Live at Carnegie Hall on Radio 4 Saturdays, 8Pm Repeated on the Following Friday, 2Pm

It’s one of the most important performance venues in the world, movies 全球最重要的表演場地之一、電影曾以這裡為題材、史頓不遺餘力 have been made about it, Isaac Stern mounted a campaign to save 以保存這個音樂殿堂、柴可夫斯基曾在這裡指揮、波蘭鋼琴家 / 作 it, Tchaikovsky conducted here, Polish pianist / composer / politician 曲家 / 總統巴特維夫斯基在這裡作美國首演、德伏扎克著名的《新 Ignacy Jan Paderewski made his American debut here, Dvořák’s 世界交響曲》在這裡作世界首演、音樂家們對能亮相於此引以為 famous New World Symphony was premiered here, musicians dream 榮、世界各地的觀眾都想在這裡欣賞音樂會。卡內基音樂廳是一個 to perform here, music lovers from different parts of the world enjoy 響噹噹的名字。 watching a concert here...it can only be New York’s Carnegie Hall. 7月和8月，星期六晚的第四台音樂會將帶來多個來自紐約卡內基 In July and August, Saturday’s Live on 4 will bring you concerts and 音樂廳的現場演出。亮相的星級音樂家包括鋼琴家舒爾夫和安斯涅 recitals recorded at Carnegie Hall. Enjoy the wonderful music-making 斯、歌唱家馬蒂娜、指揮家嘉狄拿和費沙等。當中有獨奏會、巴羅 from this historical venue with stars including pianists András Schiff 克小組音樂會、鋼琴獨奏會，以及管弦樂演出，包括由力圖帶領柏 and Leif Ove Andsnes, singer Karita Mattila, and conductors John Eliot 林愛樂送上馬勒的《復活交響曲》。今年夏天，我們邀請你一起神 Gardiner and Iván Fischer, and many more. Programmes vary from a 遊紐約！ song recital to a Baroque chamber concert, a piano recital to Mahler’s Resurrection Symphony (Berlin Philharmonic Orchestra, conducted by 經常收聽第四台的朋友都會留意到，我們不單播放西洋古典音樂， Simon Rattle). So, spend a New York summer on Radio 4. 也會帶來其他口味，包括世界音樂和爵士樂。

Our long-time listeners know that Radio 4 doesn’t just broadcast western 大地之歌與馬勒的同名作品無直接關係，卻直接帶出了新節目的內 classical music. In addition, world music and jazz are frequently heard 容：來自不同地域、較具泥土味和民族氣色的音樂。節目主持人黃 on our airwaves. 愛恩專門研究世界音樂，逢星期六晚10時至午夜，她會帶你走進充 Songs of the Earth (note ‘Songs’ to distinguish from Mahler’s famous 滿異國風情的音樂世界。 work) is a new programme to bring you music from different parts of 歡樂時光代表著下班時份，大家可以鬆一鬆，歎一歎。由7月開始， the planet. Connie Wong is a specialist in world music. She is going to 星期一至五黃昏6時至7時，林家琦將於歡樂時光的上半部份選播爵 be your guide on this exotic musical excursion every Saturday evening 士樂，與你寫意地共度歡樂時光。 from 10 to midnight. 8月份，我們將慶祝德布西出生一百五十年。他是如假包換，與別 To most people, Happy Hour means after work, a time to let loose, and 不同的音樂巨匠；其音樂語言與同年代作曲家相比可謂大相徑庭。7 perhaps to go for a drink…. Most fittingly, in July, 6 to 7pm on Monday 月份，鋼琴家兼學者查海倫會先在德布西印象中，介紹德布西的生 to Friday, Kathy Lam will bring to you jazz music of different varieties. 平、感情世界、音樂風格和創作生命。下月，我們還將為你預備其 Please join her for an hour of all that’s jazz! 他與德布西有關的節目，請拭目以待。 August marks the 150th anniversary of the birth of Debussy. He was a unique composer who wrote music in quite a different language 暑期愉快。 compared with his contemporaries. This month, we pave the way for the 第四台節目總監蕭樹勝 anniversary celebration with a series entitled Debussy Recollection (in Cantonese) hosted by pianist and academic Helen Cha. Get a glimpse of the great composer and get prepared for the great French composer’s show time in August. On Artbeat, Jonathan Douglas interviewed one of the great modern Debussy conductors. Read excerpts from that Radio 4 would like to thank the patrons DIAMOND PATRON 鑽石贊助者 interview on p. 6. for their generous support. If you would Sir Gordon & Lady Wu 胡應湘爵士伉儷 like to become a patron of ‘FM’ Fine PLATINUM PATRON 白金贊助者 Happy listening. Music, please call us on 9073 3474 for M Restaurant Group further information during office hours. SILVER PATRON 白銀贊助者香港電台第四台謹向以下贊助者的慷慨 Ms. Rayne Chai Chih-hui 蔡之慧女士支持致以最深謝意。有興趣成為「美樂集」贊助者的朋友，可在辦公時間內致電 Jimmy Shiu 9073 3474 查詢有關詳情。 Head, Radio 4 1 © Jeff Goldberg / Esto 10 48 47 35 33 30 29 28 27 25 22 20 19 17 14 10 08 06 05 01 Coda ‘FM’ ClassifiedBoard Programme Highlights Main ProgrammeChart Highlights Concert New Releases Friends’ News Happy Hour All orNothing Songs oftheEarth Debussy Recollection RostrumofComposers2012 International Musical Exchange Sunday Opera COLUMNS 專欄卡內基音樂廳的迴響 Hall Live atCarnegie COVER STORY 封面故事 Asian Youth Orchestra-QuestforExcellence Conductor JunMärklontheJoysofFrenchMusic 2012 音樂新一代回顧 2012 NewGenerationFlashback SPECIAL FEATURES 特稿掌台人隨筆 FROM THEDESKOFHEAD,R4 《美樂集》分類廣告 2012國際作曲家交流會議節目精華節目時間表音樂會轉播精選新唱片大本營第四台之友情報站歡樂時光情有獨鍾大地之歌德布西印象談天論樂歌劇世界 05 08 © Christiane Höhne CONTENTS 06 20

目錄 3

Raymond Chung

鍾子豪

The 2012 New Generation Concert took place on 7 June at RTHK Studio One. Nine new works were given their premieres. In addition to the commissioned work, A Breath of Life by Wong Chun-wai, last year’s winner, eight works were performed by the Composers’ Guild Ensemble conducted by their Music Director Richard Tsang and Associate Music Director Lo Hau-man. This year, the commission was to write music for an ensemble of 5 music instruments: violin, viola, double bass, oboe and bassoon.

The winner of the year is Chan Kai-young. He is currently a MMus student in Composition at the Chinese University of Hong Kong. His winning work, entitled Fata Morgana, paints a kaleidoscope of illusory landscapes with a palette of ‘distorted’ instrumental and harmonic colours. 2012 New Generation was broadcast in Live on 4 on 23 June. You can listen to the programme in our programme archive at www.rthk.hk.

今年的「2012音樂新一代」音樂會已於6月7日晚在香港電台一號錄音室舉行。九首新作品由「驕陽雅樂」合奏團在音樂總監曾葉發及副音樂總監盧厚敏領導下演出。上年度冠軍得主黃俊諱接受委約創作的新曲《一息》，音樂色彩豐富，充滿個人風格。

今年，各年輕作曲家為五件樂器譜曲，包括小提琴、中提琴、低音大提琴、雙簧管和巴松管。冠軍得主是陳啟揚，他現於香港中文大學攻讀碩士學位，主修作曲。他的作品《蜃景》刻意透過扭曲的音色，繪出海市蜃樓的變幻莫測，交叠現實與虛幻。

《蜃景》和多位年青作曲家的新作，已於6月23日晚8時的「第四台音樂會」時段播出，可於香港電台網頁(www.rthk.hk)重溫。

Three outstanding composers and their compositions for the ‘2012 New Generation Concert’: 2012音樂新一代三位優勝者及作品

Champion 冠軍 Chan Kai-young : Fata Morgana 陳啟揚：蜃景

1st runner-up 亞軍 Ting Chung-wai: Flower Burial under a Pallid Moon 丁宗偉：殘月葬花

2nd runner-up 季軍 Tam Ka-shu: Discussion ‧ (Somewhat) Meaningless Sound for Somewhat Profound Listeners Members of the selection panel and the winner: (from left) Chan Wing-wah, 譚家樹：空廢討論 ‧ 給資深聽眾的無謂聲音 Pedro Faria Gomes, Chan Kai-young (the champion), and Richard Tsang 評審作曲家與得獎者：(左起)陳永華、Pedro Faria Gomes、陳啟揚(冠軍)及曾葉發

Young composers, conductors, selection panel members and those behind the scene Richard Tsang conducts the Composer’ Guild Ensemble 年輕作曲家、指揮家、評審團，以及幕後精英曾葉發指揮「驕陽雅樂」合奏團

2012 New Generation was presented by Hong Kong Composers’ Guild and RTHK Radio 4 「2012音樂新一代」由香港作曲家及作詞家協會及香港電台第四台合辦

5 SPECIAL FEATURES 特稿

The German-Japanese conductor Jun Märkl has made a name for himself as a leading interpreter of French impressionistic music in recordings with the Lyon National Orchestra, of which he was, until recently, Music Director. Jonathan Douglas asked him how he had come to fall under the spell of Debussy and his compatriots.

M : Jun Märkl J : Jonathan Douglas

M : I’ve been music director of a French orchestra so I needed to J : It must be great fun to conduct because it is so rich for the develop my knowledge of French repertoire. I’ve also developed orchestra, and the musicians have to be constantly on their toes. a big project around Debussy because he is one of the most It must be a joy to play. underestimated French composers. He is, in my opinion, the M : Yes, but it’s also very hard work because it’s full of details. Every most important [composer] for the 20th century, so I created a bar has something different. It’s very delicate music and it takes recording project of all Debussy orchestral works, which just long time to get to where you feel comfortable and then it’s joy. came out with 9 CDs. It not only has all of Debussy’s original It’s like a mosaic. orchestral works but also instrumentation by various composers throughout the 20th century and instrumentation of his piano J : It’s a special kind of challenge isn’t it, different from playing works. German music? J : That must have been an extraordinary journey for you to be so M : Yes, it’s also a completely different approach, and that’s what’s deeply immersed in the music of Debussy. fascinating, for me with my German background, going into this kind of music to lighten up the orchestra, to get more bright M : Yes, that was a great discovery because I found out many things. colours than in German music. If the orchestra can do both it First of all, how this composer developed, deeper insights, what contributes to a really high quality of playing, a flexibility we is so special about him, and why he is so important. What need from the musicians. creates his brilliant sense of colours, the orchestration, and so I found out a lot of unique and also challenging works for the J : You have the perfect orchestra, the Lyon National Orchestra, orchestra to perform. to play this repertoire. Do you find that in your experience, it’s hard to get a German orchestra to be as flexible as you need to J : I am interested that you said earlier that you felt he is be to play French music? underestimated; in what way do you feel Debussy does not enjoy the recognition he deserves? M : Depends a little bit on which German orchestra, but most of the time they are playing too heavily, too dark, and many colours M : If you look at performances, there are usually 5 pieces that would not come out, so it’s very hard work working with them. are being performed regularly. Of course there’s La Mer Sometimes it’s a little bit against the tradition they usually have, and then Nocturne and then three others, but there is a vast and this is what makes working with this type of repertoire much repertoire which has rarely or never been played and there easier with an orchestra like the Hong Kong Philharmonic, an is a lot to discover. Secondly, we look at Debussy as a very orchestra which is much more open to all ideas and so far it’s refined impressionist composer with delicate colours, but if you been a great pleasure. look into his vast repertoire you will find that he is also very passionate, he has a sense of the dramatic for the stage, with J : I recall an interview I did with a conductor who is sadly no many more colours and different kinds of energy which he can longer with us, and I remember him saying he was playing write for the orchestra, so it’s a lot more to discover than only French music with a Japanese orchestra, and he found it the beautiful colours we know right now. terrifically difficult to get the Japanese orchestra to loosen up and play with that lightness of touch and flexibility. With your J : Do you feel he is, perhaps, widely misunderstood by the Japanese background can you relate to that? listening public? M : Yes, that on one side we have in Japan a feel for very refined M : Maybe not misunderstood, but it’s just that we know only one colours, colour changes, very light things, on the other hand, side. they are very precise, sometimes overly precise, so some of the rhythmic structures such as in the Rhapsodie Espagnol,

6 M : J : I thinkinevery kindofrepertoire You talkabouttheimportanceofwhat the something special. and theconductorthentheycancreate relationship withtheorchestra musicians it’s the same. If there’s a really close music thanothertypesofmusic? conductor andtheorchestra inFrench to beacloserrelationshipbetweenthe the beats. Does that mean there needs happens betweenthelinesand achieve inJapan. feeling betweenthelinesisnoteasyto or notateinthescore,andthiskindof sometimes you cannotreallydescribe between the bar lines, between the beats, a littlebitandthenyou getthefeeling 指揮家馬卻生於慕尼黑，父親是一位 the fullinterview. programme date‘2012-06-16’ for select ‘Radio4’,‘Artbeat’,andthe www.rthk.hk, click ‘Archive’, 2012. LogontoRTHK’s websiteat broadcast inArtbeaton16June The interviewwithJunMärklwas 德國小提琴家，母親是一位日裔鋼琴家。馬卻接受杜格尊訪問，從不同文化背景出發，談論他最擅長演奏的法國音樂。你可以登入香港電台網上廣播站www.rthk.hk，選聽在6月16 」(英語節目)， Artbeat 日播出的「重溫有關訪問。 Habanera - transcribed by Jacqueline Leung , you justhave toletitgo

