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Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass Key Terms: Eucharist: The true presence of Christ in the form of his Body and Blood. During Mass, bread and wine are consecrated to become the Body and Blood of Christ. Whatever remains there are of the Body of Christ may be reserved and kept. Tabernacle: The box-like container in which the Eucharistic Bread may be reserved. Sacristy: The room in the church where the priest and other ministers prepare themselves for worship. Altar: The table upon which the bread and wine are blessed and made holy to become the Eucharist. Sanctuary: Often referred to as the Altar area, the Sanctuary is the proper name of the area which includes the Altar, the Ambo (from where the Scriptures are read and the homily may be given), and the Presider’s Chair. Nave: The area of the church where the majority of worshippers are located. This is where the Pews are. Genuflection: The act of bending one knee to the ground whilst making the sign of the Cross. Soon (maybe even next weekend – August 25-26) , the tabernacle will be re-located to behind the altar. How should I respond to the presence of the reserved Eucharist when it will now be permanently kept in the church sanctuary? Whenever you are in the church, you are in a holy place, walking upon holy ground. Everyone ought to be respectful of Holy Rosary Church as a house of worship and prayer. Respect those who are in silent prayer. -
Bobby in Movieland Father Francis J
Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir ector, saying as he went, "Excuse me, sir,'' and ignoring Comp ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
First, Secure the Milk Then Quick I Must Show You My Body's Inventing Itself
First, secure the milk then quick I must show you my body’s inventing itself that my body should make herself ground for the great shock of suck that, I quaking metal in fixed ground, I site of infection, I, arrowroot cookie Taste is the true prophetic word Secure the milk and I’ll tell you grammatical properties of the pronoun motherfucker Secure the milk and we’ll talk about “Marxism Leninism Mao-Tse Tung Thought” which is milk thought which is what I believe 9 || FOR FLOSSIE You won’t remember the first time it was 1989 you were flanked by an Ankh and person I would learn to call your woman very soon and this would be things there would be a woman and I was something else other than early memory which is now perhaps memory of not having been noticed therapist would say of an invented hardship in long time of never mattering enough and seeking out long time of not mattering by finding in first moment definitive sensation of a given desire’s co-existence within erasure. Possibly of a certain age body of a nineteen year-old wincing quality of woman who will never be presence of your body exactly in cinematic “past” the body which in 1989 began to be yours and became body of your woman became also body of the changing year I remember 2:17 am. Expectation is a curious thing to develop around the problem of not having been noticed or been absent or been without yet this was your hour to begin to expect you one or two minutes prior is expectation was. -
Groove Doctors - Song List
GROOVE DOCTORS - SONG LIST VOCAL STANDARDS A KISS TO BUILD A DREAM ON ALL THE WAY AT LAST AS TIME GOES BY BEYOND THE SEA BUT NOT FOR ME CHEEK TO CHEEK COME FLY WITH ME COME RAIN AND COME SHINE DO NOTHING TILL YOU HEAR FROM ME DOWN IN BRAZIL EAST OF THE SUN EMBRACEABLE YOU FLY ME TO THE MOON GREEN DOLPIN STREET HEART ANDSOUL HERE’S THAT RAINY DAY HOW HIGH THE MOON I CONCENTRATE ON YOU I LEFT MY HEART IN SAN FRANCISCO I LOVE BEIN HERE WITH YOU ISN’T IT ROMANTIC I THOUGHT ABOUT YOU IT DON’T MEAN A THING I’VE GOT THE WORLD ON A STRING I’VE GOT YOU UNDER MY SKIN I WANNA BE AROUND LET’S FALL IN LOVE LIKE A LOVER LIKE SOMEONE IN LOVE LOVE AND MARRIAGE LOVE DANCE MASQUERADE MISTY MOONDANCE MY FUNNY VALENTINE MY ONE AND ONLY LOVE MY ROMANCE NEW YORK NEW YORK NEW YORK STATE OF MIND NIGHT AND DAY VOCAL STANDARDS OLD DEVIL MOON ON THE SUNNY SIDE OF THE STREET OUR LOVE IS HERE TO STAY PIANO MAN RUBY RUBY SCOTCH AND SODA SINCE I FELL FOR YOU SOMEONE TO WATCH OVER ME SPEAK LOW STARDUST STEPPIN OUT WITH MY BABY STOMPIN AT THE SAVOY SUMMERTIME SUMMER WINDS TEACH ME TONIGHT THAT’S ALL THE BEST IS YET TO COME THE GOOD LIFE THE NEARNESS OF YOU THE SECOND TIME AROUND THE VERY THOUGHT OF YOU THE WAY YOU LOOK TONIGHT THERE WILL NEVER BE ANOTHER YOU TIME AFTER TIME UNFORGETTABLE WATCH WHAT HAPPENS WHAT A WONDERFUL WORLD WHAT ARE YOU DOIN NEW YEARS EVE WHEN I FALL IN LOVE WITCHCRAFT YOU DON’T KNOW ME YOU’D BE SO NICE TO COME HOME TO YOUR NOBODY TILL SOMEBODY LOVES YOU POP AND BALLADS ANOTHER STAR A SONG FOR YOU BACK AT ONE COPACABANA DADDY’S LITTLE GIRL FEEL LIKE -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there. -
