The Parish of St Elisabeth the New-Martyr
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District November 2 - 4: Panels, Registration and Book Exhibits will take place at Hellenic College Holy Cross campus November 2 - 3: Coaches to Hellenic College Holy Cross campus depart each morning at 8:00 a.m. from the Hilton Downtown Financial District only. Coaches for the return trip to the Hilton Downtown Financial District will depart in front of the Archbishop Iakovos Library Building after the end of the receptions. On Saturday, coaches to take participants to the Cathedral Center will depart at 1:00 p.m., also from the Archbishop Iakovos Library Building. November 2 - 4: A small exhibition of Greek, Roman and Byzantine objects from the Archbishop Iakovos Collection, curated by the Very Reverend Dr. Joachim (John) Cotsonis and Dr. Maria Kouroumali, will be on display in the Archbishop Iakovos Museum, Third Floor, Archbishop Iakovos Library Building. Opening hours of exhibition: 10:00 a.m. - 6:00 p.m. (Fri - Sat.); 10:00 a.m. - 4:00 p.m. (Sun) Thursday, November 1, 2012 Hilton Hotel Boston Downtown Financial District 5:00 p.m. - 8.00 p.m. Registration Hilton Lobby 6:30 p.m. - 7:30 p.m. The Mary Jaharis Center for Byzantine Art and Culture Informal Welcome Reception Kellogg Ballroom 8:00 - 10:00 p.m. BSANA Governing Board Meeting William Fly Room Friday, November 2, 2012 Hellenic College Holy Cross campus Continental Breakfast: 8:00 a.m. - 9.00 a.m. Maliotis Cultural Center Lobby Registration and Book Exhibits (all day) Maliotis Cultural Center Upper Wing 9:00 a.m. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
TYPIKON (Arranged by Rev
TYPIKON (Arranged by Rev. Taras Chaparin) March 2016 Sunday, March 26 4th Sunday of Great Lent Commemoration of Saint John of the Ladder (Climacus). Synaxis of the Holy Archangel Gabriel. Tone 4. Matins Gospel I. Liturgy of St. Basil the Great. Bright vestments. Resurrection Tropar (Tone 4); Tropar of the Annunciation; Tropar of St. John (4th Sunday); Glory/Now: Kondak of the Annunciation; Prokimen, Alleluia Verses of Resurrection (Tone 4) and of the Annunciation. Irmos, “In You, O Full of Grace…” Communion Hymn of Resurrection and of the Annunciation. Scripture readings for the 4th Sunday of Lent: Epistle: Hebrew §314 [6:13-20]. Gospel: Mark §40 [9:17-31]. In the evening: Lenten Vespers. Monday, March 27 Our Holy Mother Matrona of Thessalonica. Tuesday, March 28 Our Venerable Father Hilarion the New; the Holy Stephen, the Wonderworker (464). Wednesday, March 29 Our Venerable Father Mark, Bishop of Arethusa; the Deacon Cyril and Others Martyred during the Reign of Julian the Apostate (360-63). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Wednesday of Lent: Genesis 17:1-9; Proverbs 15:20-16:9. Thursday, March 30 Our Venerable Father John Climacus, Author of The Ladder of Divine Ascent (c. 649). Great Canon of St. Andrew of Crete. Friday, March 31 Our Venerable Father Hypatius, Bishop of Gangra (312-37). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Friday of Lent: Genesis 22:1-18; Proverbs 17:17-18:5. April 2016 Saturday, April 1 5th Saturday of Lent – Saturday of the Akathist Hymn Our Venerable Mother Mary of Egypt (527-65). -
After.Cross. Sept.15.2019
EPISTLE: Saint George Antiochian Orthodox Christian Church O Lord, how magnificent are Your works. You have made all things in wisdom. 