Notification of Exclusive Dealing

Total Page:16

File Type:pdf, Size:1020Kb

Notification of Exclusive Dealing •' FILE. - -DOC - FormG MAR Commonwealth of Australia Competition and Consumer Act 2010- subsection 93 (1) NOTIFICATION OF EXCLUSIVE DEALING To the Australian Competition and Consumer Commission: Notice .is hereby given, in accordance with subsection 93 (1) of the Competition and Consumer Act 2010, of particulars of conduct or of proposed conduct of a kind referred to subsections 47 (2), (3), (4), (5), (6), (7), (8) or (9) ofthat Act in which the person giving notice engages or proposes to engage. PLEASE FOLLOW DIRECTIONS ON BACK OF THIS FORM 1. Applicant (a) Name of person giving notice: (Refer to direction 2) Pegasus Venue Management (AP) Pty Ltd .......................... (b) Short description ofbusiness carried on by that person: (Refer to direction 3) Pegasus Venue Management (AP) Pty Ltd manages City Recital Hall Angel Place, a 1238-seat concert hall that presents live entertainment. (c) Address in Australia for service of documents on that person: City Recital Hall Angel Place AUST. COMPETITION & co I UME .... c IV.I Sl N 2 - 12 Angel Place CA~Si=>RA 2 8 MAR 2012 Sydney NSW 2000 2. Notified arrangement (a) Description ofthe goods or services in relation to the supply or acquisition ofwhich this notice relates: The proposed arrangement relates to the supply of tickets to live entertainment at City Recital Hall Angel Place. (b) Description of the conduct or proposed conduct: Pegasus Venue Management (AP) Pty Ltd proposes to offer discounts and special offers on tickets to concerts and events at City Recital Hall Angel Place exclusively to MasterCard holders through their Priceless campaign. Specific offers include: •Two for One tickets to children's show Lah-Lah's Musical Wonderland on 9/7/12 •Concert and exclusive cocktail party with Milos Karadaglic on 24/11 /12 • Exclusive pre-sale for Katie Noonan and Karin Schaupp concert on 27/10/12 (Refer to direction 4) 3. Persons, or classes of persons, affected or likely to be affected by the notified conduct (a) Class or classes of persons to which the conduct relates: (Refer to direction 5) Consumers who attend concerts and events at City Recital Hall Angel Place. (b) Number ofthose persons: (i) At present time: The total attendance at City Recital Hall is approx 180,000 per year (ii) Estimated within the next year: (Refer to direction 6) It is expected that the attendance at City Recital Hall will stay static - approx 180,000. The highest number of persons who could take advantage ofthese offers is approximately 3,700. (c) Where number of persons stated in item 3 (b) (i) is less than 50, their names and addresses: Not Applicable 4. Public benefit claims (a) Arguments in support of notification: (Refer to direction 7) Existing and new City Recital Hall patrons who hold a MasterCard will benefit from the proposed arrangement by being able to obtain lower prices, early access to purchase the best seats for a popular concert and a unique opportunity to meet the artist. A further public benefit is derived through the ability of City Recital Hall to publicise its programs through the MasterCard distribution channels, offering a much greater advertising exposure than City Recital Hall can afford and thus making a broader range of people aware of the opportunity to access arts and cultural product. Similar offers are currently made for live entertainment exclusively to American Express Cardmembers. (b) Facts and evidence relied upon in support ofthese claims: Attachment 1 is an example of a special offer to a live event being made to American Express Cardmembers. 