58 Minutes by Walter Wager
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A3 / NEWS B4 / HOMEFOLK Virus’s impact: More Outdoor Alabama relaxing, thinking, photo contest less socializing opens August 2 Daily Mountain Eagle “The newspaper that cares about Walker County” MOUNTAINEAGLE.COM WEEKEND EDITION, JULY 24-25, 2021 $1.50 WALKER COUNTY WALKER COUNTY SHERIFF’S OFFICE ARTS ALLIANCE Arts Alliance developing strategic plan Special to the Eagle The Walker County Arts Alliance (WCAA) is encour- aging residents of Walker County to play an integral role in Daily Mountain Eagle - Jennifer Cohron developing Bitty Nelson, 7, shows off the hon- a five-year strategic orary deputy card she received Daily Mountain Eagle - Nicole Smith plan for the during her recent visit with Sheriff School systems are having to make tough decisions on how to best protect stu- organization Nick Smith. by completing a commu- dents and employees from COVID-19. nity survey. This survey will allow the WCAA to New program determine awareness of the Will masks be required organization and its current aimed at See ARTS, A7 introducing in city, county schools? Sumiton Park girls to Education officials outline COVID policies for schools and Rec Board approved in career in law By NICOLE SMITH tocols. “There will be no mask mandate for Daily Mountain Eagle Walker County Schools, but they are cer- called meeting tainly encouraged.” enforcement As it stands, face masks Dr. Ann Jackson, superintendent for will not be required in city Jasper City Schools, said the school system’s By ED HOWELL Daily Mountain Eagle By JENNIFER COHRON or county schools in the plan has been for no masks to be required in Daily Mountain Eagle upcoming school year, but schools. -
T.R. Suleyman Demirel University Institute of Social Sciences Department of Western Languages and Literature English Language and Literature
T.R. SULEYMAN DEMIREL UNIVERSITY INSTITUTE OF SOCIAL SCIENCES DEPARTMENT OF WESTERN LANGUAGES AND LITERATURE ENGLISH LANGUAGE AND LITERATURE SOCIAL AND POLITICAL SATIRE IN SELECTED PLAYS OF JOHN OSBORNE Ph.D. Thesis Abdul Aljaleel Fadhıl Jamaıl AL-JAMAIL 1340224505 Supervisor Prof. Dr. Ömer ŞEKERCİ ISPARTA-2019 T.C. SÜLEYMAN DEMİREL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ BATI DİLLERİ VE EDEBİYATI ANABİLİM DALI İNGİLİZ DİLİ VE EDEBİYATI BİLİM DALI JOHN OSBORNE'UN SEÇİLMİŞ OYUNLARINDAKİ SOSYAL VE POLİTİK HİCİV DOKTORA TEZİ Abdul Aljaleel Fadhıl Jamaıl AL-JAMAIL 1340224505 Danışman Prof. Dr. Ömer ŞEKERCİ ISPARTA-2019 (AL-JAMAIL, Abdul Aljaleel Fadhıl Jamaıl, Social and Political Satire in Selected Plays of John Osborne, Ph.D Thesis, Isparta, 2019) ABSTRACT The core of this study is an enquiry into the rebel hero as reflected in the selected plays by John Osborne. It tries to discuss the dramatic climate in England in the aftermath of the Second World War, with special concentration on the factors influencing upon and leading to the emergence of the new English drama in the late fifties. The chapter deals with a brief analysis of the “Angry Young Men Movement” and the rebel or outsider figure in post-war English literature in terms of studying the different theories concerning his origin characteristics and the various causes motivating him to rebellion. The study attempts to investigate the rebel hero in Osborne's plays Look Back in Anger (1956), The Entertainer (1957), and Luther (1961) respectively The subject is pursued by investigating the various social, political, economic, and psychological causes inducing the main character in these texts to adopt a rebellious stance, the targets as well as the alternatives which Osborne's rebel sees as possible solutions to his problems. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
Die Hard 2 1990
