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Schriftenverzeichnis SCHRIFTENVERZEICHNIS Volker M a t t e r n WISSENSCHAFTLICHE PUBLIKATIONEN Bücher • Das dramma giocoso „La finta giardiniera“ – Ein Vergleich der Vertonungen von Pasquale Anfossi und Wolfgang Amadeus Mozart Diss. Heidelberg 1984. Neue Heidelberger Studien zur Musikwissenschaft, Band 13, Laaber, Regensburg 1989 • Die Wirklichkeit erfinden ist besser – Opern des 19. Jahrhunderts von Beet- hoven bis Verdi darin S. 202ff: Musikalischer Realismus oder melodramatische Kolportage? Zur Modernität von Verdis „La forza del destino“ Hrsg. Hanspeter Krellmann und Jürgen Schläder, J.B.Metzler, Stuttgart und Weimar 2002 • Mozarts Opern. Alles von ‚Apollo und Hyacinth’ bis zur ‚Zauberflöte’ ! darin: „La finta giardiniera“ Hrsg. vom Forschungsinstitut für Musiktheater der Universität Bayreuth, mit Piper, München und Zürich, 2005 Lexika • Pipers Enzyklopädie des Musiktheaters – Artikel für Band I Daniel Francois Esprit Auber: La Neige ou le nouvel Eginhard Daniel Francois Esprit Auber: La Fiancée Daniel Francois Esprit Auber: Le Dieu et la Bayadère Daniel Francois Esprit Auber: Le Lac des Fées Daniel Francois Esprit Auber: Le Premier jour de bonheur Alfred Bruneau : L´attaque du moulin Alfred Bruneau : Messidor F. Emmanuel-Joseph Bazin : Le Voyage en Chine 2 • Pipers Enzyklopädie des Musiktheaters – Artikel für Band II André Ernest Modeste Grétry: Le Huron André Ernest Modeste Grétry: Lucile André Ernest Modeste Grétry: Le Tableau parlant André Ernest Modeste Grétry: Les Deux avares André Ernest Modeste Grétry: La Fausse magie André Ernest Modeste Grétry: L´Amant jaloux André Ernest Modeste Grétry: Colinette à la cour André Ernest Modeste Grétry: L´Epreuve villageoise André Ernest Modeste Grétry: Panurge André Ernest Modeste Grétry: Pierre le Grand • Pipers Enzyklopädie des Musiktheaters – Artikel für Band III Etienne-Henry Méhul: Uthal • Pipers Enzyklopädie des Musiktheaters – Artikel für Band IV Wolfgang Amadeus Mozart: La finta giardiniera • Pipers Enzyklopädie des Musiktheaters – Artikel für Band V Antonio Salieri: Les Danaides Fachzeitschriften/Jahrbücher • Zur Entwicklung von Mozarts Personalstil in: Mozart-Jahrbuch 1984/85, hrsg. vom Zentralinstitut für Mozart-For- schung der Internationalen Stiftung Mozarteum Salzburg, Kassel/Basel/ London 1986, S. 207-218 • Mozart und Grétry. Spuren der opéra comique in Mozarts „Finta giardiniera“ in: Neue Zeitschrift für Musik, Heft 1, Januar 1987, Mainz: Schott’s Söhne, S. 10-17 3 PROGRAMMHEFTE UND ZEITUNGEN • Kritische Ironie in Offenbachs Musik in: Programmheft „Jacques Offenbach“: Hoffmanns Erzählungen“, Nationaltheater Mannheim, Spielzeit 1981/82 • Zur Ambivalenz der Tag-Nacht-Symbolik in: Programmheft „Richard Wagner: Tristan und Isolde“, Nationaltheater Mannheim, Spielzeit 1982/83 • „Herrn Kapellmeister Hayden...zur vorzüglichen Ehre gereichet“ in: Programmheft „Joseph Haydn: Der Apotheker“, Staatliche Hochschule für Musik Heidelberg-Mannheim 1984 • „Eine opera buffa... von