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Singing Sands, Musical Grains and Booming Sand Dunes AJ Patitsas
Singing sands, musical grains and booming sand dunes A. J. Patitsas, Professor Emeritus, Department of Physics and Astronomy, Laurentian University, [email protected] Abstract The origin of the acoustic emissions from a bed of musical grains, impacted by a pestle, is sought in a boundary layer at the leading front of the pestle. The frequencies of the shear modes of vibration in such a layer are compared with the observed frequencies. It is assumed that such a layer is the result of the fluidization of the grain asperities due to the high stress level at the front end. Such a boundary layer can also account for the emissions from plates of sand sliding on a dune surface and from grains shaken in a jar. Introduction Acoustic emissions occur when singing beach sands are stepped on or impacted in a dish by a pestle, with dominant frequency, fd, in the range from about 250 to 2500 Hz (Takahara, 1973; Nishiyama and Mori, 1982; Miwa et al., 1983; Haff, 1986; Qu et al., 1995; Sholtz et al., 1997; Nori et al., 1997; Brown et al., 1964). The emitted sound has musical quality, especially with f d under about 1000 Hz, hence the terms; singing, musical, and sonorous sands. When nearly spherical glass beads are placed in a dish and impacted by a pestle, they present little resistance to the motion of the pestle and there is no acoustic emission. However, when such beads, 0.18 mm in diameter, were placed in a dish, 5 cm in diameter, and impacted by a pestle, 4.3 cm in diameter, an acoustic emission described as, ”a shrill unpleasant note” was recorded having a wide frequency spectrum peaking at about 3000 Hz (Brown et al., 1964). -
Booming Sand Dunes
EA38CH11-Hunt ARI 23 March 2010 17:22 Booming Sand Dunes Melany L. Hunt and Nathalie M. Vriend Division of Engineering and Applied Science, California Institute of Technology, Pasadena, California 91125; email: [email protected]; [email protected] Annu. Rev. Earth Planet. Sci. 2010. 38:281–301 Key Words First published online as a Review in Advance on musical sands, dune structure, seismic refraction February 4, 2010 The Annual Review of Earth and Planetary Sciences is Abstract online at earth.annualreviews.org Access provided by Oregon State University on 02/24/20. For personal use only. “Booming” sand dunes have a remarkable capacity to produce sounds that This article’s doi: are comparable with those from a stringed instrument. This phenomenon, in Annu. Rev. Earth Planet. Sci. 2010.38:281-301. Downloaded from www.annualreviews.org 10.1146/annurev-earth-040809-152336 which sound is generated after an avalanching of sand along the slip face of a Copyright c 2010 by Annual Reviews. dune, has been known for centuries and occurs in at least 40 sites around the All rights reserved world. A spectral analysis of the sound shows a dominant frequency between 0084-6597/10/0530-0281$20.00 70 and 110 Hz, as well as higher harmonics. Depending on the location and time of year, the sound may continue for several minutes, even after the avalanching of sand has ceased. This review presents historical observations and explanations of the sound, many of which contain accurate and insightful descriptions of the phenomenon. In addition, the review describes recent work that provides a scientific explanation for this natural mystery, which is caused by sound resonating in a surface layer of the dune. -
Booming Sand Dunes REVIEWS Further Click Here for Quick Links to Annual Reviews Content Online, Melany L