DIE HARD 2 Screenplay by Doug Richardson Revisions by Steven E. de Souza SHOOTING SCRIPT November 16, 1989 rS!""F:~-=-,70-,..~---.=-~-=~=-'• ..-~--" ,· i¥ -- · • .;..,,,.,,,.,...,....,....__.___.,--., I (X) DIE HARD 2 WHILE WE'RE IN BLACK we HEAR a PNEUMATIC "KA-CHUNK" and then MCCLANE'S VOICE Holy shit, whoa, whoa - FADE IN: 1 EXT. DULLES TERMINAL - DAY 1 JOHN MCCLANE, long topcoat FLAPPING, comes running out of the terminal towards an AIRPORT COP in ~lastic covered uniform who is supervising a TOW TRUCK DRIVER who in turn is manhandling a sedate sedan with Virginia plates and a "GRANDMOTHER ON BOARD" sign on the rear window. MCCLANE I'm here, I'm here, false alarm, let's just let her down nice and easy - COP sure. At the impound lot. (pointing) Next time, read the sign. MCCLANE You don't understand, I'm just meeting my wife's·plane - you gotta give me this car back. COP sure. Tomorrow B to four, you pay 40 bucks, we give it back. MCCLANE This is my mother in law 1 ·s car. She already hates me because I'm not a dentist - . (showing·badge) See, I'm a cop. LAPD. How about some team spirit? COP I was in IA once. Hated it. CONTINUED 2 (X) 1 CONTINUED - 1 MCCLANE (going with the flow) I can relate to that. Hate it myself (turning to tow guy) Hey, that's a plastic fender, Jesus- (back to cop) See, I used to be a New York cop still got my ID somewhere -I only moved 'cause my wife got promoted - look, maybe we can settle this right here, we're in Washington, heartbeat of Democracy, one hand washes the other He realizes the truck is DRIVING AWAY one way while the cop is going off the other way - Mcclane votes for the cop - MCCLANE Hey, c'mon, it's Christmas - COP So ask Santa to bring you another car. -
The Narrative Functions of Props Portable Communication Devices in Die Hard (1988) & Die Hard 2: Die Harder (1990)
Lund University Rasmus Mathias Carlsson Centre for Languages and Literature FIMT08, Spring 2018 Master Program in Film- and Media History Master’s Thesis Supervisor: Assoc. Prof. Marie Cronqvist Seminar Date: 30-05-2018 The narrative functions of props Portable communication devices in Die Hard (1988) & Die Hard 2: Die Harder (1990) Abstract The current study set out to investigate the narrative functions of prop’s that takes the particular form of portable communication devices (more specifically walkie-talkies and airplane phones) in Die Hard (1988) and Die Hard 2: Die Harder (1990). The methodology used was the semiotic concepts of denotation and connotation with a supporting theoretical framework that consisted of two principal forms of prop’s called Instrumental and Contextualized together with Antoni Smuszkiewiez’ definition of the concept. It was found that the narrative functions of the walkie-talkies shift and change throughout each film. They entail the possibility of creating and influencing certain narrative contexts; at one moment, the walkie-talkie has the function of providing the spectator with important narrative information required in order to understand the wholeness of the narrative; in another instance, it rather functions as the main narrative instrument which enables, generates and initiates narrative contexts that are contingent on it (and the airplane phone). It was also corroborated that the level of narrative suspense, motion and pace differs depending on whether the protagonist has access to a walkie-talkie or not. The airplane phone in Die Harder was determined to have a similar narrative function as the walkie-talkies do. Yet, the difference is that it isn’t used by either the protagonist or the antagonist of the narrative. -
University Microfilms
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The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Information Series
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Information Series CHESTER H. OPAL Interviewed by: G. Lewis Schmidt Initial interview date: January 10, 1989 C pyright 1998 ADST TABLE OF CONTENTS Background State Department 946 Information Officer, Poland 946- 949 Thoughts on Liberation policy (OA in Poland Declared Personal Non Grata Italy 949- 950 Information on Fifth Column .nvironment Planning Staff in 0ashington Communism in 0artime 0ork on the atom bomb (OA Paper on 1S culture abroad Setting up the NATIS Negotiating 2ith Soviets 0riting for .leanor 3oosevelt Integrating info man on State4s planning staff PAO, (ienna 952- 953 7y Novel about (ienna and 7cCarthyism Operating regionally in 7e8ico 954- 956 (isit of (ice President Ni8on 7ysterious helicopter journey to Panama Study of The Family of 7an .8hibit 9uarrel 2ith Ted Streibert, Director Naval 0ar College 956 1 Dulles Liberation Policy .uropean Policy 2ith Local .mployees 7y Paper on Total Diplomacy Country PAO, Saigon 957- 960 People4s Capitalism 7inorities Special Security Investigation of 7yself 3eturn to 0ashington Deputy Director of Television Service 96 Paper on Second-Stage 3evie2s and Appointment Special Asst. to 7urro2 Schmidt Task Force on .urope Beirut 964- 966 .nd of government career 3eflections on government service and 1S society INTERVIEW &: Chet, I w uld like t have y u start ut by giving us a brief backgr und n y ur activities, what y ur educati n was, what y ur rigins were and s f rth. F ll w that with a sh rt statement f h w it was that y u g t started in the inf rmati n w rk f r the federal g vernment, and after that y u take it fr m there, start discussing y ur vari us assignments and what y u were d ing. -
