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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Media Content the Next Players of China’S Growth
Media Content The next players of China’s growth A look into the growth pattern of China’s culture industry Overweight (Maintain) China has become a central player in almost every industry across the world. The media content industry is no exception. In our recent overseas marketing trip, we met many Industry Report foreign investors asking about Korean content stocks, and were left with the impression March 23, 2016 that investors were looking for the next players to benefit from China’s growth. In 2015, the tertiary industry contributed to more than half of China’s GDP for the first Daewoo Securities CCCo.,Co., Ltd. time ever, signaling a change in global stock leadership. China’s box-office market has been growing at an astonishing rate, outpacing forecasters’ predictions. Historically, US [Telecom Service / Media] cultural spending increased significantly when the country’s GDP per capita rose from Jee-hyun Moon US$4,000 to US$20,000. At present, China’s GDP per capita is just US$8,000. +822-768-3615 Furthermore, the Chinese government has pledged to develop the culture industry into [email protected] one of the backbones of its economy. Nu-ri Ha With infrastructure nearly complete, next big investment will be in content +822-768-4130 [email protected] China’s culture industry now has most of the necessary infrastructure in place. The boom in multiplex theater co nstruction has led to a considerable rise in the number of Hong-mei Cui screens, and box-office revenue is surging in third- and fourth-tier cities. -
Super Junior
Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl. -
An Appraisal Analysis : the Interpersonal Meanings in the Discourse of a Lyric
AN APPRAISAL ANALYSIS : THE INTERPERSONAL MEANINGS IN THE DISCOURSE OF A LYRIC Yuningsih State University of Jakarta Email: [email protected] Abstract Lyrics have significant contributions to the music by giving the audience deep understanding about the message contained in the song. The message can be delivered depending on how the writer put the words in the lyrics (Bertoli-Dutra and Bissaco, 2006: 1053). This study focused on analysing interpersonal meanings and linguistics features from the perspective of Appraisal Theory. Due to the time constraints, the study only analysed the interpersonal meaning from Attitude categories, - Affect, Judgement and Affection. The method used was descriptive which data collected from ―Lonely Night‖ song lyric by CNBLUE. The process data analysis was based on Appraisal Framework, a development of Systemic Functional Linguistics, proposed by Martin and White (2005). The result of study showed that the song ―Lonely Night‖ has high Affect sub-categories which reached 81.25%, meanwhile the Judgement and Affection reached the same amount, 9.3%. From all affect types, the song showed unhappiness where the composer revealed the feeling of being dumbed and disrespected. Finally, Appraisal Framework, as one of approach used in many genres, can be used as an alternative for analysing song. Appraisal Framework was developed to make analysis which is more systemic and organized as it was developed from Systemic Functional Linguistics. Keywords: Appraisal Theory, Song Lyric, Affect, Text Analysis INTRODUCTION the primary and lyrics as the secondary In communication process, human (Dallin 1994). People use imaginative beings use language to express almost diction and rhyme to express their emotions everything such as thought, ideas, emotion, through the lyrics representing their desire, message, etc (Griffee, 1995:4). -
Emerging Markets Small Cap Portfolio-Institutional Class As of July 31, 2021 (Updated Monthly) Source: State Street Holdings Are Subject to Change
