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A Chronology of Works by and About Bernard Shaw
A Chronology of Works By and About Bernard Shaw CONTENTS A. Shaw’s Novels, Plays and Commentary 2 B. Shaw’s Reviews and Criticism 5 C. Shaw’s Collected Writings and Letters 5 D. Biographies and Biographical Studies 8 E. Books and Essay Collections 9 F. Reference Books 15 G. Scholarly Editions of Shaw’s Plays 15 H. Bibliographies 16 I. Miscellanea 17 2 A. Shaw’s Novels, Plays and Commentary First date: year(s) written Second date: year of first performance Third date(s): year(s) of publication [in brackets] 1878 My Dear Dorothea: A Practical System of Moral Education for Females Embodied in a Letter to a Young Person of that Sex (ed. S. Winsten) [1906; 1956] 1878 Passion Play (fragment) [1971] 1879 Immaturity (novel) [1930] 1880 The Irrational Knot (novel) [ser. 1885-7; 1905] 1881 Love Among the Artists (novel) [ser. 1887-8; 1900] 1882 Cashel Byron’s Profession (novel) [ser. 1885-6; 1886; rev 1889, 1901] 1883 An Unsocial Socialist (novel) [ser. 1884; 1887] 1884 Un Petit Drame (playlet) [1959] 1884/92 Widowers’ Houses 1893 [1893; rev. 1898] 1887-88 An Unfinished Novel (novel fragment) [1958] 1889 Fabian Essays in Socialism (ed. Shaw) [1889; rev. 1908, 1931, 1948] 1890 Ibsen Lecture before the Fabian Society [1970] 1891 The Quintessence of Ibsenism (criticism) [1891; rev. 1913] 1893 The Philanderer 1905 [1898] 1893 Mrs Warren’s Profession 1902 [1898; rev. 1930] 1893-94 Arms and The Man 1894 [1898; rev. 1930] 1894 Candida 1897 [1898; rev. 1930] 1895 The Man of Destiny 1897 [1898; rev. 1930] 1895 The Sanity of Art (art criticism) [1895; rev. -
Shaw Bernard Eng 0807.Pdf
qwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasd fghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxcBernard Shaw vbnmqwertyuiopasdfghjklzxcvbnmq(1856 – 1950) wertyuiopasdfgA hjklzxcvbnmqwertyuiBibliography opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmrtyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklz xcvbnmqwertyuiopasdfghjklzxcvbnm qwertyuiopasdfghjklzxcvbnmqwerty Bernard Shaw (1856 –1950) George Bernard Shaw (26 July 1856 Ŕ 2 November 1950) was born in Dublin, the son of a civil servant. His education was irregular, due to his dislike of any organized training. After working in an estate agent's office for a while, he moved to London as a young man (1876), where he established himself as a leading music and theatre critic in the eighties and nineties and became a prominent member of the Fabian Society, for which he composed many pamphlets. He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the English stage. His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898). Among these, Widower's Houses and Mrs. Warren's Profession savagely -
Mrs. Patrick Campbell, Caesar in Ccarsnr Or~Rlclcopatrn for Forbes Robertson, and Lady Cicely in Captain Brassbot~~Rd'j Cor~~,Crsiorlfor Ellen Terry
This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] This publication has been prepared with the generous support of the Arnold '44 and Gloria Tofias Fund and the Bernard E Burgunder Fund for George Bernard Shaw. + Issued on the Occasion of "77re Instinct of an Artist:" Straw and the Theatre. An Exhibition from the Bernard F. Hurgunder Collection of George Bernard Shaur, Division of Rare and Manuscript Collections Carl A. Kroch Library April 17-June 13,1997 Cover and lnsidc Cover Illustrations: Shown are Shaw's photographic postcards sent to actress Evlarparet Halstan, critiquin~her performance as Raina in Arnold Dnly's ign revival of Annr and the )Man. [Item iA] Title page illustration by Antnny Wysard Note: Shaw ohcn spelled words phonetically, and sometimes used archaic forms of words. In quoting Shaw, we have retained his unusual spelling throughout O 1997 Cornell University Library The Instinct of an Artist + he Bernard F. Burgunder Collection of George Bernard Shaw was established at Cornell University in 1956, the centennial of Shaw's birth. The Collection repre- T sents a lifelong enthusiasm of the donor, Bernard Rurgundcr, who began collect- ing Shaviana soon after his graduation from Cornell in 1918. -
Too True to Be Good at the 1932 Malvern Festival
