneras. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.