Emerging Markets Small Cap Portfolio-Institutional Class As of July 31, 2021 (Updated Monthly) Source: State Street Holdings are subject to change. The information below represents the portfolio's holdings (excluding cash and cash equivalents) as of the date indicated, and may not be representative of the current or future investments of the portfolio. The information below should not be relied upon by the reader as research or investment advice regarding any security. This listing of portfolio holdings is for informational purposes only and should not be deemed a recommendation to buy the securities. The holdings information below does not constitute an offer to sell or a solicitation of an offer to buy any security. The holdings information has not been audited. By viewing this listing of portfolio holdings, you are agreeing to not redistribute the information and to not misuse this information to the detriment of portfolio shareholders. Misuse of this information includes, but is not limited to, (i) purchasing or selling any securities listed in the portfolio holdings solely in reliance upon this information; (ii) trading against any of the portfolios or (iii) knowingly engaging in any trading practices that are damaging to Dimensional or one of the portfolios. Investors should consider the portfolio's investment objectives, risks, and charges and expenses, which are contained in the Prospectus. Investors should read it carefully before investing. This fund operates as a feeder fund in a master-feeder structure and the holdings listed below are the investment holdings of the corresponding master fund. Your use of this website signifies that you agree to follow and be bound by the terms and conditions of use in the Legal Notices. -
Seoul Tour Guidebook Recommended Tour Courses in Seoul Seoul Tour Guidebook Recommended Tour Courses in Seoul Seoul Tour Guidebook Recommended Tour Courses in Seoul
Seoul Tour Guidebook Recommended Tour Courses in Seoul Seoul Tour Guidebook Recommended Tour Courses in Seoul Seoul Tour Guidebook Recommended Tour Courses in Seoul Contents 04 Walking the K-Star Road 07 Scent of Spring in Seongbuk-dong 11 The History Bus 15 The Real Gangnam Style 18 Reality Walks 22 River of Light 25 Seoul's Autumn Colors 29 Nighttime stroll around Sinsa-dong 32 HongdaeStylin’ It Up 37 Sangam-dong: Heart of the Korean Wave 2015 Seoul Tour Walking the K-Star Road A journey through the birthplace of the Korean Wave Apgujeong Station Apgujeong Rodeo Station Galleria East Galleria West 7 1 2 1 Everysing 6 FNC Entertainment Gangnam Tour- 3 Cofioca G+Star Zone ist Information 6 2 Center 5 5 10 Corso Como Seoul 4 JYP Entertainment 4 3 Cube Entertainment Spa the el Dosan Park BH Entertainment Cheongdam Ra Beauty Core Intersection Walking Course Gangnam Tourist Information Center -> Area around Apgujeong Station (including Spa the el and Ra Beauty Core) -> Galleria Department Store -> G+Star Zone -> Everysing -> 10 Corso Como Seoul -> SM Entertainment -> Cube Entertainment -> JYP Entertainment -> BH Entertainment "What makes Abbey Road in London, Piazza di Spagna in Rome and Central-Mid-Levels escalator in Hong Kong so special? It's the Beatles who crossed the road, Audrey Hepburn who strode the plaza, and the Romance of Chungking Express that hit the stairway. It's our beloved stars and their stories that make the spots shine." So begins the lovely blue guidebook to Gangnam's newly unveiled K-Star Road, an urban walking course linking the largely Hallyu (Korean Wave)-related sites in the affluent district south of the Hangang River. -
Mispronunciation of English Sounds in CNBLUE's Songs
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI MISPRONUNCIATION OF ENGLISH SOUNDS IN CNBLUE’S SONGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By METHODIA KARTIKA DINI Student Number: 144214104 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI MISPRONUNCIATION OF ENGLISH SOUNDS IN CNBLUE’S SONGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By METHODIA KARTIKA DINI Student Number: 144214104 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI With God All Things are Possible - Matthew 19:26 vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDMENTS First of all, I would like to say the greatest thanks to my amazing God Jesus Christ for His grace and blessings which always I receive more than I deserve. I thank Him for not letting me to give up on my life and my undergraduate thesis. I also would like to thank God for giving the chance to meet a wonderful thesis advisor. I would like to give the deepest gratitude to my advisor Arina Istianah, S.Pd., M.Hum for giving her the best support to me in finishing this thesis. Thank you for being patient to me and spending your precious time for me. I would also give a special gratitude to my co-advisor, Wedhowerti, S.Pd., M.Hum., for her time and kindness in helping me writing my thesis. -
CNBLUE Album)
