World Experts Select Centre of Excellence on East Asia

Total Page:16

File Type:pdf, Size:1020Kb

World Experts Select Centre of Excellence on East Asia ISSN 1472-6653 December 2006 Number 13 World experts select Centre of Excellence on East Asia A joint bid by the School of East Asian Studies at the University of Sheffield and the Department of East Asian Studies at the University of Leeds to establish an international Centre of Excellence on East Asia has been successful. The bid was made in response to the organizing new research initiatives; Japanese imperialism. She joins the £25 million Language and Area Studies developing existing research through the cluster on East Asian identities and initiative launched jointly by the Higher appointment of research fellows; cultures. Education Funding Council, the providing young scholars with Economic and Social Research Council, postdoctoral fellowships; organizing Professor Glenn D. Hook of SEAS, the the Arts and Humanities Research conferences and workshops; and Director of the National Institute of Council and the Scottish Funding building up international networks to Japanese Studies and a member of the Council. These councils called on leading support the development of globally Executive Board of the White Rose East experts from East Asia and the United recognized research. Asia Centre, stressed the role the States as well as the United Kingdom Centre will play as a national resource: and other European countries to act as One of the first initiatives was the “the success of the bid is testimony to referees to help them to select the best selection of two White Rose Scholarship our track record as a leading trainer of bid to strengthen Britain’s research students through an open competition postgraduate research students and as a profile and specialization in Japanese in the summer of 2006. Philip Shetler- centre of international research and Chinese studies. Jones was awarded a four-year excellence. The pooling of cutting-edge scholarship that combines one year researchers from both Leeds and Drawing upon the white rose, the studying for an MA in Advanced Sheffield has enabled us to create an historical symbol of Yorkshire where Japanese Studies (Research Methods) unparalleled depth and breadth of Sheffield and Leeds are both located, and three years completing his PhD research on East Asia. The centre’s role the new centre of excellence is called dissertation on Japan’s role in as a national resource will mean the the White Rose East Asia Centre. The peacekeeping. He joins the research whole research community will be able National Institute of Japanese Studies cluster on globalization and to benefit from this new initiative.” and the National Institute of Chinese regionalization. Lisa Nye was also Studies together constitute the White awarded a four-year scholarship to For regularly updated information on the Rose East Asia Centre. pursue the same MA programme and activities of the White Rose East Asia thereafter a research project on Centre, please visit http://www.wreac.org The new Centre was launched officially on 1 September 2006. Funding of £4 million has been secured for the next five years, with the possibility of further funding to be considered in the future. The key aims of the Centre include developing an international reputation for excellence in research on East Asia; pooling the expertise in the two universities to provide high quality research training for the next generation of scholars in East Asian studies covering the disciplines of the humanities, business and social sciences; Professor Glenn D. Hook (centre), Director of the National Institute of Japanese Studies, with the two new White Rose Scholarship students, Lisa Nye (left) and Philip Shetler-Jones (right). EastAsia@Sheffield 1 All change in Confucius Centre developments the Distance Professor Bob Boucher, Vice- Institute in Sheffield, as reported Chancellor of the University of in the previous edition of Learning Centre Sheffield, and Professor Peter EastAsia@Sheffield. We look Fleming, Pro-Vice-Chancellor for forward to bringing you regular SEAS was sorry to say goodbye External Relations, recently visited updates on the activities of the recently to Karen Gascoigne and Sali Nanjing to sign the memorandum Confucius Institute in future Morris. Karen worked in the Distance of understanding related to the editions. Learning Centre since 1996, when establishment of the Confucius distance learning was still very new, and made a major contribution to the success of the programmes. Sali was with us for five years as a senior secretary and was a fount of knowledge on all areas of the centre’s activities. We wish them well in their future endeavours. Sandra Tassie, our new Administrative and Examinations Officer, comes well equipped to take up the challenge. A graduate of the MA in Japanese Language and Society who has worked for the past three years in other university departments, she is familiar with the workings of SEAS as well as the University. Katherine Gallagher, who has been in SEAS for over two years, moves up to take on Front row from left to