CORE Metadata, citation and similar papers at core.ac.uk Provided by BCU Open Access Too True to Be Good at the 1932 Malvern Festival SOUDABEH ANANISARAB ABSTRACT: The Malvern Festival was established in 1929 by the founder and then director of the Birmingham Repertory Theatre, Sir Barry Jackson. While the Festival began as an event solely dedicated to Shaw, Jackson’s guiding philosophy of the Festival soon changed its direction in later seasons as Jackson sought to present a glorified sense of England’s past to an audience of international visitors by means of an emphasis on lesser-known classics in English theater. This article explores the reception of Shaw’s Too True to Be Good (1932) in this context to argue that Shaw’s increasingly dystopian visions of England’s future as depicted in his later plays clashed with Jackson’s organization of the Festival and that Shaw’s inclusion in the repertoire and presence in Malvern largely contributed to the Festival’s failure in reconciling its images of the past and present. KEYWORDS: Shaw, Malvern Festival, Sir Barry Jackson, Too True to Be Good George Bernard Shaw’s Too True to Be Good received its British premiere in 1932 as part of the fourth season of the Malvern Theatre Festival. The Malvern Festival was established in 1929 by the founder and then direc- tor of the Birmingham Repertory Theatre, Sir Barry Jackson. The Festival began as an event solely dedicated to Shaw as in its first season; it featured five Shavian productions including the British premiere of The Apple Cart. -
A Chronology of Works by and About Bernard Shaw
A Chronology of Works By and About Bernard Shaw CONTENTS A. Shaw’s Novels, Plays and Commentary 2 B. Shaw’s Reviews and Criticism 5 C. Shaw’s Collected Writings and Letters 5 D. Biographies and Biographical Studies 8 E. Critical Works: Monographs and Essay Collections 10 F. Online Monographs 15 G. Translated Monographs 15 H. Foreign-Language Monographs 16 I. Scholarly Editions of Shaw’s Plays 18 J. Reference Works 19 K. Bibliographies 19 L. Websites 20 M. Miscellanea 21 compiled by Michel Pharand last updated 1 January 2021 2 A. Shaw’s Novels, Plays and Commentary First date: year(s) written Second date: year of first performance Third date(s): year(s) of publication [in brackets] 1878 My Dear Dorothea: A Practical System of Moral Education for Females Embodied in a Letter to a Young Person of that Sex (ed. S. Winsten) [1906; 1956] 1878 Passion Play (fragment) [1971] 1879 Immaturity (novel) [1930] 1880 The Irrational Knot (novel) [ser. 1885-7; 1905] 1881 Love Among the Artists (novel) [ser. 1887-8; 1900] 1882 Cashel Byron’s Profession (novel) [ser. 1885-6; 1886; rev 1889, 1901] 1883 An Unsocial Socialist (novel) [ser. 1884; 1887] 1884 Un Petit Drame (playlet) [1959] 1884/92 Widowers’ Houses 1893 [1893; rev. 1898] 1887-88 An Unfinished Novel (novel fragment) [1958] 1889 Fabian Essays in Socialism (ed. Shaw) [1889; rev. 1908, 1931, 1948] 1890 Ibsen Lecture before the Fabian Society [1970] 1891 The Quintessence of Ibsenism (criticism) [1891; rev. 1913] 1893 The Philanderer 1905 [1898] 1893 Mrs Warren’s Profession 1902 [1898; rev. 1930] 1893-94 Arms and The Man 1894 [1898; rev. -
Drama Translation As Social Practice: the Case of George Bernard
Drama Translation as Social Practice: The Case of George Bernard Shaw’s Dramatic Work in Arabic Duaa Adnan Sairafi Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Arabic, Islamic and Middle Eastern Studies May 2019 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement The right of Duaa Adnan Sairafi to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. @ 2019 The University of Leeds and Duaa Adnan Sairafi. ii ACKNOWLEDGMENTS This thesis was made possible by the help and support of many people. My special thanks go to Umm Al-Qura University in Makkah that provided me with this opportunity to conduct research in UK. I have been extremely lucky and grateful to have Dr Sameh Hanna as my supervisor, who has been always supportive personally and academically. I would like to thank him for his excellent supervision and his valuable insights and patience. I am also thankful to my second supervisor Prof James Dickins for his guidance and advice. Many thanks go to my parents, brothers and sisters for their love and encouragement and to everyone who helped me throughout this journey at any stage and in any way. -
In the Plays of Bernard Shaw
International Journal of English Studies IJES UNIVERSITY OF MURCIA http://revistas.um.es/ijes Comparison and other “Modes of Order” in the plays of Bernard Shaw GUSTAVO A. RODRÍGUEZ-MARTÍN Universidad de Extremadura Received: 13 September 2011 / Accepted: 28 December 2011 ABSTRACT Bernard Shaw is widely regarded as one of the most important playwrights in the English language, ranking often second only to Shakespeare. This literary prominence, however, is not matched by a significant number of stylistic analyses, much more so in the case of linguistically-oriented ones. One of the few studies in Shaviana with a clear stylistic approach is Ohmann’s (1962) monograph. However, it focuses on Shaw’s non-dramatic writings and, due