5. Market defmition Provide a description of the market(s) in which the goods or services described at 2 (a) are supplied or acquired and other affected markets including: significant suppliers and acquirers; substitutes available for the relevant goods or services; any restriction on the supply or acquisition of the relevant goods or services (for example geographic or legal restrictions): (Refer to direction 8) The relevant market likely to be affected by the proposed conduct is the market for live music. The suppliers in this market include: •Theatre venues, concert halls and performing arts compames that supply a wide range oflive performance. • Hotels and cabaret venues that supply musical performances along with food and beverages. 6. Public detriments (a) Detriments to the public resulting or likely to result from the notification, in particular the likely effect of the notified conduct on the prices of the goods or services described at 2 (a) above and the prices of goods or services in other affected markets: (Refer to direction 9) Pegasus Venue Management (AP) Pty Ltd considers that limited public detriment results from the proposed conduct as follows: •Patrons are not forced to purchase tickets through MasterCard •Patrons can obtain tickets to the same performances at normal price •The supply of live music performance is vast and patrons can choose from a range of other performance at City Recital Hall or from other suppliers of to purchase live music of the same genre from. (b) Facts and evidence relevant to these detriments: Attachment 2 is a list of events available at City Recital Hall that are not the subject ofthis application. Attached is a list of live music venues in Sydney sourced from the Internet demonstrating the high number of live music venues on Sydney 7. Further information (a) Name, postal address and contact telephone details of the person authorised to provide additional information in relation to this notification: Bronwyn Edinger GPO Box 3339, Sydney, NSW 2001 02 9231 9001 ca~~L·~OMPETITION & CA~~ql~R~ISSION 2 8 MAR 2012 Dated .. 23/3/12 Signed by/on behalfofthe applicant (Signature) Bronwyn Elizabeth Edinger (Full Name) Pegasus Venue Management (AP) Pty Ltd (Organisation) General Manager, City Recital Hall Angel Place (Position in Organisation) Ticketmaster. Advance Tickets for American Express Cardm .. http://'N'Iffl.ticketmaster.com.au/americanexpress My licketmaster Gift Cards OJUet Locations Help Enter Artist, Team, or Venue New South Wales/Australian Capital Territory Welcome . (Sign In) Home Music Sports Arts, Theatre & Comedy Family and Attractions My Cart (0) Advance Tickets and Reserved* Seating available from 10am, Tuesday 20 March until Sam, Mon 26 March 2012 (or until sold out). An evening with Sir David Attenborough live on stage, delving Into the extraordinary experiences, the stories, the achievements and the ethos of this legendary gentleman. ReseMd Seating is available to Eligible CCW"dmembers only (those using a Card issued by America"'! 8q:lress Australia Limited - not bank issued}. Your passVY'OI"d is the 10-digit Customer SeNce phone number located en the back of your Card v.ith NO spaces. ·.Advance TICkets present the opp:>rtlllity i:l secure tickeCs bebre the general pub~c . oot t> obtain preferential seating. A selection of seating will be ma:te avaWable throughout the venue. Eligible CadmEn'lbers ae those INith a Card issued by AmEWica-1 Express Australia L.mited (not bri issued}. This offer is only avaHable br purchases online. 1. Subject b the Terms a1d CondiOOns of the Membership Rewards progrcwn . AminimLXn of 2,000 points must be redeemed at a1Y one time. 'rtlu must qualify 'Nith TeJms a1d Conditions in order to redeem points. Tickets must be purchased using }Cur eligible American Ellpress Card and will be chcv-ged to that day's pLXchase. America-1 Express will debH the Membership R ewards points from your progrcm account and issue a credit br the corresponding dollar cwnount to the Card acoount charged br your ti cket purchase. If the btal m.