DOCSLIB.ORG

Market Leader in the Premium Facade Construction Segment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Market Leader in the Premium Facade Construction Segment Market Leader in the Premium Facade Construction Segment Page 1 There‘s nothing we like more than… …exploring new waters! Page 2 Facade Company Apple - Steve Jobs Theater, Cupertino, CA, USA FRENER & REIFER stands for innovative and customized facade design and engineering Page 3 Key Competence FRENER & REIFER develops solutions with visionary architects to engineer, fabricate and install challenging projects in glass, metal, wood and other materials for outstanding clients. Page 4 Company Roots Page 5 Business Development 2021 Herzog & de Meuron Norman Foster Richard Meier Kenzo Tange New York London Paris München Roger Diener Zürich HQ Brixen SANAA Renzo Piano Zaha Hadid Tadao Ando → Gerhard Ploner (CEO) → Michael J. Purzer Page 6 Company Services → 50 years of experience + fund of solutions + an ongoing commitment to innovation → Management of highly complex tasks and situations – opportunities and risks ☺ Page 7 Contens of following presentation Construction techniques in glass - Exceptional references / worldwide applications Swiss Re Next - Extraordinary design requirements (Opportunity management) - Extraordinary innovation (Risk management) Page 8 Developments in glass and facade industry Applications for glass in buildings → Windows and doors in insulating glass → Vertical glass facade constructions → Horizontal glass roof constructions → Exterior glass façade (second / third skin) → Glass canopies → Glass balustrades The current trend is characterized by amazing improvements and investments in the feasibility of even the most unusual glass formats and glass shapes. The following are current examples from our reference portfolio with different glass applications: Page 9 FRENER & REIFER – Construction Techniques in Glass → glass as iconic architecture → glass as structural / self-supporting element (roof) → glass as thermal protection → glass as physical protection → glass used externally and internally → glass as a dynamic element.. → glass in combination with….. - artificial light - energy production - green environment - pleasure, fun and communication Page 10 Apple Store. Kunming, China → glass as a dynamic element.. Page 11 Apple Store. Kunming, China → glass as a dynamic element.. Page 12 Movable Roof. Hotel Lamm, Kastelruth. → glass as a dynamic element.. Page 13 Durst HQ Brixen. Brixen, Italy| monovolume. → glass in combination with….. - artificial lighting scenario Page 14 Maison des Fondateurs Audemars Piguet. Le Brassus, Switzerland | BIG Bjarke Ingels Group. → glass as structural element / self-supporting element (roof) Page 15 Maison des Fondateurs Audemars Piguet. Le Brassus, Switzerland | BIG Bjarke Ingels Group. → glass as curved laminated element Page 16 Parish Church "Dives in Misericordia". Rome, Italy | Richard Meier & Partners. → glass as iconic architecture .. under extreme potential earthquake conditions Page 17 La Samaritaine. Paris, France | SANAA Architects → glass as 1st / 2nd / 3rd outer skin respecting fire protection requirements Page 18 Coal Drops Yards. Kings Cross London, UK | Heatherwick Studio. → glass as zigzag facade Page 19 IOC HEADQUARTERS, Olympic House. Lausanne, Switzerland | 3XN Architects → glass as curtain wall Page 20 Spa Roof Construction. Gstaad, Switzerland | Chaletbau Matti Architektur AG. → glass for pleasure and fun Page 21 IONA Skydome. Papenburg, Germany | Meyer Werft. → glass as physical protection Page 22 IONA Skydome. Papenburg, Germany | Meyer Werft. → glass as physical protection Page 23 ESO Supernova. Garching, Germany | Bernhardt & Partner. → glass structure as communication medium Page 24 The Star Pattern Dome Page 25 KÖ II. Düsseldorf, Germany | ingenhoven architects. → glass structure and green innovation Page 26 Parkhotel Vitznau. Switzerland | Christian Eck architects. → all glass construction as canopy Page 27 Apple Stores. worldwide → curved glass balustrades Page 28 CONTENTS Construction techniques in glass - Exceptional references / worldwide applications Swiss Re Next - Extraordinary design requirements (Opportunity management) - Extraordinary innovation (Risk management) Page 29 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Page 30 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten FRENER & REIFER scope of work ― 5,100 m² steel stick system facade ― 6,475 m² undulating glass facade ― 580 m² atrium roofs ― 600 m² natural stone facade ― 360 ton steel construction ― 2230 linear metres horizontal transom cladding ― 2600 linear metres vertical mullion cladding Page 31 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Vertical section: Horizontal section: Page 32 