to its publication date, it does not utilize software tools for corpus stylistics. The purpose of this paper is to analyze Bernard Shaw’s use of certain comparative structures in his dramatic writings (what Ohmann calls ‘Modes of Order’ in his book) with the aid of the technical and methodological advances of computer-based stylistics, thus utilizing an innovative outlook because of the combination of stylistics and corpora research. KEYWORDS: Bernard Shaw, drama, stylistics, corpus stylistics, syntax RESUMEN Bernard Shaw está considerado uno de los dramaturgos más importantes en lengua inglesa de la historia, quizá sólo superado por Shakespeare. El escaso caudal de análisis estilísticos no se corresponde con el calibre de sus obras, en especial por la práctica inexistencia de estudios de corte lingüístico. Una de las escasas excepciones es el libro de Ohmann (1962), si bien sólo se centra en las obras no dramáticas de Shaw y, debido a su fecha de publicación, no utiliza herramientas digitales de estilística de corpus. -
George Bernard Shaw 1 George Bernard Shaw
George Bernard Shaw 1 George Bernard Shaw George Bernard Shaw Shaw in 1936 Born 26 July 1856 Dublin, Ireland Died 2 November 1950 (aged 94) Ayot St Lawrence, Hertfordshire, England Occupation Playwright, critic, political activist Nationality Irish Alma mater Wesley College, Dublin Genres Satire, black comedy Literary movement Ibsenism, naturalism Notable award(s) Nobel Prize in Literature 1925 Academy Award for Writing Adapted Screenplay 1938 Pygmalion Signature George Bernard Shaw (26 July 1856 – 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. He was also an essayist, novelist and short story writer. Nearly all his writings address prevailing social problems, but have a vein of comedy which makes their stark themes more palatable. Issues which engaged Shaw's attention included education, marriage, religion, government, health care, and class privilege. He was most angered by what he perceived as the exploitation of the working class. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its George Bernard Shaw 2 causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council. In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. -
In the Plays of Bernard Shaw
International Journal of English Studies IJES UNIVERSITY OF MURCIA http://revistas.um.es/ijes Comparison and other “Modes of Order” in the plays of Bernard Shaw GUSTAVO A. RODRÍGUEZ-MARTÍN Universidad de Extremadura Received: 13 September 2011 / Accepted: 28 December 2011 ABSTRACT Bernard Shaw is widely regarded as one of the most important playwrights in the English language, ranking often second only to Shakespeare. This literary prominence, however, is not matched by a significant number of stylistic analyses, much more so in the case of linguistically-oriented ones. One of the few studies in Shaviana with a clear stylistic approach is Ohmann’s (1962) monograph. However, it focuses on Shaw’s non-dramatic writings and, due to its publication date, it does not utilize software tools for corpus stylistics. The purpose of this paper is to analyze Bernard Shaw’s use of certain comparative structures in his dramatic writings (what Ohmann calls ‘Modes of Order’ in his book) with the aid of the technical and methodological advances of computer-based stylistics, thus utilizing an innovative outlook because of the combination of stylistics and corpora research. KEYWORDS: Bernard Shaw, drama, stylistics, corpus stylistics, syntax RESUMEN Bernard Shaw está considerado uno de los dramaturgos más importantes en lengua inglesa de la historia, quizá sólo superado por Shakespeare. El escaso caudal de análisis estilísticos no se corresponde con el calibre de sus obras, en especial por la práctica inexistencia de estudios de corte lingüístico. Una de las escasas excepciones es el libro de Ohmann (1962), si bien sólo se centra en las obras no dramáticas de Shaw y, debido a su fecha de publicación, no utiliza herramientas digitales de estilística de corpus. -
The Papers of George Bernard Shaw (1856-1950) Parts 1-3