Jun Märkl

Summer is here and it is time for the Asian Youth Orchestra (AYO) to shine! Richard Pontzious, the Founder, Artistic Director and Conductor of the AYO, tells us about their upcoming events. AYO ©

Confession: For each of the 21 years we’ve brought the Asian What the members say Youth Orchestra centre-stage for a summer of music-making in Hong Kong and on tour in Asia and around the world, I’ve thought It’s just that sort of reaction that keeps us going. That, and what it was an insane, virtually impossible quest for excellence. the AYO members themselves say about their experiences in the Orchestra: Think of it. Two months of winter auditions from the equatorial heat of Singapore in the south to the snows of Beijing in the north, ‘Before AYO I could never dream. But now I feel the world is open testing a thousand or so candidates each year. Securing visas for to me; I dream about everything.’ 100-plus young musicians, no guarantees we’ll make deadlines. Fundraising year-round, in good times and bad, coming up short not an option, failure unthinkable. Coordinating concert dates. Keeping the troops healthy and well-fed through three weeks ‘In my country, music is something to study to get a job. In AYO, of daily nine-hour rehearsals and three weeks of travel on tour. music is life. I want to keep this feeling forever.’ Moving instruments and 150 pieces of baggage through customs, eating at odd hours, and yet somehow looking polished and sounding terrific night after night. . . . . ‘When I was a student I was always told that music is about winning prizes, and playing notes faster than the other guys. In Miracle of miracles, the bits and pieces have come together for each of the past 21 years, and Hong Kong’s very own prize- AYO, I learned that that’s all rubbish. Music is not about notes, winning Asian Youth Orchestra has sustained a superior reputation it’s about feelings and emotions. It’s about communicating with around the world, playing sell-out performances not only in Hong an audience.’ Kong but also in North America, Europe, Australia and across Asia, impressing audiences and writers in Beijing, Singapore, Kuala Lumpur, Taipei and Tokyo, echoing Hong Kong music critic ‘I think Hong Kong is so lucky to have AYO. It could never happen Leo Lee’s declaration that ‘AYO is the pride of Hong Kong.’ in my country. AYO’s sense of excellence is so rare.’

8 © AYO Cultural DistrictConcertHall?Now there’s achallenge forus! big questionforusiswhen we’llbeplaying inthe West Kowloon Xi’an ConcertHall,andsomany newvenues across Asia. The the Performing Arts), theOriental Arts CenterinShanghai,thenew and proud,too,toplay inBeijing’s ‘egg’(theNationalCentrefor orchestra fromoutsidethemainland. We’re very proud ofthat, AYO hasplayed moreconcertsinmainlandChinathanany other that AYO isthemosttraveled ofany orchestra in Asia, andthat Those who know theOrchestra wellwillnotbesurprisedtolearn hit by theearthquakeand tsunami lastyear), and Tokyo. Beijing, Tianjin, Shanghai,Xi’an, Taipei, Gumma,Sendai(sobadly In addition to Hong Kong, AYO will also perform this summer in University. Boys School, Ying Wa College,RenaissanceandCity Hong Kong Academy for Performing Arts but also from Diocesan and yet we have 14 members in AYO, coming not only from the who madethecut.HongKong isarelatively smallcityinChina, Hong Kong shouldbeenormouslyproudofthe14members As always, auditionswerehighlycompetitive. Having saidthat, Vietnam, Malaysia, Thailand, andthePhilippines. The remainingnumberwillcomeinfromJapan, Korea, Singapore, equal number from Taiwan, with 14 members from Hong Kong. members frommainlandChinathanever before(30),andan AYO’s membershipbalancehasshiftedabitthisyear, withmore More concertsinChina programme featuring Debussy’s I takethepodiumonSaturday, 11 August, foranall-French phenomenal 9thSymphony. leading theOrchestra inaperformanceofGustav Mahler’s Centre ConcertHall,with AYO principalconductorJames Judd the nextday, on10 August at8:00pmintheHongKong Cultural Our formalconcerts–andourinternationalconcerttourbegins and specialneedschildren on9 August. Kong Cultural CentreConcertHallforaconcertdisadvantaged And you won’t want tomissourconcerts. We move intotheHong know you’re coming. Call us at 2866-1623 to make arrangements. rehearse every day atthe APA. Admission isfree. We just needto News ofthelatestseason 亞洲青年管弦樂團(亞青)的第二十二樂季經已密鑼緊鼓地在準備 will bebroadcaston17 August (Fri) at8pm. August concertwillbebroadcastlive, while the11 August concert of you tobepartofthe Asian Youth Orchestra experience. The 10 to RTHK Radio4listenersandfriends,offeringthechance forall And so,herewegoagain,season22,withourdoorswide open AYO ConcertsonRadio4 Mahler’s 9th Symphony andBerlioz’s 8 August. Comealong,ifyou like.Listen to usputtogether the HongKong Academy forPerforming Arts from23July through Season 22forthe Asian Youth Orchestra beginswithrehearsalsat 中。第四台將於8月10日(星期五)晚上8時正，現場轉播亞青在香 Overture and 港文化中心音樂廳舉行的音樂會。另一埸於8月11日(星期六)晚舉行的音樂會，將於8月17日(星期五)晚上8時正轉播。

特稿 . We 9

COVER STORY 封面故事

Maureen Buja Jeff Goldberg / Esto ©

10 COVER STORY 封面故事

he story of Carnegie Hall begins in the middle of the Atlantic. T Andrew Carnegie In the spring of 1887, on board a ship travelling from New York to London, newlyweds Andrew Carnegie (the rich industrialist) and Louise Whitfield (daughter of a well-to-do New York merchant) were on their way to the groom’s native Scotland for their honeymoon. Also on board was the 25-year-old Walter Damrosch, who had just finished his second season as conductor and musical director of the Symphony Society of New York and the Oratorio Society of New York, and was travelling to Europe for a summer of study with Hans von Bülow. Over the course of the voyage, the couple developed a friendship with Damrosch and invited him to visit them in Scotland. It was there that Damrosch discussed his vision for a new concert hall in New York City. Carnegie expressed interest in committing a portion of his enormous wealth to the project, and the idea of Carnegie Hall was born.

An Institution of Greatness

From this germ of an idea grew a legendary concert hall whose allure has drawn the world’s greatest artists to its stages, setting the standard for excellence in music for more than a century. Gustav Mahler, Leopold Stokowski, Vladimir Horowitz, Liza Minnelli, Paul Robeson, Bob Dylan — they all made their mark at Carnegie Hall. Andrew Carnegie proclaimed at the ceremonial laying of the 2003, the new Zankel Hall was opened and is known for presenting cornerstone in 1890, ‘It is built to stand for ages…’ and so it has, non-classical (world, jazz and folk music) and modern music for over 120 years, from its first 5-day inaugural music festival in performances. 1891 to today. A Hall with Wonderful Acoustics The Hall, located on 57th Street and Seventh Avenue, has a Renaissance-style façade of terra cotta and brick and is a pleasant What Carnegie Hall is famous for is its unparalleled acoustics, reminder of the glories of the 19th century in a city that seeks the where the usual hall features such as heavy curtains, frescoed walls, modern in everything. Carnegie Hall, however, is more than the and chandeliers were eliminated in favour of a design that includes great hall that we associate with the building. There is also the a smooth interior, an elliptical shape, a slightly extended stage, and smaller Weill Recital Hall and the recently added Zankel Hall on a domed ceiling that help project soft and loud tones alike to any the lower level. On this lower level there had always been a small location in the hall with equal clarity and richness. The acoustics recital hall, but by the 1950s has been converted to a cinema. In were famously disturbed in a recent renovation but were rescued when it was found that underneath the stage, a layer of concrete had been added that dulled the sound in the hall. Once that was removed, the acoustics returned to their former glory.

And, now that we’re talking about the inside of the house, we can discuss some of the very famous performances that have been held there – even its first year saw significant performances by Polish pianist Ignacy Paderewski and soprano Adelina Patti; 1893 saw the first public performance of Dvořák’s New World Symphony; in 1900, violinist Fritz Kreisler appears with the New York Philharmonic; 1908 saw the US première of Mahler’s Symphony No. 2; and a decade later, Jascha Heifitz and Enrico Caruso had appeared at the Hall. Each decade saw brilliant performers and performances until 1960, when the Hall was threatened with demolition. Famously rescued at the 11th hour by a committee led by violinist Isaac Stern, the building was purchased by the State of New York and has

Carnegie Hall Archives Carnegie Hall, 1891

11 COVER STORY 封面故事

Live at Carnegie Hall on Radio 4 Saturdays, 8pm Repeated on the following Friday, 2pm

Throughout July and August, Radio 4 will be bringing live recordings from Carnegie Hall from international orchestras, and soloists. In July, The Budapest Festival Orchestra, under conductor Iván Jeff Goldberg / Esto © Fischer brings a concert of Bartók, with András Schiff as soloist in the Piano Concerto No. 2, and Schubert, culminating in his Symphony No. 9. The Orchestre Révolutionary et Romantique gives us an evening of Beethoven with both Symphonies No. 5 and No. 7. Noted Finnish soprano Karita Mattila, with pianist Martin Katz, performs an evening of lieder and French song. We close the After the crisis of 1960, the Hall continued to expand its musical month with Norwegian pianist Leif Ove Andsnes reach, with the addition of rock and world music to its already-famous in a tour of European piano music from Haydn to occasional jazz concerts (such as the landmark Benny Goodman Granados. For programme details, please refer to concert of 1938). Other notable performances include Maria Callas’ the Programme Highlights. farewell concert in 1974,Saturdays, and 1976 8pm saw –The 10pm Concert of the Century, a benefit concert for Carnegie Hall that included star performances by Vladimir Horowitz, Dietrich Fischer-Dieskau, Leonard Bernstein, Isaac Stern, Yehudi Menuhin, Mstislav Rostropovich, members of the 「卡內基音樂廳的迴響」 New York Philharmonic, and the Oratorio Society of New York. The 逢星期六晚上8時正 opening of the new Zankel Hall in 2003 expanded the possibilities 星期五下午2時重播 for offering a greater range of experimental works. 對全球音樂家而言，美國紐約的卡內基音樂廳是 Latest Highlights 夢寐以求的表演場地。這座建築物由工業家卡內 Highlights of the 2012-13 season include a residency by noted 基斥資興建，由1891年至今，史冊中無數重量 soprano Renée Fleming, an appearance by the West-Eastern Divan 級音樂家都在音樂廳的舞台上留下足跡，精彩的 Orchestra doing a complete Beethoven symphony cycle, and an 演出加上音樂廳出色的音效，為樂迷留下無數難 extended festival of Latin American music coinciding with the composer residency of Argentinean composer Osvaldo Golijov. 忘回憶。 Carnegie Hall’s festivals have included the best music from around the world, including a notable 2009 Ancient Paths, Modern Voices 一連兩個月，第四台會轉播八場卡內基音樂廳的 Festival celebrating Chinese culture with appearances by our very 音樂會。7月份可以欣賞到布達佩斯節日樂團、 own Hong Kong Chinese Orchestra with Trey Lee, and performances 革命浪漫樂團、女高音馬蒂娜和鋼琴家安涅斯的 by Lang Lang, Yo-Yo Ma, Tan Dun conducting the Juilliard Orchestra, 精彩演出。曲目詳情請參閱「節目精華」。 the Shanghai Symphony Orchestra, pipa virtuoso Wu Man, and women singers from the Dong minority among many other Chinese performers.

13 COLUMNS 專欄

Lo King-man

Sundays 2:00pm

Our July Sunday Opera presents 4 spectacular works, all conceived on a grand scale, representing the most extravagant scenic inventions ever imagined for the stage.

