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Folk Dance in Bulgaria Today
„Този проект е финансиран с подкрепата на Европейската комисия. Публикацията отразява само личните виждания на автора и от Комисията не може да бъде търсена отговорност за използването на съдържащата се в нея информация.” 2 3 Short Bulgarian History The oldest traces of human presence in our land are from Paleolithic Age –before 1.6 million years. Archaeological finds in the ―Kozarnika‖ cave, near the town of Belogradchik, testify to the life of the first inhabitants of southeastern Europe. With the emergence of agriculture (VII-VI millennium BC) in the valleys of Struma and Mesta rivers, the live of people here is transformed. Dwellings of stone and wood, permanent settlements and tribes appeared. The discovery of copper noted a peak in the agriculture in our land. Open in 1972, Varna treasure is evidence of advanced human relationships - property differentiation. In the III-II millennium BC, with the arrival of the nomadic tribes of the north and merging them with the local farmers, formed a large tribal community - the Thracians. Their culture is described by the ancient Greeks. The largest Thracian tribe- Odrysaeans, founded in V century BC their country, between the Maritsa River and Black Sea, led by king Teres. Thracians established a rich culture, although they have no script. Many lavish tombs in our lands reveal the sacraments of faith in the afterlife. Top of the art of the ancient Thracian is tomb of Kazanlak . 4 Since 1979, Kazanlak Tomb is in the List of World Heritage of UNESCO. Thracians demonstrated exceptional craft skills in the processing of gold and silver. -
The Influence of Bulgarian Folk Music on Petar Christoskov's Suites And
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2004 The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin Blagomira Paskaleva Lipari Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Lipari, Blagomira Paskaleva, "The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin" (2004). LSU Major Papers. 47. https://digitalcommons.lsu.edu/gradschool_majorpapers/47 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE INFLUENCE OF BULGARIAN FOLK MUSIC ON PETAR CHRISTOSKOV’S SUITES AND RHAPSODIES FOR SOLO VIOLIN Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The Department of Music by Blagomira Paskaleva Lipari B. M., State Academy of Music, Sofia, Bulgaria, June 1996 M. M., Louisiana State University, May 1998 August, 2004 ACKNOWLEDGMENTS This project could not have been possible without the support and encouragement of several people. Thanks to my violin professor Kevork Mardirossian for providing the initial inspiration for this project and for his steady guidance throughout the course of its completion. -
2012 Door County Folk Festival Syllabus.Pdf
33rd Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 11 – 15, 2012 Sister Bay, Ephraim, and Baileys Harbor, Wisconsin Website: www.dcff.net E-mail: [email protected] Facebook Group: www.facebook.com/groups/dcffmail Facebook Fan Page: www.facebook.com/dcff.fan.page Dance Syllabus Advance Regular Discount Price Paper $22.00 $24.00 CD $14.00 $24.00 Flash Drive $12.00 $24.00 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival Schedule v02 NOTE: Schedule Subject to Change Get Your Foot in the Door! Wednesday - Sunday, July 11-15, 2012 - Baileys Harbor, Sister Bay, Ephraim and Fish Creek, Wisconsin DCFF Home Phone: (847)-846-8139 [email protected] Wednesday Start End Where Event Who Morning 10:00am 12:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 10:00am 12:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller 12:00pm 2:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 12:00pm 2:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller Afternoon 12:00pm BHTH Staff Arrives Staff & Volunteers 3:00pm BHTH Setup Begins Staff & Volunteers Evening 6:00pm BHTH Registration Begins Staff & Volunteers 8:00pm 1:00am BHTH Opening Night Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Thursday Start End Where Event Who Morning 9:45am SBVH Setup & Registration Continues Staff & Volunteers -
A 'Balkan Folk Dance'