EA38CH11-Hunt ARI 23 March 2010 17:22 ANNUAL Booming Sand Dunes REVIEWS Further Click here for quick links to Annual Reviews content online, Melany L. Hunt and Nathalie M. Vriend including: rOther articles in this volume Division of Engineering and Applied Science, California Institute of Technology, Pasadena, r Top cited articles California 91125; email: [email protected]; [email protected] r Top downloaded articles r0VSDPNQrehensive search Annu. Rev. Earth Planet. Sci. 2010. 38:281–301 Key Words First published online as a Review in Advance on musical sands, dune structure, seismic refraction February 4, 2010 by California Institute of Technology on 07/17/11. For personal use only. The Annual Review of Earth and Planetary Sciences is Abstract online at earth.annualreviews.org “Booming” sand dunes have a remarkable capacity to produce sounds that This article’s doi: are comparable with those from a stringed instrument. This phenomenon, in Annu. Rev. Earth Planet. Sci. 2010.38:281-301. Downloaded from www.annualreviews.org 10.1146/annurev-earth-040809-152336 which sound is generated after an avalanching of sand along the slip face of a Copyright c 2010 by Annual Reviews. ! dune, has been known for centuries and occurs in at least 40 sites around the All rights reserved world. A spectral analysis of the sound shows a dominant frequency between 0084-6597/10/0530-0281$20.00 70 and 110 Hz, as well as higher harmonics. Depending on the location and time of year, the sound may continue for several minutes, even after the avalanching of sand has ceased. -
Mojave National Preserveissue 19 / Spring 2011 Dick Mcpherson Driving Cattle Through Round Valley Toward Hole-In-The-Wall for the Annual Spring Roundup
National Park Service Park News & Guide U.S. Department of the Interior Mojave National PreserveIssue 19 / Spring 2011 DICK MCPHERSON Driving cattle through Round Valley toward Hole-in-the-Wall for the annual spring roundup. “The Legend” The Cowboy Legend Lives on in the Mojave He was an old cowboy IT’S SPRINGTIME IN THE MOJAVE AND THE SPRING ROUNDUP IS NEAR. for the rancher. Windmills pump water from scattered wells and and he rode this land The horses are brought in from pasture. They are grained-up and deliver it through numerous miles of pipeline to thirsty cattle. From the Clipper Mountains freshly shod for the next six weeks of work. The trucks are readied Every day the water supplies have to be checked, because a leak to the shimmering sands and greased. Each vehicle and trailer has many spare tires ready to could mean disaster if precious stored water gushes out onto On ole Biscuit go because the ranch roads are unforgiving as the stock trailers crawl the ground. Summer rains are celebrated because without them, he rode these trails along with their heavy loads. Saddles are oiled, knives sharpened, nothing grows in those hot, dry months. As temperatures cool, Where the Spanish claimed vaccines ordered, ropes stretched, and corrals repaired as the the ranch readies itself for the fall gather. In the fall, the older and the Indians dwelled. cowboys get ready for the weeks ahead. Though times have changed calves are brought in to headquarters and weaned away from their the details, the work has stayed the same. -
Full Beacher
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 35, Number 25 Thursday, June 27, 2019 The Beauty of Nature bbyy WWilliamilliam HHalliaralliar “The mission of Indiana State Parks is to conserve, manage and interpret our resources, while creating memorable experiences for everyone.” The beach at Indiana Dunes State Park. Much of the talk among visitors to our lakeshore The creation of the state park in Chesterton is a is of the new national park and all it has to offer. lesson in “balance, compromise and good working Perhaps an equally important story, one with an relationships between state and local governments, even longer history that for so many years impacted industry and private interests — an example of how life in Northwest Indiana, is Indiana Dunes State life should work,” says Serena Ard, Westchester Park. Indiana Dunes National Lakeshore became Township History Museum curator. She is recog- a reality in 1966, gaining national park status last nized as the local authority on the history of our year. Our state park has been welcoming visitors state park, and the Prairie Club of Chicago, which since it opened in 1925. Continued on Page 2 THE Page 2 June 27, 2019 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 %HDFKHU&RPSDQ\'LUHFWRU\ e-mail: News/Articles - [email protected] 'RQDQG7RP0RQWJRPHU\ 2ZQHUV email: Classifieds - [email protected] $QGUHZ7DOODFNVRQ (GLWRU http://www.thebeacher.com/ 'UHZ:KLWH 3ULQW6DOHVPDQ PRINTE ITH Published and Printed by -DQHW%DLQHV ,QVLGH6DOHV&XVWRPHU6HUYLFH T %HFN\:LUHEDXJK 7\SHVHWWHU'HVLJQHU T A S A THE BEACHER BUSINESS PRINTERS 5DQG\.D\VHU 3UHVVPDQ 'RUD.D\VHU %LQGHU\ Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. -