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Page 33 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Horizontal Section: Undulating glass facade with steel construction Horizontal Section: Undulating glass facade with goosenecks and steel construction Page 34 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Page 35 Context management – from global to project - opportunities and risks Context individuality Context Building Performance Context Green Building System Components, Energy Flow,Cradle 2 Cradle Logistics, Life Cycle Parametrics Geometric Parametrics, BIG DATA Mathematical Detailing Material Flow Information Flow Process Parametrics Context Urban Integration Cooperative problem solving Part Logistic Digitalisation & Facility Business digital Knowledge Modelling Page 36 People – the greatest opportunity – and the greatest risk Page 37 Project Relevant Opportunities and Risks – Technology → Levels of project complexity: – Design – facade architecture and geometry – Fabrication – quality and structural engineering, product execution quality – Installation – low component tolerances and precise installation → Levels of technical complexity: – Undulating geometry as the most important design element of the facade – High aesthetic demands on the optical quality of the glazing – Global pane geometry influences optical effect – Reflection behaviour outside / distortion-free view from inside – Glass support / bonding (test with Innsbruck University - IBK) – Load-bearing behaviour / residual load-bearing capacity pendulum impact test FH Munich) Page 38 Mock-Up Undulating Glass Facade Page 39 Sample Acceptance - June / July 2015 @ F&R Brixen Page 40 Glass Sample Inspection and Aproval for production @ F&R Brixen Page 41 Samples: Gooseneck Stainless Steel Bracket and Glass Support in Stainless Steel Page 42 Pendulum Impact Test (Fall-proof + residual load-bearing capacity verification) Page 43 Thermal Facade Installation with glass robot from inside to outside Page 44 Thermal Facade fully installed + protected. Facade protection panels inside and out. Page 45 Start of installation of the steel beams on X1 Page 46 Quality controll process@ F&R_glass industry supplier Assessing the optical/visual quality of the curved and laminated wave glass units: Inspection of approved benchmark to identify critical aspects of the chosen glass typology (solar control and reflective properties of the pyrolytic coating) and its specific shape (double curvature) and therefore possible defect sources during manufacturing. Inspection of the first 20 units (15 wide and 5 narrow) produced to (i)assess optical/visual quality, (ii) define a control procedure to be carried out at the production site and (iii) specify the requirements for the visual/optical quality. Random sampling inspection of units produced. 90 wave glass units (10% of the units produced) were evaluated: 55 narrow, 32 wide and 3 intermediate. 33 units were audited to check the validity of the information reported on the specially created form A total amount of 110 units were therefore assessing for their optical/visual quality. Just 2 were rejected for not fulfilling the specified requirements or matching the approved benchmark component. A total of 924 units fulfilling the specified optical/visual quality requirements were produced for installation in the Swiss Re Next building. Page 47 Quality controll process@ F&R_glass industry supplier Page 48 Installation - Top down Page 49 Swiss Re Next. ZurichMontage, Switzerland | Diener xxx& Diener Architekten Page 50 Swiss Re Next. Zurich, Switzerland | Diener & Diener Architekten Page 51 Many thanks for your attention! → Many thanks for the enjoyable and constructive project partnership Andreas Klenner @ Swiss Re Corporate Real Estate Michael Roth and Fabian Kiepenheuer @ Diener & Diener Architects FRENER & REIFER Srl Customized client solutions, even when we need to „learn-by-doing“ And of course, many thanks to the event organization team! Come and see: www.frener-reifer.com Page 52 Legal notice ©2021 Swiss Re. All rights reserved. You may use this presentation for private or internal purposes but note that any copyright or other proprietary notices must not be removed. You are not permitted to create any modifications or derivative works of this presentation, or to use it for commercial or other public purposes, without the prior written permission of Swiss Re. The information and opinions contained in the presentation are provided as at the date of the presentation and may change. Although the information used was taken from reliable sources, Swiss Re does not accept any responsibility for its accuracy or comprehensiveness or its updating. All liability for the accuracy and completeness of the information or for any damage or loss resulting from its use is expressly excluded. .
