Download Programme (.Pdf)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Jacob's Pillow Announces Full Schedule of Virtual
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR MORE INFORMATION AND PHOTOS CONTACT: Nicole Tomasofsky, Interim Director of Marketing & Communications [email protected] JACOB’S PILLOW ANNOUNCES FULL SCHEDULE OF VIRTUAL FESTIVAL WITH A MODEL THAT SHARES DONATIONS FOR PERFORMANCES WITH ARTISTS July 1, 2020 (Becket, MA) —Jacob’s Pillow, home to the longest-running dance festival in the United States, launches a Virtual Festival with eight weeks of free programming, July 7-August 29. Weekly highlights feature streams of beloved Festival performances from the past ten years, a series of new PillowTalks with leaders in the dance field, an online version of the beloved intergenerational movement class Families Dance together, and a new Master Class Series from The School at Jacob’s Pillow. Attendees are encouraged to make a contribution in lieu of purchasing a ticket and fifty percent of donations for performances will be shared with the artists featured. Community Engagement events will share proceeds with local community organizations. “After we canceled our on-site Festival due to the global pandemic, we soon realized the need to fulfill our mission by engaging artists and audiences in a quintessential summer experience from Jacob’s Pillow virtually,” says Jacob’s Pillow Executive & Artistic Director Pamela Tatge. “The civic organizing and protests confronting racism and inequality in our country greatly impacts our organization’s decision-making. The model we envision is one that is free for all, made more accessible by being entirely online, pays artists and scholars for their time, and provides artists with additional support during a time when many have lost their income. -
NORDIC COOL 2013 Feb. 19–Mar. 17
NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis). -
The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland
Nordic Journal of African Studies 1(2): 82–93 (1992) The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland The question has frequently been asked: would Finland exist as a nation state without Lönnrot's Kalevala? There is no need to answer this, but perhaps we may assume that sooner or later someone would have written the books which would have formed the necessary building material for the national identity of the Finns. During the mid 1980s, when the 150th anniversary of the Kalevala was being celebrated in Finland, several international seminars were held and thousands of pages of research and articles were published. At that time some studies appeared in which the birth of the nation state was examined from a pan-European perspective. SMALL NATION STATES "The nation state - an independent political unit whose people share a common language and believe they have a common cultural heritage - is essentially a nineteenth-century invention, based on eighteenth-century philosophy, and which became a reality for the most part in either the late nineteenth or early twentieth century. The circumstances in which this process took place were for the most part marked by the decline of great empires whose centralised sources of power and antiquated methods of administrations prevented an effective response to economic and social change, and better education, with all the aspirations for freedom of thought and political action that accompany such changes." Thus said Professor Michael Branch (University of London) at a conference on the literatures of the Uralic peoples held in Finland in the summer of 1991. -
Nordic Countries
2017 THE NORDIC COUNTRIES MADE IN 2017 NO BORDERS We in the arts can take centre stage and show that the ability to collaborate is one of the finest things in humanity, and is crucial for our survival. The Nordic countries have a long-standing tradition of working together, and the MADE IN project, its catalogue and website, is a small yet great example of that. Artists, leaders and promoters in the performing arts from five countries have come together to jointly present their information on what they are all doing right now and in the near future. This is the fifth edition, and for the first time, we’ve decided not to list the catalogue by country, as we chose to fully commit to our manifesto for no borders between Nordic performing arts organisations. You are all welcome to start your communication with any of us, as in front of you is a network of fearless artists not unlike their Viking ancestors. ÅSA EDGREN Editor in Chief, MADE IN the Nordic Countries 2017 3 CONTENT MADE IN 2017 - No Borders 3 CONTENT 4 - 5 THE NORDIC COUNTRIES & CITIES 6 MAP 7 ABOUT MADEIN-THEWEB.COM 8 - 9 ARTISTS, COMPANIES & PROJECTS 10 - 121 Aaben Dans 10 Andersson Dance/Örjan Andersson 12 Arja Tiili Dance Company 14 Art of Spectra 16 Björn Säfsten 18 Black Box Dance Company 20 Byström Källblad 22 Carte Blanche 24 Charlotta Öfverholm/Age on Stage 26 Charlotte Engelkes Production 28 Christina Tingskog/Relative Dance Production 30 Cinnober Teater 32 Cirka Teater 34 Cirkus Cirkör 36 4 CONTENT ARTISTS, COMPANIES & PROJECTS cont. -