Internet Filters a Public Policy Re P O R T
MARJORIE HEINS, CHRISTINA CHO AND ARIEL FELDMAN Internet Filters A PUBLIC POLICY RE P O R T SECOND EDITION, FULLY REVISED AND UPDATED WITH A NEW INTRODUCTION The Brennan Center for Justice, founded in 1995, unites thinkers and advocates in pursuit of a vision of inclusive and effective democracy. The Free Expression Policy Project founded in 2000, provides research and advocacy on free speech, copyright, and media democracy issues. FEPP joined the Brennan Center in 2004. Michael Waldman Executive Director Deborah Goldberg Director Democracy Program Marjorie Heins Coordinator Free Expression Policy Project The Brennan Center is grateful to the Robert Sterling Clark Foundation, the Nathan Cummings Foundation, the Rockefeller Foundation, and the Andy Warhol Foundation for the Visual Arts for support of the Free Expression Policy Project. Thanks to Kristin Glover, Judith Miller, Neema Trivedi, Samantha Frederickson, Jon Blitzer, and Rachel Nusbaum for research assistance. 2006. This work is covered by a Creative Commons “Attribution – No Derivatives – Noncommercial” License. It may be reproduced in its entirety as long as the Brennan Center for Justice, Free Expression Policy Project is credited, a link to the Project’s Web site is provided, and no charge is imposed. The report may not be reproduced in part or in altered form, or if a fee is charged, without our permission (except, of course, for “fair use”). Please let us know if you reprint. Cover illustration: © 2006 Lonni Sue Johnson Contents Executive Summary • • • • • • • • • • • • • -
Die Hard 58 Minutes Pour Vivre
Die hard 58 minutes pour vivre 58 minutes pour vivre est un film réalisé par Renny Harlin avec Bruce Willis, William Patrick Poivey: la saga «Die Hard» vue par le John McClane français. 58 minutes pour vivre, un film de Renny Harlin. Patrick Poivey: la saga «Die Hard» vue par le John. Pour plus de détails, voir Fiche technique et Distribution. 58 minutes pour vivre (Die Hard 2: Die Harder) est un film d'action américain réalisé par Renny Harlin, Synopsis · Fiche technique · Production · Autour du film. The paradise of all download and streaming, you will find all your happiness on. Bande annonce du film "58 minutes pour vivre" %20&% 58 mn pour vivre Die Hard 2 le Film Bruce Willis betrelle dont la femme de McClane, n'ont plus que. 58 minutes pour vivre () bande annonce Stuart, bien décidé à suivre, point par point, un plan diabolique. 58 Minutes is a thriller novel by American novelist Walter Wager. The title of Die Hard 2, when released in France was 58 Minutes Pour Vivre: Die Hard 2. 58 minutes pour vivre est un film de Renny Harlin. Après un Die Hard plutôt correct, on touche le fond avec le second volet des aventures de John McClane. - Achetez 58 minutes pour vivre: Die Hard 2 à petit prix. Livraison gratuite (voir cond.). Retrouvez infos & avis sur une large sélection de DVD. Die Hard 2 revient ce soir sur C8. L'occasion de replonger dans son "histoire secrète". - Achetez 58 minutes pour vivre - Die hard 2 Laser Disc à petit prix. Livraison gratuite (voir cond.). -
Wat Firitutg VOL
