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Sumário Index Edição e Propriedade ta Rua de S. Catarina, Editorial 3 Editorial 730 - 2° Tras. 4000-446 Porto Portugal Cineclubismo Film Societies Tel/Fax - (351) 22 200 02 53 E-mail: [email protected] Eleições 2007-2009 6 FPCC Elections 2007-2009 PVP € 3,50 (Cineclubes € 3,00) Registo na DGCS nº 109120 Visita “surpresa” do Presidente 7 "Surprise" Visit to Portugal from the Depósito Legal n° 88347/95 Cultural da Federação Interna- Cultural President of the Interna- Os textos assinados são da res- cional de Cineclubes a Portugal tional Federation of Film Societies ponsabilidade dos respectivos au- tores e expressam a sua opinião. Notícias do access CINEMA 8 access CINEMA News Os restantes textos são da respon- sabilidade da Direcção da Revista. CINESUD: a alternativa 12 CINESUD: an alternative à distribuição comercial to commercial distribution Revista nº 36 Janeiro • Fevereiro • Março de 2007 O primeiro Cineclube Mexicano 16 The first Mexican Film Society Órgão da Federação Portuguesa de Cineclubes Cineclubes de todo o mundo 22 Film societies from around the world Director Honorário da FPCC: homenageiam Manoel de Oliveira pay homage to Manoel de Oliveira Henrique Alves Costa Director: João Paulo Macedo Memória Memory Direcção Executiva: Paulo Martins Produção e coordenação: Juan Carlos Arch 26 Juan Carlos Arch Patrícia Gilvaia Design gráfico e paginação: Tributo a Shohei Imamura 28 Tribute to Shohei Imamura Margarida Vilar de Macedo Tradução: Branca Sampaio Revisão: Manuel Montenegro, Festival Festival Patrícia Gilvaia, Paulo Martins Secretariado: Cristina Silva 54º Festival Internacional 37 54th San Sebastian de Cinema de San Sebastián International Film Festival Textos: Carlos M. Ferreira CINANIMA 2006 40 CINANIMA 2006 Firmina Lopes Gabriel Rodríguez Álvarez Isabel Santos O Cinema na corte do Faraó 42 Cinema at the Faraoh’s court Joana Azevedo João Filipe 36ª Edição Molodist 50 36th Edition of the Molodist João Monteiro e Pedro Souto João Paulo Macedo XIII Caminhos do Cinema 59 XIII Ways of the Portuguese Julio Lamaña i Orozco Português 2006 Cinema 2006 Luís Carneiro Ferreira Maretta Dillon / access cinema London’s FrightFest 2006 62 London’s FrightFest 2006 Paolo Minuto Premendra Mazumder Rwita Dutta Comentário Commentary Sofia Freitas The Departed: Entre Inimigos 66 The Departed Fotos: Capa: Babel, de Alejandro González- Uma história de violência: 70 A History of Violence: -Iñárritu, cortesia: Festival Interna- cional de S. Sebastián Contracapa: O filme americano 71 David Cronenberg’s Paris, Je T’Aime, vários autores, DR www.image.net de David Cronenberg American film FIKE Festival Internacional de S. Sebastián A propósito 73 A History of Violence Restantes fotos: Direitos Reservados d’Uma História de Violência Agradecimentos: José António Cunha, Marta Silva, Sofia Freitas Ensaio Essay Pré-Impressão e Impressão: O cinema como arte subversiva: 78 Film as a subversive art: Green Book Artes Gráficas, Lda. um caso de estudo indiano An Indian Case-Study R. Dr. Eduardo Santos Silva, 261 Tiragem: 1000 exemplares A Política sexual no cinema indiano 82 Sexual Politics in Indian cinema Publicação apoiada por: Leituras 86 Book Reviews CINEMA | 3 editorial Editorial A Revista CINEMA – enquanto órgão da FPCC – procura reflectir a filosofia e os interesses da Federa- ção e dos seus Associados. Mas nos dias que correm os Cineclubes e as demais Associações Culturais sem fins lucrativos não podem ignorar fenómenos tão importantes como a globalização – imposta nas nos- sas sociedades para o bem e para o mal – e a interde- pendência internacional de actividades e projectos. Editorial No seio da FICC – Federação Internacional