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A -
Week 5: Genuflection and Silent Prayer When We Enter the Chapel
Week 5: Genuflection and Silent Prayer When we enter the chapel, we perform three rituals: we bless ourselves with holy water, genuflect, and say a silent prayer. When we genuflect towards the tabernacle, we acknowledge that the sacred body of Christ resides in this house. The Church teaches that we bend the right knee for this genuflection (although both knees when the Blessed Sacrament is exposed during the consecration). It’s not meant to be a cursory gesture of belonging, like a secret handshake in a club, or something Catholics just do. This is meant to represent our true attitude of reverence before God, a posture of dependence upon Him. This is an excellent time to practice being humble in the presence of our creator. In our chapel, the tabernacle exists in the Blessed Sacrament Chapel, which is the direction in which we genuflect. It’s also respectful to bow before the altar when crossing in front of it in acknowledgement of the sacrificial meal that takes place there. Our third ritual before mass is to say a silent prayer to God. Why would we say a silent prayer when we’re about to spend an hour praying to Him? This time with God can be special for each one of us – before we enter the liturgy of the mass collectively. You might choose to thank God for the incredible opportunity to be a Catholic and encounter him in this space. You might choose to ask for His help in calming your mind and spirit in preparation for this holy encounter. -
Signs of Reverence to Christ and to the Eucharist – Page 2
Connecting Catechesis and Life adoration, is on one knee” [Holy SIGNS OF REVERENCE Communion and Worship of the Eucharist outside Mass, no. 84]. TO CHRIST AND TO THE EUCHARIST 3. Each person also genuflects when passing before the Blessed Sacrament. by Eliot Kapitan The exception is when ministers are walking in procession [Ceremonial of With the gradual reception of the Bishops, no. 71] and in the midst of new Roman Missal, great attention has Liturgy. been given to posture and gesture during the Communion Rite of Mass. 4. A genuflection is made to the holy cross from the veneration during the liturgy The Bishops of the United States of Good Friday of the Lord’s Passion have determined the following norms: until the beginning of the Easter Vigil Communion is received standing; each [Ceremonial of Bishops, no. 69; Roman communicant bows his or her head to the Missal; and On Preparing and Sacrament before the ritual dialogue and Celebrating the Paschal Feasts, nos. 71 reception under both kinds, both Body and and 74]. Blood [see General Instruction of the Roman Missal, no. 160]. 5. A deep bow of the body is made to the altar. This is done by all the ministers All of this raises the questions: in procession except those carrying When do we bow? When do we genuflect? articles used in celebration [Ceremonial What do bowing and genuflecting mean? of Bishops, no. 70; General Instruction of the Roman Missal 2002, no. 122]. The HOW THE CHURCH PRAYS faithful may also do this before taking a place in the church. -
Bending the Knee - Kalamazoo 2020