dem wunderbaren Genie Mozart“ in: Programmheft „Wolfgang Amadeus Mozart: Die Gärtnerin aus Liebe“, Staatliche Hochschule für Musik Heidelberg-Mannheim 1985 • Maske in Blau – Eine Geschichte nicht ohne Hintergrund in: Programmheft „Fred Raymond: Maske in Blau“, Landestheater Detmold, Spielzeit 1984/85 • 1858 – Napoléon, Offenbach und die öffentliche Meinung in: Programmheft „Jacques Offenbach: Orpheus in der Unterwelt“, Landestheater Detmold, Spielzeit 1984/85 • Musikalischer Realismus oder Melodramatische Kolportage? Thesen zur Modernität von Giuseppe Verdis „La forza del destino“ in: Programmbuch „Giuseppe Verdi: La forza del destino“, Bayerische Staatsoper München, Spielzeit 1985/86, S. 13-22 4 • Dramaturgie des Stilpluralismus. Zur Tonsprache in Walter Steffens‘ Opernfarce „Grabbes Leben“ in: Programmheft „Walter Steffens: Grabbes Leben“, Landestheater Det- mold, Spielzeit 1986/87 • Odyssee eines Requisits – Der Fächer in der „Lustigen Witwe“ in: Programmheft „Franz Léhar: Die lustige Witwe“, Landestheater Detmold, Spielzeit 1986/87 • Ein Ballett entsteht. Die Erbschaft der Familie Tuggs – Von der Stoffwahl bis zur Inszenierung in: Programmheft „Carl Orff: Die Kluge/Hans Gresser: Die Erbschaft der Familie Tuggs“, Landestheater Detmold, Spielzeit 1986/87 • Stilbruch oder Dramaturgisches Kalkül? Zur Integration von Wagners ´Neu- er Ästhetik´ in den Ring in: Programmbuch „Richard Wagner: Siegfried“, Bayerische Staatsoper München, Spielzeit 1986/87, S. 38-47 • Musik als Psychogramm. Zu Verdis dramatischem Mikrokosmos in: Programmheft „Giuseppe Verdi: La Traviata“, Oldenburgisches Staats- theater, Spielzeit 1987/88 • Mozarts erste „vera opera“ – Zur Dramaturgie und Musik von La finta giar- diniera in: Programmheft „Wolfgang Amadeus Mozart: La finta giardiniera“, Oper Frankfurt, Spielzeit 1989/90, S. 15-26 • Die beiden letzten Klavierkonzerte Johann Nepomuk Hummels in: Booklett zur CD 3-15672, Koch/Schwann Aulos 1994 5 • Skizze – Fragment – Bearbeitung Hrsg. des Programmbuchs zu „toujours Mozart“, Salzburger Residenz, 30./31.1.1999, Salzburg 1999 • Wider das Vorurteil des rein vokalen Schaustücks. Musikalische Dramatur- gie und Textinterpretation in Bellinis „I Puritani“ in: Programmbuch „Vincenzo Bellini: I Puritani“, Bayerische Staatsoper München, Spielzeit 1999/2000 • Ein Stück Bildungsauftrag der Kulturorchester. Die Schulmusiken der Bergi- schen Symphoniker in: Neue Musikzeitung (NMZ), Regensburg, Ausgabe Mai 2002 • Mozart und Grétry. Spuren der opéra comique in Mozarts „Finta giardiniera“? in: Programmheft „W. A. Mozart: La finta giardiniera“, Staatsoper Stuttgart, Spielzeit 2002/03 (Mai 2003) • Zum opéra comique Zyklus der Musikalischen Komödie Leipzig in: Programmheft „André Modeste Ernest Grétrys: Les deux avares“, Oper Leipzig/Musikalische Komödie, Spielzeit 2007/08 (September 2007) • Zahlreiche Beiträge für das von mir konzipierten Bayer-Kulturmagazin KUNSTstoff (insgesamt 30 Ausgaben 08/2009 bis 06/2015) STAND: 05.02.16.
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