DANS ÇALIŞMALARI ÖZEL SAYI a ‘Balkan folk danCe’ Daniela Ivanova-Nyberg phenomenon ın The unıTed sTaTes: a feW analyTıCal oBseRvaTıons1 The purpose of this paper is to share some analytical observations on Balkan folk dance2 activities in the United States. It is to present, together with documentary data, data from my experience as a folk dance researcher and dance teacher. It raises questions about the situation today in terms of participants, dance instructors and repertoire in comparison to the peak of Balkan folk dancing in the 1960s and ‘70s. It argues that the American Balkan folk dance phenomenon—a complex American cultural phenomenon—relates to factors like fashion. The repertoire today is also influenced by recent immigrants from the Balkans, among whom there are many professional musicians and choreographers, introducing sometimes neo-folk music and newly created choreographies. Background of This Paper It took several years and thousands of miles of travel before reaching the point when I could draw conclusions with self-confidence. Besides observations, notes, audio and video documents and active participation in a variety of music and dance events since 2003, I was asking people— folk dance lovers who were my hosts, drivers, food-providers, supporters (many of them, I am happy to say, became my friends later)—a variety of questions related to the American Balkan phenomenon. In parallel to informal conversations and formal interviews, in the period 2004- 2008 I collected data through a ‘Balkan Dance Questionnaire’. In the -
The Influence of Bulgarian Folk Music on Petar Christoskov's Suites and Rhapsodies for Solo Violin
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2004 The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin Blagomira Paskaleva Lipari Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Lipari, Blagomira Paskaleva, "The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin" (2004). LSU Major Papers. 47. https://digitalcommons.lsu.edu/gradschool_majorpapers/47 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE INFLUENCE OF BULGARIAN FOLK MUSIC ON PETAR CHRISTOSKOV’S SUITES AND RHAPSODIES FOR SOLO VIOLIN Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The Department of Music by Blagomira Paskaleva Lipari B. M., State Academy of Music, Sofia, Bulgaria, June 1996 M. M., Louisiana State University, May 1998 August, 2004 ACKNOWLEDGMENTS This project could not have been possible without the support and encouragement of several people. Thanks to my violin professor Kevork Mardirossian for providing the initial inspiration for this project and for his steady guidance throughout the course of its completion. His professional dedication to music and teaching is a gift to all his students. -
Bulgarian Folk Dances Are Chiefly Com to Calm Steps, in the Rhythm of the Horo Being Munity Dances
BULGARIAN FOLK DANCES By RAINA KATSAROVA KUKUDOVA Senior Scientific Collaborator Institute ofMusic at the Bulgarian Academy of Sciences. HE round dance, or 'horo' as it is called, is ends drop out, to let the true dancers show their T the most typical form of public entertain skill. ment for the peasants of Bulgaria. On festive days and on holidays it draws old and Rod dances are danced by a small number young to the village green. It is only in summer, of dancers, forwards and backwards, to the when work in the fields is at its peak, that right and left, but more or less on one and dancing in the public places is infrequent, but the same spot. During the dance, the dancers the lads and lasses find time even then to have keep to a strictly limited space. The steps a bit of dancing when they are resting from of these Horos are the most intricate and their labours, particularly if one among them tiring, and they are danced by selected dancers. plays any kind of an instrument. The leader of the column orders the changes of steps. They take a "walk" for a rest, a change Bulgarian folk dances are chiefly com to calm steps, in the rhythm of the Horo being munity dances. The horos are danced in danced. Then the steps grow fast and small open or closed circles, in a chain, or in small again. In the Radomir region and in East groups. In the typical round dances, when Bulgaria certain Horos are danced in a circle many people join in, the line of the circle is but the dancers do not hold hands ; they broken. -
Digital Band Catalog V2 2012
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Vals Cruzado
