DOCSLIB.ORG

Trick Daddy Trick Daddy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Trick Daddy Trick Daddy OZONE MAGAZINE BETCHA CAN’T DO IT LIKE ME JUNE 2006 2006 JUNE ME LIKE IT DO CAN’T BETCHA MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE 20 TRICKTRICK ESSENTIAL SOUTHERN DADDYDADDY ALBUMS STILLSTILL THUGGIN’THUGGIN’ UGK DAVIDDAVID BANNERBANNER OUTKAST IS NOT RICH, B*TCH GETO BOYS IS NOT RICH, B*TCH THREE 6 MAFIA BLOODRAWBLOODRAW & MORE CLASSICS BEATSBEATS THETHE FEDSFEDS JACKSON, MS: WHYWHY ISIS SOUL OF CAM’RONCAM’RON THE SOUTH ATAT RIKER’SRIKER’S ISLAND?ISLAND? DADA MUZICIANZMUZICIANZ GHOSTFACEGHOSTFACE TOOTOO SHORTSHORT YUKMOUTHYUKMOUTH LILLIL ROBROB PIMPPIMP CC B.H.I.B.H.I. YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE R.I.P. PROOF DAVID BANNER IS NOT RICH, B*TCH BLOODRAW BEATS THE FEDS CAM’RON’S IN RIKERS ISLAND TRICK DADDY STILL THUGGIN’ D-ROC & GHOSTFACE TOO SHORT DA MUZICIANZ YUKMOUTH BROTHERLY LOVE LIL ROB 20 B.H.I. ESSENTIAL SOUTHERN ALBUMS UGK, OUTKAST GETO BOYS, THREE 6 MAFIA & MORE CLASSICS jun06contents PUBLISHER/EDITOR: Julia Beverly MUSIC EDITOR: Maurice G. Garland ASSOCIATE EDITOR: Matt Sonzala COVER STORIES COPY EDITOR: Carlton Wade Trick Daddy pg 60-63 ADVERTISING SALES: Che’ Johnson (Gotta Boogie) Da Musicianz pg 58-59 Gary LaRochelle LEGAL AFFAIRS: Kyle P. King, P.A. (King Law Firm) INTERVIEWS MARKETING & PROMOTIONS: David Banner pg 74-77 Malik “Copafeel” Abdul Bishop of Crunk pg 24 SUBSCRIPTIONS MANAGER: Destine Cajuste Yukmouth pg 82-83 ADMINISTRATIVE: Too Short pg 78-80 Ashlee Brathwaite Cam’Ron pg 66-68 Cordice Gardner Nikki Kancey Ghostface pg 34 CONTRIBUTORS: BloodRaw pg 26 ADG, Amanda Diva, Bogan, Charles Parsons, Chuck T, E-Feezy, Edward Lil Rob pg 42 Hall, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kami- kaze, Keadron Smith, Keith Kennedy, FEATURES K.G. Mosley, Killer Mike, King Yella, Lisa Jackson, MS pg 70-72 Coleman, Marcus DeWayne, Mercedes (Strictly Streets), Natalia Gomez, Noel R.I.P. Proof pg 20 Malcolm, Ray Tamarra, Rico Da Crook, Robert Gabriel, Rohit Loomba, Shannon A Bad Day in P.A. pg 28 McCollum, Spiff, Swift, Wally Sparks, Wendy Day STREET REPS: Al-My-T, B-Lord, Big Teach (Big Mouth), Bigg C, Bigg V, Black, Brian Franklin, Buggah D. Govanah (On Point), Bull, C Rola, Cedric Walker, Chill, Chilly C, Chuck T, Controller, David Muhammad, Delight, DJ Dap, DJ Marquis, Dolla Bill, Dwayne Barnum, Dr. Doom, Ed the 20 ESSENTIAL SOUTHERN ALBUMS World Famous, Episode, General, Haziq Intro pg 85 Ali, H-Vidal, Hollywood, J Fresh, Jammin’ Jay, Janky, Judah, Kamikaze, KC, Klarc As Nasty As They Wanna Be pg 86 Shepard, Kuzzo, Kydd Joe, Lex, Lil D, Lump, Marco Mall, Mr. Lee, Music & ATLiens pg 87 More, Nick@Nite, Pat Pat, PhattLipp, Pimp G, Quest, Raj Smoove, Rippy, Comin’ Out Hard pg 88 Rob-Lo, Stax, TJ Green, TJ’s DJ’s, 400 Degreez pg 89 Trina Edwards, Vicious, Victor Walker, Voodoo, Wild Billo, Young Harlem Get It How U Live!! pg 90 DISTRIBUTION: Ghetto D pg 91 Curtis Circulation, LLC Kings of Crunk pg 92 To subscribe, send check or money Mind of Mystikal pg 93 order for $11 to our NEW ADDRESS: Ozone Magazine, Inc. Mr. Scarface Is Back pg 94 1310 W. Colonial Dr. Suite 10 Orlando, FL 32804 Ridin’ Dirty pg 95 Phone: 407-447-6063 Fax: 407-447-6064 Soul Food pg 96 Web: www.ozonemag.com Southernplayalisticadillacmuzik pg 97 Cover credits: Da Muzicianz photo by MONTHLY SECTIONS The Dude pg 98 Ray Tamarra; Camron photo by Roger Erickson; Atiba photo by Malik Abdul. DJ Profile pg 32 