Observe the Sons of Ulster Marching Towards the Somme by Frank Mcguinness Directed by Matt Torney
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Frank Mcguinness's the Match
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The Match Box by Frank McGuinness: programme note for Galway International Arts Festival Author(s) Lonergan, Patrick Publication Date 2015 Publication Lonergan, Patrick. (2015). The Match Box by Frank Information McGuinness: programme note for Galway International Arts Festival Galway International Arts Festival Programme. Publisher Galway International Arts Festival Link to publisher's http://www.giaf.ie/ version Item record http://hdl.handle.net/10379/6740 Downloaded 2021-09-25T22:02:29Z Some rights reserved. For more information, please see the item record link above. Frank McGuinness’s The Match Box “Grief softens the mind,” says Shakespeare’s great character Queen Margaret – it makes people “fearful and degenerate”. There’s only one valid response to such feelings, she claims: “Think on revenge and cease to weep.” In making those remarks, Margaret places herself in a long line of heroines whose desire for revenge is both glorious and horrifying. Her precursors are figures like Sophocles’ Electra and Euripides’ Hecuba; her ancestors include Hester Swayne in Marina Carr’s brutal By the Bog of Cats. All of those women choose vengeance over grief - and in doing so they go beyond good and evil, committing terrible acts that we can nevertheless understand and perhaps even admire. The plays that dramatize their stories are thus both mythic and intimate: they reveal aspects of the human condition that we all recognize (much as we might prefer not to), and they show how one person’s decisions can unravel a family, a society, or an entire world. -
South Carolina Loyalists in the American Revolution South Carolina in 1776 (Adapted by R
South Carolina Loyalists in the American Revolution South Carolina in 1776 (adapted by R. S. Lambert from James Cook, 1773) Note: Broken lines, combined with natural features (e.g. rivers) delineate boundaries of judicial districts. Robert Stansbury Lambert Second Edition Works produced at Clemson University by the Center for Electronic and Digital Publishing, including Th e South Carolina Review and its themed series “Virginia Woolf International,” “Ireland in the Arts and Humanities,” and “James Dickey Revisited” may be found at our Web site: http://www.clemson.edu/caah/cedp. Contact the director at 864-656-5399 for information. Copyright 2010 by Clemson University ISBN 978-0-9842598-8-5 Second Edition CLEMSON UNIVERSITY DIGITAL PRESS Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, Clemson University, Clemson, South Carolina. Editorial Assistants: Christina Cook, Ashley Dannelly, Steve Johnson, Carrie Kolb Cover Design: Christina Cook Produced with the Adobe Creative Suite CS5 and Microsoft Word. Th is book is set in Adobe Garamond Pro and was printed by University Printing Services, Offi ce of Publica- tions and Promotional Services, Clemson University. To order copies, contact the Center for Electronic and Digital Publishing, Strode Tower, Box 340522, Clemson University, Clemson, South Carolina 29634-0522. To Edythe and Anne Contents Preface .......................................................................................................... viii Abbreviations and Acronyms ....................................................................... -
Transnational Ireland on Stage: America to Middle East in Three Texts
Transnational Ireland on Stage: America to Middle East in Three Texts Wei H. Kao Introduction: Between the Local and the Global on the Irish Stage Historically, the comprehensive Anglicisation of Ireland from the early nineteenth century, and the geopolitical location of Ireland in Europe, have laid the foundations for more Irish participation on the world stage. The rapid globalisation process, however, has not fully removed the frustration buried deep in the Irish psyche about the country still being in partition, but it has encouraged many contemporary playwrights to express concerns regarding other areas that are just as troubled as the state of their country, despite the fact that the Northern Ireland issue is not yet fully resolved. It is noteworthy that globalisation, as the continuation of nineteenth- and twentieth-century imperialism in a new form, not only carries forward the exercise of colonial incursion but facilitates the oppressively homogenising effects on the less advantaged Other. This is partly due to the rise of critical theory to ‘productively complicate the nationalist paradigm’ by embarking on transnationalism since the 1970s.1 One consequence of this was to prompt reevaluations of existing cultural productions, thus initiating cross-cultural and interethnic dialogues that had usually been absent in colonial and Eurocentric establishments, and prompting the public to envisage the Other across both real and imagined borders. Even more significantly, the meaning of a text starts to shift if it is studied in an international context, and this applies particularly to a text in which the characters venture into unexplored territories and impel ‘meaning [to] transform as it travels’.2 The transformation of meanings is further accelerated by intercultural encounters that are motivated by globalisation that interconnects individuals and societies around the world. -