Download Booklet
8.570763 SIBELIUS bk EU.qxp:NAXOS 10/8/08 6:42 PM Page 6 Zealand composers, the orchestra records at least one CD of New Zealand music annually. The NZSO has a strong relationship with Naxos, recording repertoire as diverse as Elgar (three discs), Ferdinand Ries, Beethoven, Bernstein, Copland, Lilburn, Sculthorpe, Frank Bridge, Akutagawa, Mendelssohn, Honegger, Liszt, and Vaughan Williams. Over one million of these CDs have been sold internationally in the last decade and they have received critical acclaim. NZSO discs (Hummel, Elgar and Bernstein) were chosen for the “Editor’s Choice” section of SIBELIUS Gramophone in 2004 and Lilburn’s Orchestral Works (8.557697) was chosen in 2006. Also available: Website: www.nzso.co.nz Night Ride and Sunrise Photo by Jon Barraclough Belshazzar’s Feast • Kuolema New Zealand Symphony Orchestra Pietari Inkinen 8.570068 8.570069 8.570763 6 5 8.570763 8.570763 SIBELIUS bk EU.qxp:NAXOS 10/8/08 6:42 PM Page 2 Jean Sibelius (1865-1957) woodwind instruments. The music continues in its livelier major key and a theme for the cornets, a section Pietari Inkinen Night Ride and Sunrise • Belshazzarʼs Feast • Pan and Echo • Kuolema suggestion of a Nordic sunrise, in a language that is of the work that finds a place for castanets in Pietari Inkinen is fast establishing himself as one of the most exciting talents of Dryad and Tanz-Intermezzo immediately identifiable as that of Sibelius. reinforcement of the prevailing rhythm, as its takes its Pan and Echo (Tanz-Intermezzo No. 3) was written light-hearted course. -
Program Notes November 9, 2019 Wagnerian Music Dramas
Program Notes November 9, 2019 Wagnerian music dramas. Sibelius soured on Wagner’s The Swan of Tuonela from Four Legends compositional methods soon thereafter, and The Swan from the Kalevala, Op. 22 of Tuonela was published with three other short symphonic poems as the suite Four Legends from JEAN SIBELIUS (1965 - 1957) the Kalevala, Op. 22. Each of the four works depicts an adventure from the life of the mythic Finnish hero As Jean Sibelius came to maturity as man and Lemminkäinen, the central figure of the Kalevala, musician, his country lived under the growing A the national epic of Finland. threat of absorption into the Russian Empire. Finland Sibelius inscribed the following words on the score: had been a Grand Duchy of Russia since 1809, but “Tuonela, the land of death, the hell of it enjoyed a great degree of autonomous freedom, Finnish mythology, is surrounded by a with its own parliament and court system. Starting large river of black waters and a rapid during the reign of Czar Alexander III and continuing current, in which The Swan of Tuonela with Nicolas II, Russia began to limit the rights of glides majestically, singing.“ Finns, curtailing the authority of parliament, mandating Sibelius scores the work for solo English horn, military service and eventually dissolving the oboe, bass clarinet, two bassoons, four horns, three Finnish army. trombones, timpani, bass drum, harp and muted Rather than taking up arms, the Finns fought back strings – an ensemble of dark orchestral colors suitable with their culture against the encroachment on their for depicting the desolation of Tuonela. -
People Features Performances
People 8 Mark Baldwin DEBORAH WEISS catches up with Rambert Dance Company’s director 28 Johannes Öhman MAGGIE FOYER meets a major player in Swedish dance 32 Obituaries Richard Cragun, Mirta Hermida, Nigel Charnock and Kerry Woodward remembered 52 Keenan Kampa JENIFER SARVER meets the first American dancer to join the Mariinsky Ballet CONTENTS Features 22 The Top 100 Performances An international jury of critics and writers nominate outstanding dancers 14 Swan Lake of the 2011-12 season MAGGIE FOYER admires performances that are a tribute to ENB’s departing director 63 Media Reviews of Mandela’s Dancers documentary 18 Gauthier Dance 5 Years On and Martha Graham in Love and War DWAYNE HOLLIDAY reflects on the achievements of the Stuttgart company 64 One Year On MAGGIE FOYER catches up with six young 36 Tchaikovsky Trilogy dancers at the end of their first year MIKE DIXON considers Peter Schaufuss’s with a professional company take on three traditional ballets 6 Entre Nous 38 Grec CLÀUDIA BRUFAU BONET contemplates new 60 Auditions perspectives on dance in Barcelona 80 Diary 86 People Front cover: Northern Ballet - Hannah Bateman and Javier Torres in David Nixon’s Ondine. Photo: E. Kauldhar/Dance Europe. Contents page photos: Dance Europe, The Mariinsky Theatre DANCE EUROPE October 2012 3 production sponsors DANCE EUROPE 42 Ondine Founded in 1995 ISSN: 1359-9798 MIKE DIXON savours the UK premiere of P.O. Box 12661, London E5 9TZ,UK David Nixon’s exquisite staging for Tel: +44 (0)20 8985 7767 Northern Ballet %%%% www.danceeurope.net http://dropbox.yousendit.com/DanceEurope -