1 July : Ponchielli’s La Gioconda For more than fifty years, from the 1840s, the history of Italian Mozart composed a score that abounds in swift changes of mood, opera was dominated by the genius of Giuseppe Verdi. Amilcare ranging from gentle romance to sinister fulminations. Giovanni Ponchielli (1834-1886) was one of the few composers who is the anti-hero, and his servant Leporello, who embodies many managed to create a work of distinction with lasting artistic value comic characteristics, is an admirable foil for his master. The and popular appeal. Such a work is La Gioconda, a grand opera full anxieties of the two ladies, Anna and Elvira, are drawn with of memorable melodies and brilliant scenic effects. extraordinary feeling, while the young village couple Zerlina and Masetto provide an innocent contrast to the scheming nobility. Set to libretto by Arrigo Boïto based on Victor Hugo’s melodrama, La In the Commendatore, we see a personification of divine justice. Gioconda tells the story of a woman, a street singer in Venice, who These diverse qualities are marvelously fused in a work deservedly sacrifices her own life to enable her lover, a Genovese nobleman regarded as one of the greatest operas of all time. and sea captain, to be reunited with his former betrothed. There are spectacular scenes of a Venetian carnival, the burning of a ship, With baritone William Shimell in the title role and a cast comprising and the famous ballet, ‘Dance of the Hours’. bass Samuel Ramey, tenor Frank Lopardo, and sopranos Cheryl Studer, Carol Vaness, and Susanne Mentzer, the Vienna State Soprano Maria Callas, in the title role, leads a fabulous cast Opera Chorus and Vienna Philharmonic Orchestra give a superb including mezzo-soprano Fiorenza Cosotto, tenor Pier Miranda performance under conductor Riccardo Muti. Ferraro and baritone Piero Cappuccilli. Antonino Votto conducts the Chorus and Orchestra of La Scala Theatre, Milan. IMG Artists © The set design for Act 2 at Luigi Bassi in the William Shimell will the première title role at the portray Don Giovanni première in 1787 in this recording Amilcare Ponchielli Cover of the score of La Gioconda (1916)

8 July : Mozart’s Don Giovanni 15 July : Massenet’s Esclarmonde Wolfgang Amadeus Mozart (1756-91) visited Prague in January This is a truly grand and spectacular opera, which the composer 1787 to attend the triumphant première of his latest masterpiece, described as an ‘opera romanesque’ in four acts and eight tableaux. The Marriage of Figaro. He returned to Vienna with a contract for It was first performed at the Opéra Comique in Paris in May 1889 another opera to be produced in October. His skillful librettist, as a production to celebrate the Universal Exposition. The work Lorenzo da Ponte, suggested the popular story of the Spanish was composed at the time when Jules Massenet (1842-1912) was libertine Don Juan in an unusual treatment that combines the cultivating an intimate relationship with the beautiful American brilliance of opera buffa with the spirit of opera seria in the Italian soprano Sybil Sanderson, for whom the title role was written. tradition. Well-instructed in the mysteries of magical powers, young Esclarmonde has been crowned Queen of Byzantium. She is in

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Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

love with Roland, who is, however, betrothed to a French princess. the more familiar idiom and in a subtle way returned to a more Esclarmonde manages to win Roland’s favours with the help of traditional format with identifiable set numbers without disrupting magic and she meets him in secret every night until dawn when the continuity and integrated development of musical ideas. she would disappear into thin air without a trace. This relationship The theme of Die Meistersinger is about Art and Love. Though lasts until Esclarmonde’s magic spell is broken by a bishop. The ostensibly a comedy, the opera has a serious message: tradition must lovers reunite in the end and they ascend the throne together as be preserved, not overthrown; but tradition also needs to renew Empress and consort. itself constantly in order to be preserved. Joan Sutherland and Giacomo Aragall are the soprano and tenor The work was well received at its world première in 1868 at the leads; performing with the support of John Alldis Choir and the Royal Court Theatre of Munich. The audience seemed to identify in National Philharmonic Orchestra conducted by Richard Bonynge. it a new German spirit and a revived patriotism for a great unified nation. Our recording features Norman Bailey as Hans Sachs, René Kollo as Walther, Bernd Weikl as Beckmesser and Hannelore Bode as Eva. The Vienna State Opera Chorus and Vienna Philharmonic Orchestra are conducted by Sir Georg Solti.

29 July : Wagner’s Die Meistersinger von Nürnberg (Act III) The poster for première Sibyl Sanderson in the Joan Sutherland and of Esclarmonde title role of Esclarmonde Giacomo Aragall in the In the second half of this long opera by Richard Wagner (1813-1883), 1974 production his only true comedy, the plot reaches its climax in the historical 22 July : Wagner’s song contest in 16th-century Nuremberg, in which the winner is to Die Meistersinger von Nürnberg be awarded a most precious prize in the person of Eva, the beautiful (Act I & II) daughter of the goldsmith Pogner. In the finale, the knight Walter von Stolzing wins the contest and Eva’s hand in marriage, but his bride Die Meistersinger von Nürnberg by Richard Wagner (1813-1883), places the winner’s crown on his mentor Hans Sachs, the legendary lasting nearly six hours in a full performance in a theatre, is the folk-hero of the German art of songs. All the Mastersingers acclaim world’s longest comic opera, second in duration only to another Sachs as their chief amidst joy and celebration. Wagner opera, Götterdämmerung of the Ring Cycle. This gigantic In this opera, the composer has demonstrated his outstanding work will be presented in two installments on 22 and 29 July. mastery of harmonic, contrapuntal and instrumental writing. His The composer developed his idea of a comedy constructed around technique reaches extraordinary heights of virtuosity in the final act, the legendary figure of Hans Sachs and the Mastersingers of especially in the quintet and in the finale of the work. Nuremberg through years of deep absorption in German literary We hope you will enjoy this excellent performance recorded under history. To secure the work’s practical acceptability for production the direction of Georg Solti. in the German theatres, Wagner deliberately created music in

Richard Wagner in 1868, One of the main characters in Betz Franz was the Mathide Mallinger was the year he wrote Die Die Meistersinger von Nürnberg first Hans Sachs the first Eva Meistersinger von Nürnberg is based on the true historical figure, mastersinger Hans Sachs 15 COLUMNS 專欄

逢星期一晚上10時蕭樹勝

每週兩小時，閒逸之間，不經不覺「談天論樂」已進入第四個月。本月的話題同樣是天南地北，當中亦有聽眾建議的題目。

2/7 – 幽默古典 23/7 – 音樂會漫談

有人稱「古典音樂」為「嚴肅音樂」，其實「古典」不一定音樂廳的設計、音樂會的模式和演出的習慣都隨著年月而有所改「嚴肅」。歌劇《費加洛的婚禮》和《西維爾的理髮師》由頭變。舉例說，在貝多芬的年代，歌劇的前奏和間奏，隨時可以是笑到尾，奧芬巴赫的《風流天神遊地府》就更胡鬧透頂！古典一首交響曲，而協奏曲的華彩樂段可以是由獨奏家即興演出。音樂「非嚴肅」的一面還有很多很多，例如「幽默曲」。演出在今天的音樂廳中，樂團起音以雙簧管先奏出A音，為何不是C 者方面，PDQ巴赫是著名的搞笑音樂大師。動物亦成為了許多呢？「安哥」有甚麼約定俗成的習慣呢？台上台下又有衣著的禮作曲家的幽默創意來源，聖桑的《動物狂歡節》就是其中的最儀嗎？演出者應該如何謝幕？⋯⋯在音樂會的台上及台下均極度佳例子。才子陳鈞潤和才女羅乃新將於節目中幽我們一默！活躍的羅乃新和陳永華將會與你暢談音樂會一二事。

30/7 – 音樂元素知多少─音高 9/7 – 兩位指揮怪傑造蛋糕通常要用麵粉、牛油、糖和雞蛋，而寫一首樂曲則要去年3月，在一次由英國廣播公司音樂雜誌委約的調查中，讓一些音樂的元素互相配合，才可製造出千變萬化的效果。音卡拉伯 (Carlos Kleiber) 被一眾名指揮選為歷史上最偉大的指樂有好幾個重要元素，包括音高(pitch)、節奏(rhythm)、強弱揮家，次名為伯恩斯坦，第三位是阿巴度。卡拉伯能獲得此殊 (dynamics)、織體(texture)和音色(tone colour)等。本月，我榮，可能令部份人覺得有點詫異。事實上他一生中只指揮過少們會先談談音高(pitch)。於100場音樂會及大約400次歌劇演出，不過他驚人的活力和奇怪的行徑(例如臨時取消演出)卻為人津津樂道。把音符排列成不同音階(scale)，可以為樂曲帶來不同的面貌。音與音之間的距離叫音程(interval)，而不同音程有時會有不同在同一集節目中，我們亦會介紹到另一位怪傑，就是高調說不力度和感覺，例如向上跳躍的的八度通常都比較強。喜歡錄音的崔列比德祺(Sergiu Celibidache)。不過，他名下不同的音高可營造不同氣氛，高音較飄逸，低音較穩重，這是的現場錄音也不少呢！兩位怪傑由兩位對研究指揮家充滿心得很容易造到的感覺。有時，作曲家更以音高來突顯某一個字的的樂評人周光蓁及劉志剛與你詳細分享。字義，這手法叫「歌詞著色」(text painting)，就好像以高音唱出「天」字(heaven)，或以低音唱出「地」字(earth)。

兩位作曲家兼�育工作者張碧珊和麥偉鑄與你掃描其中一個主 16/7 – 德布西解碼要的音樂元素─音高。

今年8月是德布西出生一百五十週年紀念。那些全音音階、附加六度的小調和弦、無盡的泛音、如夢似幻的音色、充滿三位初次亮相「談天論樂」的嘉賓：異國風情的素材⋯⋯全部都是這位印象派大師的筆觸。當年浪漫派音樂正大行其道，法國卻出現了這位音樂語言別具一格的作曲家。鋼琴家周琬婷和音樂推廣人何兆華將與你來個德布西解碼。

周琬婷張碧珊麥偉鑄

聽眾對節目有甚麼迴響，又或者想建議講題，歡迎電郵至 [email protected]

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7月22日起逢星期日晚8時正，星期五下午2時重播許翔威

國際作曲家交流會議 (International Rostrum of Composers，簡稱 IRC) 是聯合國�科文組織 (UNESCO) 所支持的國際新音樂評議活動，藉此促進世界當代新作品的廣播交流。模式獨特的 IRC 從 1954年首辦至今未曾間斷，所有出席的代表聚集一起，聆聽數十首由各地電台提交的新近作品錄音。最後，各國的代表要各自選出一些自己喜愛的作品。這不是一個比賽，但綜合評分後會公佈得分最高許翔威的獲選作品，以及一些名列前茅的推介作品。

細看IRC 過去獲選作品的紀錄，當中不乏聞名遐邇的大師名篇，某些早年的出爐新作，現已眾所周知，見諸音樂史冊。例如盧托斯華夫斯基所寫的《喪曲》於1959年獲選、布烈頓的《仲夏夜之夢》和班特維斯基的《給廣島倖存者的輓歌》同於1961年獲選。武滿徹的《環礁》(Coral Island) 和《Textures》(織體) 分別於1963年和1965年獲選，還有1969年利蓋蒂的《來自遠方》和1971年克林姆的《孩子們古時的聲音》。回顧數十年歷史，世界變化不少，不同地域的新作品，既反映文化背景的特質，也展示了時代的潮流。

記得我首度獲參展 IRC 的作品是寫於1988年的弦樂四重奏《桑梓》，而第一次赴會是1996年，那時IRC 一直在 UNESCO 的巴黎總部大樓舉行，我還要攜帶專業錄音機到現場把全部參展樂曲及資料記錄，回港後讓大家聆賞參考。近年資訊科技提升，各地代表已不用帶錄音器材，行李較輕鬆了。今年初夏，IRC 在瑞典首都舉行。我一向喜歡柏格曼 (Ingmar Bergman) 的電影，於1995年也曾為瑞典雙簧管獨奏家約維恩 (Helen Jahren) 譜寫了一首協奏曲，想不到2012年因再度出席 IRC，為音樂交流略盡綿力，有緣飛到遙遠的斯德哥爾摩。

現代音樂從二十世紀起趨向調性自由化和風格多元化，相對卻沒有足夠空間讓聽眾接觸和認識，一般聽眾和演出者往往欠缺開拓新領域的勇氣。其實人總希望找些非一般的樂曲來演繹和欣賞，那當然須有積極追尋的心，持開放態度接受新穎的聲音；只要多聽，就可分辨各有不同的現代作品，從中找到樂趣和特別的感覺。聽眾可以抓緊第四台播放的「2012國際作曲家交流會議」的機會，聆賞那些從未在本地演出過的新曲，透過音樂幻想一段異域遊歷，揣摩陌生語文的含意，卻不必弄個完全明白，也可在心裡打分數，評選出自己較喜歡的作品。

From 22 July, Sundays, 8pm Repeated on Fridays, 2pm Hui Cheung-wai

The 59th International Rostrum of Composers was held in Stockholm from 22 to 25 May. The 2012 Rostrum gathered representatives from 27 national radio networks across four continents presenting 50 contemporary works. This year, composer Hui Cheung-wai was invited to represent Hong Kong and take part in the rostrum.

Hui Cheung-wai will introduce the selected works from the conference and talk about his participation in the International Rostrum of Composers 2012 (in Cantonese), starting on 22 July, every Sunday at 8pm. Each programme is repeated on the following Friday at 2pm.