3 N’ The Mornin’ pg 99 OZONE Magazine is published eleven Chin Check pg 22 times annually by OZONE Magazine, Trap Muzik pg 100 Inc. OZONE does not take responsibility JB’s 2 Cents pg 17 TRU 2 Da Game pg 101 for unsolicited materials, misinformation, typographical errors, or misprints. The Industry 101 pg 30 Untouchable pg 102 views contained herein do not neces- sarily reflect those of the publisher or its Feedback pg 12-14 We Can’t Be Stopped pg 103 advertisers. Ads appearing in this maga- CD Reviews pg 108 zine are not an endorsement or valida- When The Smoke Clears pg 104 tion by OZONE Magazine for products or Mix CD Reviews pg 112 services offered. All photos and illustra- www.thug.com pg 105 tions are copyrighted by their respective Photo Galleries pg 19-41 artists. All other content is copyright 2006 OZONE Magazine, all rights reserved. No Patiently Waiting pg 46-54 portion of this magazine may be repro- Groupie Confessions pg 18 duced in any way without the written con- sent of the publisher. Printed in the USA. CARA PASTORE FOR F22STUDIO.COM CARA PASTORE 10 Things I’m Hatin’ On pg 17 OZONE 11 feedback Julia, I gotta say thanks for your 2 Cents in the April issue. I once had* a mag, and your words were very inspiring. You’re the shit, keep up the fantastic work. – Victor Walker, [email protected] (Jonesboro, GA) JB, I just read your 2 Cents for the May 2006 issue. This really hit* home: “Sometimes you get so caught up in the daily grind that you forget what you were working towards in the first place.” I don’t usually write or respond to editorials (in fact, I never have), but your words inspired me to pick up my blackberry and just start typing. Your words also forced me to reflect on my daily grind and accom- plishments over the past few years. I too stand a different person and for me it’s not about the end result of the money or the fame, it’s about the process of getting there! Keep pushing and remaining true to your grind. There will always be setbacks and obstacles in the way, but remember, it’s about the process of getting there that makes it all worth it! – Albert “Big Al” Sye, [email protected] * Man! Great interviews with in-depth questions? Insightful and straight-up answers right back at ya? Tight photo shots? Good busi- Thanks for your 2 Cents in the four year anniversary issue, where ness info and opportunities? Yo, XXL and The Source, OZONE’s a real you* said it’s not about being rich it’s the process of getting there. I problem for you right now! You got the block on lock, true story! was going through some real hard times, questioning my career path, – Frosty Flakes, [email protected] my goals, my dedication, and my decisions. I was thinking about just giving it all up. Your words helped mea lot. Keep doin’ it, I’m ridin’ Your magazine reached my reservation, the Blood Reserve in with you. Southern* Alberta, Canada. Yes, I’m Native American. I saw this maga- – Eddie DeVille, [email protected] (Houston, TX) zine and thought, Yes, something new and fresh! I have the April 06 issue, and have only read to page 20, but I can tell you for sure I’ll be The mag is hot. I know you guys will go a long way. And to JB, reading this book forever. So keep them coming. thanks* for giving the real game up on publishing your own mag. I’m – Kinty Tailfeathers, [email protected] (Alberta, Canada) not going that route but your 2 Cents was what I needed to read at the time. It helped me a lot when you said, “Don’t be afraid to start