Porsche Award Hall of Fame
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
POLO+10 World 02/2020
WOR L D POLO+10 WORLD – The Polo Magazine • Est. 2004 • Published Worldwide I I/ 2020, Volume 9 • No 25 100,00 AED 1.500,00 ARS 35,00 AUD 10,00 BHD 25,00 CHF 165,00 CNY 20,00 EUR 30,00 GBP 190,00 HKD 1.700,00 INR 2.700,00 JPY 90,00 QAR 1.600,00 RUB 35,00 SGD 25,00 USD 350,00 ZAR 1972 DPV + EDITORIAL POLO 10 WORLD II / 2020 3 D . V E . U E T S D C N H A ER RB POLO VE DEAR FRIENDS OF POLO+10, DEAR POLO FRIENDS, the Covid-19 pandemic and its consequences influence our everyday life during these weeks. The first concern of course is for our families and friends. Protecting their health and limiting the spread of the virus still is our grea- test common obligation. We are all asked to adapt to the current circumstances, follow the restrictions in our sport and the advice for per- sonal distancing where necessary. And we can see that in following official advice we are successfully fighting Covid-19. As a result in more and more countries the strict measures will be eased in the upcoming weeks, a return to limited training slowly is possible. Polo clubs and stables affected from the restric- tions have mastered the special challenges very well. Des- pite the sometimes limiting possibilities, the care for the horses was and is always upheld. And fortunately the good and close cooperation with the authorities has made it possible to quickly implement individual training plans. -
HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores. -
Sixth German Film Festival
IN BETWEEN WORLDS – R12 Award at Cannes and was an international success, even spawning a Hollywood remake. SIXTH GERMAN FILM FESTIVAL (Zwischen Welten) Since the mid-1990s, Wenders has distinguished himself as a non- 19th – 23rd November 2014 Director: Feo Aladag, fiction filmmaker, directing several highly acclaimed documentaries, Organised by the 103 min., 2014 most notably Buena Vista Social Club (1999) and PINA (2011), both of German-Maltese Circle Festivals: Berlinale 2014 which brought him Oscar nomination. in collaboration with the Goethe Institute GOETHE-INSTITUT GOETHE-INSTITUT (in competition) Jesper, a German Armed Forces soldier THE AMERICAN FRIEND Wednesday, 19th November Venue: St James Cavalier, Valletta signs up for another mission in the (Der amerikanische Freund) “Age of Cannibals” 19.00 hrs war-torn country of Afghanistan. He 1977, 123 min. - at 17.00 hrs (“Zeit der Kannibalen”) and his squad are assigned the task (based in the novel “Ripley’s game” by of guarding a small village outpost Patricia Highsmith) Thursday, 20th November Venue: St James Cavalier, Valletta from increasing Taliban influence. Together with Tarik, their young “Finsterworld” 19.00 hrs and inexperienced interpreter, they try to win the trust of the village Jonathan, formerly a restorer, now making picture frames, lives in Hamburg. He suffers “Stations of the Cross” 21.00 hrs community and the allied Afghani militia. The difference between the (“Kreuzweg”) two worlds, however, is immense. When Tarik and his sister, Nala, from leukaemia and knows that there is no escape for him. Tom Ripley, an American are being menaced by the Taliban, Jesper comes into conflict with Friday, 21st November Venue: St James Cavalier, Valletta both his conscience and the orders he receives: should he help his art dealer, makes him a very doubtful offer: “Westen” 19.00 hrs interpreter, Tarik, in a life-threatening situation or should he follow he is to commit a murder in Paris. -
Nobuyoshi ARAKI