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查海倫

逢星期日上午10時

對於很多人來說，德布西是個印象派作曲家，是音樂界的莫奈。他的筆下充滿幻變的光影、層次和色彩。也有部份人知道他是個傷透女人心的風流才子。

德布西

然而，德布西予筆者的第一個印象，卻是一位慈父。當年，水⋯⋯ 只有九歲的我，初次接觸到貝多芬、莫扎特和蕭邦這些家喻隨著筆者的成長和對德布西進一步的認識，漸漸見識到他把戶曉的音樂家以外的第一個陌生人：德布西。猶記得老師買風景人物化為音韻，把異國迷思靈活體現的精妙筆法。他的給我一本新的琴譜，說：「這是德布西為自己的女兒秀秀寫筆鋒之下，固然少不了風和雲，但是，在他心目中，還是的樂曲，叫做《兒童樂園》(Children‘s Corner)。」從此，「水」佔了最重要的位置，無論是《海》、《沉沒的�堂》我的音樂字典裡，多了這位法國先生的名字。抑或《歡樂島》，水流都不曾停止。而在山水之間穿插的牧神，精靈和海妖，也為這些風景畫加添了幾份戲劇性。德布單純卻淒涼西自身的風流倜儻，多少也反映在這些作品中。在7月份的節目中，我希望跟大家從幾個角度探索德布西的音樂：父親、畫家、情人、作曲家和法國人。以孩子的角愛上每個女人都是義無反顧度，我們先來想像一個會為女兒譜寫出連串音符的父親是如若說觀摩德布西的作品就像看玻璃萬花筒一樣使人驚喜，那何的細膩又充滿溫情。《洋娃娃之小夜曲》，似乎是德布西麼，闖入他的感情世界，就如敲碎萬花筒一樣，發現原來在的女兒秀秀 (Chouchou) 的身影在翩翩起舞；而為芭蕾舞劇美麗的折射圖案背後，一切全是碎片。愛上每一個女人都是《玩具箱》所譜的音樂，亦描繪了小孩子一件又一件別緻的如此的義無反顧，連眾叛親離的下場也抑止不住他感情上的玩具，有警察、娃娃，也有小黑人。德布西對孩子的關懷，盲目。也許只有同樣程度的盲目，才造就了音樂上的他，令還帶著一份博愛。在保留童真的同時，他沒有遺忘欄柵處的他可以堅持自己的寫作風格，略過、甚至無視既有的規範，孩子。為了控訴第一次大戰而寫的兒童合唱曲《流浪兒的聖只為保留自己所認同的美。會否是因為這樣，他才會鍾情於誕》，聽起來是單純卻淒涼。《佩利亞與梅麗桑德》這類悲情故事？

等待著永不再來的火車

除了標題音樂和聲樂創作，德布西其實也寫了不少出塵的「無言」作品，包括給長笛，中提琴和豎琴的三重奏鳴曲、為管弦樂和薩克管而寫的狂想曲，以及在最後的日子完成的小提琴奏鳴曲等等。樂評及詩人蘇瓦雷 (André Suarès) 描述過德布西最後一次演出他的小提琴奏鳴曲時的情形：「他的臉色蠟黃，如槁木死灰。他的眼中沒有燙熱的火焰，兩隻眼睛裡的光線彷彿反射自一潭死水。」德布西於1918年3月在一片戰火摧殘的荒寂中去世。臨終前他曾經抱怨自己不能再作

德布西與女兒秀秀曲，猶如一個可憐的旅客，等待著永遠不會再來的火車。

20 Arts Happenings 藝壇快訊

Acclaimed mezzo-soprano and educator Lee Bing, died on 10 June 2012 at age of 78. Born in Guilin, Guangxi, Lee came to 查海倫 Hong Kong at a young age. She began her vocal training under Prof. Hu Ran and Zhao Meibo, and furthered her studies with Ruth Packer at the Royal College of Music in London, where she graduated with high honours and was awarded the Emma Albani Prize in Singing. She then polished her lieder interpretation with Prof. Gerhard Hüsch in Münich. Lee enjoyed an eminently successful career as a concert singer. Her debut at London’s Wigmore Hall received critical acclaim in The London Times. 相比其色彩或影像，也許「情」字更能聯繫德布 A gifted and dedicated teacher, Lee taught voice at The Chinese University of Hong Kong from the founding of its Music Department in 1965. She 西傳奇的一生，無論是親情、戀情，還是愛國之 had also planned and organised nearly150 recitals for her students. 情。他應該沒有預料在自己逝世半年後，法國會 Lee Bing’s husband, Rev. Lee King-hung, called her a low-profile artist, 因為德軍投降而欣喜，亦更加不會想到自己唯一 who would not chase after fame. Her stage charm and radiant voice were her own. She had high expectation of her students but was never harsh to 的血脈─秀秀，會在一年後隨他而去。 them. She was, according to her students, the most inspiring of teachers. Keith Falkner, the former Director of the Royal College of Music, summed 今年8月是德布西出生一百五十週年，讓我們由7 up Lee’s lifetime achievement best. He praised her as ‘an artist of great integrity, accomplishment and courtesy…She had a most distinguished 月開始，一起重溫他的一生以及重要的作品。 career as a student here [at the Royal College of Music], and ever since, she has demonstrated through her own singing and teaching the highest Every Sunday at 10am here on Radio 4, aims.’ Through her sweet and lyrical singing, Lee Bing will be most remembered. join Helen Cha in Debussy Recollection A selection of Lee Bing’s recordings will be heard in Nocturne on 6 July(Fri). (in Cantonese), a five-programme series on 著名女中音歌唱家及�育家李冰，於6月10日離世，享年七十八歲。 the life and music of Claude Debussy, one of the most prominent and influential figures in 李冰原籍廣西桂林，少年時移居香港，先隨胡然和趙梅伯�授學習聲樂，後考入倫敦皇家音樂學院，師承柏嘉�授。李冰以最高榮譽畢業並獲頒 20th century music. 「愛瑪．艾賓尼聲學獎」；之後她赴笈德國慕尼黑，跟隨著名歌唱家曉殊 �授進修德國藝術歌曲的表達藝術。李冰曾多次舉行個人獨唱會，在倫敦威格摩音樂廳的首演更獲《倫敦泰晤士報》的極高讚賞。她亦致力�育，自一九六五年起於香港中文大學音樂系�授聲樂，多年來親自為其學生策劃演唱會近一百五十場。

李冰的丈夫李景雄牧師回憶道，李冰沒有一般女明星的傲氣，相反她淡薄名利和很低調，是一位內外兼備的女性。她在舞台上散發的光芒和魅力，是其他人很難學到的。她�學認真，和學生之間亦師亦友；她對學生有很高的期望，但從不嚴苛。在李冰學生的眼中，老師是一位很有內涵和創意的聲樂家。她有很強的生命力，對藝術的態度、修養和人格給學生很大的影響。李冰的人生可用「真善美」來形容；她的音樂和�學豐富了學生的生命，這是給學生最大的震撼。

正如倫敦皇家音樂學院前院長福納(Keith Falkner)形容，李冰是一位極度正直及擁有卓越成就和謙虛的藝術家。雖然李冰離我們而去，但今後我們可以從她灌錄過的多張唱片，懷緬她的歌聲。第四台於 7月6日(星期五)晚上10時播出的「夜心曲」，將會選播李冰的錄音。

21 22 為什麼以「大地之歌」為題？「世界音樂」其實無處不在。 to theMoon？那把甜美的嗓子便是樂迷所愛戴的小野麗莎(LisaOno)。 Me Fly nova」？又或者最近某相機品牌的廣告歌場、餐廳或廣告背景音樂常用的「bossa 的歌曲？大型商 Cole King Nat 和 B」、Ella Fitzgerald & 你有否留意咖啡店所播放的「R 究竟「世界音樂」跟我們日常生活有多密切呢？你身邊都有世界音樂！就是這樣，我有幸獲邀開咪主持節目！就是這樣，我跟世界音樂結下不解之緣。「黑人」！知識和技巧外，我也主修非洲、美國黑人和拉丁美洲音樂。同學們還常笑說我是半個我深深被他們的音樂吸引，便獨個兒跑到美國攻讀民族音樂，除了掌握世界各地的音樂樂上的默契，亦即是他們所指的「groove」。！」我還來不及反應之際，他們已開始彈奏即興的旋律；更巧妙地形成音 ears) by (play 「打band」！我問可有樂譜提供，他們笑說：「我們不懂看譜；我們只靠耳朵彈出來察，到訪不同黑人�會觀摩，也訪問了眾多樂手和創作人，他們更熱情地邀請我跟他們在大學二年級的暑假，我開始預備一份畢業終期報告，當時有幸到美國作三個月實地考我是半個「黑人」？ COLUMNS 譯成德文的仿作詩《中國笛》，當中有些作者更是我們熟悉的詩人，如李白和王維。是於1908年所創作的西方大型交響樂作品，其歌詞擷取於貝德格 (Hans Bethge) 從中國詩詞 Erde)。這 der von Lied (Das 的《大地之歌》 Mahler) (Gustav 耳一聽，你可能會想起馬勒從字面看，「大地之歌」會令你聯想到大自然的交響樂，抑或不同民族對大地的呼喚呢？驟作為一個土生土長的香港女孩，我為什麼會愛上黑人和非洲音樂文化呢？專欄來自南非的雷村黑牛斧頭合唱團黃愛恩

© Rajesh Jantilal 專家 Prof.CherylKeyes(右)請�。並向中東音樂專家 Prof. A.J. Racy (左) 和黑人音樂一個月前，筆者回母校 UCLA為節目搜集資料，《大地之歌》就在這時空、文學與音樂的縱橫交錯下寫成。靈機一觸，我的音樂節目便以此為題。這也解釋了「世界音樂」的寶貴特質：不同種族的音樂人在各自的地域、社會、文化，和音樂美學的薰陶下，築起西方古典音樂以外的廣濶版圖，反映音樂的多元性。總括而言，世界音樂泛指世界各地各族的音樂，透過其音樂風格及創作形式，聽眾可以對當地的文化有更深入的認識及了解。

地域、文化、音樂

在十三集「大地之歌」中，我會介紹不同地域文化及其音樂風格之外，也會分享過往跟不同組合或音樂人交流與學習的經驗，包括南非的無伴奏合唱 (isicathamiya) 和樂隊組合雷村黑牛斧頭合唱團 (Ladysmith Black Mambazo)，還會介紹不同種族怎樣以歌曲演繹愛情、巴西跟非洲的搖籃曲有何分別、葡萄牙民謠 (fado)跟藍調(blues)哪一種比較憂怨，以及「tango」、「bossa nova」、「samba」等拉丁美洲音樂風格如何應用於古典音樂上等等。

由 7月7日起逢星期六晚10至12時，邀請你暫時放下西方音樂的尺度，收聽由我主持的「大地之歌」，享受異於西方古典音樂的聲音，豐富你的聆賞世界！

In Songs of the Earth (in Cantonese), world music specialist Connie Wong will bring you music from various parts of the world. Get ready to join our musical excursion on Saturdays from 10pm to midnight. COLUMNS 專欄

情有獨鍾‧ 多姿多彩

撰文：馬盈盈

星期六下午5時至7時

其實舒曼亦曾藉着改編，闡釋自己對前人作品的理解。舒曼第一鋼琴：是十九世紀巴赫音樂復興的其中一位推手。當年巴赫的六首無伴奏大提琴組曲仍未受重視，而聽眾對於無伴奏樂曲又有

第二鋼琴：所顧忌。舒曼為了推廣這些作品，就按照原曲蘊含的和聲，加上鋼琴部份，使之成為「鋼琴伴奏大提琴組曲」。

圖中第一鋼琴部份是莫扎特的C大調奏鳴曲，第二鋼琴部份是葛利格的「加料」。當然，並不是每位改編者都像馬勒和舒曼那樣克制，力求忠於原著。李斯特和拉赫曼尼諾夫都曾將舒伯特的歌曲《何處不論是鋼琴、弦樂器，還是管樂器的演奏家，都很可能接觸往？》(Wohin?) 改編成鋼琴獨奏，兩個版本都讓鋼琴唱出抒過同一類樂曲─改編作品，而且從中得到意想不到的樂趣。情明朗的旋律。不過李斯特加上的裝飾帶出了歌曲原來表達的小溪景色，拉赫曼尼諾夫卻不太老實地將旋律引進半音和很多名曲都被作曲家本人或其他演奏家改編、移植到其他樂聲的迷宮裡。此等明目張膽的「以意創造」，的確為改編者器。拉赫曼尼諾夫的《聲樂練習曲》(Vocalise) 就有作曲家和聽眾帶來很大的樂趣。挪威作曲家葛利格就試過在莫扎特親自編寫的管弦樂版，之後被其他音樂家改編為小提琴版、的鋼琴奏鳴曲上，多加一整個鋼琴部份，編成雙鋼琴作品。大提琴版，甚至大號版和薩克管版，差點令人忘記它本來是其中C大調的一首，K. 545，附加的部份富有浪漫色調，卻又一首女高音的歌曲。提到拉赫曼尼諾夫，他所編的鋼琴炫技跟原本的樂音一唱一和，和諧協調，聽起來令人不禁會心微名曲《野蜂飛舞》想必人人熟悉，但你可曾在歌劇院聽過林笑。姆斯基─高沙可夫的原作？各式各樣的編由都包含改編者「再創作」的心思。本月，你很多偉大作曲家連自己作曲的時間都不夠，卻願意將寶貴的可以在「情有獨鍾」節目領略改編音樂的妙處。心力投放到別人的作品，加以改造。任職維也納國家歌劇院指揮的馬勒只能在暑假偷閒作曲，但都花時間「修改」了舒 In July’s All or Nothing, Tina Ma and Phil Whelan bring you nothing but arrangements and transcriptions of famous tunes. 曼的全部四首交響曲。舒曼的原作因為某些部份的織體過於 Tune in to Radio 4 on Saturday at 5pm. 厚重而為人詬病。馬勒的解決方法不是直接除去多餘的重疊聲部，而是利用配器和強度 (dynamics) 將重點突顯出來。今日不少指揮家都樂於演奏這個改編版本，讓我們聽到作品在馬勒眼中理想的一面。

25 COLUMNS 專欄

星期一至星期五，下午6時15分撰文：林家琦 Monday to Friday, 6:15pm Kathy Lam

念初中時聽 Kenny G，是因為朋輩壓力，但他溫暖的樂由7月起，黃昏6時15分的「Happy Hour 歡樂時光」節目聲、動聽的旋律和有型的扮相，確深深地吸引著我。我以為首小時，將變身為「Jazzy Hour」。無論你喜歡那類型的那就是爵士樂。爵士樂，我都會在這時段紛紛為你送上，令你的歸家路上增添一份懶洋洋的色彩！念大學時聽 Paul Motion 和 Joe Lovano，是因為誤打誤撞。奇怪為何音樂語言變得這樣難以 Who’s your favourite jazz performer? 捉模。他們別具一格的音樂態度、聽起 Whether it’s Ella Fitzgerald or 來好像沒有組織的音樂叫我卻步。我 Duke Ellington, Miles Davis or Getz and Gilberto, Dave 以為那就是爵士樂。 Brubeck or Charlie Parker, 雙十年華聽 Joe Pass，是經朋 Joe Pass or Stacey Kent, 友介紹。在他手指頭下，結他 Shirley Horn or the 變成一件小玩具。他那出神 Buena Vista Social 入化的演奏和即興，每次都 Club, you’ll hear them all on Radio 為我帶來驚喜；只用耳朵聆 4. Starting in July, 聽，我已能幻想他在台上演 the first hour of 出時的魅力。可是他跟很多 the Happy Hour 爵士樂手一樣沉淪毒海，動 programme will 搖了我對他的「愛」。我以 turn into ‘Jazzy 為那就是爵士樂。 Hour’. Tune in for some inspired jazz 二十來歲超級急性子的年代聽 performances as you ¡Cubanismo!，是因為那熱情澎 make your way home! 湃和充滿動感的節奏。小號異常嘹亮的領奏、那種古巴特有的音樂熱情，叫人聽起來有血脈沸騰的衝動。我以為那就是爵士樂。