1250 Oakdale Avenue, West Saint Paul, Minnesota 55118 Bless the Lord, O my soul Parish Website: http://www.saintgeorge-church.org The Reading from the First Epistle of St. Paul to the Galatians. (2:16-20) Church Phone: 651-457-0854 rethren, you know that a man is not justified by works of the law but through faith in Jesus Christ. Even we have believed in Christ Jesus, in order to be justified by faith in Christ, and The Most Reverend Metropolitan JOSEPH, Archbishop of New York, B not by works of the law, because by works of the law shall no one be justified. But if, in our Metropolitan of all North America endeavor to be justified in Christ, we ourselves were found to be sinners, is Christ then an agent of Right Reverend Bishop ANTHONY, Auxiliary Bishop, sin? Certainly not! But if I build up again those things which I tore down, then I prove myself a Diocese of Toledo and the Midwest transgressor. For I through the Law died to the Law, that I might live to God. I have been crucified Right Reverend Archimandrite John Mangels, Pastor with Christ; it is no longer I who live, but Christ Who lives in me; and the life I now live in the flesh I live by faith in the Son of God, Who loved me and gave Himself for me Reverend Father John Chagnon, attached Very Reverend Archpriest Paul Hodge, attached . -
"Lord, I Have Cried ...", 6 Stichera: 3 for the Apostle, in Tone IV: Spec
THE 1st DAY OF THE MONTH OF OCTOBER COMMEMORATION OF THE HOLY APOSTLE ANANIAS OF THE SEVENTY COMMEMORATION OF OUR VENERABLE FATHER ROMANUS THE MELODIST AT VESPERS On "Lord, I have cried ...", 6 stichera: 3 for the apostle, in Tone IV: Spec. Mel.: "Called from on high ...": When, at the behest of the Most High, Saul was blinded * and held fast in darkness, * he came unto thee, * begging divine cleansing, * O thou who hadst received divine illumination; * then, as a wise hierarch, O most blessed one, * thou didst make him a son by adoption through baptism, * and he later adopted the whole world. * Wherefore, we bless thee with him * as an apostle of Christ, * O divinely wise Ananias: * Pray ye, that we be saved! Having all-gloriously learned things divine, * thundering forth, O blessed one, * thou didst rouse those sleeping in the graves of vanity, * who cast off mortality; * and thou didst sound the clarion * of the saving Word of God, * Who dwelt among mortals * and hath transformed those held fast in Hades, * whom thou hast made precious vessels * of Jesus the Master * and Savior of our souls, * Who hath slain death. As a bearer of light, * as preacher of God, * as a divinely chosen witness * to the sufferings of Christ * and a fellow heir and partaker * of the glory which is to come, * in that thou art with the Master, * ever delighting in the effulgence which floweth forth * from the never-waning Light, * O divinely eloquent Ananias, * by thy supplications deliver from dark misfortunes * those who now celebrate thy splendid feast. -
Constructing the Underground Community: the Letters of Theodore the Studite and the Letter of Emperors Michael Ii and Theophilos to Louis the Pious
Vladimir Baranov Novosibirsk, Russia [email protected] CONSTRUCTING THE UNDERGROUND COMMUNITY: THE LETTERS OF THEODORE THE STUDITE AND THE LETTER OF EMPERORS MICHAEL II AND THEOPHILOS TO LOUIS THE PIOUS The Le er of the Iconoclastic Emperors Michael II and Theophilos to Louis the Pious1 (dated to 824) contains a list of off ences that were allegedly commi ed by the Iconodules against what they considered the right practices of the Church. Their list includes the substitution of images in churches for crosses, taking images as godparents, using images to perform the cu ing of children’s hair and monastic habit, scraping paint of images to be added to the Eucharist or distributing the Eucharistic bread from the hands of images, as well as using panel images as altars for serving the Liturgy in ordinary houses and church- es.2 Of course, these might have been easily treated as fi ction and pro- (1) Emperor Theophilus (b. 812/813) was crowned co-Emperor in 821 by his Father Michael II (820–829), and this is why his name appears on the Let- ter. However, since in 824 he was only a 12-year old boy, for the Le er I will use the short title “Le er of Michael II.” (2) The Le er is preserved in the MGH, Leg. Sect. III, Concilia, tomus II, pars 2, Concilia aevi Karolini I (Hannover—Leipzig, 1908, repr. 1979) 475–480; Mansi, XIV, 417–422; the pertinent passage is translated in C. Mango, The Art of the Byzantine Empire 312–1453: Sources and Documents (Toronto: University of Toronto Press, 1986) 157–158. -