Load more

Recommended publications
  • SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier
    SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier Location Darien, Connecticut Date 1965 to 1967 timeline Building Type house Construction System vertical wood siding Climate temperate Context suburban Style Modern Notes Simple forms and materials for a reserved modern sculptural expression. http://www.greatbuildings.com/buildings/Smith_House.html Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. http://richardmeirer.com Martin’s press 1990. P23 Jodidio, Philip. An Richard Meier . Printed in Germany: Jodidio, Philip. An Richard Meier . Printed in Prestel, 1995. P54 Germany: Prestel, 1995. P55 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in http://richardmeirer.com Germany: Prestel, 1995. P53 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P51 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P50 SMITH HOUSE Sean Corriveau ARCH 211 Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. Martin’s press 1990. P23 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P53 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966-1976 . New York: Prestel,Oxford Universtiy press 1978. P26 SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966- 1976 . New York: Prestel,Oxford Universtiy press 1978. P25 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com Hejduk, John.
    [Show full text]
  • High Museum of Art
    About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections.
    [Show full text]
  • Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
    03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up.
    [Show full text]
  • New York — 24 September 2019
    ÁLVARO SIZA Curated by Guta Moura Guedes New York — 24 September 2019 PRESS KIT A Bench For a Tower The First Stone programme is offering a bench made of Portuguese Estremoz marble, designed by Álvaro Siza, for his Tower in New York. The presentation of the bench is on the 24th of September at the sales gallery of the building in Manhattan and includes a presentation by the architect. After several projects developed and presented in Venice, Milan, Weil am Rhein, São Paulo, London, Lisbon and New York, the First Stone programme returns to this iconic North-American city - this time to present Hell’s Kitchen Bench, designed by the Pritzker Prize winning architect Álvaro Siza, specifically for the lobby of his new tower on the island of Manhattan. Hell’s Kitchen Bench is a large-scale streamlined bench, created for one of the most striking new residential projects in New York city: 611 West 56th Street, the first building by Álavro Siza, one of the greatest architects of our time, on American soil. This bench, also designed by the Architect, was commissioned within the scope of the First Stone programme, which has become a cornerstone for the promotion of Portuguese stone and its industry throughout the world. The bench is a gift from the First Stone programme and will be permanently installed within the lobby of this skyscraper. Its presentation to the press and a select group of guests will occur in New York on Tuesday the 24th of September around 4:30 pm, and will include the participation of Álvaro Siza.
    [Show full text]
  • Lecture Handouts, 2013
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.
    [Show full text]
  • The Architecture of Curved Shapes Kazimierz Butelski
    Nexus00/01_017-102 31-05-2001 17:27 Pagina 19 Kazimierz Butelski The Architecture of Curved Shapes In the 20th century, architecture remains the part of art where formal principles are very important for creators and spectators. Because form in architecture is so important, two questions arise: How can architects nowadays create forms? How can forms be described and classified? When we work only with formal analysis, we can point to an important criterion of innovation, that is, that certain forms have never before been seen in the history of architecture. In the present day, CAD/CAM technology permits us to realize any form our imaginations can create. Introduction We can analyse the architecture of a building in many different ways. Let us name three main categories: • formal analysis • functional analysis • structural analysis. In my opinion, formal analysis is the most important because it can show us a thin line that divides architecture from construction (or, the construction industry), and it can also show us architecture as an art. In the 20th century, architecture remains the part of art where formal principles are very important for creators and spectators. Architectural critics are still around and have something to say because formal aspects of architecture can be criticised. Because form in architecture is so important, two questions arise. How can architects nowadays create forms? How can forms be described and classified? When we work only with formal analysis, we can point to an important criterion of innovation, that is, certain forms have never before been seen in the history of architecture.
    [Show full text]
  • Proposed Evacuation Links at Height in the World Trade Center Design Entries
    ctbuh.org/papers Title: Bridging the Gap: Proposed Evacuation Links at Height in the World Trade Center Design Entries Authors: Philip Oldfield, University of Nottingham Antony Wood, University of Nottingham Subjects: Architectural/Design Fire & Safety Keyword: Urban Design Publication Date: 2005 Original Publication: CTBUH 2005 7th World Congress, New York Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Philip Oldfield; Antony Wood Philip F. Oldfield School of the Built Environment, University of Nottingham Philip Oldfield is a postgraduate student of architecture at the University of Nottingham in the United Kingdom. He has particular interest in the design of high-rise buildings, having previously participated in two tall building design research projects at Nottingham — the first on the Heron Tower project in London, the second on the concept of skybridges, entitled Pavements in the Sky. He has recently returned from a tall building study in Shanghai and is investigating the World Trade Center site and brief as a suitable vehicle for his final postgraduate design thesis. Mr. Oldfield has also been instrumental in the construction of the Web site for the Tall Buildings Teaching and Research Group, www.tallbuildingstarg.com. He currently works at the University of Nottingham as a research assistant. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Bridging the Gap: Proposed Evacuation Links at Height in the World Trade Center Design Entries This presentation is based on a paper by the presenter and Antony Wood of the University of Nottingham. The World Trade Center towers’ collapse has created the largest single retrospective analysis of tall building design in the past 40 years.