• mber of points redeemed do not cover the entire M"!Ount of the charge for your ticket purchase, the charge for the remaining balance of the purchase will remain on your Card Account. Ticket purchases taMing to qualify for Membership Rewards point redemption \WI remai""l charged to yolX America-1 Express Card Account a1d are subject b the venue's and Ticketmaster's no refundlno exchange poticy. American EJ~Pfess Corporate Cardmembers 9fYOied in Membership Rewards are not etigible to redeem points with Ticketmaster. All Qantas American Express Cards, and American Express Cards not issued by Americar~ EJ~Pfess Postralia are excluded from us ing Membership Rewards points for the p41chase of tickets with Ttcketmaster. Ameri c ar~ Express A.J stralia United (/IBN 92 108 952 085). J\ustraliar~ Credit licence No. 291313. ® Registered Trcdemcrt of America-1 Express Company. ABOUT US WE'RE HERE TO HELP PARTNERS BE A PART OF IT Woo We Are Your Account American Express Ticket Your Evert Across the Globe Print Tickets Advertise W~h Us City Recital Hall Angel Place Events on Sale 117/12- 31/12/12 Performance Name Perf Date Perf Time Takacs Quartet 2/07/2012 7:00PM Magical Miniatures 3/07/2012 7:00PM Mozart meets Copland 12/07/2012 7:00PM Trout Quintet & Quartet 14/07/2012 7:00PM Emerging Artists 17/07/2012 12:30 PM Trout Quintet & Quartet 17/07/2012 8:00PM Trout Quintet & Quartet 18/07/2012 7:00PM Outback Adventure 20/07/2012 7:00PM Night Vigil 20/07/2012 7:30PM English Voices 20/07/2012 7:30PM Amarcord 21/07/2012 2:00PM Sally-Anne Russell 21/07/2012 5:00PM Night Vigil 21/07/2012 7:30PM Dazzling Virtuoso 25/07/2012 7:00PM Dazzling Virtuoso 27/07/2012 7:00PM Autumn Dreams 30/07/2012 6:00PM Armacord 30/07/2012 7:00PM Masterpieces for Solo Flute 30/07/2012 7:30PM Powerful China 31/07/2012 6:45PM Dazzling Virtuoso 1/08/2012 7:00PM ArtsNorth Secondary Music Fest 1/08/2012 7:00PM ArtsNorth Primary Choral Gonce 2/08/2012 7:00PM Dazzling
Recommended publications
  • Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
    Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne
    [Show full text]
  • Kelson Nor Mckernan
    Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto­ FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial.
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • SOH-Annual-Report-2016-2017.Pdf
    Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free.
    [Show full text]
  • Darkemu-Program.Pdf
    1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
    [Show full text]
  • SYDNEY RACK 2010:Template 5/3/10 4:49 PM Page 3
    SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 3 Imaginative. Illuminated. Iconic. Inspired. SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 4 SYDNEY RACK_2010:Template 9/3/10 9:50 AM Page 1 Welcome to Hilton Sydney Hilton Sydney is a fond Sydney landmark and the premier venue for food, wine, conferences, events and a guest room experience unlike any other. For work, relax and play, Hilton Sydney is located right in the heart of the city with magnificent views and convenient access to Sydney's favourite destinations, offering a truly inspired experience. Local Attractions Queen Victoria Building and shopping precinct, Sydney Harbour Bridge and BridgeClimb, Opera House, The Rocks, Sydney Aquarium and Maritime Museum, AMP Tower, Darling Harbour, and Bondi Beach. hilton.com GDS CODES - Sabre: EH 9317 Galileo: EH 4963 World Span: EH 05878 Amadeus: EH SYD203 SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 5 Work Australia’s largest hotel convention and meeting place Hilton Sydney offers something unheard of in event facilities in Australia: space, and lots of it. Here you’ll find 4,000sqm of flexible floor space, with enough room to accommodate up to 3,000 delegates across four dedicated floors. There’s ballroom seating for up to 1,000 guests, extensive exhibition space and our unique Hilton Meetings product. Delegates will also enjoy plenty of natural light throughout the four level conference and function centre; function room views over Sydney’s bustling streetlife; Australasia’s most advanced audiovisual, sound and display technology; and authentic freshly prepared cuisine to suit delegates from around the world.