Colors (CNBLUE album) Colors (stylized colors) is the fourth major-label Japanese studio album (sixth overall) by South Korean pop rock band CNBLUE. It was released on September 30, 2015, under Warner Music Japan. After releasing the first single "White", the band decided to continue with the theme of color to showcase musical variety through the album. "Supernova" was released as the album's promotional single in September. CNBLUE (씨엔불루). Ravi of VIXX â“ Home Alone (나í™ë¡œ ì§‘ì—) (Feat. Jung Yonghwa of CNBLUE). CNBLUE (씨엔불루). CNBLUE â“ Youâ™re So Fine (ì´ë ‡ê²Œ 예뻤나). CNBLUE (씨엔불루). CNBLUE â“ Cinderella. CNBLUE (씨엔불루). Jung Yonghwa (ì •ìš©í™”) â“ One Fine Day (ì–´ëŠ ë©‹ì§„ ë‚ ). CNBLUE (씨엔불루). Jung Yonghwa (ì •ìš©í™”) â“ Mileage (마ì¼ë¦¬ì§) (feat. YDG). CNBLUE (씨엔불루). CBNLUE â“ Like a Child (ì•„ì´ì˜ 노래). CNBLUE (씨엔불루). CNBLUE â“ Love Isâ¦Â CNBLUE â“ Diamond Girl. Posts navigation. Colors is the fourth major-label Japanese studio album by South Korean pop rock band CNBLUE. It was released on September 30, 2015, under Warner Music Japan. âœColorsâ q&a. Album Credits. Writers Lee Jong Hyun. More CNBLUE albums. Best of CNBLUE / OUR BOOK [2011-2018]. 2017 cnblue live [between us] tour DVD. Artists: CNBLUE. Tracklist: 01. Intro,02. Supernova,03. WHITE,04. holiday,05. hold my hands,06. IRONY,07. realize,08. Daisy,09. Lucid dream,10. -
WRESTLING with OR EMBRACING DIGITIZATION in the MUSIC INDUSTRY the Contrasting Business Strategies of J-Pop and K-Pop
Parc & Kawashima / Wrestling with or Embracing Digitization 23 WRESTLING WITH OR EMBRACING DIGITIZATION IN THE MUSIC INDUSTRY The Contrasting Business Strategies of J-pop and K-pop Jimmyn Parc Seoul National University and Sciences Po Paris [email protected] Nobuko Kawashima Doshisha University [email protected] Abstract Digitization has significantly changed the process for producing and consuming music: from analogue to digital, albums to songs, possess to access, audio to visual, and end products to promotional products. In this globalized digital era, actively embracing digitization would likely help enhance the competitiveness of the music industry. The rise of K-pop and the decline of J-pop clearly demonstrate the different results from whether to embrace or wrestle with digitization. The Korean music industry recognized changes brought on by digitization earlier and was more active in responding with effective strategies. By contrast, the Japanese music industry did not immediately respond to these changes but stuck to its rent-seeking behavior in order to take advantage of its larger market size and ‘sophisticated’ copyright regime. The implications from this paper is that business activities are the core element for creating and enhancing competitiveness of the music industries. Keywords J-pop, K-pop, Hallyu, music industry, digitization, cultural industry Kritika Kultura 30 (2018): 23–048 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Parc & Kawashima / Wrestling with or Embracing Digitization 24 About the Authors Jimmyn Parc is a visiting lecturer at Paris School of International Affairs (PSIA), Sciences Po Paris, France and a research associate at the EU Centre, Graduate School of International Studies (GSIS), Seoul National University. -
THIS ZINE KILLS FASCISTS When Improperly Ingested Letter from the Editor Table of Contents Well That Took a While
무료 Issue 24 THIS ZINE KILLS FASCISTS when improperly ingested Letter from the Editor Table of Contents Well that took a while. I’ve concluded it’s hard to motivate myself to 1. Cover write zines while I’m also working at a newspaper. Even if it’s “that” newspaper, it still lets me print a lot of crazy stuff, at least until I start 2. This Page pushing it too far. Issue 24 The last issue was starting to seem a little lazy, as I was recycling con- 3. Letters to the Editor June/Sept 2017 tent also published in the newspaper. For this issue I wanted to cut down on that, as well as on lengthy interviews. So we have a lot of smaller 4. Ash stories, and all sorts of other quick content. I interviewed a lot of people This zine has been published and sliced up their interviews into pieces here and there. I also filched a 5. Dead Gakkahs at random intervals for the lot of content from social media, mainly as PSAs. Think of it more as a past ten years. social media share/retweet, but on paper; hope no one’s pissed. 6. Pseudo & BurnBurnBurn There’s a page spread on Yuppie Killer memories I solicited way back Founders when Yuppie Killer had their last show. There’s also a similar spread on 7. WDI & SHARP Jon Twitch people’s memories of Hongdae Playground, where you can get a sense 8. Playground Paul Mutts of how radically the place has changed, as well as possibly the effect we had on it ourselves.