在講求「有型」的年代聽 Buena Vista Social Club，迷上他們又是因為那種獨特的音樂色彩。每位樂手都年過半百，都是夏灣拿的傳奇人物，在當地甚或世界樂壇成了不老傳說。我以為那就是爵士樂。

在學習慢活的年代聽小野麗莎和 Bossa Nova，是一種態度。幻想週日下午坐在陽台、看著書、呷著咖啡、細味生活。我以為那就是爵士樂(可是那景象從未在我身上發生)。林家琦 Kathy Lam

27 www.finemusic.org.hk Friends of Radio 4 第四台之友

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Friends of Radio 4 Society Limited 第四台之友協會有限公司 COLUMNS 專欄

Tina Ma 馬盈盈 New Releases Tina Ma, Ben Pelletier Mondays 8:00pm

Tina Ma and Ben Pelletier guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The programmes are also available on Radio 4’s website for streaming: radio4.rthk.hk

新唱片大本營馬盈盈彭禮傑逢星期一晚上8時

馬盈盈和彭禮傑邀請你加入「新唱片大本營」，一同欣賞市面上新近推出的影音製作；節目更可於網上重溫：radio4.rthk.hk。 Ben Pelletier 彭禮傑

2/7

9/7

16/7

23/7

30/7

29 COLUMNS 專欄

Date 日期 Highlights 重點推介

International Military Tattoo in Celebration of 30/6 the 15th Anniversary of the Establishment of the HKSAR (Sat 六) Celebrating the 15th anniversary of the establishment of the HKSAR, 8:00pm international military bands from China, Hong Kong, Australia, Russia, Turkey, Scotland, and the USA join to bring you a spectacular showcase 2/7* of military band music. The stage is also shared by the Hong Kong (Mon 一) Association of Choral Societies and an energetic Irish dance group, 11:45pm O’Shea-Ryan Irish Dancers, Australia. Repeat 重播慶祝香港特別行政區成立十五周年 ─ 國際軍樂匯演為慶祝香港特別行政區成立十五週年，來自中國、香港、澳洲、俄羅斯、土耳其、美國和蘇格蘭的軍樂隊，攜手呈獻大型軍樂匯演。參與此項盛事還有香港合唱團協會和充滿活力的澳洲奧謝‧瑞恩愛爾蘭舞蹈團。

Borodin Quartet 6/7 Having worked with Shostakovich on his quartets, the Borodin Quartet is regarded (Fri 五) as the authoritative interpreter of the composer’s music. To celebrate the 50th 8:00pm anniversary of Hong Kong City Hall, the Borodin Quartet and pianist Ludmila

Berlinskaya perform Shostakovich’s Piano Quintet in G minor. The programme Thomas Mueller © 11/7 also includes Tchaikovsky’s String Quartet No. 2 in F major. Borodin Quartet 鮑羅丁四重奏 (Wed 三) 2:00pm Repeat 重播鮑羅丁四重奏蕭斯達高維契曾親自督導鮑羅丁四重奏演繹其作品，故這組四重奏被公認為蕭氏作品的演繹權威。為了慶祝香港大會堂五十週年，享譽國際的鮑羅丁四重奏 Ludmila Berlinskaya

聯同鋼琴家貝林斯卡亞，送上蕭斯達高維契的G小調鋼琴五重奏。同場還可欣 © Ludmila Berlinskaya, piano 賞到柴可夫斯基的F大調第二弦樂四重奏。貝林斯卡亞，鋼琴

Butterfly Lovers and Yellow River 13/7 (Fri 五) Two of the most popular Chinese concertos, The Butterfly Lovers 8:00pm and The Yellow River, are featured in one concert. The Hong Kong Chinese Orchestra, under Maestro Chen Xieyang, are joined by gaohu player Hsin Hsiao-ling and pianist Chloe Pak. The programme 18/7 HKCO Chloe Pak also includes Tan Dun’s Northwest Suite and other works. (Wed 三) 2:00pm © © Chen Xieyang, Chloe Pak, piano Repeat 重播 conductor 白汶芊，鋼琴梁祝‧黃河陳燮揚，指揮在這場音樂會中，香港中樂團呈獻中國音樂史上兩首最流行的協奏曲－「梁祝」小提琴協奏曲和「黃河」鋼琴協奏曲。演出者包 Hsin Hsiao-ling © 括指揮大師陳燮揚、高胡演奏家辛小玲、年青鋼琴家白汶芊和香 Hsin Hsiao-ling, gaohu 辛小玲，高胡港中樂團。曲目還包括譚盾的《西北組曲》等。

Summer Strings 20/7 Described by the BBC Music Magazine as ‘a worthy successor to (Fri 五) Julian Bream’, guitarist Craig Ogden joins the City Chamber Orchestra 8:00pm of Hong Kong and its Chief Conductor Jean Thorel to play Rodrigo’s Concierto de Aranjuez and more. The programme also includes 25/7 Tchaikovsky’s Souvenir de Florence and Kodály’s A Summer Evening. Craig Ogden (Wed 三) 2:00pm © 夏弦美樂 Craig Ogden, guitar Repeat 重播克雷格‧奧格登，結他《英國廣播公司音樂雜誌》曾經形容結他手克雷格‧奧格登是貝爾廉的繼承者。在這場音樂會當中，克雷格‧ 奧格登聯同首席指揮

30 COLUMNS 專欄

Date 日期 Highlights 重點推介

27/7 Mahler 9 with Haitink (Fri 五) The Dutch conductor Bernard Haitink is regarded as one of the best Mahler 8:00pm interpreters today. In this 2009 BBC Proms concert, Haitink leads the London Symphony Orchestra to perform the last symphony that Mahler 1/8 completed - Symphony No. 9. Stay tuned for this magnificent work! (Wed 三) 2:00pm Repeat 重播凱亭的馬勒第九交響曲荷蘭指揮家凱亭是馬勒交響曲的權威演繹者。在這場2009年的英國廣播公司逍遙音樂會中，凱亭帶領倫敦交響樂團，送上馬勒最後完成的第九交響曲。萬勿錯過！ Clive Barda © Bernard Haitink, conductor 凱亭，指揮

Igor Markevitch’s 100 Anniversary 3, 10/7 (Tue 二) Igor Markevitch was one of the great conductors, famous for his 8:00pm interpretation of 20th-century music. This month sees the 100th anniversary of Igor Markevitch’s birth. To celebrate, Radio 4 brings you two live concerts recorded by Radio France, dating back to the 1950s with Markevitch on the podium: from 1952, a concert with the Santa Cecilia Academy Orchestra and; from 1958, a concert with the ORTF National Orchestra and Claudio Arrau, in the Piano Concerto No. 1 by Brahms. 紀念馬加域治100週年偉大指揮家馬加域治擅長演繹二十世紀音樂。為慶祝馬加域治一百歲冥壽，第四台會轉播兩場由法國廣播電台提供的音樂會錄音。第一場是馬加域治於1952年帶領聖西西利亞音樂學院樂團的音樂會； Rosemarie Clausen / Deutsche Grammophon 第二場於1958年舉行，由他指揮法國國家電台樂團，聯同鋼琴家亞 © Igor Markevitch, conductor 勞演出布拉姆斯的第一鋼琴協奏曲。馬加域治，指揮

* Simulcast on Radio 4, via TVB Pearl and RTHK’s website 香港電台第四台、無綫電視明珠台及香港電台網上廣播站同步播出

– be in touch in 3 minutes –三分鐘錦囊

Topic 內容 Host 主持星期一 : 德布西印象查海倫 Tue : What’s That Noise? Christopher Coleman Wed : Arts News Jenny Lee Thu : Arts News Jonathan Douglas 星期五 : 今日話當年馬盈盈 Sat : Operetta Lo King-man Sun : New Releases 馬盈盈

Mon- Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pm Weekends 週末 : 9:55am, 4:55pm, 10:55pm

31 節目時間表 RTHK Radio 4 香港電台第四台 MAIN PROGRAMME CHART FM Stereo 97.6-98.9MHz http://www.rthk.org.hk Monday Tuesday Wednesday Thursday Friday Saturday Sunday 星期一星期二星期三星期四星期五星期六星期日 6:00am

Aubade 晨曲 E

7:00am

Sunday Morning 8:00am Music Infusion Morning Call with Jonathan Douglas 樂樂無窮 on 4 週日早晨清晨妙韻杜格尊 Ben Pelletier 彭禮傑 Stacey Rodda E 盧迪思 9:00am E E

Minutes That Matter 10:00am Debussy Recollection Play by Ear 德布西印象查海倫週末隨想 Helen Cha C 11:00am Synthia Ko Non-stop Classics 美樂無休高德儀 Church Service E 主日崇拜 E Bethan Graves / Stacey Rodda 12:00pm 紀碧琳 / 盧廸思 What’s That Noise? E Artbeat Jonathan Douglas 杜格尊什麼聲音? Christopher Coleman E 高爾文 E 1:00pm News at One Piano Exams 2012 Piano Exams 2012 Music à la Carte 午間精點鋼琴考試講座 C 鋼琴考試講座 E Daphne Lee / Jenny Lee/ Tina Ma 李德芬 / 李嘉盈 / 馬盈盈 C 2:00pm Shirley Gwilt 紀莫樹鈴 David Gwilt 紀大衛 The 64th HK Schools Live on 4 Music Festival R4 Buddies 第四台音樂會第六十四屆 B Sunday Opera (Repeat 重播) 香港學校音樂節 # 四台插班生 (Repeat 重播) 歌劇世界 3:00pm B Raymond Chung / Carmen Leung Lo King-man Music from China 盧景文 (1st b/c: Wed) (1st b/c: Thu) (1st b/c: Fri) (1st b/c: Sat) 鍾子豪 / 梁倍嘉樂在神州 C (首播：星期三) (首播：星期四) (首播：星期五) (首播：星期六) C E Tina Ma 馬盈盈 4:00pm Rupert Chan 陳鈞潤 Collage (1st Sunday 首個週日）點指美樂 C C 5:00pm Four for Classics with Jenny Lee 愛樂同盟李嘉盈 All or Nothing Children’s Corner B B 情有獨鍾親親童樂日 C Tina Ma / Phil Whelan Nancy Loo 羅乃新 6:00pm 馬盈盈 / Phil Whelan News at Six Arts News 藝壇快訊 C Tunes to All or Nothing Remember 7:00pm 情有獨鍾 B Happy Hour with Kathy Lam 人約黄昏後 Cantilena Emma Liu 歡樂時光林家琦 C 廖碧楨自投羅網 C C 8:00pm Nancy Loo 羅乃新 The 64th HK Schools Music Festival New Releases 第六十四屆 B Live on 4 香港學校音樂節 # 9:00pm 新唱片大本營 Ben Pelletier / Tina Ma 第四台音樂會彭禮傑 / 馬盈盈 B Sunday B Divertimento 10:00pm 星夜樂逍遙 Wendy Ng Musical Songs of the 伍穎文 Earth C 11:00pm Exchange Nocturne with Calvin Lai 談天論樂大地之歌夜心曲賴建群 Jazzing Up Jimmy Shiu 蕭樹勝 Connie Wong 黃愛恩爵士靈感 E C C C 12:00am Ben Pelletier 彭禮傑 * Reflections 晚禱 Mon-Fri (星期一至五)11:57pm B Bilingual 雙語 C Cantonese 粵語 E English 英語

# 22/7, 29/7 (Sun 日) 8pm Music for All Music Exploration Concerts Artnews Education Religion News (repeated 重播: 27/7, 3/8 (Fri 五) 2pm) 適合所有樂迷擴闊音樂領域音樂會時段藝術資訊 �育節目宗�節目新聞 International Rostrum of Composers 2012 (in Cantonese), hosted by Hui Cheung-Wai 2012 國際作曲家交流會議，由許翔威主持 33 PROGRAMME HIGHLIGHTS 節目精華