right: Professor Peter Fleming, Pro-Vice Chancellor for External Relations, Sali’s role and we are now recruiting Professor Chen Jun, President of Nanjing University, and Professor Bob Boucher, Vice-Chancellor of to fill Katherine’s position. the University of Sheffield. Local high school students get a Note on names Following East Asian convention, taste of life at SEAS the family name precedes the given name/s in Chinese, Japanese Students from three local schools – they had the chance to meet some and Korean names, unless the Lady Manners School, Wales High first-year students – David Janke particular person uses the School and Hope Valley College – (Chinese Studies with Japanese), Western name order (given name attended the third annual Taster Day Charlotte Steels (Japanese) and followed by family name) in in SEAS on 8 November 2006. Peggy Ng (Korean Studies) – to find his/her publications and/or During their visit, the students took out what they think of life as a everyday life. classes in Korean with Dr Judith student at SEAS. The visitors also Cherry and Chinese with Dr Hu had an additional, impromptu Xiao-ling. They also participated in language class when our Editor’s note seminars on the topics of “Women enthusiastic students took over the The views expressed in the in Chinese Cinema” with Dr Sarah whiteboard to explain some articles in this newsletter are Dauncey and “Why Study Japan?” Japanese grammar points and those of the individual authors with Dr Rick Siddle. At lunchtime, vocabulary. Diane Walsh, who and do not necessarily reflect accompanied a group of students those of the School of East Asian from Wales High School, told us, “it Studies and the University of was a worthwhile event and my Sheffield. students were very positive about the experience. They enjoyed the Certain images used in this Chinese film and being able to newsletter are scaled-down, participate in the guided discussion low-resolution images used to based upon it. They also particularly illustrate films or books, or to enjoyed the Chinese and Korean provide critical analysis of the language taster sessions.” content or artwork of the image. It is believed that these images From left to right: Peggy Ng, David Janke and qualify as fair use under Charlotte Steels help out at the language taster sessions. copyright law. 2 EastAsia@Sheffield Welcome to SEAS! SEAS is delighted to welcome four new members of staff to Sheffield: Dr Jeremy Taylor as lecturer in Chinese Studies, Ms Mika Ko as lecturer in Japanese Studies, and Ms Mineko Arai and Ms Yumiko Iwashita as Japanese language teaching fellows. Jeremy Taylor Mika Ko was educated at completed an the University of MA in Sydney and the International Australian Media Studies at National the University of University. It was Ulster in from the latter Northern Ireland institution that in 1999. She he was awarded chose Northern Yumiko Ishiwata (right) received her a PhD in 2003 for Ireland because undergraduate and postgraduate a thesis that explored the uses of she was particularly interested in education in the Department of the built environment and its links to the way the media reported political Foreign Languages of Reitaku conflicting interpretations of the conflict. She also developed an University in Japan. After graduation, colonial past in Taiwan. Since then, enthusiasm for Film Studies and she worked in Romania as a Jeremy has spent a number of years decided to undertake PhD research volunteer Japanese language teacher studying, working and conducting into contemporary Japanese cinema. for the Japan International research in Asia. He has also worked This research has focused on Cooperation Agency from 2003 to in local government, marketing and representations of minority groups 2005. This was Yumiko’s first other industries. From 2003 to 2005, in contemporary Japanese cinema experience as a language teacher he served as an advisor to Taiwan’s and how these relate to images of and she learned a great deal about Foreign Ministry, where he was Japanese national identity. For cross-cultural communication. After responsible for translation, editorial example, in the case of a popular leaving Romania, she taught and speechwriting work. He has filmmaker like Miike Takashi, she has Japanese at the University of spent most of 2006 living in explored the way in which Limerick in Ireland where she Singapore, where he has been a contemporary Japanese experienced a different teaching member of the editorial team for multiculturalism has helped to approach. Yumiko looks forward to Singapore: The Encyclopedia. maintain conventional notions of the joining and contributing to the high- Japanese nation. In the future, Mika quality Japanese language teaching Recently he has developed an is particularly interested in team at SEAS. interest in Nationalist Chinese and investigating the development of Taiwanese propaganda, with a transnational East Asian cinema and Mineko Arai (left) originally taught particular focus on the ways in its potential to challenge traditional English to Japanese children but which Nationalist Chinese leaders forms of national cinema.
Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • The Insect Woman – Contextualising Imamura (And The
    University of Gothenburg Faculty of Humanities The Insect Woman – Contextualising Imamura (and the Intricacies of Global Cinema Study) Bachelor’s thesis in film studies by Noak Snow Gröning Presented spring term 2018 Tutor: Anna Backman Rogers Course: FL1801 Index 1. Abstract 3 2. Introduction 4 3. Purpose, Issues and Demarcations 6 4. Further Context 9 5. Earlier Research and Fields of Study 10 6. Theoretical Frameworks 10 7. Materials and Methods 18 8. Disposition and Historical Context 19 9.1 Analysis – Story Summary 25 9.2 Analysis – Themes and Aesthetic 29 9.3 Analysis – The Insect Woman and Early Summer 32 10. Conclusion 36 11. References 39 2 1. Abstract This essay represents an attempt to further the understanding of the films by Japanese New Wave director Shohei Imamura through the use of post-colonial theory, and political and cultural contextualisation; it also offers discussion on the inherent issues of discussing non- Western cinema from a Western point-of-view, and how post-colonial theory can be used tentatively by Western writers to prevent the perpetuation of orientalism and the generalisation of non-Western cultures as a single entity simply titled ‘the Other’. This is done through an in-depth exploration of Western film theory’s problematic relationship to Asian cinema, along with disposition and historical contextualisation relevant to Imamura’s films and the Japanese New Wave movement of the 1960s. This is then followed by an analysis on Imamura’s sixth film, The Insect Woman, released in 1963, in which I implement post-colonial theory while also comparing it to Yasujiro Ozu’s 1951 motion picture Early Summer, a film which addresses similar themes but in widely different ways.
    [Show full text]
  • Shohei Imamura an Icarus Films Release
    A MAN VANISHES A film by Shohei Imamura An Icarus Films Release “Critic’s Pick! A mercurial mystery, a vertiginous drama and the very stuff of cinema.” -- Manohla Dargis, The New York Times Contact: (718) 488-8900 www.IcarusFilms.com Serious documentaries are good for you. LOGLINE When a seemingly contented businessman disappears without a trace, his fiancé goes to great lengths to find him in this gorgeously photographed black- and-white film from master director and two-time Palme d’Or winner Shohei Imamura. SYNOPSIS One of the most important and complex works by two-time Palme d’Or winning director Shohei Imamura, A Man Vanishes began as an investigation into one of the thousands of missing persons cases that occur in Japan each year. The film follows the case of Tadashi, a handsome businessman who has suddenly vanished. Imamura and his crew interview the man’s fiancée, Yoshie, who is desperately searching for him, and become increasingly involved in his life. But the “investigation” casts a shadow of doubt over the couple’s relationship, Tadashi’s business ventures, his relationship with Yoshie’s sister, and even the investigating film director, Imamura himself, who may not be what he seems to be. The film culminates in a stunning scene that explodes any stable sense of fiction and reality. Radical film in scope, technique, and aesthetic, A Man Vanishes is distills many of Imamura’s central themes and obsessions and make it an early example of what film historian Donald Ritchie called, “One of Imamura’s major themes: [the] confrontation of illusion with reality (and the resultant problem of telling which is which).” PRESS QUOTES A MAN VANISHES “Critic’s Pick! A mercurial mystery, a vertiginous drama and the very stuff of cinema.” –Manohla Dargis, The New York Times “The explosively provocative film progressively and aggressively blurs distinctions between documentary and fiction.