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2019 – FINAL 10/2019 In Memoriam Nelda Drury – 1918-2019 Nelda Drury nurtured the folk dance community in Texas, but her influence in the international folk dance community was felt throughout the United States. She was a dance specialist, her area of expertise being the dances of Mexico, and Central and South America. At the age of five, Nelda gave her first dance performance during a celebration in a small town in Texas. She grew up learning a wide variety of Mexican dances and later studied at the University of Mexico in Mexico City under the late Alura Flores de Angeles. Nelda did extensive research in Mexican, Central American, and South American dance. Her teaching took her throughout the United States, Mexico, the Orient, and Europe, presenting her seminars and Nelda Drury, circa 2014. displaying her dance form. She had a wealth of dance costumes that she collected on her round-the-world travels. She devoted her life to bringing folk dances from around the world to San Antonio specifically, and to Texas in general. She taught at folk dance camps and workshops all over the United States and, in turn, invited teachers she met doing so to teach at the yearly San Antonio Folk Dance Festival that she founded. Nelda taught at Stockton Folk Dance Camp in 1974. Ruth Levin Duree – 1942-2019 Ruth and her husband Richard Duree attended Stockton Folk Dance Camp for many years, most recently in 2014. Ruth met Richard in a Hungarian dance class he was teaching at Coastline College in 1989. -
International Folk Dance Program for Central Baptist Village
Virtual Dance Room Cue Cards Session #5 – April 24, 2020 Thanks for Joining Us! Ethnic Dance Chicago (www.ethnicdance.net) Door County Folk Festival (www.dcff.net) Nabrala Je Croatian/Medjimurje Closed Circle 2/4 meter Translation: The girl gathers cherries… This dance was introduced to the IFD community by Željko Jergan. Zeljko recently taught the dance over Zoom during the virtual workshop at the Folk Arts Center of New England to over 400 people from around the world during the COVID-19 pandemic. Fatiše Kolo a.k.a. Vranjsko Kolo, Kolo from Vranje South Serbian/Vranje Open Circle 9/8 meter (QSQQ) Translation: The girls from Vranje join hands in the dance (kolo) Versions of this dance were introduced to the IFD community by Anatol Joukowsky and Dick Crum. This recording is by the Kolo Ensemble. The melody of "Fatiše kolo vranjske devojke" was used by the Serbian composer Petar Konjović in his opera "Koštana”. Briuleţul a.k.a. Brȃuleţul Romanian Closed Circle 2/4meter Translation: Little belt dance (brȃul) This version of a Brȃul was introduced to the IFD community by Alexandru David. While Brȃul implies a dance with a elt-hold, this dance was not taught with a belt-hold. Syrtos Greek Open Circle 2/4 meter Translation: to pull or to drag the dance This dance has been in the IFD community forever and is a folk dance in which dancers link hands to form a chain or circle, headed by a leader who intermittently breaks away to perform improvised steps. Syrtos, along with its relative Kalamatianos (Syrtos as done in Kalamata), are the most popular dances throughout Greece and Cyprus, and are frequently danced by the Greek diaspora worldwide. -
FDA RESOURCES for SALE World Dance C/- 127 Woronora Cres Como West Book – Glossary of Dance Terms $15 (P & P) Or $12 at [email protected]
Footnotes, April 2014, page 12 Port Macquarie Dancers in their Russian Heather Celic & Milivoje Stajanovic, Costumes – (Photo: Jim Battison) Serbian Dance (2004) Kaye Laurendet , “Come & Try”, easy dances plus Romanian Dances (2011) Koce Stojcevski , Macedonian Dances (1999 & 2000) Laurel de Vietri , French (2008, 2012) Madis Alvre, Estonian Dances – CD ONLY (2012) Nina Rassaby, Israeli Dance CD $10, DVD $10 (2012) Sandra Bassetti & Jenny Lester, Bulgarian (2006) Sarah Myerson, Yiddish (2008) Tineke van Geel , Armenian Dances (2001) Vasilios Aligiannis , Greek Dances of Celebration & Participation (2002) Veronika Zaharieva, Bulgarian Dances (2006, 2010) Many dance groups perform regularly for the public. Yorgo Kaporis, Macedonian Dances (2002, 2003, 2004, Here the Port Macquarie dancers are in rehearsal. 