Committee Upholds Viet Nam Referendum Kingsbury Ruling, Results, page 7 PAGE 10 Wat firitutg VOL. LXIV No. 23 TRINITY COLLEGE, HARTFORD JANUARY 23, 1SX>8 Senate Votes Popular SDS to Sponsor Presidential Election Sympo on Vietnam In its meeting Sunday night, the "constantly underplaying its im- The College chapter of the Stu- lege support. According to SDS Senate voted to enact a major portance". Opposition was voicec dents for a Democratic Society spokesmen, while administrative change in its constitution deciding by Senator Larry Whipple '69 announced last week its sponsor- officials accoladed last year's to select its President by a pop- who found it difficult to condoni ship of a "Spring Symposium on the symposium and the faculty voted ular election by the entire student the Senate support of "such ai Vietnam War." The '68 Sympo is a commitment for a continuation body. At the same meeting it con- incredibly biased program." slated for April 23-4 and boasts of the precedent, the financial sidered parietal violations and a In its last action, the Senati Noam Chomsky, Nick Egleson, and allotment for the symposium oper- planned SDS symposium on the Gar Alperovltz among its featured ation was conspicuously absent in war. defeated a move which called upoi the Medusa and Dein of Student; guests. the college budget. With the Col- While turning over ths election to reconsider its decision to sew Sympo '68 will follow the format lege reneging on its commitment, of its President to the student body a parietal violation before the 3-: of its 1967 predecessor but will explains Sympo-Co-chairman Stu- in the interest of "greater com- Faculty-Medusa Committee. -
Florida State University 2005-06 Fact Book
THE FLORIDA STATE UNIVERSITY 2005-06 FACT BOOK Budget and Analysis Department 321 Westcott, Florida State University Tallahassee, FL 32306-1360 (850) 644-4203 http://www.ir.fsu.edu/ May 2006 Executive Summary of Statistics First Time in College (FTIC) Admission Statistics (summer/fall applications) 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 Applied 15,787 17,535 17,309 19,847 22,741 21,792 21,046 22,438 22,127 22,450 Admitted 11,949 13,293 13,268 13,243 14,410 14,856 14,777 14,465 14,307 14,016 Enrolled 4,007 4,510 5,135 5,131 5,655 5,766 6,387 6,096 6,240 6,067 Average SAT Enrolled 1123.3 1127.5 1147.4 1156.4 1156.2 1166.7 1145.6 1158.3 1163.8 1159.2 Average ACT Enrolled 23.3 23.9 23.3 24.4 24.3 24.6 24.1 24.5 24.6 24.9 New FTIC Students by Residency (annual total) 1996-97 1997-98 1998-99 1999-00 2000-01 2001-02 2002-03 2003-04 2004-05 2005-06 In-state 3,148 3,571 4,147 4,127 4,631 4,485 5,382 5,295 5,515 5,347 Foreign 149 190 159 151 176 188 217 163 148 154 Out-of-State 753 782 939 990 934 1,174 917 736 686 666 Total 4,050 4,543 5,245 5,268 5,741 5,847 6,516 6,194 6,349 6,167 Student Enrollment - Fall Semesters 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 Full-time Undergraduate 19,926 20,311 21,232 22,238 23,226 24,010 25,434 26,010 26,679 27,217 Part-time Undergraduate 2,482 2,539 2,643 2,908 3,196 3,115 3,306 3,287 3,336 3,201 Full-time Graduate 3,747 3,633 3,718 4,086 4,185 4,268 4,460 4,718 5,009 5,237 Part-time Graduate 2,182 2,270 1,967 2,129 2,182 2,049 2,145 2,133 2,447 2,689 Full-time Unclassified 208 151 141 266 -
Neil Hollands. Adaptation of Novels Into Film—A Comprehensive New Framework for Media Consumers and Those Who Serve Them
Neil Hollands. Adaptation of Novels into Film—a Comprehensive New Framework for Media Consumers and Those Who Serve Them. A Master's paper for the M.S. in L.S. degree. April, 2002. 75 pages. Advisor: David W. Carr This study tests the correlation of consumer reviews of novels and the films adapted from them to determine whether the rating of one media form can predict the rating of its partner film or novel. A data set of 1470 movie adaptations released between 1981 and 2000, and the novels from which they came is utilized, employing information from the Internet Movie Database and Amazon. The study finds a significant correlation between the two ratings, but a limited ability of that correlation to explain the full difference between the scores. Analysis of results defines a framework of 14 personal, creative, formal, and environmental differences between novel and film, and three key commonalities: narrative core, symbiotic effect, and comparative act. Related actions and recommendations for further research, particularly for librarians, are suggested. Headings: Film and television adaptations Film and television adaptations—Evaluation ADAPTATION OF NOVELS INTO FILM—A COMPREHENSIVE NEW FRAMEWORK FOR MEDIA CONSUMERS AND THOSE WHO SERVE THEM by Neil Hollands A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina April, 2002 Approved by: ___________________________ David W. Carr, Advisor 1 Introduction Browsing in my local public library, I discovered a display entitled “Don’t Judge a Book by Its Movie.” Beneath the rack were rows of classic fiction.