H-Asia Bending the Knee - Kalamazoo 2020 Discussion published by Ali Asgar Alibhai on Tuesday, August 20, 2019 Call For Papers The 55th International Congress on Medieval Studies at Kalamazoo, May 7–10, 2020 Bending the Knee: Proskynesis, Genuflection, and Bowing Rituals in the Medieval World (Sessions I and II) Various pre-modern cultural traditions managed interactions between members of different social strata by prescribing performative displays of supplication and humility. Perceptible and formalized movements of the body, often performed publicly in courtly and religious settings, provided a symbolic visual vocabulary for interaction. They consisted of different extensions and contractions of joints and muscles, and often took the form of proskynesis, kowtow, genuflection, and bowing, as well as other gestures. These widely persistent social rituals represented the nature of the polarized relationship between master and slave, ruler and ruled, or superior and inferior in medieval cultures. They also served as forms of social currency; those acknowledging their superior’s authority and power were rewarded with social recognition. Paradoxically, bowing rituals could also result in one’s own exaltation through an elevation to a higher societal or spiritual ranking. Depictions and acts of genuflection or proskynesis were not limited to imperial contexts. Lowering the body as a means of elevating the soul was fundamental to monastic practice in Christian, Islamic, and many other cultures. These two panels call for papers that discuss, explicate, and contextualize the rituals, histories, imagery, and cultural significance associated with different forms of bowing and bending throughout the medieval world. We particularly invite comparative cross-cultural studies pertaining to rituals of supplication within medieval Islam, Christianity (Latin and Byzantine), and other faiths, cultures, and traditions. -
Oxford University Press Contents
OXFORD UNIVERSITY PRESS CONTENTS List o f Illustrations ix Introduction: The Power of Shame i History and Its Interpretation 5 Humiliation as Strategy and Stigma 7 International Relations to Semantic Distinctions 12 People, Places, Times 15 Shame, Humility, and the History o f Emotions 16 1 Pillories and Public Beatings: State Punishments under Fire 20 Public Shaming in the Early Modem Period 21 The Pillory’s Final Days 26 Human Dignity as a Legal Argument 31 Corporal Punishment: An Affront to Dignity 33 The Social Pyramid of Shame 39 Gender 42 Civic Honour 44 Forced Publicity 47 Popular Justice 51 ‘Symbolic Pillories’ during National Socialism 54 Other Countries, Same Customs 65 Post-war Shame and Shaming 68 Civility versus Barbarism 70 CONTENTS 2 Social Sites o f Public Shaming: From the Classroom to Online Bullying 76 Schools as Laboratories of Shaming 79 Do Children Have Honour? 82 Expert Advice 84 The Pedagogical Turn 88 School Discipline in Germany, East and West 92 The Power o f Peer Groups 96 Discipline and Humiliation in the Military 104 Initiation Practices: Self-effacement and Empowerment1 1 1 Women's Dignity: Rape and Sexism 117 Trial by Media and the Pillory of Public Opinion 121 The Freedom of the Press versus the Right to Personal Honour 126 Consensual Degradation on TV 134 Online Shaming 137 3 Honour and the Language of Humiliation in International Politics 140 Lord Macartney and the Emperor of China 141 Sovereign Equality and Diplomatic Ceremony 148 The Polyvalence of Ceremonial Gestures: The Kiss on the Hand 152 From -
Understanding the Parts of the Mass
Understanding the Parts of the Mass EXPLANING EACH PART OF THE MASS BY FR. FRANCIS J. HOFFMAN, JCD I know you’ll learn something new about the Mass and I hope that it helps to deepen your faith. Please feel free to share these lessons with your friends and family, and Be assured of my prayers. 1 HOLY WATER As you enter the Church, look for the Holy Water font near the entrance. It is a pious custom to dip your right hand in the font and bless yourself with the Holy Water as you quietly say, “In the Name of the Father, and of the Son, and of the Holy Spirit. Amen.” This little ritual reminds us of our baptism – that’s why the font is near the door of the Church, because we ‘entered the Church through baptism.’ At the same time, this gesture is also a sacramental and can absolve us of our venial sins. It helps remind us that we have just entered into a sacred place for a sacred time. GENUFLECTION “At the name of Jesus, every knee must bow.” That’s what St. Paul wrote years ago. And so, as the priest and ministers approach the altar they make a genuflection to honor the Real Presence of Jesus in the Eucharist in the tabernacle. If the tabernacle is not in the center of the sanctuary, then the priest bows to the altar and the crucifix as a sign of reverence. When the faithful enter the Church, and before they enter their pew, it is praiseworthy for them to make a genuflection to the tabernacle.