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Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne -
Kelson Nor Mckernan
Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
SYDNEY RACK 2010:Template 5/3/10 4:49 PM Page 3
SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 3 Imaginative. Illuminated. Iconic. Inspired. SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 4 SYDNEY RACK_2010:Template 9/3/10 9:50 AM Page 1 Welcome to Hilton Sydney Hilton Sydney is a fond Sydney landmark and the premier venue for food, wine, conferences, events and a guest room experience unlike any other. For work, relax and play, Hilton Sydney is located right in the heart of the city with magnificent views and convenient access to Sydney's favourite destinations, offering a truly inspired experience. Local Attractions Queen Victoria Building and shopping precinct, Sydney Harbour Bridge and BridgeClimb, Opera House, The Rocks, Sydney Aquarium and Maritime Museum, AMP Tower, Darling Harbour, and Bondi Beach. hilton.com GDS CODES - Sabre: EH 9317 Galileo: EH 4963 World Span: EH 05878 Amadeus: EH SYD203 SYDNEY RACK_2010:Template 5/3/10 4:49 PM Page 5 Work Australia’s largest hotel convention and meeting place Hilton Sydney offers something unheard of in event facilities in Australia: space, and lots of it. Here you’ll find 4,000sqm of flexible floor space, with enough room to accommodate up to 3,000 delegates across four dedicated floors. There’s ballroom seating for up to 1,000 guests, extensive exhibition space and our unique Hilton Meetings product. Delegates will also enjoy plenty of natural light throughout the four level conference and function centre; function room views over Sydney’s bustling streetlife; Australasia’s most advanced audiovisual, sound and display technology; and authentic freshly prepared cuisine to suit delegates from around the world. -
FEATURE the Use of Prefabrication and Modular Building Techniques In
FEATURE The images in this story are from AE Smith’s installation of a prefabricated module into the Lady Cilento Children’s Hospital (LCCH). Image: AE Smith. to implement, think again. As our three proponents of prefabricated and modular building techniques explain, the devil Fabricating is in the detail. We spoke to AE Smith national BIM operations manager Mark Jacobson, M.AIRAH, Warwick Stannus, M.AIRAH, group engineering manager for A.G. the future Coombs; and Nick Stavroulakis, M.AIRAH, mechanical project engineer, The use of prefabrication and modular building techniques associate for Wood & Grieve Engineers. in the HVAC industry is growing, and for good reason. As well Ecolibrium: Is the use of as leading to more accurate assembly, the process typically prefabrication in Australia reduces costs and risk. Sean McGowan spoke to some leading becoming more common, and why? proponents about the planning behind this evolving process. WS: The use of prefabrication in Australia is continuing to grow; however, we still have some way to go to catch up Though slower to adopt prefabricated projects – from commercial office to the levels of adoption seen in North building techniques than our buildings and residential accommodation America and the UK. Notwithstanding international counterparts in North to data centres and healthcare facilities. the relatively slow take-up to date, offsite America, Europe and Asia, the Australian For instance, projects such as the fabrication is starting to play a major construction industry is now making Queensland Children’s Hospital role in the delivery of healthcare projects rapid ground. energy plant (as featured in Ecolibrium, around the country. -
REVISED Participating Organisations Fact Sheet May
AUDIENCE OUTLOOK MONITOR Fact Sheet: Participating Organisations Audience Outlook Monitor, Australia, May 2020 Introduction Baseline data for the Audience Outlook Monitor was collected in May 2020 in collaboration with 159 arts and culture organisations, including museums, galleries, performing arts organisations and festivals. Researchers at Patternmakers and WolfBrown worked with the Australia Council and arts agencies in every State/Territory to invite a sample of organisations to participate. The goal was to ensure a balance of organisations sent the survey to a sample of organisations, so that the Audience Outlook Monitor would provide reliable insights about all artforms, regions and organisation sizes. Organisations from all States and Territories are participating The table below displays a State/Territory breakdown of organisations that are participating in the study. Table 1: State breakdown of participating organisations State/Territory No. of organisations Australian Capital Territory 8 New South Wales 30 Northern Territory 3 Queensland 32 South Australia 16 Tasmania 4 Victoria 44 Western Australia 22 Total participating organisations 159 Most organisations are small-to-medium The majority of organisations participating are small, with 5 to 19 staff members, or medium- sized with 20 to 199 staff members. 1 AUDIENCE OUTLOOK MONITOR Around one-fifth of organisations are ‘micro’, with 0 to 4 staff members, and one-quarter are ‘large’, with 200 or more staff members. Table 2: Size breakdown of participating organisations State Micro (0-4 Small (5-19 Medium (20-199 staff) Large (200+ Total staff) staff) staff) ACT 5 1 2 8 NSW 3 11 10 6 30 NT 2 1 3 QLD 3 8 14 7 32 SA 4 4 7 1 16 TAS 1 1 2 4 VIC 3 14 19 8 44 WA 4 8 9 1 22 Grand Total 18 53 63 25 159 This study is hearing from organisations across a range artforms Participating organisations represent a range of artforms. -