Wendy Day is one of my biggest influences, and I’m so glad that you small.” You’re right, I think folks should focus on their hometown if have* her monthly column Mathematics in your magazine. Thanks for the market is there. When you get a cool buzz there, then you branch the magazine information that you put in your 2 Cents; I will take that out. The things you were saying made me think, Damn, I’m on the to heart too. Any information that can help me do my business right right page. So thanks again, JB! And to the whole OZONE staff: You is strongly appreciated, so thanks for the whole magazine. OZONE is guys are the shit! really what hip-hop is all about. – Mico Chisolm, [email protected] – Raze, [email protected] * I loved your new interview with Plies! He was running all around the When are JB and Benzino getting married? I know a lover’s spat questions you were asking about him being a school boy! He is the when* I see one. You’re cute for a slut monkey, though! Congrats on true definition of a studio gangsta. If you want to sell magazines, do putting out a good magazine. I collect good hip-hop shit. I’ve got ev- an article on rappers who rap about lies. Plies was a high school grad ery Source, XXL, Rap Pages, Blaze, King, FEDS, and Don Diva. You from Fort Myers High School with AB honor roll. Then he went on a know, real shit. I love rap. I study the whole shit. I watched every mag football scholarship to University of Miami (Ohio) where transferred come out and try to grab my couple dollars. I used to cop The Source to USF in Tampa. His older brother was in a Federal prison for three cause they had good features and youc oudl trust their rating system. years while Plies (Algernod Washington) was living in Tampa going I guess you want a mag you can trust and depend on. I fucks with you, to school part time and promoting parties. When his brother Ronnell JB.
Load more

Recommended publications
  • Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
    HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora.
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:09 Oliver Host Every episode we invite a guest to join us to talk about a heat rock, AKA an album that sizzles, but today we are going multimedia with a new series where we talk about music and movies. We’re calling it Music and Popcorn—shout-out to Morgan for coming up with that— and we’re kicking it off by taking a trip up north to the Santa Cruz boardwalk, and taking a creepy escalator down into Jordan Peele’s 2019 film, Us. 00:00:35 Music Music “I Got 5 On It (Tethered Mix)” off the album I Got 5 On It by Luniz. Slow, somewhat eerie instrumentals and vocalizations. 00:00:55 Oliver Host If someone in 2016 had asked for your opinion about Jordan Peele, you might be forgiven if you had first asked, “Wait, was he the tall guy or the short guy from Key and Peele?” [Morgan laughs.] Prior to his breakout debut film, Get Out, Peele was best known for his comedy skits, alongside partner Keegan Michael Key. But with Get Out, Peele showcased all manner of talents as a screenwriter and director by crafting one of the most lauded horror-slash-thriller films in recent years. In 2019, Peele was back with Us, a dark and at times darkly funny meditation on race, class, and equality, and the lethal shortcomings of voice-activated smart devices.
    [Show full text]
  • The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
    The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice.