    [Show full text]
  • REVISED Participating Organisations Fact Sheet May
    AUDIENCE OUTLOOK MONITOR Fact Sheet: Participating Organisations Audience Outlook Monitor, Australia, May 2020 Introduction Baseline data for the Audience Outlook Monitor was collected in May 2020 in collaboration with 159 arts and culture organisations, including museums, galleries, performing arts organisations and festivals. Researchers at Patternmakers and WolfBrown worked with the Australia Council and arts agencies in every State/Territory to invite a sample of organisations to participate. The goal was to ensure a balance of organisations sent the survey to a sample of organisations, so that the Audience Outlook Monitor would provide reliable insights about all artforms, regions and organisation sizes. Organisations from all States and Territories are participating The table below displays a State/Territory breakdown of organisations that are participating in the study. Table 1: State breakdown of participating organisations State/Territory No. of organisations Australian Capital Territory 8 New South Wales 30 Northern Territory 3 Queensland 32 South Australia 16 Tasmania 4 Victoria 44 Western Australia 22 Total participating organisations 159 Most organisations are small-to-medium The majority of organisations participating are small, with 5 to 19 staff members, or medium- sized with 20 to 199 staff members. 1 AUDIENCE OUTLOOK MONITOR Around one-fifth of organisations are ‘micro’, with 0 to 4 staff members, and one-quarter are ‘large’, with 200 or more staff members. Table 2: Size breakdown of participating organisations State Micro (0-4 Small (5-19 Medium (20-199 staff) Large (200+ Total staff) staff) staff) ACT 5 1 2 8 NSW 3 11 10 6 30 NT 2 1 3 QLD 3 8 14 7 32 SA 4 4 7 1 16 TAS 1 1 2 4 VIC 3 14 19 8 44 WA 4 8 9 1 22 Grand Total 18 53 63 25 159 This study is hearing from organisations across a range artforms Participating organisations represent a range of artforms.
    [Show full text]
  • Audience Outlook Monitor 2021
    AUDIENCE OUTLOOK MONITOR Audience Outlook Monitor 2021 Participating organisations ACMI (Bathurst Regional Circa Council) Adelaide Festival Circus Oz Centre Belconnen Arts Centre Colac Otway Adelaide Fringe Bell Shakespeare Performing Arts & Cultural Centre Adelaide Symphony Belvoir St Theatre (COPACC) Orchestra Bendigo Venues & Country Arts SA Art Gallery of Ballarat Events Dancehouse ART ON THE MOVE Black Swan State Theatre Co Darwin Aboriginal Art Arts Centre Melbourne Fair Foundation Ltd Brisbane Festival Artspace Design Tasmania Brisbane Multicultural Australian Arts Centre Dionysus / Art, Not Brandenburg Apart Orchestra Brown's Mart Theatre Drum Theatre Australian Centre for Campbelltown Arts Dandenong Contemporary Art Centre (ACCA) Electronic Music Canberra Theatre Conference Pty Ltd Australian Festival of Centre Chamber Music Empire Theatres Canberra Youth Australian Museum Theatre Feast Festival Australian Theatre for Carriageworks Footscray Community Young People (ATYP) Arts Centre Centre for Bangarra Dance Contemporary Forge Theatre and Arts Theatre Photography Hub (East Gippsland Shire Council) Bathurst Memorial Chunky Move Entertainment Centre Frankston Arts Centre 1 AUDIENCE OUTLOOK MONITOR Geelong Arts Centre Melbourne Theatre Powerhouse Museum Company Geelong Gallery Queensland Art Merrigong Theatre Gallery | Gallery of History Trust of South Company Modern Art Australia Mildura Arts Centre - Queensland Ballet HOTA, Home of the Mildura Rural City Arts Queensland Museum Council Network Information + Cultural Museums Victoria
    [Show full text]
  • EXCHANGE Commercial & RETAIL SYDNEY Historical Walking Tour
    historical walking tours EXCHANGE COMMERCIAL & RETAIL SYDNEY Historical Walking Tour Front Cover Image: Sydney Arcade interior, 1890 (Image: Mitchell Library, State Library of NSW) exchange Sydney’s shops demonstrate the evolution of rom imposing banks to opulent retailing from elaborate Victorian shopping shops and old warehouses, much arcades to multi-storey department stores. of Sydney’s commercial history This walk will take you through the heart of the City’s can be seen in its buildings. financial and retail district — Martin Place, George Street and Pitt Street — pointing out landmarks, their architectural features and the history behind them. Detail from a Grace Bros catalogue, 1922 (Image: City of Sydney Archives) Sydney’s PLEASE ALLOW