AL ZUBARAH FORT Cultural Attractions
Sightseeing and things to do TABLE OF CONTENTS — p. 3 CULTURAL ATTRACTIONS — p. 14 SHOPPING — p. 16 NATURAL LANDMARKS — p. 17 POINTS OF INTEREST — p. 18 DESERT TRIP — p. 19 WATER ACTIVITIES — p. 20 SAILING Cultural Attractions NATIONAL MUSEUM OF QATAR Jutting out at the start of the Corniche is Qatar’s extraordinary new national museum created by the famous architect Jean Nouvelle. It is symbolically placed at the starting point of your journey into the heart of downtown Doha. The site also hosts the previous historic home to the son of the founder of Qatar, Sheikh Abdullah bin Jassim Al Thani. The museum opened its doors to the public on March 28 of 2019. A portion of the site of the new museum is dedicated to the extensive restoration of the former palace of Jassim Al Thani, built in the early 1900s. The interior of the national museum tells the story of Qatar in three distinct chapters: Begin- nings, Life in and Building the Nation. Presented across 11 galleries, the visitor’s chronological journey, which extends on more than 1.5km, starts in the geological period, long before the peninsula was inhabited by humans, and continues to the present day. The museum also hosts a number of special programmes and events. More infos Admission QR 50 for adults (standard ticket) Free for children under 16 QR 25 for students (50% discount) Opening hours Sunday to Wednesday: 9am - 7pm Thursday and Saturday: 9am - 9pm Friday: 1:30pm - 9pm Last ticket: One hour before closing from Sunday to Wednesday. One hour and a half from Thursday to Saturday.» Address Museum Park St, Doha, Qatar The National Museum of Qatar is located on Museum Park Street across from the Corniche in Doha, Qatar. -
EXPLORE KAZAKHSTAN Land of the Great Steppe
EXPLORE KAZAKHSTAN Land of The Great Steppe 11 Days Expedition 10 DAYS to become closer to Kazakhstan During this expedition, you will meet Kazakhstan with its modern, urban capital full of skyscrapers and spherical complexes. You will have the opportunity to experience the Kazakhs’ culture, taste multiple national cuisines and be fascinated by the beautiful vast steppe out in the wilderness! Astana (Nursultan), A Dynamically-Developing Metropolis The political life of Kazakhstan is concentrated here, and many young people from all over the country go here chasing their dream. You will visit the Nur-Astana Mosque, Beit-Rakhel-Chabad, the Lubavitch Synagogue, the Pyramid of Peace and Reconciliation, the Ethnic Park, the Cultural Center, and the Astana-Baiterek monument. Visit one of the brightest heritage sites of EXPO-2017 - the future energy museum “Nur Alem”. The architectural symbol of the exhibition is the largest spherical building in the world with a diameter of 80 meters and a height of 100 meters. On the ground floor of the building there is a pavilion of Kazakhstan where visitors will get acquainted with the history, culture, traditions, sights and the latest achievements of Kazakhstan. Directly in the Sphere there is the Museum of the Future. Day 1: Welcome to Kazakhstan Flight - Air China - 09:00 HRS Singapore > Astana (Nursultan) - 2155 HRS Arrival in Astana (Nursultan) - 21:00 HRS Meeting with the guide in the arrivals hall. Transfer to the hotel : Accommodation (3 stars twin-sharing hotel) Day 2: The Rhythm of the Capital Program of the day: 08:00 Breakfast 09:00 City tour 13:00 Lunch 14:00 Continue city tour 19:00 Dinner Transfer to train station 21:10 Overnight train to Almaty Sightseeing tour of Astana (Nursultan) In 1997, the president Nursultan Nazarbayev decided to move the capital of Kazakhstan from Almaty to Astana (Nursultan). -
Sound-Producing Sand Avalanches