    [Show full text]
  • Biiiboardtopdecember 19, 1998 TOP R&II a TM "' 48 64 95 6 98 DEGREES MOTOWN 530956 (10.98 EQ/16.98) 98 DEGREES and RISING 48
    COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE SALES REPORTS COLLECTED, COMPILED. AND PROVIDED BY SoundScan° 1111 BiIIboardTOPDECEMBER 19, 1998 TOP R&II A TM "' 48 64 95 6 98 DEGREES MOTOWN 530956 (10.98 EQ/16.98) 98 DEGREES AND RISING 48 49 50 53 10 GANGSTA BOO HYPNOTIZE MINDS 1685 / REL ATIVITY ( ' n0.9768S) ENQUIRING MINDS 15 Y zo ó V) ~ W Nw N NO I 1 w O Y G ARTIST TITLE 50 46 60 28 MASTER P A° LIMIT 53538* /PRIORITY MP DA LAST DON =3 53 G IMPRINT L Nun REL (SUGGESTED LIST PRICE OR EQUIVALENT FOR CASSETTE /CD) áá -111 PACESETTER 1- --.n No. 1 o-- 51 79 - 2 BABYFACE EPIC 69617 (11 )±8 ECbi7.98) CHRISTMAS WITH BABYFACE 51 1 2 2PAC AMARU /DEATH ROW 90301* / INTERSCOPE (19.98/24.98) 2 weeks at No. I GREATEST HITS 52 74 55 11 TRICK DADDY SLIP-N -SLIDE 2802/WARLOCK (10.98 /15.98)® WWW.THUG.COM 52 2 4 4 11 JAY -Z A' ROC- A- FELLA/DEF JAM 558902 * /MERCURY (10,98 EC1/16.98) VOL. 2... HARD KNOCK LIFE 53 41 22 4 GHETTO COMMISSION NO LIMIT 50011 * /PRIORITY (10.98/16.98) WISE GUYS 12 3 5 3 4 R. KELLY A3 JIVE 41625* (19.98/24.98) R. 54 49 52 61 JANET A' VIRGIN 44762 (11.98/17.98) THE VELVET ROPE 2 4 2 4 METHOD MAN DEF JAM 558920* /MERCURY (11.98 EQ/17.981 TICAL 2000: JUDGEMENT DAY 55 48 40 7 KENNY LATTIMORE COLUMBIA 68854 (10.98 EQ/16.98) FROM THE SOUL OF MAN 15 ICE CUBE 56 55 30 9 KURUPT ANTRA 540963/A &M (10.98 EQ/17.98) KURUPTION! 4 5 6 2 3 WAR & PEACE VOL.
    [Show full text]
  • Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
    MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G.
    [Show full text]
  • Just the Right Song at Just the Right Time Music Ideas for Your Celebration Chart Toppin
    JUST THE RIGHT SONG AT CHART TOPPIN‟ 1, 2 Step ....................................................................... Ciara JUST THE RIGHT TIME 24K Magic ........................................................... Bruno Mars You know that the music at your party will have a Baby ................................................................ Justin Bieber tremendous impact on the success of your event. We Bad Romance ..................................................... Lady Gaga know that it is so much more than just playing the Bang Bang ............................................................... Jessie J right songs. It‟s playing the right songs at the right Blurred Lines .................................................... Robin Thicke time. That skill will take a party from good to great Break Your Heart .................................. Taio Cruz & Ludacris every single time. That‟s what we want for you and Cake By The Ocean ................................................... DNCE California Girls ..................................................... Katie Perry your once in a lifetime celebration. Call Me Maybe .......................................... Carly Rae Jepson Can‟t Feel My Face .......................................... The Weeknd We succeed in this by taking the time to get to know Can‟t Stop The Feeling! ............................. Justin Timberlake you and your musical tastes. By the time your big day Cheap Thrills ................................................ Sia & Sean Paul arrives, we will completely
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Hiphop Aus Österreich
    Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet
    [Show full text]
  • “It's Gonna Be Some Drama!”: a Content Analytical Study Of
    “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here.