Only Connect’ - Social, Economic and Environmental Benefits
REFERENCES ESSAY: ‘Only Connect’ - Social, Economic and Environmental Benefits Kate Clark ABS (Australian Bureau of Statistics), 2002. Australian Social Trends 2002: Housing and lifestyle, home renovation, Cat. No. 4102.0. Downloaded 20th August 2011 from: http://www.abs.gov.au/AUSSTATS/[email protected]/0/062C1F689E72A59CCA2570EC000B922D?opendocument ABS (Australian Bureau of Statistics), 2003. Construction and the Environment. Feature article Year Book Australia 2003. Downloaded 20th August 2011 from: http://www.abs.gov.au/ausstats/[email protected]/Previousproducts/1301.0Feature%20Article282003?opendocument &tabname=Summary&prodno=1301.0&issue=2003&num=&view= ABS (Australian Bureau of Statistics), 2004. Information Paper: Measuring Social Capital — An Australian Framework and Indicators, Cat. No. 1378.0, Canberra, p. 14. ABS (Australian Bureau of Statistics), 2006. Voluntary Work, Australia, Cat. No. 4441.0. Downloaded 20th August 2011 from: http://www.abs.gov.au/ausstats/[email protected]/mf/4441.0 ABS (Australian Bureau of Statistics), 2009. Museums – Australia 2007-2008. Cat.No.8560.0 ABS (Australian Bureau of Statistics), 2010. 'Museums', Arts and Culture in Australia: A Statistical Overview. ABS 4172.0 Downloaded 20th August 2011 from: http://www.abs.gov.au/ausstats/[email protected]/Latestproducts/A1F92A2C5B46EAAECA2577C00013B79A?opendocu ment AE Smith, 2011. '5 Star NABERS Rating for Sydney – Proving You Can Teach an Old Building New Tricks', AE Smith. Downloaded from: http://www.aesmith.com.au/5StarNABERSRatingforSydneyProvingYouCanTeachanOldBuildingNewTricks Allen Consulting Group, 2005. Valuing the Priceless: The Value of Historic Heritage in Australia. Research Report 2 for the Heritage Chairs and Officials of Australia and New Zealand. Anwar McHenry, J., 2009. ‘A place for the arts in rural revitalisation and the social wellbeing of Australian Rural communities’. -
Capability Snapshot
AE Smith Construction Single Source Solution Wherever some form of fluid or gas needs to be Being partner of first choice means transported by duct or pipework within a facility, recognising you’re in the business of AE Smith’s engineering skill, technical business, not air conditioning or mechanical experience and practical know-how is required. services. AE Smith has the size, scope and AE Smith is your partner of first choice for the experience to keep you focused on what’s The stakes for choosing the right design, construction and installation of all types important to your business while we take AE Smith is a BRW Top 500 Private Company delivering of air conditioning and mechanical services. care of the rest. Examples include: partner for your air conditioning, commercial and industrial solutions around Australia and New Zealand for: > Essential Safety Measures mechanical services, environmental AE Smith Service > Fire Protection Maintenance > Cooling Tower and Water Treatment controls and energy services couldn’t Air Conditioning & Mechanical Services Reduce your facility’s owning and operating > Refrigerant Management be higher. Environmental Controls & Building Technologies costs by improving environmental conditions. > Electrical Services AE Smith is your partner of first choice for the > Sub-contractor & Supplier Management Sustainability & Energy Services total protection of your facility’s air conditioning Worldwide, 30-40% of all primary and mechanical services. This includes: Established in 1898, today AE Smith is the largest -
Final Minutes
FINAL MINUTES 5 November 2014 FINAL MINUTES WEDNESDAY 5 NOVEMBER 2014 Table of Contents Folio Date Particulars 35215 05.11.2014 Ordinary Meeting Minutes 35258 08.09.2014 - 05.10.2014 Community and Client Services Monthly Review for the Period 8 September to 5 October 2014 35296 31.10.2014 Economic Development Monthly Review - October 2014 35304 14.10.2014 Minutes - Fields of Dreams Advisory Committee 35306 07.10.2014 Minutes - Natural Environment Advisory Committee 35308 13.10.2014 Minutes - Sustainable Futures Advisory Committee Declaration of Perceived Conflict of Interest Item 9.5 - Cr Casey MIN/05.11.2011 FOLIO 35214 FINAL MINUTES WEDNESDAY 5 NOVEMBER 2014 ORDINARY MEETING MINUTES 1. ATTENDANCE: Her Worship the Mayor, Cr D T Comerford (Chairperson), Crs K J Casey, C J Bonanno, L G Bonaventura, F A Gilbert, A N Jones, G J Martin, T A Morgan, D J Perkins, P F Steindl, and R D Walker were in attendance at the commencement of the meeting. Also present was Mr B Omundson (Chief Executive Officer) and Mrs M Iliffe (Minute Secretary). The meeting commenced at 10.04 am. 2. OPENING PRAYER: Pastor Reno Klashorst led those present in Prayer. 3. ABSENT ON COUNCIL BUSINESS: Nil 4. APOLOGIES: Nil 5. CONDOLENCES: Council expressed their condolences on the passing of Mrs Sue Whitehead to her husband John and their family. Sue was an active member of the Road Accident Awareness Group (RAAG) and worked tireless to improve the conditions for her community. MIN/05.11.2011 FOLIO 35215 FINAL MINUTES WEDNESDAY 5 NOVEMBER 2014 6. CONFIRMATION OF MINUTES: 6.1 ORDINARY MEETING MINUTES - 22 OCTOBER 2014 THAT the Ordinary Meeting Minutes held on 22 October 2014 be confirmed.