Nobuyoshi ARAKI 1940 Born in Tokyo 1963 Graduated from the Engineering Department of Chiba University, majoring photography and film-making Lives and works in Tokyo SOLO EXHIBITIONS 2019 “Gekko Shashin”, art space AM, Tokyo, Japan “Flower Rondeau”, SHOP Taka Ishii Gallery, Hong Kong “ARAKI TELLER SHISEI”, art space AM, Tokyo, Japan “LIFE BY FILM by Nobuyoshi ARAKI”, Leica Gallery Bangkok, Bangkok, Thailand “SHIMEN AIKA”, art space AM, Tokyo, Japan “Effetto Araki”, Santa Maria Della Scala, Siena, Italy “SUMMER HAPPINESS”, art space AM, Tokyo, Japan Art Bridge 798 Art District, Beijing, China “Umegaoka Elegy”, Taka Ishii Gallery, Tokyo, Japan [Cat.] “Reian Toushun”, art space AM, Tokyo, Japan “Summer Xu”, art space AM, Tokyo, Japan 2018 “nehan shoujo”, art space AM, Tokyo, Japan “Impossible Love – Vintage Phoroagphs”, C/O Berlin, Berlin, Germany [Cat.] “AI ELEGY, art space AM, Tokyo, Japan “KATA-ME”, Rat Hole Gallery, Tokyo, Japan [Cat.] “78 sai no shamanatsu”, art space AM, Tokyo, Japan “Shikimou Rojin P”, art space AM, Tokyo, Japan “Love-Dream, Love-Nothing”, Taka Ishii Gallery, Tokyo [Cat.] “Qing Se Hua Fu”, Light Society, Beijing "HANA JINSEI (FLOWER - LIFE)", Over The Influence, Los Angeles, CA, USA “VINTAGE PRINTS”, Taka Ishii Gallery New York, NY, USA [Cat.] “The Passport to the Paraside”, art space AM, Tokyo, Japan “The Incomplete Araki: Sex, Life, and Death”, Museum of Sex, New York, NY, USA “ASHARA”, art space AM, Tokyo, Japan 2017 “Nobuyoshi Araki-I, Photography”, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan [Cat.] “IMPOSSIBLE LOVE”, C/O Berlin, Berlin, Germany “Clouds, Flowers & Nudes Photographs 1975-2005”, GALERIE JOHANNES FABER, Vienna, Austria “27th Month of Photography November 2017 Bratislava”, Bratislava, Slovakia “Bunka Shashin”, art space AM, Tokyo, Japan “ARAKI. -
Press Kit the CAPTAIN Film by Robert
Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform. -
Porsche Award Hall of Fame
PORSCHE AWARD HALL OF FAME Please consult the following list to see the vitas of all former jury members until 2009 - if you wish to select a specific year, simply click on it. 1. Jury 2015 2. Jury 2014 3. Jury 2013 4. Jury 2012 5. Jury 2011 6. Jury 2010 7. Jury 2009 See below for a list of our jurors until 2004: 8. Jury 2008 9. Jury 2007 10. Jury 2006 11. Jury 2005 1 BIOGRAPHIES JURY Jury 2015 Michael M. Maschke, Saatchi & Saatchi, Frankfurt a. Main, Germany Michael M. Maschke has 20 years of advertising experience in production companies (director, as- sociate producer) as well as in agencies (producer, Head of TV). He has been awarded with national and international prizes. Since 2004 Michael M. Maschke has been working at Saatchi & Saatchi. As Head of Creative Services Germany and Swit- zerland, he is responsible for the divisions TV, Art-Buying & X-Media (short: sisomoProductions). Furthermore he is in charge of the Saatchi & Saatchi New German Directors‘ Showcase, which is annually presented in Cannes and since 2009 also during the ADC Festival. Additionally he is in the Managing Board of the Association of Commu- nication Agencies GWA. saatchi.com/en-us/ ww5.ngdsc.de Patrick Cahill, adam&eveDDB, London, United Kingdom Patrick, who has a background in production, a&r and artist management, started his ad agen- cy career in 2005 with Hamburg-based indepen- dent Grabarz & Partner, where he was promoted to Head Of Moving Images in 2011. During his time at Grabarz & Partner he produced work for, amongst others, Volkswagen, Vodafone, Ikea and Müller. -
Stefan Zweig Farewell to Europe
Austria’s Official Entry for the Best Foreign Language Film - 89th Academy Awards® A DOR FILM, X FILME CREATIVE POOL, IDÉALE AUDIENCE, MAHA PRODUCTION STEFAN ZWEIG FAREWELL TO EUROPE A film by: Maria Schrader Starring: Josef Hader, Barbara Sukowa, Aenne Schwarz, Matthias Brandt, Charly Huebner, Stephen SInger Screenplay: Maria Schrader and Jan Schomburg press contact in US: SashaBerman at Shotwell Media 310-450-5571 [email protected] Table of Contents Short synopsis & press note …………………………………………………………………… 3 Cast ……............................................................................................................................ 4 Crew ……………………………………………………………………………………………… 6 Long Synopsis …………………………………………………………………………………… 7 Persons Index…………………………………………………………………………………….. 