history 1–2 hours for this tour. is all around us. Start at Our walking tours will lead you St James Station (1) (1926) on Elizabeth Street, opposite on a journey of discovery from Market Street. early Aboriginal life through to contemporary Sydney. Clover Moore MP Lord Mayor of Sydney Historical Walking Tours — Exchange / 01. Dawes Point Walsh Bay Tar–ra Bennelong Point Dubbagullee TOWNS PL HICKSON RD LOWER FORT ST HICKSON RD HICKSON WINDMILL ST Sydney Cove Warrane ARGYLE ST Observatory Hill CUMBERLAND ST ALFRED ST KENT ST KENT Circular Quay Farm Cove HARRINGTON ST REIBY PL Wahganmuggalee HICKSON RD HICKSON GEORGE ST YOUNG ST LOFTUS ST PHILLIP ST PITT ST Darling Harbour Tumbalong GROSVENOR ST BRIDGE ST Royal Botanic PIRRAMA RD BENT ST Gardens Johnstons Bay BOND ST SPRING ST Woolloomooloo Bay MARGARET
    [Show full text]
  • State-Theatre-Company-SA.Pdf
    SUBMISSION 20-YEAR STATE INFRASTRUCTURE STRATEGY To: Infrastructure SA Level 15, Wakefield House 30 Wakefield Street Adelaide SA 5000 Attn: Mr Jeremy Conway, Chief Executive Ms Sabina Schaare, Manager, Stakeholder Engagement & Communications From: Jodi Glass Executive Director State Theatre Company of South Australia Subject: New Theatre Infrastructure – New Home for State Theatre Company of South Australia EXECUTIVE SUMMARY A. State Theatre Company of South Australia (the ComPany) is aligning with strategic partners to support the development of a new home for the Company. B. This new home will: a. give the Company the necessary platform to fulfil its strategic purpose: to become Australia’s pre-eminent storyteller, through the presentation of world-class, South Australian-produced and performed theatre; b. become the central hub for a number of professional Adelaide-based theatre companies and theatre-makers, creating a vibrant new multi-faceted theatre precinct – something Adelaide lacks but which many of the great cultural cities of the world enjoy; c. house and foster a new generation of independent artists, S2M performing arts organisations and creative entrepreneurs who will develop innovative new businesses that will spark and lead new economic opportunities, create jobs – enabling local creative businesses to go global while enriching South Australia culturally and economically. ANALYSIS About the Company 1. The Company is South Australia’s leading theatre company, classified by the State and Commonwealth Government’s as one of Australia’s 28 Major Performing Arts (MPA) companies (alongside Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre Company, Black Swan State Theatre Company, Belvoir, Malthouse and Bell Shakespeare). The Company is one of only three South Australian MPA companies, the others being State Opera South Australia and Adelaide Symphony Orchestra.
    [Show full text]
  • Entertainment Posters, Part 1 Rock Concerts, Film, Theatre & Performance
    Entertainment Posters, Part 1 Rock concerts, film, theatre & performance Collectors’ List No. 190, 2017 Online catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com 1.| |For The Term Of His Natural Life,| JOSEF LEBOVIC GALLERY 1927.| Colour linocut with letter press, 101.7 x Celebrating 40 Years • Established 1977 76.5cm. Repaired minor creases and stains Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) to margins, old folds. Linen-backed.| $1,650| Text includes “All the wealth of a nation! It cost Address: 103a Anzac Parade, Kensington (Sydney), NSW over £60,000 to produce in Australia for the world! Postal: PO Box 93, Kensington NSW 2033, Australia Australia’s peerless scenery was combed to show Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 the world the nation’s natural beauty spots, the company travelling more than 2,000 miles to various Email: [email protected] • Website: joseflebovicgallery.com locations, including picturesque Tasmania. Produced Open: Monday to Saturday from 1 to 6pm by chance or by appointment by the famous international director, Norman Dawn, for Australasian Films Ltd, it is adapted from Marcus Clarke’s world-famous book, of which millions of copies have been sold. “It is the first gigantic effort to place Australia on COLLECTORS’ LIST No. 190, 2017 the movie map. Rich in earnest human appeal this Union-Master-World-Production presents something spectacular, dramatic and historical that will live for all time. Marcus Clarke’s immortal story, produced by Norman Dawn for Australasian Films Ltd.
    [Show full text]