The Case for Ted Kuhl's Innocence
March 6, 2013 Vol. 2 Issue 3 The Case for Ted Kuhl’s Innocence Table of Contents The Case for Ted Kuhl’s The Brussels Airport Innocence Diamond Heist by J. Patrick O’Connor p. 3 March 6, 2013 Vol. 2 Issue 3 DEAD IN THE WATER Publisher by Harriet Ford p. 11 Joe O’Connor [email protected] The Shankill Butchers Editor J. Patrick O’Connor [email protected] Authors by EPONYMOUS ROX p. 7 Ronald J. Lawrence J. J. Maloney David Lohr by Robert Walsh p. 5 H. P. Albarelli Jr. Lora Lusher Jane Alexander Lona Manning Before Lizzie Borden Betty Alt Hal Mansfield Black Power, the “Third Scott Thomas Anderson Peter Manso Man,” and the Assassinations Mel Ayton David Margolick Joan Bannan Jessica Mason of Bermuda’s Police Chief Dane Batty Allan May Scott Bartz Paula Moore and Governor Bonnie Bobit John Morris Gary Boynton Richard Muti John Lee Brook Tim Newark Patrick Campbell Denise Noe Amanda Carlos Lt. John Nores Jr. James Ottavio Castag- J. Patrick O'Connor by Thomas D. McDougall p. 13 nera John O'Dowd J. D. Chandler Robert Phillips Ron Chepesiuk Liz Porter Dirty Laundry: Cold Case Denise M. Clark Mark Pulham Kendall Coffey Joe Purshouse by Mel Ayton p. 9 84-137640 Peter Davidson Patrick Quinn Anthony Davis Randy Radic Scott M. Deitche Michael Richardson Michael Esslinger Ryan Ross Steven Gerard Farrell Eponymous Rox Don Fulsom Anneli Rufus Mark S. Gado Laura Schultz, MFT Mary Garden Cathy Scott Oliver Gaspirtz Fred Shrum, III Erin Geyer Ronnie Smith David A. Gibb James A. -
Canadian Association for Irish Studies 2019 Conference
CANADIAN ASSOCIATION FOR IRISH STUDIES 2019 CONFERENCE IRISH BODIES AND IRISH WORLDS May 29 – June 1 CONFERENCE PROGRAMME John Molson School of Business Conference Centre, 9TH Floor Concordia University 1450 Guy Street, Montreal, Quebec, H3G 1M8 We acknowledge that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. MAY 29, 2019 Graduate Student Master-Class with Kevin Barry and Olivia Smith 3:00 p.m. to 4:00 p.m. School of Irish Studies, McEntee Reading Room (1455 boul. De Maisonneuve West, H 1001) Registration & Opening Reception 5:00 p.m. to 6:15 p.m. School of Irish Studies, McEntee Reading Room & Engineering Lab (1455 boul. De Maisonneuve West, H 1001 & H 1067) Exclusive Preview – Lost Children of the Carricks A documentary by Dr. Gearóid Ó hAllmhuráin Opening words by His Excellency Jim Kelly Ireland’s Ambassador to Canada and Dr. André Roy Dean of the Faculty of the Arts and Science 6:45 p.m. to 8:30 p.m. (De Sève Cinema, 1400 Boulevard de Maisonneuve West, Ground Floor) MAY 30, 2019 Registration – 9:00 to 9:30 a.m. PANEL 1 – MORNING SESSION – 9:30 a.m. -
Shankill Butcher and 'Murph UVF Man Killed Father
Irelandclick.com April 23 2007 Site Search Lá Advanced ------------------------- As of 11th April 2006, www.dailyireland.com, incorporating www.irelandclick.com is Registered with ABC ELECTRONIC (www.abce.org.uk) and supports industry agreed standards for website Property traffic measurement ------------------------- Andersonstown News Shankill Butcher and 'Murph UVF man killed Home father News The murder of John Crawford – Ciaran Barnes Reports on a shadowy death Comment squad Sport North Belfast News Features By Ciarán Barnes ------------------------- 19/04/2007 North Belfast News A leading member of the Shankill Butchers cut-throat killer gang was Home involved in the brutal murder of a West Belfast man in Janaury 1974, the North Belfast News can reveal. News William Moore was part of the UVF team which shot dead respected Comment republican John Crawford outside his furniture shop next to Milltown Cemetery. Sport The killing occurred almost two years before the Shankill Butchers carried out their first murders – at Casey's Wines and Spirits in the Millfield area. Features ------------------------- Never charged Moore has never been charged in connection with the Crawford murder. South Belfast News However, his role in the father of nine's death is now being investigated by Home the PSNI's Historical Enquiries Team. The Police Ombudsman is also probing the killing. News The Crawford family believe the RUC and British Army had prior knowledge that their relative was being targeted but did nothing to prevent the murder Comment or arrest the suspects. Sport Catholic Features The North Belfast News can also confirm that the UVF commander who led ------------------------- the four-man murder squad was a Catholic from Ballymurphy called Jimmy McKenna. -