Sacred Song in the Late Antique and Byzantine East: Comparative Explorations 3-6 May, 2015 Brown University
Sacred Song in the Late Antique and Byzantine East: Comparative Explorations 3-6 May, 2015 Brown University Spyridon Antonopoulos City University, London “ 'We shall clearly hear him say 'Rejoice!' as we sing': Hearing, Intelligibility, and Performance in Byzantine Chant" The complex strophic poems known as the Kanons were first composed during a flourishing of literary creativity that took place in and around the Palestinian monastery of St Sabas in the seventh and eighth centuries. Kanons typically consisted of eight or nine textually and melodically unique heirmoi, to which multiple thematically linked troparia (contrafacta) were adapted. The heirmoi formed the basis for the notated musical collection of the Heirmologion, which can be found in its most archaic form as early as the tenth century. The heirmoi found in medieval Heirmologia were unascribed, brief, and mostly syllabic. By the fourteenth century, while traditional styles of psalmody continued to be sung and written, a new style of singing and composition – kalophonia – had begun to touch nearly every genre of liturgical poetry, including the Kanon’s heirmoi. Thus, elaborate kalophonic heirmoi, composed by named musicians, appear at least by the fourteenth century, characterized by long, melismatic phrases, text troping, insertion of non-textual elements, modal variety, and an expanded melodic range. This paper shall provide an analysis of select kalophonic heirmoi in contrast to their syllabic forebears in order to confront questions of aural reception, intelligibility, and performance. Thomas Arentzen University of Oslo “Voices Interwoven: Refrains and Vocal Participation in Late Ancient Kontakia” The refrain constitutes an indispensable element of the kontakion. It ties the stanzas together, but it also contributes to a sort of repetitive concentration in these songs; whichever spirals and ellipses the narratives move in, the refrain remains a gravity center. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Service and Akathist to Saint Elisabeth Romanov
SERVICE ТО OUR VENERABLE MOTHER, THE HOLY NEW MARTYR GRAND DUCHESS ELIZABETH Commemorated on July 5 AT LITTLE VESPERS At “Lord, I have cried..., ’’ stichera for four verses, in the Seventh Tone : ome, let us praise and hymn the nun and martyr Elizabeth, C a faithful warrior in Christ’s army, an illustrious star which super- naturally arose in the West and finished its course in the East, and which by its appearance gave light to the darkness of this godless age, only to shine even more brightly afterwards in the Kingdom of Christ our God, for He is the King of Glory, the Dayspring of all dawns. (twice) ell us, О Elizabeth, what mysteries thou dost now behold: T the things which thou didst desire to see from thy youth, and for whose sake thou didst forsake the imaginary pleasures of this passing life, and didst account as nothing the malice of thy tormentors. Thus may we also be incurably wounded by this blessed desire; and having suffered well the pain of this salutary sickness, may we ignore what is temporal in order to obtain eternal good things. 1 witnesses of the Lord, ye holy martyrs, clear mirrors of the hile resplendent in royal glory on earth, thou didst have О divine glory, if the night of godlessness had not been il- Wthe Kingdom of God within thyself, О Grand Duchess lu¬mined by the light of your struggles, how would we have seen Elizabeth; therefore, thou art rightly called a royal martyr, and thou the path to salvation? And if the Russian land had not been made hast received a most precious crown from Christ, the King of Glory, fertile by your blood, how would it have been kept from drying up with Whom thou now dost reign.