    [Show full text]
  • Download a PDF Version
    December 2013 Caribbean Library Journal is an open access, refereed journal of research and discussion on issues related to all aspects of libraries and librarianship in the Caribbean. Caribbean Library Journal Volume 1 TABLE OF CONTENTS Foreword Jennifer Joseph, University/Campus Librarian, The University of The West Indies ………………………….. 3 From the Editor's Desk …………………………………………………………………………………………………………………… 4 ARTICLES Exploring the Use of Text Messaging to Enhance Reference Services at The University of the West Indies Library, Mona Campus Karlene Nelson ………………………………………………………………………………………………………………………………….7 Library Orientation at The Alma Jordan Library: The Way Forward Tamara Brathwaite, Arlene Dolabaille……………………………………………………………………………………………. 25 Information Literacy through E-Learning: A Case Study of IL Training to Undergraduates at The University of the West Indies (Mona) Verna George, Karlene P. Robinson …………………………………………………………………………………………………48 Towards Academic Library Support for Entrepreneurship: A Blueprint for Reinventing our Role Martha Ingrid Preddie ……………………………………………………………………………………………………………………. 72 BOOK REVIEWS Mary Beth Weber and Fay Angela Austin. Describing Electronic, Digital, and Other Media Using AACR2 and RDA: A How-ToDo-It- Manual and CD-Rom for Librarians. New York: Neal-Schuman, 2011. 301p. ISBN 9781555706685 Reviewed by Beverley A. Wood……………………………………………………………………………………………………….. 91 Garth Lyder. The Life and Times of the Boy from Tacarigua: An Autobiography. Trinidad: Paria Publishing Company, 2010. 368p. ISBN 9789768226228.
    [Show full text]
  • Ceelo Green – Primary Wave Music
    CEELO GREEN facebook.com/ceelogreen twitter.com/CeeLoGreen instagram.com/ceelogreen/ open.spotify.com/artist/5nLYd9ST4Cnwy6NHaCxbj8 Thomas DeCarlo Callaway (born May 30, 1974), known professionally as CeeLo Green (or Cee Lo Green), is an American singer, songwriter, rapper, record producer and actor. Green came to initial prominence as a member of the Southern hip hop group Goodie Mob and later as part of the soul duo Gnarls Barkley, with record producer Danger Mouse. Internationally, Green is best known for his soul work: his most popular was Gnarls Barkley’s 2006 worldwide hit “Crazy”, which reached number 1 in various singles charts worldwide, including the UK. In the United States, “Crazy” reached number two on the Billboard Hot 100. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Goodie Mob Amazing Grays Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Big Rube Amazing Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Calm B 4 Da Storm Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Survival Kit Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Back2Back Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Try We Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Off-Road Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Big Rube's Road Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob 4 My Ppl Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Dc Young Fly Crowe's Nest Break Survival Kit Organized Noize / Goodie Mob A 2020 Goodie Mob Prey
    [Show full text]
  • Happy Saviours' Day!
    THE STAR & CRESCENT The Online E-zine of the Nation of Islam London Study Group Issue 23 March 2017 HAPPY SAVIOURS' DAY! DETROIT 19 FEBRUARY & CHICAGO 26 FEBRUARY 2017 The Star & Crescent E-zine March 2017: Issue 23 thestarandcrescent19.wordpress.com 1 In the name of Allah Contents The Beneficent, The Merciful…… Have no fear of the future: The future is ours by Minister Louis Farrakhan...........................................3 Message to the Blackman by the Honourable Elijah Muhammad................................................................8 Money Mob................................................................9 Black History 365 ± March.......................................11 London Study Group in search of hidden history in the Victoria and Albert Museum...............................13 As salaam alaikum – The dark origins of St Valentine©s day.....................14 Peace be unto you! 10 ingredients to avoid putting on your hair.............15 Dear Reader Happy Saviours© Day! Welcome to the the Star & Crescent Health benefits of Navy (Haricot) Beans..................19 E-zine (issue 23). May this edition find you in the best of London Study Group meetings................................23 health and spirit. What the Muslims want............................................23 Every year, 26 February, the Nation of Islam celebrates the birthday of our founder Master Fard Muhammad, Allah in What the Muslims Believe.......................................24 person, and the teacher of the Most Honourable Elijah Muhammad. The Annual Saviours© Day Convention 2017 (part 1) took place on 19 February in Detroit (go to www.noi.org and click on ©live webcast©), and part 2 will be taking place in Chicago on 26 February. We continually thank Allah, who appeared in the person of Master Fard Muhammad for looking and finding His people, the spiritually and mentally dead in the wilderness of North America.
    [Show full text]