14 Interview with Maria Schrader ……………………………………………………………….... 17 Backround ………………………………………………………………………………………. 19 In front of the camera Josef Hader (Stefan Zweig)……………………………………...……………………………… 21 Barbara Sukowa (Friderike Zweig) ……………………………………………………………. 22 Aenne Schwarz (Lotte Zweig) …………………………….…………………………………… 23 Behind the camera Maria Schrader………………………………………….…………………………………………… 24 Jan Schomburg…………………………….………...……………………………………………….. 25 Danny Krausz ……………………………………………………………………………………… 26 Stefan Arndt …………..…………………………………………………………………….……… 27 Contacts……………..……………………………..………………………………………………… 28 ! ! ! ! ! ! ! Technical details Austria/Germany/France, 2016 Running time 106 Minutes Aspect ratio 2,39:1 Audio format 5.1 ! 2! “Each one of us, even the smallest and the most insignificant, -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
30. World Film Festival Montréal Winner Bavarian Film Award
WINNER BAVARIAN FILM AWARD SPECIAL JURY PRIZE 2006 SÉLECTION OFFICIELLE 30. WORLD FILM FESTIVAL MONTRÉAL IN COMPETITION WORLD PREMIÉRE MONTREAL WORLD FILMFESTIVAL 2006 . FESTIVAL DES FILMS DU MONDE 2006 Screenings August 31, 2006 11:30 L’écran VISA au CINÉMA IMPÉRIAL August 31, 2006 19:00 THÉATRE MAISONNEUVE September 01, 2006 16:30 L’écran VISA au CINÉMA IMPÉRIAL PRESS Ana Radica Presse Organisation Herzog-Wilhelmstr. 27 80331 München Germany TEL. 0049.89.2366120 EMAIL [email protected] 02 TABLE OF CONTENTS PAGE 01 Short comment on „WARCHILD“ 04 02 Synopsis 05 03 Reviews 05 04 Main roles 06 05 Minor roles 07 06 Teamlist 08 07 Short summary 09 08 Directors comments 10 - 11 09 Characterization of the main fi gures 12 10 Biography Cast 13 - 16 11 Biography Crew 16 - 21 12 Shooting time, locations, technical dates 22 03 1 SHORT COMMENTS ON „WARCHILD“ Balkan Blues Trilogy II Warchild featuring Labina Mitevska and Katrin Sass (GOOD BYE, LENIN) and directed by acclaimed fi lmmaker Christian Wagner (WALLERS LAST TRIP/TRANSATLANTIS/GHETTO KIDS), presented by the prestigious 30. WORLD FILM FESTIVAL MONTRÉAL in competition. Christian Wagner‘s second part of the BALKAN BLUES TRILOGY stars Labina Mitevska and Katrin Sass. Mitevska (EUROPEAN SHOOTINGSTAR 1998) made her debut in BEFORE THE RAIN, a fi lm that won the Golden Lion at the Venice Film Festival, and has appeared in several Michael Winterbottom fi lms (WELCOME TO SARAJEVO and I WANT YOU). Katrin Sass, too, has a remarkable career to look back on. At the Berlin International Film Festival in 1982, she received the Silver Bear for her performance in ON PROBATION and she also was awarded the German Film Award for her part in HEIDE M. -
Variety International Film Guide 1999
Variety International Film Guide 1999 By Peter Cowie (ed.) London: Faber and Faber, 1998, ISBN 0-571-19411-7. 416 pp + illustration. £14.99 A review by Robert McMinn, University of Nottingham, UK This is Variety's annual snapshot of the state of the world-wide film industry, coupled with lists of useful addresses and references for national film archives, festivals, and the like. Its survey does its best to be as international as possible, with sections dedicated to 71 national industries, from Algeria to Zimbabwe. Each section is written by someone with local knowledge and local concerns, though inevitably a recurring theme is how the national industry suffers in comparison to the runaway success of the multiplex American film. So, in the United Kingdom the complaint (by Philip Kemp) is that successful films like The Full Monty and Bean are made with American money, while in Australia, we learn, local product doesn't get distribution outside large urban centres. One only needs to turn to the "World Box-Office Survey" section to see the evidence. If you could go back a couple of years and grab a small percentage point of just one film, it would be Men in Black, which features in the top ten films of almost every country listed, a phenomenal international success. The most successful British product, on this evidence, is not The Full Monty but Bean, showing that the almost-silent slapstick face-pulling comedy of Rowan Atkinson goes down well in Finland, Croatia, and Serbia alike. It's astonishing to see that, with over 1 million admissions, Bean was by far the most popular film in the Netherlands in 1997, with the all-conquering Men in Black beaten into fourth place. -