2006, 2008); Macedonian and Bulgarian (2009); Balkan Their dress design is based on the Sarafan, which is (2012); Macedonian Dances (2013) a type of pinafore dress. It can be worn long or Yves Moreau , Balkan & Other International Dances short. The crown type of headdress or kokoshnik (2001 tour); Folk Dances from the Balkans & Elsewhere has a large bow at the back. (2010 tour) – CD & notes $25, DVD $25 + postage Moss Vale Request Dances, 2 CDs+ 2 DVDs $30 set ▪ Free advertising for your events and publications, Tineke van Geel, Armenian Dances (2013) CD/Bk $26, both in “Footnotes” and on FDA’s worldwide DVD $30 website: www.folkdanceaustralia.org.au ***NEW CDS/DVDS*** Avdp International Dances – March 2014Cd - $15; Dvd - $25; Booklet - $10. Postage $7Available from Avdp FDA RESOURCES for SALE World Dance c/- 127 Woronora Cres Como West Book – Glossary of Dance Terms $15 (P & P) or $12 at [email protected] workshops, etc. -
Identities in Motion – 60 Years Bulgarian Dances Within Different Political Contexts
Papers of BAS Humanities and Social Sciences Vol. 1, No 1, 2014 ETHNOMUSICOLOGY IDENTITIES IN MOTION – 60 YEARS BULGARIAN DANCES WITHIN DIFFERENT POLITICAL CONTEXTS Gergana Panova-Tekath Abstract: The Report reviews interpretations of identical dance material in diffe rent historic-political contexts in Bulgaria, and in countries in the West (Germany, Austria, Swit- zerland, Canada and the USA). The international cultural relationships of Bulgaria are pointed out in the course of the review and the role of North America for the approbation of a “chain” for the dissemination of the Bulgarian traditional dances in the last 60 years is presented. On a macro-level the interpretive spiral of the so called “Dancing the Bulga- rian Way” originates in Socialist Bulgaria, reaches North America, from there spreads on to Western Europe, reenters democratic Bulgaria and again returns to the West with the new Bulgarian emigrants. The different models of dancing defined hereunder allow for the comparative study of Societies. At the same time, the ample empirical material serves for the situational analysis of the body’s potential for the unraveling of old and the creation of new meanings. Thus “dancing the Bulgarian way” has been transformed into an optical lens of modernity and an example of nonverbal intra- and inter-cultural communication. Key words:“Dancing the Bulgarian way” in different political contexts, Bulgaria – North America – German speaking countries, “circle dance” and choreography, na- tional identity, intra- and inter-cultural communication through dance. The term “Dancing the Bulgarian way” Many people from the German speaking countries, who dance in their spare time folk dances from different parts and regions of Bulgaria, call this a hobby-pursuit “Bulgarisch Tanzen”, i.e. -
2013 Door County Folk Festival Syllabus.Pdf
34th Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 10 – 14, 2013 Sister Bay, Ephraim, and Baileys Harbor, Wisconsin Website: www.dcff.net E-mail: [email protected] Facebook Group: www.facebook.com/groups/dcffmail Facebook Fan Page: www.facebook.com/dcff.fan.page Dance Syllabus Advance Regular Discount Price Paper $22.00 $24.00 CD $14.00 $24.00 Flash Drive $12.00 $24.00 34th Annual Door County Folk Festival (DCFF), Wisconsin, 2013 34th Annual Door County Folk Festival (DCFF), Wisconsin, 2013 2013 Door County Folk Festival Schedule NOTE: Schedule Subject to Change Get Your Foot in the Door! Wednesday - Sunday, July 10-14, 2013 - Baileys Harbor, Ephraim and Sister Bay, Wisconsin DCFF Home Phone: (847)-846-8139 [email protected] Wednesday Start End Where Event Who Morning 10:00am 12:00pm SBVH Northern Door YMCA Youth Dance Program Paul Collins 10:00am 12:00pm SBVH Northern Door YMCA Youth Activity Program Miriam & Dick Miller 12:00pm 2:00pm SBVH Northern Door YMCA Youth Dance Program Paul Collins 12:00pm 2:00pm SBVH Northern Door YMCA Youth Activity Program Miriam & Dick Miller Afternoon 12:00pm BHTH Staff Arrives Staff & Volunteers 3:00pm BHTH Setup Begins Staff & Volunteers Evening 6:00pm BHTH Registration Begins Staff & Volunteers 8:00pm 1:00am BHTH Opening Night Party with Recorded Music Festival Committee 1:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Thursday Start End Where Event Who Morning 9:45am BHTH Setup & Registration Continues Staff & Volunteers 10:00am 11:45am BHTH Fascinating Rhythms