Topi Lehtipuu
Topi Lehtipuu Tenor, Curator The greatest hero of the performance was Topi Lehtipuu, whose holistic expression was captivating. Rondo Magazine, Third Practice, Tero Saarinen Company, 2019 Topi Lehtipuu enjoys a reputation as one of Finland’s most highly individual artists. Extremely versatile and a highly-skilled stage performer, he is renowned for repertoire ranging from early music, through Bach, Mozart and classical composers, to contemporary creations. His collaborations include conductors such as Ivor Bolton, René Jacobs, Sir John Eliot Gardiner, Riccardo Muti, Sir Simon Rattle, Esa-Pekka Salonen and Daniel Harding, and directors including Alex Ollé, Claus Guth, Yannis Kokkos, Barrie Kosky, Laurent Pelly and Peter Sellars. Topi also enjoys a career as artistic consultant and curator. He was Director of the Helsinki Festival from 2015 to 2018, a wide-ranging and innovative multi-arts festival and a major event in Finland’s cultural year. He was also artistic director of Turku Music Festival from 2010 to 2015, and Joroinen Music Days, a chamber music festival in eastern Finland. Recent highlights include the creation of the role of The Creature in Frankenstein by Mark Gray, commissioned by La Monnaie/De Munt, as well as participation in a new multi-disciplinary dance and vocal project featuring music by Monteverdi - Third Practice - with renowned dance group Tero Saarinen Company. Other recent projects included the role of The Witch in Hänsel & Gretel with the Melbourne Symphony Orchestra and Sir Andrew Davies, as well as a return to MozartWoche, Salzburg. In Europe he appears regularly in Berlin, Brussels, Savonlinna, London, Paris, Salzburg and Vienna. -
2001-2002 Season Schedule
Press Release FOR IMMEDIATE RELEASE: March 6, 2012 The John F. Kennedy Center for the Performing Arts announces Nordic Cool 2013 International Festival of Theater, Dance, Music, Visual Arts, Literature, Design, and Film To Highlight Culture of Denmark, Finland, Iceland, Norway, and Sweden As Well as Territories of Greenland, the Faroe and Åland Islands In Ticketed and Free Events Throughout the Kennedy Center February 19 – March 17, 2013 (WASHINGTON, D.C.)—From February 19 to March 17, 2013, the John F. Kennedy Center for the Performing Arts presents an unprecedented festival highlighting the culture of the Nordic countries— Denmark, Finland, Iceland, Norway, Sweden—and the territories of Greenland, the Faroe, and Åland Islands. Continuing the Center’s tradition of producing renowned international celebrations by curating traditional and contemporary expressions of theater, dance, music, visual arts, literature, design, and film, this Festival will also explore the interplay of themes central to Nordic life, such as nature, technological innovation, environmental sustainability, entrepreneurial spirit, and youth culture. Seeking to answer the question of what is “Nordic,” this Festival aspires to offer clarity on a region of the world whose dynamic culture and creative economy have seemed elusive to many, particularly in America. By exploring the region’s cultural diversity, the Kennedy Center aims to foster an appreciation of the Nordic heritage, and an understanding of the region’s emerging global influence. In addition to the performing arts, New Nordic Cuisine will be highlighted in the Kennedy Center’s restaurants and demonstrations by the region’s renowned chefs will be featured on the Millennium Stage. -
1485945431-BIS-9048 Booklet.Pdf