11:45pm LIVE ON 4 (REPEAT) 艾斯（鋼琴）第四台音樂會（重播）阿姆斯特丹音樂廳樂團 / 楊遜斯 International Military Tattoo in Celebration of the 古拜杜蓮娜：瘟疫時的盛宴 15th Anniversary of the Establishment of HKSAR 史達拉汶斯基：隨想曲 1/7/2012 (Sun 星期日) China Association for Symphonic Bands and 華夏斯：美國 2:00pm SUNDAY OPERA 歌劇世界 Ensembles, Military Band of the Chinese People’s Ponchielli: La Gioconda 167’ Liberation Army, Military Band of the Chinese 8:00pm LIVE ON 4 第四台音樂會 People’s Liberation Army Navy, Guard of Honour La Gioconda: Maria Callas (s) Various vocalists of the Chinese People’s Liberation Army Hong Santa Cecilia Academy Orch. / Igor Markevitch Laura: Fiorenza Cossotto (ms) Kong Garrison, Royal Australian Navy Band, Casella: Paganiniana, Op. 65 12’ Enzo: Pier Miranda Ferraro (t) Russian Frontier Guard Band, Bursa Mehter Band of Turkey, Pipes and Drums of the Royal Scots Falla: The Three-Cornered Hat, Suite No. 2 13’ Barnaba: Piero Cappuccilli (br) Dragoon Guards, 8th US Army Band, Hong Kong Dallapiccola: Canti di prigionia 23’ Cho. and Orch. of the Teatro alla Scala di Milano / Police Band, Hong Kong Association of Choral Milhaud: Les Choephores, Op. 4 32’ Societies, Girl Students Marching Band of Jiangxi Antonino Votto Les Eumenides, Op.41, ‘Finale’ 11’ Normal University & O’Shea-Ryan Irish Dancers Australia 龐基耶利：歌女焦空達多位歌唱家焦空達：卡拉絲（女高音） Presented by the Home Affairs Bureau. Recorded at 聖西西利亞音樂學院樂團 / 馬加域治羅拉：哥索圖（女中音） Hong Kong Coliseum on 22/6/2012. 卡撒拿：巴格尼尼之魂，作品65 法雅：三角帽第二組曲恩素：費拉盧（男高音）達拉皮科拉：囚禁之歌巴拿巴：卡貝芝里（男中音） A simulcast on Radio 4, via TVB Pearl and on RTHK’s website (rthk.hk). 米堯：獻酒使者，作品24 米蘭史卡拉歌劇院樂團及合唱團 / 霍圖復仇女神，作品41，「終曲」慶祝香港特別行政區成立十五周年─國際軍樂 8:00pm FIREWORK DISPLAY MUSIC FOR 匯演 4/7/2012 (Wed 星期三) HKSAR ESTABLISHMENT DAY 中國人民解放軍軍樂團、中國人民解放軍海軍 11:00am BALAKIREV 巴拉基列夫香港特區成立紀念日煙花匯演音樂軍樂團、中國人民解放軍駐香港部隊儀仗隊、 Piano Sonata No. 1 in B minor, Op. 5 24’ 皇家澳洲海軍軍樂團、俄羅斯邊防衛士樂團、 Alexander Paley (p) 土耳其梅赫特爾軍樂、皇家蘇格蘭重裝甲衛隊 B小調第一鋼琴奏鳴曲，作品5 8:25pm 64TH HONG KONG SCHOOLS 風笛隊、美國陸軍第八軍團軍樂團、香港警察柏里（鋼琴） MUSIC FESTIVAL 樂隊、香港合唱團協會、江西師範大學女大學第六十四屆香港學校音樂節生管樂團及澳洲奧謝‧瑞恩愛爾蘭舞蹈團 2:00pm LIVE ON 4 (REPEAT) Prize-winners’ Concert 第四台音樂會（重播）優勝者音樂會民政事務局主辦。2012年6月22日香港體育館 Andrew Foster-Williams (b-br) 錄音。 Hong Kong Phil. Orch. / Nicholas McGegan 2/7/2012 (Mon 星期一) 香港電台第四台、無綫電視明珠台及香港電台 Rameau: Naïs Suite 10:05am HKSAR 15TH ANNIVERSARY 網上廣播站rthk.hk同步播出。 Handel: Sibillar gli angui d’Aletto from ‘Rinaldo’ SPECIAL - A MUSICAL CELEBRATION Gelido in ogni vena from ‘Siroe, 2:15pm LIVE ON 4 (REPEAT) Chan Wing Wah: Overture ‘Celebration’ 8’ Re di Persia’ 第四台音樂會（重播） Nel mondo e nell’abisso from Hong Kong Phil. Orch. / Yip Wing Sie Michal Kaňka (vc) ‘Tamerlano’ Prague Radio Sym. Orch. / Ronald Zollman Mozart: Hai già vinta la causa!...Vedrò mentre Richard Tsang: Subliminal Happiness 6’ Martinů: Three Frescoes of Piero della Francesca io sospiro from ‘Le Nozze di Figaro’ Kabalevsky: Cello Concerto No. 2 in C major, Chinese Music Virtuosi Così dunque tradisci…Aspri rimorsi Op. 77 atroci, K. 432 Dvořák: Symphony No. 6 in D major, Op. 60 Symphony No. 36 in C major, Tan Dun: Symphony 1997, K. 425, ‘Linz’ ‘Heaven Earth Mankind’ 73’ 康卡（大提琴）布拉格電台交響樂團 / 蘇文 Presented by Hong Kong Philharmonic Orchestra. Yo Yo Ma (vc) 馬天奈：弗朗切斯卡的壁畫 Yip’s Children Cho. 卡巴賴夫斯基：C大調第二大提琴協奏曲， Recorded at City Hall Concert Hall on 22/6/2012. Imperial Bells Ensemble of China, 作品77 Hong Kong Phil. Orch. / Tan Dun 德伏扎克：D大調第六交響曲，作品60 科士打‧威廉斯（低男中音）香港管弦樂團 / 麥克基根 3/7/2012 (Tue 星期二) 拉莫：《納依》組曲回歸 15 周年特備節目 - 喜慶樂聚 11:00am BACH 巴赫韓德爾：復仇女神的蛇在嘶嘶作響，陳永華：慶典 English Suite No. 3 in G minor, BWV808 23’ 選自《連納多》香港管弦樂團 / 葉詠詩 Piotr Anderszerwski (p) 我覺得自己的血都結成冰， G小調第三英國組曲，BWV808 選自《波斯國王希羅》在世上、在深淵，曾葉發：大樂天安德撒夫斯基（鋼琴）選自《韃靼國王塔瑪蘭諾》龢鳴樂坊 2:00pm LIVE ON 4 (REPEAT) 莫札特：我就是勝利者！⋯⋯當我嘆息時，第四台音樂會（重播）選自《費加羅的婚禮》譚盾：交響曲1997 天地人 Emanuel Ax (p) 《你是背叛我了⋯⋯殘酷苦澀的悔恨》馬友友 (大提琴) Royal Concertgebouw Orch. / Mariss Jansons C大調第36交響曲，K. 425，「林茲」香港葉氏兒童合唱團 Gubaidulina: Feast during a Plague 17’ Stravinsky: Capriccio 18’ 中華編鐘樂團、香港管弦樂團 / 譚盾香港管弦樂團主辦。2012年6月22日香港大會 Varèse: Amériques 27’ 堂音樂廳錄音。 35 PROGRAMME HIGHLIGHTS 節目精華

8:00pm LIVE ON 4 第四台音樂會 8:00pm LIVE ON 4 第四台音樂會 7/7/2012 (Sat 星期六) Casals Quartet Vadim Repin (v) 8:00pm LIVE ON 4 第四台音樂會 Mozart: String Quartet No. 16 in E flat major, Rotterdam Phil. Orch. / Gianandrea Noseda András Schiff (p) K. 426 26’ Respighi: Fontane di Roma 17’ Budapest Festival Orch. / Iván Fischer Kurtág: Hommage à Mihály András, Prokofiev: Violin Concerto No. 2 in G minor, Bartók: 15 Hungarian Peasant Songs, Sz. 71 10’ Op. 13 10’ Op. 63 26’ Piano Concerto No. 2 in G major, Sz. 95 30’ Schubert: String Quartet No. 14 in D minor, Rachmaninov: Symphony No. 1 in D minor, Schubert: Impromptu No. 2 in E flat major, D. 810, ‘Death and the Maiden’ 40’ Op. 13 46’ D. 899 5’ Hungarian Melody, D. 817 4’ Symphony No. 9 in C major, D. 944, 卡薩爾斯四重奏利賓（小提琴） ‘Great’ 52’ 莫扎特：降E大調第十六弦樂四重奏，K. 426 鹿特丹愛樂樂團 / 諾塞達古他格：向安德拉致敬雷史碧基：羅馬之泉安德斯．舒爾夫（鋼琴）舒伯特：D 小調第十四弦樂四重奏，D. 810，浦羅歌菲夫：G小調小提琴協奏曲，Op. 63 布達佩斯節日樂團 / 艾雲．費殊「死神與少女」拉赫曼尼諾夫：D小提琴第一交響曲，Op. 13 巴托：匈牙利農民歌曲十五首，Sz. 71 Casals Quartet G大調第二鋼琴協奏曲，Sz. 95 卡薩爾斯四重奏 Gianandrea Noseda 諾塞達舒伯特：降E大調第二即興曲，D. 899 匈牙利曲調，D. 817 C大調第九交響曲，「偉大」

8/7/2012 (Sun 星期日) 2:00pm SUNDAY OPERA 歌劇世界 Mozart: Don Giovanni 158’ Don Giovanni: William Shimell (br) Leporello: Samuel Ramey (b) Don Ottavio: Frank Lopardo (t) Donna Anna: Cheryl Studer (s) Donna Elvira: Carol Vaness (s) Zerlina: Susanne Mentzer (ms)

© Orquestra de Cadeques Vienna Phil. Orch. / Riccardo Muti 6/7/2012 (Fri 星期五) 11:00am GERSHWIN 歌舒詠莫扎特：唐喬萬尼唐喬萬尼：舒密爾（男中音） © Felix Broede An American in Paris 18’ 雷波雷諾：雷美（男低音） 5/7/2012 (Thu 星期四) New York Phil. / Leonard Bernstein 奧塔維奧：劉易斯（男高音） 11:00am PURCELL 浦賽爾一個美國人在巴黎安娜：絲杜迪（女高音） Ode for Queen Mary’s Birthday 21’ 紐約管弦樂團 / 伯恩斯坦艾維拉：雲妮絲（女高音） Deller Consort 澤利娜：文茲沙（女中音）維也納愛樂樂團 / 梅狄 Stour Music Fest. Orch. / Alfred Deller 2:00pm 64TH HONG KONG SCHOOLS 瑪麗女王生辰頌歌 MUSIC FESTIVAL (REPEAT) 8:00pm 64TH HONG KONG SCHOOLS 戴勒古樂團第六十四屆香港學校音樂節（重播） MUSIC FESTIVAL 斯陶爾音樂節樂團 / 戴勒 Prog. as 1/7/2012, 8pm 第六十四屆香港學校音樂節節目與2012年7月1日晚上8時相同 Prize-winners’ Concert 2:00pm 優勝者音樂會 Schoenberg: 3 Piano Pieces 14’ 8:00pm LIVE ON 4 第四台音樂會 Mitsuko Uchida (p) Ludmila Berlinskaya (p) 9/7/2012 (Mon 星期一) 11:00am 布拉姆斯 Borodin Quartet BRAHMS Symphony No. 4 in E minor, Op. 98 32’ Mozart: Quintet in D, K593 27’ Tchaikovsky: String Quartet No. 2 in F major 38’ Berlin Phil. Orch. / Claudio Abbado Josef Suk (va) Smetana Quartet Shostakovich: Piano Quintet in G minor 32’ E小調第四交響曲，作品98 柏林愛樂樂團 / 亞巴度 Bruckner: Symphony No.2 in C minor 67’ Presented by the Leisure and Cultural Services Royal Concertgebouw Orch./Riccardo Chailly Department. Recorded at Hong Kong City Hall Concert 2:00pm LIVE ON 4 (REPEAT) Hall on 25/4/2012. 第四台音樂會（重播）荀白克: 三首鋼琴小品 Prog. as 4/7/2012, 8pm 節目與2012年7月4日晚上8時相同內田光子 (鋼琴) 貝林斯卡亞（鋼琴）鮑羅丁四重奏 10/7/2012 (Tue 星期二) 莫扎特: D 大調弦樂五重奏, K.593 柴可夫斯基：F大調第二弦樂四重奏 11:00am BRITTEN 布烈頓蘇克 (中提琴) / 史密塔鈉四重奏蕭斯達高維契：G小調鋼琴五重奏 Variations on a Theme of Frank Bridge, Op. 18 31’ New Stockholm Ch. Orch. / Peter Csaba 布魯克納: C 小調帶二交響曲康樂及文化事務署主辦。2012年4月25日香港布里奇主題變奏曲，作品18 阿姆斯特丹音樂廳樂團/沙爾大會堂音樂廳錄音。新斯德哥爾摩室樂團 / 沙巴 37 PROGRAMME HIGHLIGHTS 節目精華