    [Show full text]
  • Cinefiles Document #27323
    Document Citation Title Pigs, pimps and pornographers: the films of Shohei Imamura Author(s) James Quandt Source Cinematheque Ontario/a division of Toronto International Film Festival Group Date Type program note Language English Pagination 34-39 No. of Pages 6 Subjects Imamura, Shohei (1926-2006), Tokyo, Japan Film Subjects Jinruigaku nyumon (The pornographers), Imamura, Shohei, 1966 Ningen johatsu (A man vanishes), Imamura, Shohei, 1967 Kamigami no fukaki yokubo (The profound desire of the gods), Imamura, Shohei, 1968 Zegen (The pimp), Imamura, Shohei, 1987 Nippon sengoshi - Madamu Onboro no seikatsu (History of postwar Japan as told by a bar hostess), Imamura, Shohei, 1970 Eijanaika (So what), Imamura, Shohei, 1981 Buta to gunkan (Pigs and battleships), Imamura, Shohei, 1961 Akai satsui (Intentions of murder), Imamura, Shohei, 1964 Kuroi ame (Black rain), Imamura, Shohei, 1989 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) Fukushu suruwa ware ni ari (Vengeance is mine), Imamura, Shohei, 1979 Nusumareta yokujo (Stolen desire), Imamura, Shohei, 1958 Nishi Ginza Ekimae (Nishi Ginza Station), Imamura, Shohei, 1958 Nianchan (My second brother), Imamura, Shohei, 1959 Karayuki-san (Karuyuki-san, the making of a prostitute), Imamura, Shohei, 1975 Narayama bushi-ko (The ballad of Narayama), Imamura, Shohei, 1982 Nippon konchuki (The insect woman), Imamura, Shohei, 1963 Hateshinaki yokubo (Endless desire), Imamura, Shohei, 1958 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S.
    [Show full text]
  • Revista Cinema Completa
    Sumário Index Edição e Propriedade ta Rua de S. Catarina, Editorial 3 Editorial 730 - 2° Tras. 4000-446 Porto Portugal Cineclubismo Film Societies Tel/Fax - (351) 22 200 02 53 E-mail: [email protected] Eleições 2007-2009 6 FPCC Elections 2007-2009 PVP € 3,50 (Cineclubes € 3,00) Registo na DGCS nº 109120 Visita “surpresa” do Presidente 7 "Surprise" Visit to Portugal from the Depósito Legal n° 88347/95 Cultural da Federação Interna- Cultural President of the Interna- Os textos assinados são da res- cional de Cineclubes a Portugal tional Federation of Film Societies ponsabilidade dos respectivos au- tores e expressam a sua opinião. Notícias do access CINEMA 8 access CINEMA News Os restantes textos são da respon- sabilidade da Direcção da Revista. CINESUD: a alternativa 12 CINESUD: an alternative à distribuição comercial to commercial distribution Revista nº 36 Janeiro • Fevereiro • Março de 2007 O primeiro Cineclube Mexicano 16 The first Mexican Film Society Órgão da Federação Portuguesa de Cineclubes Cineclubes de todo o mundo 22 Film societies from around the world Director Honorário da FPCC: homenageiam Manoel de Oliveira pay homage to Manoel de Oliveira Henrique Alves Costa Director: João Paulo Macedo Memória Memory Direcção Executiva: Paulo Martins Produção e coordenação: Juan Carlos Arch 26 Juan Carlos Arch Patrícia Gilvaia Design gráfico e paginação: Tributo a Shohei Imamura 28 Tribute to Shohei Imamura Margarida Vilar de Macedo Tradução: Branca Sampaio Revisão: Manuel Montenegro, Festival Festival Patrícia Gilvaia, Paulo Martins Secretariado: Cristina Silva 54º Festival Internacional 37 54th San Sebastian de Cinema de San Sebastián International Film Festival Textos: Carlos M.