SHAW: The Papers of George Bernard Shaw (1856-1950) Parts 1-3 SHAW: THE PAPERS OF GEORGE BERNARD SHAW (1856-1950) From the British Library, London Part 1: Plays, Poems, Novels and Short Stories Part 2: Critical Writings, Essays and Fabian Society Material Part 3: Journalism, Lectures and Autobiographical Material Contents listing EDITORIAL INTRODUCTION CONTENTS OF REELS - PART 1 CONTENTS OF REELS - PART 2 CONTENTS OF REELS - PART 3 DETAILED LISTING - PART 1 DETAILED LISTING - PART 2 DETAILED LISTING - PART 3 SHAW: The Papers of George Bernard Shaw (1856-1950) Parts 1-3 Editorial Introduction Professor L W Conolly, FRSC, Department of English, Trent University, Canada When Bernard Shaw (his full name was George Bernard Shaw, but he disliked using George) celebrated his seventieth birthday in 1926 he was one of the most famous people in the world, if not the most famous. Winner of the Nobel Prize for Literature in 1925, he was renowned for his provocative political views and for plays such as Mrs Warren’s Profession, Arms and the Man, Candida, The Devil’s Disciple, Caesar and Cleopatra, Man and Superman, Major Barbara, The Doctor’s Dilemma, Misalliance, Pygmalion, Heartbreak House, the mammoth five-part Back to Methuselah, and Saint Joan. These and other Shaw plays had been performed not just throughout the English-speaking world, but in foreign-language productions in Europe, Asia, and South America. The world première of Pygmalion was in German (in Vienna) in 1913, and the controversial Mrs Warren’s Profession (written in 1893-94) was performed in Japan and China before the censor allowed the first public production in England in 1925. -
The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman
The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman Dissertation Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew B. Yde, MA Graduate Program in the Department of Theatre The Ohio State University 2011 Dissertation Committee: Lesley Ferris, Advisor Richard Dutton Beth Kattelman Copyright by Matthew B. Yde 2011 Abstract Playwright George Bernard Shaw has a reputation as a humanitarian, an indefatigable seeker of justice and, in his own words, a ―world betterer.‖ But this reputation is difficult to reconcile with his support for the totalitarian regimes and dictators that emerged after the First World War, which is not so well known. This enthusiasm is usually dismissed as an expression of Shaw‘s well known propensity for comic exaggeration and hyperbole, his pugnacious rhetoric, his love of paradox, and especially his addiction to antagonizing the British political establishment. However, as I believe this dissertation proves, Shaw‘s support was genuine, rooted in his powerful desire for absolute control over the unruly and chaotic, in a deep psychological longing for perfection. Shaw expressed rigid control over his own bodily instincts, and looked for political rulers of strong will and utopian designs to exercise similar control over unruly social elements. It is occasionally stated that Shaw‘s support for totalitarianism grew out of his frustration with nineteenth century liberalism, which ineffectually culminated in a disastrous world war. Yet close analysis to two of Shaw‘s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. -
Brainy Quote ~ George Bernard Shaw 006
Brainy Quote ~ George Bernard Shaw 006 “Beware of false knowledge; it is more dangerous than ignorance.” ~ George Bernard Shaw 006 ~ Ok "Waspadalah terhadap pengetahuan palsu; Itu lebih berbahaya daripada ketidaktahuan." ~ George Bernard Shaw 006 ~ Ok Riset! Apakah engkau memiliki pengetahuan terhadap segala sesuatu? Mungkinkah seseorang tahu segalanya? Tentu tidak, kan?! Setiap orang memang memiliki keahlian di bidang tertentu. Namun, tak seorang pun memiliki pengetahuan terhadap segala sesuatu, baik di atas bumi maupun di bawah bumi. Hal yang berbahaya adalah ketika seseorang seolah memiliki pengetahuan, padahal pengetahuannya tidaklah benar. Hal itu sangat berbahaya! Bahkan, ia lebih berbahaya daripada ketidaktahuan itu sendiri. Seperti yang di quote George Bernard Shaw, seorang penulis dan dramawan, kelahiran Dublin – Irlandia, hidup dalam rentang tahun 1856-1950 (94 tahun), ‘Beware of false knowledge; it is more dangerous than ignorance.’ Secara bebas diterjemahkan, ‘Waspadalah terhadap pengetahuan palsu; Itu lebih berbahaya daripada ketidaktahuan.’ Berhati-hatilah terhadap pengetahuan palsu. Hal itu dapat menjadi malapetaka. Sebagai contoh, andaikan seorang dokter gadungan yang tidak pernah mengikuti pendidikan akademik yang cukup melakukan praktik medis, kemungkinan ia dapat ‘membunuh’ pasien yang diterapinya. Demikian juga, bila seseorang yang tidak memiliki cukup informasi, kemudian ia menyebarkan pengetahuan palsu. Maka, sesungguhnya ia menyebarkan berita hoaks, yang dapat memicu ‘perpecahan’ atau bahkan ‘pertikaian’. Hal itu benar-benar berbahaya bagi keharmonisan hubungan sosial antar umat manusia. Brainy Quote ~ George Bernard Shaw 006 Page 1 Milikilah pengetahuan yang benar, kemudian sebarkanlah! Hal itu akan memberi manfaat bagi banyak orang. Bila engkau menyadari pengetahuanmu masih belum cukup, belajarlah! Semoga engkau tidak menyebarkan pengetahuan palsu yang hanya menyebabkan kerugian bagi orang lain.