2:00pm LIVE ON 4 (REPEAT) 12/7/2012 (Thu 星期四) 辛小玲（高胡）第四台音樂會（重播） 11:00am WEBER 韋伯白汶芊（鋼琴） Prog. as 5/7/2012, 8pm Clarinet Concerto No. 2 in E flat major, 香港中樂團 / 陳燮陽節目與2012年7月5日晚上8時相同 Op. 74 23’ 吳華編：廣東音樂四首 London Sym. Orch. / Alun Francis 周杰倫（陳燮陽編）：菊花台 8:00pm LIVE ON 4 第四台音樂會降E大調第二單簧管協奏曲，作品74 何占豪、陳鋼：梁山伯與祝英台 Claudio Arrau (p) 倫敦交響樂團 / 法蘭西斯 ORTF Nat. Orch. / Igor Markevitch 冼星海（殷承宗、儲望華、盛禮洪及劉莊編）：黃河鋼琴協奏曲 Weber: Overture to ‘Der Freischütz’ 10’ 2:00pm LIVE ON 4 (REPEAT) Brahms: Piano Concerto No. 1 in D minor, 第四台音樂會（重播）譚盾：西北組曲 Op. 15 49’ Prog. as 7/7/2012, 8pm Tchaikovsky: Symphony No. 6 in B minor, 節目與2012年7月7日晚上8時相同香港中樂團主辦。2012年6月22日香港文化中 Op. 74, ‘Pathétique’ 44’ 心音樂廳錄音。 Falla: The Three Cornered Hat, Suite No. 2 12’ 8:00pm LIVE ON 4 第四台音樂會 Till Fellner (p) 14/7/2012 (Sat 星期六) Royal Concertgebouw Orch. / Bernard Haitink 亞勞（鋼琴） 8:00pm LIVE ON 4 第四台音樂會法國國家電台樂團 / 馬加域治 Beethoven: Piano Concerto No. 3 in C minor, Orch. Révolutionnaire et Romantique 韋伯：《自由射手》序曲 Op. 37 37’ 布拉姆斯：D小調第一鋼琴協奏曲，作品15 Bruckner: Symphony No. 7 in E major 67’ Beethoven: Egmont Overture, Op. 84 8’ 柴可夫斯基：B小調第六交響曲，作品74， Symphony No. 7 in A major, 「悲愴」費爾納（鋼琴） Op. 92 39’ 法雅：三角帽第二組曲阿姆斯特丹音樂廳樂團 / 凱亭 Symphony No. 5 in C minor, 貝多芬：C小調第三鋼琴協奏曲，作品37 Op. 67 33’ 11/7/2012 (Wed 星期三) 布魯克納：E大調第七交響曲 11:00am MOZART 莫扎特 Till Fellner 革命與浪漫樂團 Concertone in C major, K. 190 28’ 費爾納 Shigenori Judo (f) Jean-Pierre Rampal (f & cond) 貝多芬：艾格蒙序曲，作品84 Salzburg Mozarteum Orch. A大調第七交響曲，作品92 C大調小協奏曲，K. 190 C小調第五交響曲，作品67 工藤重典（長笛）雷波爾（長笛及指揮）薩爾斯堡莫扎特學院室樂團 15/7/2012 (Sun 星期日) 2:00pm SUNDAY OPERA 歌劇世界 2:00pm LIVE ON 4 (REPEAT) Massenet: Esclarmonde 156’ 第四台音樂會（重播） Esclarmonde: Joan Sutherland (s) Prog. as 6/7/2012, 8pm 節目與2012年7月6日晚上8時相同 Roland: Giacomo Aragall (t) Parséis: Huguette Tourangeau (ms) © Fran Kaufman 8:00pm LIVE ON 4 第四台音樂會 13/7/2012 (Fri 星期五) Finchley Children’s Music Group, John Alldis Choir Michelangelo String Quartet 11:00am BEETHOVEN 貝多芬 Nat. Phil. Orch. / Richard Bonynge Haydn: String Quartet No. 78 in B flat major, String Quartet in B flat major, Op. 18, No. 6 35’ ‘Sunrise’ 23’ Alban Berg Quartet 馬斯奈：艾絲克拉蒙 Beethoven: String Quartet No. 11 in F minor, 降B大調弦樂四重奏，作品18第6首艾絲克拉蒙：修德蘭（女高音） Op. 95, ‘Serioso’ 21’ 貝爾格四重奏羅蘭：艾勒高（男高音） Schumann: String Quartet No. 1 in A minor, 帕賽：杜倫素（女中音） Op. 41 26’ 2:00pm 64TH HONG KONG SCHOOLS 芬奇麗兒童音樂團體，約翰雅狄士合唱團

MUSIC FESTIVAL (REPEAT) 國家愛樂樂團 / 邦寧米高安哲羅弦樂四重奏第六十四屆香港學校音樂節（重播）海頓：降B大調第七十八弦樂四重奏， Prog. as 8/7/2012, 8pm 「日出」節目與2012年7月8日晚上8時相同 8:00pm 64TH HONG KONG SCHOOLS 貝多芬：F小調第十一弦樂四重奏，作品95， MUSIC FESTIVAL 「嚴肅」 8:00pm LIVE ON 4 第四台音樂會第六十四屆香港學校音樂節舒曼：A小調第一弦樂四重奏，作品41 Chloe Pak (p) Hsin Hsiao-ling (gaohu) Prize-winners’ Concert Michelangelo String Quartet Hong Kong Chinese Orch. / Chen Xieyang 優勝者音樂會米高安哲羅弦樂四重奏 Wu Hua: A Medley of Four Cantonese Music Pieces Jay Chou (arr. Chen Xieyang): 16/7/2012 (Mon 星期一) The Chrysanthemum Terrace 11:00am BARTÓK 巴托 He Zhanhao & Chen Gang (arr. He Zhanhao for gaohu): The Butterfly Lovers Violin Sonata, Sz. 117 28’ Xian Xinghai (arr. Yin Chengzong, Chu Wanghua, György Pauk (v) Sheng Lihong & Liu Zhuang): The Yellow River 小提琴奏鳴曲，Sz. 117 Piano Concerto 鮑格（小提琴） Tan Dun: The Northwest Suite 2:00pm LIVE ON 4 (REPEAT) Presented by the Hong Kong Chinese Orchestra. 第四台音樂會（重播） Recorded at Hong Kong Cultural Centre Concert Hall on Prog. as 11/7/2012, 8pm 22/6/2012. © Michelangelo String Quartet 節目與2012年7月11日晚上8時相同 39 PROGRAMME HIGHLIGHTS 節目精華

17/7/2012 (Tue 星期二) 阿替姆弦樂四重奏 20/7/2012 (Fri 星期五) 11:00am BUSONI 布梭尼亞倫斯基：A小調第二弦樂四重奏 11:00am SCHUBERT 舒伯特蕭斯達高維契：F大調第三弦樂四重奏， Fantasia Contrappuntistica 31’ German Mass, D. 872 41’ 作品73 András Schiff & Peter Serkin (p) Tolzer Children Cho. / Gerhard Schmidt-Gaden 對位幻想曲貝多芬：A小調第十五弦樂四重奏，作品132 德文彌撒曲，D. 872 舒爾夫，舒爾健（鋼琴）圖斯兒童合唱團 / 舒密特－加頓 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） 2:00pm 64TH HONG KONG SCHOOLS Prog. as 12/7/2012, 8pm MUSIC FESTIVAL (REPEAT) 節目與2012年7月12日晚上8時相同第六十四屆香港學校音樂節（重播） Prog. as 15/7/2012, 8pm 8:00pm LIVE ON 4 第四台音樂會節目與2012年7月15日晚上8時相同 Unhasu Orch. Radio France Phil. Orch. / Myung-Whun Chung 8:00pm LIVE ON 4 第四台音樂會 Traditional North Korean music Craig Ogden (g) Saint-Saëns: Introduction and City Ch. Orch. of Hong Kong / Jean Thorel Rondo Capriccioso, Op. 28 9’ Atrium String Quartet Vivaldi: Concerto for Guitar in D major, RV93 Brahms: Symphony No. 1 in C minor, 阿替姆弦樂四重奏 Arnold: Serenade for Guitar and Strings, Op. 50 © Gela Megrelidze Op. 68 49’ Tchaikovsky: Souvenir de Florence, Op. 70 19/7/2012 (Thu 星期四) Kodály: A Summer Evening 銀河水樂團 11:00am WEILL 懷爾 Rodrigo: Concierto de Aranjuez 法國電台愛樂樂團 / 鄭明勳 The Seven Deadly Sins 34’ 傳統朝鮮音樂 Julia Migenes (s) Robert Tear (t) 聖桑：引子與迴旋隨想曲，作品28 London Sym. Orch. / Michael Tilson Thomas Presented by the City Chamber Orchestra of Hong 布拉姆斯：C小調第一交響曲，作品68 七宗罪 Kong. Recorded at Hong Kong City Hall Concert 米根尼斯（女高音）地亞（男高音） Hall on 29/6/2012. Myung-Whun Chung 倫敦交響樂團 / 狄遜—湯馬士鄭明勳克雷格‧奧格登（結他） 2:00pm LIVE ON 4 (REPEAT) 香港城市室樂團 / 尚‧托勞第四台音樂會（重播）韋華第：D大調吉他協奏曲，RV93 Prog. as 14/7/2012, 8pm 亞諾：吉他與弦樂小夜曲，作品50 節目與2012年7月14日晚上8時相同柴可夫斯基：佛羅倫斯的回憶，作品70 高大宜：夏日黃昏 8:00pm LIVE ON 4 第四台音樂會盧狄高：阿蘭輝茲 Isabelle van Keulen (v) Netherlands Radio Phil. Orch. / James Gaffigan 香港城市室樂團主辦。2012年6月29日香港大 Villa-Lobos: Rudepoêma 19’ 會堂音樂廳錄音。 Milhaud: Le bœuf sur le toit, Op. 58 14’ Stravinsky: Le sacre du printemps 36’ 21/7/2012 (Sat 星期六) 8:00pm LIVE ON 4 第四台音樂會其倫（小提琴） Karita Mattila (s) Martin Katz (p) 荷蘭電台室樂愛樂樂團 / 加菲根 Poulenc: Banalités 10’

© Myung-Whun Chung 魏拉—羅伯士：野性之詩米堯：屋頂上的牛，作品58 Debussy: Cinq Poèmes de Baudelaire 26’ /7/2012 (Wed 星期三) 18 史達拉汶斯基：春之祭 Sallinen: Four Dream Songs, Op. 30 14’ 11:00am TCHAIKOVSKY 柴可夫斯基 Marx: Nocturne from ‘Lieder und Gesänge’, Sleeping Beauty: Act 1, Op. 66 32’ Isabelle van Keulen Vol. 3 4’ BBC Sym. Orch. / Gennady Rozhdestvensky 其倫 Waldseligkeit 1’ 睡美人，第一幕，作品66 Selige Nacht 2’ 英國廣播公司交響樂團 / 羅狄士雲斯基 Loewe: I Could Have Danced All Night 2:00pm LIVE ON 4 (REPEAT) from ‘My Fair Lady’ 2’ 第四台音樂會（重播） Prog. as 13/7/2012, 8pm 馬蒂娜（女高音）馬田‧卡斯（鋼琴）節目與2012年7月13日晚上8時相同浦朗克：俚俗之歌德布西：五首波德萊爾詩歌 8:00pm LIVE ON 4 第四台音樂會沙連倫：四首夢之歌，作品30 Atrium String Quartet 馬克斯：夜曲，選自《藝術歌曲與歌曲》， Arensky: String Quartet No. 2 in A minor 27’ 第三冊 Shostakovich: String Quartet No. 3 in F major, 神聖的森林 Op. 73 30’ 幸福之夜 Beethoven: String Quartet No. 15 in A minor, 羅偉：我準能跳通宵，選自《窈窕淑女》

22/7/2012 (Sun 星期日) 貝祖丹霍特（鋼琴及指揮） 26/7/2012 (Thu 星期四) 2:00pm SUNDAY OPERA 歌劇世界夫來堡巴洛克樂團 11:00am MOUSSORGSKY / RAVEL 莫扎特：《劇院經理》序曲，K. 486 Wagner: Die Meistersinger von Nürnberg, 穆索斯基 / 拉威爾 G大調第十七鋼琴協奏曲，K. 453 Acts I and II 146’ Pictures at an Exhibition 34’ Hans Sachs: Norman Bailey (b-br) 《伊多美尼奧》芭蕾音樂，K. 367 Chicago Sym. Orch. / Georg Solti Walther: René Kollo (t) 降E大調第二十二鋼琴協奏曲， K. 482 圖畫展覽會 Beckmesser: Bernd Weikl (br) 芝加哥交響樂團 / 蘇堤 Eva: Hannelore Bode (s) Kristian Bezuidenhout Vienna State Opera Chorus 貝祖丹霍特 2:00pm LIVE ON 4 (REPEAT) Vienna Phil. Orch. / Georg Solti 第四台音樂會（重播） Prog. as 21/7/2012, 8pm 華格納：紐倫堡之名歌手，第一、二幕薩克斯：比爾利（低男中音）節目與2012年7月21日晚上8時相同華德：高勞（男高音）貝克梅瑟：韋高（男中音） 8:00pm LIVE ON 4 第四台音樂會艾娃：布迪（女高音） Sol Gabetta (vc) 維也納市立歌劇院合唱團 Royal Concertgebouw Orch. / Juraj Valcuha 維也納愛樂樂團 / 蘇堤 Weber: Overture Euryanthe 10’ Barber: Cello Concerto in A minor, Op. 22 31’ 8:00pm INTERNATIONAL ROSTRUM OF Rachmaninov: Symphony No. 3 in A minor, COMPOSERS 2012 2012 國際作曲家交流會議 Op. 44 41’ Various artists Katarina Leyman (Sweden): Swarms 14’ 嘉貝蒂（大提琴） © Marco Borggreve Pedro Ochoa (Argentina): Tierra Viva 15’ 阿姆斯特丹音樂廳樂團 / 沃祖哈 Ryo Dainobu (France): Der Spiegel im Spiegel 12’ 25/7/2012 (Wed 星期三) 韋伯：歐麗安特序曲 11:00am SCHUMANN 舒曼巴伯：A小調大提琴協奏曲，作品22 Waldszenen Op. 82 21’ 多位演奏者拉赫曼尼諾夫：A小調第三交響曲，作品44 萊曼（瑞典）：聯群結隊 Earl Wild (p) 奧查婭（阿根廷）：活生生的大地林地之景，作品82 台信遼（法國）：鏡中鏡懷特（鋼琴）