2014, Annual Report
ABBEY THE ABBEY at RE AMH A RCL A NN N A Ma INIS T RE A CH 2014 Annual Report 2014 ABBEY THEatRE AMHARCLANN NA MaINISTREACH 2014 Annual Report www.abbeytheatre.ie ABBEY THEatRE AMHARCLANN NA MAINISTREACH 2014 Annual Report Annual Report 2014 CONTENTS Chairman’s Welcome 6 Director's Report 10 Financial Overview 20 Our Impact 22 Artistic Programme 24 Awards 36 Literary Programme 38 Community & Education Programme 40 Talks 42 Artistic Development Programme 44 Abbey Theatre Archive 46 Celebrating 110 Years of the Abbey Theatre 47 Moments 48 Staff 62 Board of Directors 64 Supporters & Members 68 Gallery & Reviews 70 Financial Statements Extract 93 Annual Report 2014 As Ireland’s national theatre, our mission is to create a world class national theatre that actively engages with and reflects Irish society. The Abbey Theatre invests in, nurtures and promotes Irish theatre artists. We do this by placing the writer and theatre-maker at the heart of all that we do, commissioning and producing exciting new work and creating discourse and debate on the political, cultural and social issues of the day. Our aim is to present great theatre art in a national context so that the stories told on stage have a resonance with audiences and artists alike. The Abbey Theatre produces an ambitious annual programme of Irish and international theatre across our two stages and on tour in Ireland and internationally, having recently toured to Edinburgh, London, New York and Sydney. The Abbey Theatre is committed to building the Irish theatre repertoire, through commissioning and producing new Irish writing, and re-imagining national and international classics in collaboration with leading contemporary talent. -
To Die a Noble Death: Blood Sacrifice and the Legacy of the Easter Rising and the Battle of the Ommes in Northern Ireland History" (2009)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Macalester College Macalester College DigitalCommons@Macalester College History Honors Projects History Department Spring 2009 To Die a Noble Death: Blood Sacrifice nda the Legacy of the Easter Rising and the Battle of the Somme in Northern Ireland History Anne L. Reeder Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/history_honors Part of the Cultural History Commons, European History Commons, History of Gender Commons, Literature in English, British Isles Commons, Military History Commons, Political History Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Reeder, Anne L., "To Die a Noble Death: Blood Sacrifice and the Legacy of the Easter Rising and the Battle of the ommeS in Northern Ireland History" (2009). History Honors Projects. Paper 6. http://digitalcommons.macalester.edu/history_honors/6 This Honors Project is brought to you for free and open access by the History Department at DigitalCommons@Macalester College. It has been accepted for inclusion in History Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. To Die a Noble Death: Blood Sacrifice and the Legacy of the Easter Rising and the Battle of the Somme in Northern Ireland History Anne Reeder History Thesis Advisor: Andrea Robertson Cremer Committee Members: Casey Jarrin and Peter Wiesensel Spring 2009 1 Abstract In 1916, under the pressurized conditions of the Great War, two violent events transpired that altered the state of Anglo-Irish relations: the Easter Rising and the Battle of the Somme. -
The Worlding of Irish Studies
Wednesday American Irish-Argentines at a gathering in Venado Tuerto, c. 1920. (Roberto Landaburu Collection) Conference for Irish Studies The Worlding of Irish Studies Hosted by March 30 - April 3, 2016 University of Notre Dame acis.nd.edu 1 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY march 30 march 31 april 1 april 2 april 3 9:00 a.m. 9:30 a.m. 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 9:00am–10:30am: 10:00 a.m. PANEL 3 PANEL 6 PANEL 9 PANEL 12 10:30 a.m. 10:30am–11:00am: 10:30am–11:00am: 10:30am–11:00am: BREAK BREAK BREAK 11:00 a.m. 10:30am–12:00pm: 11:00am–12:30pm: 11:00am–12:30pm: 11:30 a.m. 11:00am–12:30pm: ANEL KEYNOTE KEYNOTE P 13 MARY E. DALY THOMAS BARTLETT 12:00 p.m. PANEL 7 McKenna Hall McKenna Hall 12:30 p.m. 12:00pm: REGISTRATION OPENS 12:30pm–2:00pm: 1:00 p.m. GRADUATE STUDENT 12:30pm–2:00pm: 12:30pm–2:00pm: LUNCH ACIS BUSINESS LUNCH 1:30 p.m. 1:00pm–2:30pm: EXECUTIVE COUNCIL LUNCH ON YOUR OWN LUNCH 2:00 p.m. PANEL 1 2:30 p.m. 2:00pm–3:30pm: 2:00pm–3:30pm: 2:00pm–3:30pm: 2:30pm–3:00pm REAK 3:00 p.m. B PANEL 4 PANEL 8 PANEL 10 3:30 p.m. 3:00pm–4:30pm: 3:30pm–4:00pm: 3:30pm–4:00pm: 3:30pm–4:00pm: BREAK BREAK BREAK 4:00 p.m. -