de Cineclubes, novas dinâmicas estão a despontar: CI- CINEMA magazine – belonging to the Portuguese Fe- NESUD e MUNDOKINO (www.mundokino.net) são deration of Film Societies (PFFS) – tries to convey the fe- apenas duas faces de uma mesma realidade: uma di- deration’s and its associates’ philosophy and interests. nâmica cineclubista transcontinental. Neste número But nowadays film societies and other non-profitable as- apresentamos algumas linhas deste projecto e aguar- sociations can’t ignore important phenomena as globali- damos o seu desenvolvimento no qual a FPCC tam- sation – forced upon our society – and international cul- bém se encontra empenhada. tural interdependence. O número de artigos e colaboradores da CINE- Amid the International Federation of Film Societies MA também se alarga neste número numa dinâmica (IFFS) new projects are springing up: CINESUD and MUN- que pretendemos venha a constituir a marca da nos- DOKINO (www.mundokino.net) are just two faces of the sa Revista. O espaço está aberto aos que connosco same reality – transcontinental film society projects in quiserem participar na reflexão do Cinema e na di- which the PFFS is also involved. In this issue we display its vulgação da cultura cinematográfica. main aims and we’ll be waiting for further developments. No momento em que se inicia, também, um The number of articles and contributors has also risen novo mandato dos órgãos sociais da Federação Por- bringing about a new force that hopefully will keep us thri- tuguesa de Cineclubes, desafiamo-nos a dar à Revis- ving. CINEMA is open to all who wish to meditate about Ci- ta CINEMA a regularidade que tem faltado. Desafia- nema and to help promote cinematography. mos também todos os que colaboram com a Revista A new Executive Commission of the PFFS has just tak- CINEMA a empenharem-se connosco neste desafio. en over and our magazine’s regular release will be among Uma nota final sobre a publicação recente da re- our priorities. We challenge all those who work for the ma- gulamentação da Lei de Arte Cinematográfica e do gazine to keep up with us. Audiovisual, bem como da criação do Fundo de In- The recent Cinematography and Audiovisual Bill (Lei vestimento para o Cinema e Audiovisual (Decreto-Lei de Arte Cinematográfica e do Audiovisual) as well as the n.º 227/2006, de 15 de Novembro), que quase com- Fundo de Investimento para o Cinema e Audiovisual (de- pleta um ciclo iniciado há alguns anos de renovação cree 227/2006, November 15) deserve a final remark. The- do enquadramento jurídico Cinema em Portugal. Es- se two bills are meant to make a renewal of the cinema le- peramos que, também aqui, não fique o nosso país gislation in Portugal. Let's just hope that the audiovisual dotado de um excelente quadro legal mas que não se activities will benefit from the practical application of this traduza na prática numa nova realidade e em melho- new legislation. res condições de desenvolvimento das diferentes acti- These bills will be hailed if more (and better) films vidades abrangidas por este novo quadro legal. are produced. Saudar-se-á esta Lei do Cinema e o Fundo de In- The Cinema Bill will be hailed if the promotion of vestimento se tal resultar em mais (e melhores) filmes. films is not dependent on the market interests (for instan- Saudar-se-á esta Lei do Cinema se a lógica de pro- ce, if the film is something more than just a profitable pro- moção de Cinema não se resumir aos interesses de mer- duct) and if the promised improvement also includes the cado (por exemplo não olhando para o filme apenas real cinematography. como um produto que se compra e se vende) e se a me- If this comes true, the Portuguese film societies will be lhoria de