    [Show full text]
  • AFI PREVIEW Is Published by the American Work; an Austrian Lay-About, Ducking Mount- 2006 Oscar Submission from Bulgaria for Film Institute
    CONTENTS OPENING NIGHT 2 20th Annual European Union Film HHHH Showcase Manoel de Oliveira in Person with The Best in European Cinema… CHRISTOPHER O J E without the jetlag T E D COLUMBUS, S E M L I O F J f THE ENIGMA E o T y E 7 18th Washington Jewish Film Festival s D e t S r E [Cristóvão u o M c L I The Original CHICAGO–with Live Music! F f Colombo— o Manoel de Oliveira y s e Music and Film: Terence Blanchard Live! t r u O Enigma] o c Thursday, November 1, 8:00 CHRISTOPHER COLUMBUS, THE ENIGMA 8 Rialto Redux: 10th Anniversary Portugal’s living cinematic legend Manoel de Oliveira dramatizes scholar Manuel Retrospective November 1 THROUGH 20 Luciano da Silva’s quest to prove that Christopher Columbus had a hidden identi- AFI presents the 20th annual European Union ty—the famous Italian was born in a small Portuguese town. Official Selection, 2007 10 A Man Vanishes: The Legacy of Film Showcase, a first-class selection of films Venice and Toronto Film Festivals. DIR/SCR Manoel de Oliveira, based on the book Shohei Imamura from EU member states including US pre- Christopher Columbus was Portuguese by Manuel Luciano da Silva and mieres, film festival award winners and box- Sílvia Jorge de Silva; PROD François d’Artemare. Portugal/France, 2007, color, 70 min. in English and Portugese with English subtitles. 11 Special Presentation: THE 400 office hits. BLOWS AFI thanks the cultural counselors of the EU ENCORE PRESENTATION: Sunday, November 4, 12:30 member states and the European Commission Mr.
    [Show full text]
  • Imamura Shōhei and the Ruse of Memory1
    Article The Never-Ending Pacific War: Imamura Shohei on the Ruse of Memory Mihalopoulos, Bill Available at http://clok.uclan.ac.uk/21642/ Mihalopoulos, Bill ORCID: 0000-0001-6112-6094 (2018) The Never-Ending Pacific War: Imamura Shohei on the Ruse of Memory. Japan Forum . ISSN 0955-5803 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1080/09555803.2018.1442363 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk The Never-Ending Pacific War: Imamura Shōhei and the Ruse of Memory1* Bill Mihalopoulos In my work . I want to enter a character’s heart. I want to capture the smallest action, the finest nuance, the most intimate psychological expression because filmmakers must concern themselves with much more than facades. Shōhei Imamura (Imamura 1999:126) Imamura Shōhei (1926–2006) is an acclaimed Japanese director of commercial films, and regularly associated with one of the richly creative periods of Japanese cinema – the so called ‘new wave’ (nuberu bagu) of the 1960s.
    [Show full text]
  • Japanese Cinema: Texts and Contexts
    JAPANESE CINEMA: TEXTS AND CONTEXTS Japanese Cinema: Texts and Contexts includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a com- prehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discus- sion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries. Contributors: Carole Cavanaugh, Darrell William Davis, Rayna Denison, David Desser, Linda Ehrlich, Freda Freiberg, Aaron Gerow, Alexander Jacoby, D. P. Martinez, Keiko I. McDonald, Joan Mellen, Daisuke Miyao, Mori Toshie, Abé Mark Nornes, Alastair Phillips, Michael Raine, Donald Richie, Catherine Russell, Isolde Standish, Julian Stringer, Mitsuyo Wada-Marciano, Yomota Inuhiko, Mitsuhiro Yoshimoto. Alastair Phillips is Associate Professor in Film Studies at the University of Warwick. Julian Stringer is Associate Professor in Film Studies at the University of Nottingham. JAPANESE CINEMA: TEXTS AND CONTEXTS Edited by Alastair Phillips and Julian Stringer First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016, USA Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007.