ContemporaryPhysics, 1997,volume 38, number 5, pages 329 ± 342 Sound-producingsand avalanch es PAUL SHOLTZ, MICHAEL BRETZ and FRANCO NORI* Sound-producingsand grains constitute one of nature’ smore puzzlingand least understood physicalphenomena. They occur naturally in two distinct types: booming and squeaking sands.Although both varieties ofsand produce unexpectedly pure acoustic emissions when sheared,they diŒ er intheir frequencyrange and duration of emission, as well as the environmentin which they tend to be found. Large-scale slumping events ondry booming dunescan produce acoustic emissions that can be heard up to 10 km awayand which resemble hums,moans, drums, thunder, foghorns or the drone of low-¯ ying propeller aircraft.These analogies emphasize the uniqueness of the phenomenon and the clarity of the producedsound. Although reports ofthese sandshave existed inthe literature for overone thousandyears, a satisfactoryexplanation for either typeof acoustic emission is still unavailable. 1.Introduction sands haveled to aconsensus that although both types of There existtwo distinct types of sand that areknown to sand produce manifest acoustic emissions, their respective produce manifest acoustic emissions when sheared. The sounding mechanisms must be substantially diŒerent. More more common of the two, known colloquiallyas ` squeak- recent laboratory production of `squeaks’ in booming sand ing’or `whistling’sand, produces ashort ( <1/4 s), high- (HaŒ1979) has nonetheless suggested acloser connection frequency (500± 2500Hz) `squeak’ when sheared or com- between the two mechanisms. Asatisfactory explanation pressed. It is fairlycommon in occurrence, and canbe for either type of acoustic activityis still unavailable. found atnumerous beaches, lakeshores and riverbeds This brief reviewis not aclosed chapter in awell- around the world. -
Booming Sand Dunes
Booming Sand Dunes Thesis by Nathalie Vriend In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy California Institute of Technology Pasadena, California 2010 (Defended December 1st, 2009) ii °c 2010 Nathalie Vriend All Rights Reserved iii Acknowledgements First and foremost I would like to thank my thesis advisor, Dr. Melany Hunt, for giving me the opportunity to pursue research on this intriguing topic. Despite possible limitations on funding you told me: “we will make it work” and we did. I am forever grateful that you gave me this fantastic opportunity. I learned valuable and important lessons from you along the way, and my growth as an independent researcher has been largely due to your encouragement and feedback. I would also like to express my gratitude to my co-advisor, Dr. Rob Clayton. From the very first day that I set foot on the Caltech campus, you motivated me to pursue my interest in geophysics and welcomed me as an engineer in the geophysics department. You allowed me to use various pieces of geophysical equipment that brought an extra dimension to my thesis research. I embarked on several adventurous geophysical field expeditions with you and I will not likely forget the rocking motion of the Nathaniel B. Palmer, nor the wind-devastated campsite after we came back from Eureka dunes. I would like to thank Dr. Christopher Earls Brennen for your advice and encouragement on personal matters and toward career decisions. Your door was always open and no, I usually needed more than “only a minute” of your time. -
Singing Sands, Booming Dune Sands, and the Stick-Slip Effect
Singing sands, booming dune sands, and the stick-slip effect A. J. Patitsas Laurentian University, Department of Physics and Astronomy, Sudbury, ON, Canada, P3E2C6 e-mail: [email protected] or [email protected] Has been accepted for publication in the Can. J. Physics, May 5, 2012. Abstract: The origin of the acoustic and seismic emissions from impacted singing grains and from avalanching dune sand grains is sought in modes of vibration in discreet grain columns. It is postulated that when the grains in a column are pressed together and forced to slide over one another, elastic shear bands are formed at the contact areas with distinct elastic moduli. Such contact shear bands would have