Nobuyoshi Araki B
nobuyoshi araki B. 1940, Tokyo, Japan Lives and Works in Tokyo, Japan. SOLO EXHIBITIONS 2018 Hana-Jinsei, Over the Influence, Los Angeles, CA, USA Love-Dream, Love-Nothing, Taka Ishii Gallery, Tokyo, Japan Qing Se Hua Fu, Light Society, Beijing, China VINTAGE PRINTS, Taka Ishii Gallery New York, NY, USA The Incomplete Araki: Sex, Life, and Death, Museum of Sex, New York, NY, USA 2017 IMPOSSIBLE LOVE, C/O Berlin, Berlin, Germany Clouds, Flowers & Nudes Photographs 1975-2005, GALERIE JOHANNES FABER, Vienna, Austria Sen\mental Journey 1971-2017, Tokyo Photographic Art Museum, Tokyo, Japan Tokyo, in Autumn, Gallery Art Graph, Tokyo, Japan Kayuen, Rat Hole Gallery, Tokyo, Japan Photo-Crazy A, Tokyo Opera City Art Gallery, Tokyo, Japan Tombeau Tokyo Nobuyoshi Araki × Guimet Museum, CHANEL NEXUS HALL, Tokyo, Japan Kayuen, Rat Hole Gallery, Tokyo, Japan Kayuen, Epson Imaging Gallery epSITE, Tokyo, Japan Photographoary: Photo-Mad Old Man A Turning 77 on 5.25.17, Taka Ishii Gallery Photography / Film, Tokyo, Japan THE SOLO EXHIBITION OF NOBUYOSHI ARAKI, Over The Infulence Gallery, Hong Kong KYOTOGRAPHIE; A Desktop Love, Ryosokuin, Kenninji Temple, Kyoto, Japan Photo-Mad Old Man A Araki @ISETAN―Koki Korei Sho―, Isetan Shinjuku Art Gallery, Tokyo, Japan, Japan Tokyo Life, KIDO Press, Tokyo, Japan IMSHUN, art space AM, Tokyo, Japan Last by Leica, art space AM, Tokyo, Japan www.overtheinfluence.com HONG KONG | LOS ANGELES 2016 ARAKI AMORE, Galleria Carla Sozzani, Milan, Italy A Desktop Paradise, Taka Ishii Gallery Photography Paris, Paris, France Photo-Mad -
Gender Equal Cities
EUROPEAN UNION European Regional Development Fund EUROPEAN UNION European Regional Development Fund URBACT KNOWLEDGE HUB PRESENTS GENDER EQUAL CITIES in partnership with CONTACT US URBACT Secretariat: [email protected] Contact one of the team members: http://urbact.eu/secretariat Contact your National URBACT Point at: www.urbact.eu/urbact-nameofyourcountry URBACT @URBACT URBACT And much more: WWW.URBACT.EU URBACT enables cities to work together to develop sustainable solutions to major urban challenges, through networking, sharing knowledge and building capacities of urban practitioners. It is funded by the European Regional Development Fund and EU Partner and Member States since 2002. Published by URBACT 20 avenue Ségur, 75007, Paris, France Contributors Nuala Morgan Simina Lazar Stefanie Weber Graphic design and layout Printing bialec, Nancy (France) ©2019 URBACT III programme URBACT Knowledge Hub presents: GENDER EQUAL CITIES URBACT III, March 2019 Authors SALLY KNEESHAW, JENNA NORMAN, is an URBACT Programme Expert is a researcher and campaigner. and leads the #GenderEqualCities initiative. Acknowledgments This report was only possible thanks to the professional and personal engagement of many women and men, coming from different countries, backgrounds and generations, who share a common dream of gender equal cities. Thanks to the Gender Equal Cities Core Team: Sally Kneeshaw, Nuala Morgan, Ania Rok of URBACT, Linda Gustafsson of Umeå, and Jaimie Just and Bela Tskhelishvili of CEMR. Also to gender experts sharing their knowledge: Ursula Bauer, Vienna; Chris Blache, Genre et Ville; Léa Delmas, Villiers-le-Bel; Eva Kail, Vienna; Marta Mazurek, Poznan; Siobhán McKenna, Greater London Authority; Mihaela Onofraş, European Association for Local Democracy, Segolene Pruvot, European Alternatives; Maria Sangiuliano, Smart Venice; Maria Stratigaki, Athens.