Disc 1 Playing Time: 80'00 SIBELIUS, Johan [Jean] Christian Julius (1865–1957) Kullervo, Op. 7 (1892) (Breitkopf & Härtel) 79'29 for soloists, male-voice choir and orchestra (text: Kalevala) 1 I. Introduction. Allegro moderato 12'46 2 II. Kullervo’s Youth. Grave 19'05 3 III. Kullervo and his Sister. Allegro vivace 25'55 4 IV. Kullervo Goes to War. Alla marcia [Allegro molto] – Vivace – Presto 9'41 5 V. Kullervo’s Death. Andante 11'19 2 Disc 2 Playing Time: 34'05 KORTEKANGAS, Olli (b. 1955) Migrations (2014) (Fennica Gehrman) 25'22 for mezzo-soprano, male voice choir and orchestra (text: Sheila Packa) Commissioned by the Minnesota Orchestra · Recorded in the presence of the composer 1 I. Two Worlds 3'40 2 II. First Interlude 2'57 3 III. Resurrection 5'10 4 IV. Second Interlude 3'27 5 V. The Man Who Lived in a Tree 2'19 6 VI. Third Interlude 3'29 7 VII. Music That We Breathe 4'20 SIBELIUS, Jean 8 Finlandia, Op. 26 (1899, rev.1900) (Breitkopf & Härtel) 8'19 with choir participation (text: V.A. Koskenniemi) TT: 114'05 YL Male Voice Choir Pasi Hyökki chorus-master Minnesota Orchestra Erin Keefe leader Osmo Vänskä conductor Lilli Paasikivi mezzo-soprano · Tommi Hakala baritone 3 Jean Sibelius: Kullervo · Finlandia The Kalevala, Finland’s national epic in fifty ‘runos’ (‘poems’), was assembled by Elias Lönnrot, a doctor, from Karelian folk originals and published in 1835; a revised edition followed in 1849. It would be difficult to overestimate the impact of this remark able work on Finnish culture at all levels, especially during the years when Finland, a Grand Duchy of the Russian Empire, found its autonomy under increasing threat – a period that broadly coincided with the early part of Sibelius’s active career as a composer. -
Boston Symphony Orchestra Concert Programs, Season
SECOND CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Thirty-first Season, J9H-J9J2 MAX FIEDLER, Conductor frogramm* of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 28 AT 8.00 i COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER : : Vladimir De Pachmann The Greatest Pianist Of the 20th Century ON TOUR IN THE UNITED STATES SEASON: 1911-1912 For generations the appearance of new stars on the musical firmament has been announced — then they came with a temporary glitter — soon to fade and to be forgotten. De Pachmann has outlived them all. With each return he won additional resplendence and to-day he is acknowl- edged by the truly artistic public to be the greatest exponent of the piano of the twentieth century. As Arthur Symons, the eminent British critic, says " Pachmann is the Verlaine or Whistler of the Pianoforte the greatest player of the piano now living." Pachmann, as before, uses the BALDWIN PIANO for the expression of his magic art, the instrument of which he himself says " .... It cries when I feel like crying, it sings joyfully when I feel like singing. It responds — like a human being — to every mood. I love the Baldwin Piano." Every lover of the highest type of piano music will, of course, go to hear Pachmann — to revel in the beauty of his music and to marvel at it. It is the beautiful tone quality, the voice which is music itself, and the wonderfully responsive action of the Baldwin Piano, by which Pachmann's miraculous hands reveal to you the thrill, the terror and the ecstasy of a beauty which you had never dreamed was hidden in sounds. -
Tero Saarinen Company (Finland) October 27 & 28, 2017, 8Pm Vancouver Playhouse, 600 Hamilton Street
MEDIA RELEASE Media Contact: Marnie Wilson at 604.836.2409 [email protected] DanceHouse presents Morphed by Tero Saarinen Company (Finland) October 27 & 28, 2017, 8pm Vancouver Playhouse, 600 Hamilton Street VANCOUVER, BC / 19 September 2017 — In the spirit of Finland’s centennial, DanceHouse is pleased to kick off its 10th anniversary season with the Vancouver debut of celebrated Finnish troupe Tero Saarinen Company. Led by dancer-choreographer Tero Saarinen, the company will perform Morphed, an evening length work for seven male dancers. Hailed as a masterpiece of opposing forces and frictions, Saarinen’s choreography tackles themes of change and sensuality in a fresh exploration of masculinity. Recognized for his multidimensional artistry, Saarinen does not disappoint with Morphed, which brings together powerful movement, stunning visual landscapes and a bold score. Mikki Kunttu’s sets highlight a world constantly on tilt, as the dancers tangle and navigate through a forest of dancing ropes surrounding the stage. The work is performed to three pieces by acclaimed orchestra conductor and composer Esa-Pekka Salonen— Concert étude for solo horn (2000), Foreign Bodies (2001), and Violin Concerto (2009)—each notable for its kinetic quality and innate musical duality. Saarinen’s choreography further expands on these existing musical themes, submerging the audience in a striking world of sensitivity, heroism and all that lies between. “In Morphed, [Saarinen] casts seven male dancers of varying styles and ages and they are most definitely blokes, not boys, who move with rough-hewn heft, as well as moments of refinement and richness.” – Evening Standard About Tero Saarinen Company: Founded in 1996, Tero Saarinen Company has since captivated audiences in over 40 countries and is celebrated as one of Finland’s leading dance troupes.