implications in the formulation of the Hertz-Mindlin contact theory. The assembly of all grain columns below the impacting pestle forms the slip (slide) shear band. The transfer of energy from the pestle to the modes of vibration in such columns is effected by the stick-slip effect. The intense collective vibration of all columns in the slip shear band results in the familiar musical sound. The concept of grain flowability is used to justify the disparity between the acoustic emissions from impacted singing grains and from avalanching booming dune sand grains. The concept of grain columns is assumed to apply in the freely avalanching sand band, but with longer length to justify the lower frequencies. This approach predicts frequency spectra comprising a low frequency content and a dominant frequency with its harmonics in agreement with the experimental evidence. Additionally, it can account for the low frequency vibration evoked when booming sand flows through a funnel, with implications in the understanding of grain silo vibrations. -
Courier Gazette
T he ( 'ourier-G azei te (Thf P ress is the Avehimeiiean £eber that Rlobes the Odlorlti at if too Hollars a Hear V o l . 1.— N e w S e r i e s . ROCKLAND, MAINE, TUESDAY. MARCH 10. 1885. X I M BE R S . THE COtJRIER-GAZETTE BRIC-A-BRAC. GERMAN LETTER. A N E W CO M IC O PER A. A REASSURING LICK. DICIPLINE IN A NEGRO SCHOOL K n iT rn by W . (). Kt i.i r n . Jit. Many women are becoming commer Student Life In Fader,and Pecuniarily Ilefore a small number of invited per />»(/« Si flings. A newspaper corn spomb nt writes Set Forth. cial travellers in England. son’, eliieHy friends of \Y. D. How Sam \'. Harris lives in Fort Worth. from ( liHidi steti. Sot,tli ('iiolint. as fol ells, a, Boston recently, there was an or AMERICAN HUMOR. Vassar College shelters a modest N e ith e r lie nor bis w ifi- are v», v sin art. lows : young miss who w ants,o box w ith “ some W i i i i i i 'a Foil Tui Cm in,'a-,I x/i 111 IB ebi'Stral reading of the music composed as w ill lie seen by Hie follow ing incident “ When 1 -trike this bell.' -aid Super W. I i . Cl.l.u i \ is , niee looking gentleman." by George llensebel for Mr Howells’ One n ig lit Sam heard a noi.-e under bis intendent Doty, of tl,,- Morris street The pink of propriety—a blush. -
Sound-Producing Sand Avalanches
Contemporary Physics, 1997, volume 38, number 5, pages 329 ± 342 Sound-producing sand avalanches PAUL SHOLTZ, MICHAEL BRETZ and FRANCO NORI* Sound-producing sand grains constitute one of nature’ s more puzzling and least understood physical phenomena. They occur naturally in two distinct types: booming and squeaking sands. Although both varieties of sand produce unexpectedly pure acoustic emissions when sheared, they diŒer in their frequency range and duration of emission, as well as the environment in which they tend to be found. Large-scale slumping events on dry booming dunes can produce acoustic emissions that can be heard up to 10 km away and which resemble hums, moans, drums, thunder, foghorns or the drone of low-¯ ying propeller aircraft. These analogies emphasize the uniqueness of the phenomenon and the clarity of the produced sound. Although reports of these sands have existed in the literature for over one thousand years, a satisfactory explanation for either type of acoustic emission is still unavailable. 1. Introduction sands have led to a consensus that although both types of There exist two distinct types of sand that are known to sand produce manifest acoustic emissions, their respective produce manifest acoustic emissions when sheared. The sounding mechanisms must be substantially diŒerent. More more common of the two, known colloquially as `squeak- recent laboratory production of `squeaks’ in booming sand ing’ or `whistling’ sand, produces a short ( <1/4 s), high- (HaŒ1979) has nonetheless suggested a closer connection frequency (500 ± 2500 Hz) `squeak’ when sheared or com- between the two mechanisms. A satisfactory explanation pressed. It is fairly common in occurrence, and can be for either type of acoustic activity is still unavailable.