23/7/2012 (Mon 星期一) 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播） 11:00am GROFÉ 告魯夫 Prog. as 20/7/2012, 8pm Grand Canyon Suite 32’ 節目與2012年7月20日晚上8時相同 Morton Gould Orch. / Morton Gould 大峽谷組曲 8:00pm LIVE ON 4 第四台音樂會摩頓‧高特樂團 / 摩頓‧高特 Viktoria Mullova (v) Basel Ch. Orch. / Giovanni Antonini 2:00pm LIVE ON 4 (REPEAT) Schubert: Overture in the Italian Style, D. 591 8’ 第四台音樂會（重播） Beethoven: Violin Concerto in D major, Op. 61 39’ Prog. as 18/7/2012, 8pm Symphony No. 2 in D major, 節目與2012年7月18日晚上8時相同 Op. 36 33’ 24/7/2012 (Tue 星期二) Sol Gabetta 梅洛娃（小提琴）嘉貝蒂 11:00am KROMMER 克魯瑪 © Uwe Arens 巴塞爾室樂團 / 安東尼尼 Quintet in E flat major, Op. 66 20’ 舒伯特：意大利序曲，D. 591 /7/2012 (Fri 星期五) Bruno Meier (f) Prague Quartet 27 貝多芬：D大調小提琴協奏曲，作品61 11:00am ALKAN 亞爾勤降E大調五重奏，作品66 D大調第二交響曲，作品36 邁亞（長笛）布拉格四重奏 Sonata de Concerto for Cello and Piano in Viktoria Mullova E major, Op. 47 33’ 2:00pm LIVE ON 4 (REPEAT) 梅洛娃 Emmanuelle Bertrand (vc) Pascal Amoyel (p) 第四台音樂會（重播） E大調大提琴及鋼琴奏鳴曲，作品47 Prog. as 19/7/2012, 8pm 貝德蘭（大提琴）亞姆耶（鋼琴）節目與2012年7月19日晚上8時相同 2:00pm INTERNATIONAL ROSTRUM OF 8:00pm LIVE ON 4 第四台音樂會

Kristian Bezuidenhout (p & cond) COMPOSERS 2012 (REPEAT) Freiburg Baroque Orch. 2012 國際作曲家論壇（重播） Mozart: Overture to ‘The Impresario’, K. 486 4’ Prog. as 22/7/2012, 8pm Piano Concerto No. 17 in G major, 節目與2012年7月22日晚上8時相同 K. 453 29’ Ballet music to ‘Idomeneo’, K. 367 13’ 8:00pm LIVE ON 4 第四台音樂會 Piano Concerto No. 22 in E flat major, London Sym. Orch. / Bernard Haitink K. 482 33’ Mahler: Symphony No. 9 88’ © Sasha Gusov 43 PROGRAMME HIGHLIGHTS 節目精華

倫敦交響樂團 / 凱亭 29/7/2012 (Sun 星期日) 羅堤（鋼琴）馬勒：第九交響曲 2:00pm SUNDAY OPERA 歌劇世界貝多芬：C大調第二十一鋼琴奏鳴曲， Wagner: Die Meistersinger von Nürnberg, 作品53，「華爾斯坦」 Bernard Haitink 降E大調第二十六鋼琴奏鳴曲，凱亭 Act III 123’ Hans Sachs: Norman Bailey (b-br) 「告別」 Walther: René Kollo (t) C小調第三十一鋼琴奏鳴曲，作品111 Beckmesser: Bernd Weikl (br) Eva: Hannelore Bode (s) Vienna State Opera Chorus Vienne Phil. Orch. / Georg Solti

華格納：紐倫堡之名歌手，第三幕薩克斯：比爾利（低男中音）華德：高勞（男高音）貝克梅瑟：韋高（男中音）艾娃：布迪（女高音）維也納市立歌劇院合唱團維也納愛樂樂團 / 蘇堤 © Todd Rosenbery© Todd 28/7/2012 (Sat 星期六) 8:00pm INTERNATIONAL ROSTRUM OF 8:00pm LIVE ON 4 第四台音樂會 COMPOSERS 2012 Leid Ove Andsnes (p) 2012 國際作曲家交流會議 Haydn: Piano Sonata No. 33 in C minor, Hob. Various artists Louis Lortie Peter Kerelov (Bulgaria): Attempt at 羅堤

XVI:20 17’ © Elias Screaming 14’ Bartók: Piano Suite, Op. 14 9’ Anna Romashkova (Russia): In Aria 7’ 1/8/2012 (Wed 星期三) Debussy: Images, Book 1 15’ Eric Gaudibert (Switzerland): Gong 21’ 11:00am PARRY 柏利 Chopin: Four Waltzes 11’ Songs of Farewell 31’ Ballade No. 3 in A flat, Op. 47 7’ 多位演奏者 Roger Judd (o) Nocturne No. 17 in B major, Op. 62, 克瑞羅夫（保加利亞）：嘗試尖叫 Cho. of St. Georges Chapel No. 1 7’ 羅瑪什科娃（俄羅斯）：詠嘆中離別之歌戈迪拜爾（瑞士）：鑼 Granados: Andaluza, from ‘Twelve Spanish 祖德（管風琴）聖喬治�堂合唱團 Dances’, Op. 37, No. 5 4’ 30/7/2012 (Mon 星期一) Rachmaninov: Étude-Tableau No. 2, Op. 35 2’ 11:00am VILLA-LOBOS 魏拉-羅伯士 2:00pm LIVE ON 4 (REPEAT) Twelve Etudes 32’ 第四台音樂會（重播）安涅斯（鋼琴） Eduardo Fernandez (g) Prog. as 27/7/2012, 8pm 海頓：C小調第三十三鋼琴奏鳴曲，十二首練習曲節目與2012年7月27日晚上8時相同 Hob. XVI:20 費南迪斯（結他）巴托：鋼琴組曲，作品14 8:00pm LIVE ON 4 第四台音樂會 2:00pm 德布西：意象，第一冊 LIVE ON 4 (REPEAT) Gran Teatre del Liceu Sym. Orch. / Josep Pons 第四台音樂會（重播）蕭邦：四首圓舞曲 Wagner: Overture to ‘Die Meistersinger von Prog. as 25/7/2012, 8pm Nürnberg’ 11’ 降A大調第三敘事曲，作品47 節目與2012年7月25日晚上8時相同降B大調第十七夜曲，作品62第1首 Good Friday Music from ‘Parsifal’ 13’ 格拉納多斯：安達盧西亞舞曲，選自《十二首 /7/2012 (Tue 星期二) Prelude and Liebestod from ‘Tristan und 31 Isolde’ 19’ 西班牙舞曲》，作品37第5首 11:00am PROKOFIEV 浦羅歌菲夫 Götterdämmerung (excerpts) 29’ 拉赫曼尼諾夫：第二素描練習曲，作品35 Piano Concerto No. 5 in G major, Op. 55 25’ Samson François (p) 利塞奧大歌劇院交響樂團 / 龐士 Philharmonia Orch. / Witold Rowicki 華格納：《紐倫堡之名歌手》序曲 G大調第五綱琴協奏曲，作品55 受難日音樂，選自《帕西發爾》森遜‧法克斯雅（鋼琴）序曲及「愛的死」，選自《崔斯坦與愛樂樂團 / 盧域基伊索爾德》 2:00pm LIVE ON 4 (REPEAT) 神界的黃昏（選段）第四台音樂會（重播） Prog. as 26/7/2012, 8pm 2/8/2012 (Thu 星期四) 節目與2012年7月26日晚上8時相同 11:00am HAYDN 海頓 Symphony No. 94 in G major, ‘Surprise’ 24’ 8:00pm LIVE ON 4 第四台音樂會 Bavarian Radio Sym. Orch. / Carlo Maria Giulini Louis Lortie (p) G大調第九十四交響曲，「驚愕」 Beethoven: Piano Sonata No. 21 in C major, 巴伐利亞電台交響樂團 / 茲奧連尼 Op. 53, ‘Waldstein’ 27’ Piano Sonata No. 26 in E flat major, 2:00pm LIVE ON 4 (REPEAT) ‘Les Adieux’ 19’ 第四台音樂會（重播） Leif Ove Andsnes Piano Sonata No. 31 in C minor, Prog. as 28/7/2012, 8pm 安涅斯 Op. 111 30’ 節目與2012年7月28日晚上8時相同 © Özgür Albayrak

45 PROGRAMME HIGHLIGHTS 節目精華

8:00pm LIVE ON 4 第四台音樂會 3/8/2012 (Fri 星期五) K E Y Ralph van Raat (p) 11:00am RACHMANINOV 拉赫曼尼諾夫 TO ABBREVIATIONS Netherlands Phil. Orch. / Etienne Siebens Symphony No. 3 in A minor, Op. 44 41’ Van Delden: Symphony No. 3 20’ A ALTO FH FRENCH HORN PER PERCUSSION Philadelphia Orch. / Charles Dutoit ACAD. ACADEMY FP FORTEPIANO PHIL. PHILHARMONIC Bosmans: Concertino 20’ A小調第三交響曲，作品44 ARR. ARRANGED BY FEST. FESTIVAL R RECORDER Van Gilse: Symphony No. 1 in F major 38’ B BASS GHM GLASS HARMONICA S SOPRANO 費城樂團 / 杜托華 BN BASSOON G GUITAR SX SAXOPHONE BR BARITONE H HARP SYM. SYMPHONY 拉特（鋼琴） CH. CHAMBER HC HARPSICHORD T TENOR 2:00pm INTERNATIONAL ROSTRUM OF 荷蘭愛樂樂團 / 席本斯 CHO. CHOIR, CHORALE, HM HARMONICA TB TROMBONE COMPOSERS 2012 (REPEAT) CHORUS L LUTE TR TRUMPET 范‧德爾登：第三交響曲 2012 國際作曲家論壇（重播） CL CLARINET MS MEZZO﹣SOPRANO TRAD. TRADITIONAL 玻斯曼絲：小協奏曲 COMP COMPOSER N NARRATOR TRANS. TRANSCRIBED BY Prog. as 29/7/2012, 8pm COND CONDUCTOR NAT. NATIONAL TY TIMPANI 范‧吉爾斯：F大調第一交響曲節目與2012年7月29日晚上8時相同 CT COUNTERTENOR O ORGAN V VIOLIN CV CLAVICHORD OB OBOE VC VIOLONCELLO DB DOUBLE BASS ORCH. ORCHESTRA VA VIOLA 8:00pm LIVE ON 4 第四台音樂會 EH ENGLISH HORN P PIANO VIGA VIOLA DA GAMBA F FLUTE PC PICCOLO VIH VIHUELA Michelangelo Quartet

Shostakovich: String Quartet No. 1 in C major, BBC RADIO INTERNATIONAL Op. 49 16’ RADIO NETHERLANDS Beethoven: String Quartet in F major No. 7, Op. 59, No. 1, ‘Rasumovsky’ 40’

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46 CLASSIFIED BOARD 分類廣告

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47 COLUMNS 專欄

Last December, the Secretary for Commerce and Economic Development Greg So and his friends shared their joy in music with Jenny Lee. 去年12月，商務及經濟發展局局長蘇錦樑與友人接受筆者訪問

李嘉盈

Jenny Lee

Work at Radio 4 is very diverse; one is given opportunity to present programmes, to record concerts, to produce projects, and do many other tasks. Among my many different roles, I find doing interviews most enjoyable, particularly in Four for Classics’ segment ‘Hooked on Music’. In this segment, I have a chance to meet music lovers across the sectors; although they are not professional musicians, their passion for music is like a burning flame. In the past years, there were several interviews which were truly memorable. It was a Saturday afternoon, the Secretary for Commerce and Economic Development Greg So arrived RTHK with his guitar and a group of friends. We spent a delightful session with a lot of laughter and singing. Also, I remember that I was touched by the passion of the E-commerce manager Jess Chang, who carries her cello to office in order to practice on the back stairs whenever possible. Pianist Colleen Lee’s parents fell in love with music because of their talented daughter, and in the world of music, they also found friendship and love. Choreographer Yuri Ng listens to music and follows its rhythm while doing housework. Music enriches their lives. The new series of ‘Hooked on Music’ returns in August, and music lovers will share their music and lives with you, here on Radio 4!

第四台的工作是多樣化的；從主持、錄音，以至監製節目等，我都有機會嘗試。在眾多工作中，我尤其喜愛訪問，特別是《愛樂同盟》的訪問環節－「酷愛音樂」。

有別於過往與藝術家們的訪談，這個環節讓我接觸到社會上不同層面、不同界別的音樂愛好者；雖然他們並非專業音樂家，卻對音樂有著無比的熱誠。在過去一年的「酷愛音樂」中，有幾個訪問令我留下深刻的印象。

記得一個星期六下午，商務及經濟發展局局長蘇錦樑拿著結他，帶了一班朋友來到港台，一起歡唱聖詩，頓然令整間錄音室充滿著笑聲和歌聲；另外，還記得從事電子商務的鄭詩文，會帶著心愛的大提琴回到公司，並爭取時間，在後樓梯練琴；鋼琴家李嘉齡的父母，李子明和李黃婉華，受到女兒的感染而愛上音樂，並四出搜尋珍貴的錄音，與好友分享；舞蹈工作者伍宇烈則會在家中播放唱片，並隨著音樂的節奏而做家務。

音樂，豐富了他們的生命，也令他們進入了一個充滿情感的天地。新一輯的「酷愛音樂」，將在8月回歸，一班愛樂者會在大氣電波與聽眾分享音樂、分享藝術、分享人生。 48