Cultural Identity in Contemporary Scottish and Irish Writing. Phd Thesis
Jackson, Ellen-Raïssa (1999) Cultural identity in contemporary Scottish and Irish writing. PhD thesis. http://theses.gla.ac.uk/2548/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] CULTURAL IDENTITY IN CONTEMPORARY SCOTTISH AND IRISH WRITING Ellen-Raissa Jackson Doctor of Philosophy UNIVERSITY OF GLASGOW DEPARTMENT OF ENGLISH LITERATURE JANUARY 1999 Abstract This thesis looks at examples of contemporary Scottish and Irish writing using postcolonialism as a theoretical framework through which to illuminate their shared literary arguments, strategies and preoccupations. Through close readings, the comparative cultural critique of these two neighbouring nations addresses their marginal position in relation to a dominant English culture and their analogous position to other small, marginalised nations. This approach questions the tendency of postcolonial theory to subsume non-English cultural formations within the body of English Literature, rather than looking at countries with colonial histories within Europe. The thesis goes on to challenge the dominance of the novel in postcolonial critique by offering readings of other cultural modes as effective and influential forms of resistance. -
Chief Executive
STRABANE IN WORLD WAR 1 As reported in The Strabane Chronicle & The Strabane Weekly News July 1914 – November 1919 Thanks are due to all those who contributed to the compilation of material for this research project. The group painstakingly combed the microfilm copies of the Strabane Chronicle and Strabane Weekly news and selected material and these included John Rogan, James Johnston, Joseph O’Kane, Hugh McGarrigle, Kathleen Patton, Chris McDermott, Pat McGuigan, William Allen, Ronnie Johnston, Michael Kennedy and John Dooher. Thanks are also due to Ms Geraldine Casey for her assistance. The group is grateful to the staff of Strabane Library for their unfailing help and to Libraries N.I. for making the resources available. Photo on front cover shows a military parade at The Diamond, Lifford, in 1914. CONTENTS 1914 page 4 1915 page 34 1916 page 146 1917 page 240 1918 page 318 1919 page 416 1914 Strabane Chronicle 4th July 1914 RURAL LABOUR PROBLEM There has been for many years the report states a marked scarcity of agricultural labourers, which was becoming more and more acute. The increase in the cost of living and the increased prices which the farmers was getting for his produce had been mainly instrumental in bringing about increased wages. The wages however are still very low. The usual daily wage current in 1913 were for men 2s to 3s 6d, for women 1s 6d to 3s. RESERVES CALLED UP IMMEDIATELY At the start of WW1 58,000 Irishmen were already enlisted in the British Regular Army or Navy – 21,000 serving regular soldiers, 18,000 reservists, 12,000 in the Special Reserve, 5,000 Naval ratings and 2,000 officers. -
2015, Annual Report
ABBEY THEatRE AMHARCLANN NA MAINISTREACH 2015 annual report 2015 ANNUAL REPORT CONTENTS About 5 Chairman’s Welcome 6 2005 – 2015 at the Abbey Theatre 14 Overview 29 The Abbey Theatre in Numbers 30 2015 on Our Stages: Director’s Report 32 Artistic Programme 38 Awards 52 Literary 54 Community and Education 56 Abbey Talks 60 Green-Light Programme 63 Archive 66 Handbook of the Irish Revival 67 Diversifying our Income Streams 68 Staff 72 Board of Directors 74 Supporters and Members 80 Gallery and Reviews 83 Directors’ Report and Financial Statements 101 3 ABBEY THEATRE ANNUAL REPORT 2015 As Ireland’s national theatre, our mission is to create a world class national theatre that actively engages with and reflects Irish society. The Abbey Theatre invests in, nurtures and promotes Irish theatre artists. We do this by placing the writer and theatre-maker at the heart of all that we do, commissioning and producing exciting new work and creating discourse and debate on the political, cultural and social issues of the day. Our aim is to present great theatre art in a national context so that the stories told on stage have a resonance with artists and audiences alike. The Abbey Theatre produces an ambitious annual programme of Irish and international theatre across our two stages and on tour in Ireland and internationally, having recently toured to Belfast, Edinburgh, London, New York and Sydney. The Abbey Theatre is committed to building the Irish theatre repertoire, through commissioning and producing new Irish writing, and re-imagining national and international classics in collaboration with leading contemporary talent.