    [Show full text]
  • A Few of My Favourite Classic Films
    A Few of My Favorite Classic Films Titles listed alphabetically within each section ANTICHRIST Lars von Trier 5 5 AUS DEM LEBEN DER MARIONETTEN Ingmar Bergman 5 5 BONNES FEMMES, LES Claude Chabrol 5 5 FRANCISCA Manoel de Oliveira 5 5 HADEWIJCH Bruno Dumont 5 5 HIROSHIMA MON AMOUR Alain Resnais 5 5 HUMANITÉ Bruno Dumont 5 5 INDIA SONG Marguerite Duras 5 5 LEAVING LAS VEGAS Mike Figgis 5 5 MÉPRIS, LE (CONTEMPT) Jean-Luc Godard 5 5 MULHOLLAND DRIVE David Lynch 5 5 СОЛЯРИС (SOLARIS) Andrei Tarkovsky 5 5 THOMAS L'IMPOSTEUR Georges Franju 5 5 THREE WOMEN Robert Altman 5 5 TIERRA Julio Medem 5 5 TROIS COURONNES DU MATELOT, LES Raúl Ruiz 5 5 TYSTNADE (THE SILENCE) Ingmar Bergman 5 5 UNBEKANNTE, DIE Frank Wysbar 5 5 ABRE LOS OJOS Alejandro Amanàbar 5 4 ANNÉE DERNIÈRE À MARIENBAD, L’ Alain Resnais 5 4 BÜCHSE DER PANDORA, DIE (PANDORA’S BOX) G.W. Pabst 5 4 DOLCE VITA, LA Federico Fellini 5 4 ECLISSE, L' (ECLIPSE) Michelangelo Antonioni 5 4 EYES WIDE SHUT Stanley Kubrick 5 4 FÄHRMANN MARIA Frank Wysbar 5 4 FALLING LESSONS Amy Halpern 5 4 FLANDRES Bruno Dumont 5 4 FRESH Boaz Yakin 5 4 GATOPARDO, IL Luchino Visconti 5 4 HÉLAS POUR MOI Jean-Luc Godard 5 4 HISTOIRE(S) DU CINÉMA Jean-Luc Godard 5 4 HORS SATAN Bruno Dumont 5 4 LIT DE LA VIERGE, LE Philippe Garrel 5 4 MELANCHOLIA Lars von Trier 5 4 NATTVARDSGÄSTERNA (WINTER LIGHT) Ingmar Bergman 5 4 NOTTE, LA Michelangelo Antonioni 5 4 ORDET Carl Th.
    [Show full text]
  • Historical Dictionary of Japanese Cinema
    HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, by Brian Stableford, 2004. Hong Kong Cinema, by Lisa Odham Stokes, 2007. American Radio Soap Operas, by Jim Cox, 2005. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. Fantasy Literature, by Brian Stableford, 2005. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. African-American Television, by Kathleen Fearn-Banks, 2006. Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. German Theater, by William Grange, 2006. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. Postmodernist Literature and Theater, by Fran Mason, 2007. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. Polish Cinema, by Marek Haltof, 2007. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. Renaissance Art, by Lilian H. Zirpolo, 2008. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. Horror Cinema, by Peter Hutchings, 2008. Westerns in Cinema, by Paul Varner, 2008. Chinese Theater, by Tan Ye, 2008. Italian Cinema, by Gino Moliterno, 2008. Architecture, by Allison Lee Palmer, 2008. Russian and Soviet Cinema, by Peter Rollberg, 2008. African American Theater, by Anthony D. Hill, 2009.
    [Show full text]