condições que se apregoa se estender também defending and promoting GENUINE FILMS as they have à criação de uma verdadeira Cultura Cinematográfica. been doing over the last sixty years. Se tal se verificar, agora, como nos últimos sessen- ta anos, estarão os Cineclubes Portugueses na primeira linha da Defesa e Promoção de BOM CINEMA. João Paulo Macedo Presidente da FPCC CINEMA | 4 Assine já! E receba a sua revista CINEMA comodamente em sua casa. Preencha este cupão Dados Pessoais: (pode ser fotocopiado) e envie: Nome: _____________________________________________________________________ Por correio: Morada: ___________________________________________________________________ Revista Cinema – Assinaturas Cód. Postal: ___________________ Localidade: _______________________________ Federação Portuguesa de Cineclubes País: __________________________ Tel.: _______________________________________ Rua de Santa Catarina, 730 - 2° Tras. 4000-446 Porto E-Mail: _____________________________________________________________________ Portugal Formas de Pagamento: Por fax: Cheque nº _________________ Banco_____________________________________ (351) 22 200 02 53 Transferência bancária Valor: Portugal: 12,00€ Europa: 27,00€ Resto do Mundo: 36,00€ Por e-mail: E-mail: [email protected] Data: _________________________ Assinatura: _______________________________ cineclubismo Eleições 2007-2009 FPCC Elections 2007-2009 eve lugar no dia 11 de Novembro, no Au- T ditório da Biblioteca Municipal de Barcelos, a Assembleia Eleitoral da FPCC. O ZOOM – he Portuguese Federation of Film Societies CINECLUBE BARCELOS encarregou-se de toda a T (FPCC) Electoral Assembly was held on Novem- logística de preparação da Assembleia que decorreu ber 11, at the auditorium of Barcelo’s Municipal Library. com uma participação significativa dos represen- ZOOM – BARCELOS FILM SOCIETY was responsible for tantes dos cineclubes presentes. the logistics of the assembly in which a significant num- ber of representatives from film societies took part. Apenas se apresentou ao acto eleitoral uma úni- ca lista tendo sido eleitos os novos órgãos sociais da There was only a voting list and it was elected. The
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  • A Few of My Favourite Classic Films

    A Few of My Favourite Classic Films

    A Few of My Favorite Classic Films Titles listed alphabetically within each section ANTICHRIST Lars von Trier 5 5 AUS DEM LEBEN DER MARIONETTEN Ingmar Bergman 5 5 BONNES FEMMES, LES Claude Chabrol 5 5 FRANCISCA Manoel de Oliveira 5 5 HADEWIJCH Bruno Dumont 5 5 HIROSHIMA MON AMOUR Alain Resnais 5 5 HUMANITÉ Bruno Dumont 5 5 INDIA SONG Marguerite Duras 5 5 LEAVING LAS VEGAS Mike Figgis 5 5 MÉPRIS, LE (CONTEMPT) Jean-Luc Godard 5 5 MULHOLLAND DRIVE David Lynch 5 5 СОЛЯРИС (SOLARIS) Andrei Tarkovsky 5 5 THOMAS L'IMPOSTEUR Georges Franju 5 5 THREE WOMEN Robert Altman 5 5 TIERRA Julio Medem 5 5 TROIS COURONNES DU MATELOT, LES Raúl Ruiz 5 5 TYSTNADE (THE SILENCE) Ingmar Bergman 5 5 UNBEKANNTE, DIE Frank Wysbar 5 5 ABRE LOS OJOS Alejandro Amanàbar 5 4 ANNÉE DERNIÈRE À MARIENBAD, L’ Alain Resnais 5 4 BÜCHSE DER PANDORA, DIE (PANDORA’S BOX) G.W. Pabst 5 4 DOLCE VITA, LA Federico Fellini 5 4 ECLISSE, L' (ECLIPSE) Michelangelo Antonioni 5 4 EYES WIDE SHUT Stanley Kubrick 5 4 FÄHRMANN MARIA Frank Wysbar 5 4 FALLING LESSONS Amy Halpern 5 4 FLANDRES Bruno Dumont 5 4 FRESH Boaz Yakin 5 4 GATOPARDO, IL Luchino Visconti 5 4 HÉLAS POUR MOI Jean-Luc Godard 5 4 HISTOIRE(S) DU CINÉMA Jean-Luc Godard 5 4 HORS SATAN Bruno Dumont 5 4 LIT DE LA VIERGE, LE Philippe Garrel 5 4 MELANCHOLIA Lars von Trier 5 4 NATTVARDSGÄSTERNA (WINTER LIGHT) Ingmar Bergman 5 4 NOTTE, LA Michelangelo Antonioni 5 4 ORDET Carl Th.