    [Show full text]
  • A.Joe 1 the Weinstein House Long Island, NY Richard Meier & Partners Architects, LLP 2 Douglas House Harbor Springs, Minneso
    A.Joe No. Project's Name Project's Location Architect Student's name 1 The Weinstein House Long Island, NY Richard Meier & Partners Architects, LLP 2 Douglas House Harbor Springs, Minnesota, USA Richard Meier & Partners Architects, LLP 3 Villa Shodhan Ahmedabad, India Le Coubusier 4 House VI Cornwall, Connecticut Peter Eisenman 5 House in Las Arenas Lima, Peru Javier Artadi 6 Lotus House Eastern Japan Kengo Kuma and Associates 7 Mobius House Amsterdam Ben van Berkel 8 Stretto House Texas, USA Steven Holl 9 Lawson-WESTERN house Brentwood, Los Angeles, CA, USA Eric Owen Moss Architects 10 Maison à Bordeaux France Rem Koolhaas 11 Bunker House Bangkok Vaslab Architecture A.Pup No. Project's Name Project's Location Architect Student's name 1 Winton Guest House Minnesota, USA Frank Gehry 2 House NA Tokyo, Japan Sou Fujimoto Architects 3 Casa Madalena Madalena, Portugal Carlos Castanheira 4 Balancing Barn Suffolk, UK MVRDV 5 Curutchet House La Plata, Argentina Le Corbusier 6 Conformable Minimax House in Lembang eben 7 MD House Alric Galindez Arquitectos 8 Tinman House Junsekino Architect And Design 9 Baan Yo Yen Nonthaburi, Thailand TA-CHA Design 10 2 Holland Grove A D LAB 11 Equilibrium House Bangkok, Thailand VaSLab Architecture A.Vittvat No. Project's Name Project's Location Architect Student's name 1 "Y" House New York, USA Steven Holl 2 Casa David Vieira de Castro Famalicao, Potugal Alvaro Siza 3 Koshino House Hyogo, Japan Tadao Ando 4 The Grey House of Gu Gu Thailand Tonsilp Studio 5 Patong House Phuket, Thailand Architect 49 6 Berlin Building Exposition House Berlin Mies van der Rohe 7 Gwathmey Residence Amagansett, New York Charlese Gwathmey 8 King Road House West Hollywood, USA Rudolf Schindler 9 Prime Nature Residence Samutprakarn, Thailand Department of Architecture 10 Goldberg- bean House Los Angeles, USA Frankin D.
    [Show full text]
  • Aia New York Announces 2018 Design Awards Recipients
    FOR IMMEDIATE RELEASE Press contact: Camila Schaulsohn 212-358-6114 [email protected] Smithsonian National Museum of African American History & Culture by Freelon Adjaye Bond / Smithgroup. Photo by Alan Karchmer; rights held by The Smithsonian Institution AIA NEW YORK ANNOUNCES 2018 DESIGN AWARDS RECIPIENTS Freelon Adjaye Bond / Smithgroup recognized with Best in Competition Award for the Smithsonian National Museum of African American History & Culture. Updated 3/22: As of March 22, 2018, the AIANY Board of Directors rescinded the Architecture Merit Award given to the Leblon Offices in Rio de Janeiro, Brazil (Architect: Richard Meier & Partners Architects; Associate Architect: RAF Arquitetura) and the Interior Merit Award given to The Lobster Club in New York City (Architect: Peter Marino Architect). NEW YORK CITY, January 9, 2018 – On Monday, January 8, 2018, a jury of independent architects, educators, critics, and planners from outside New York City convened at the Center for Architecture to select the winners of the 2018 AIA New York Design Awards. That evening, they publicly announced the 32 winning projects at a symposium at the Center for Architecture. The 32 selected projects and the architecture firms that designed them – many of whom were on hand for the symposium – represent the exceptional work by AIA New York members and architects practicing in New York City in four categories: Architecture, Interiors, Projects, and Urban Design. The jurors named the Smithsonian National Museum of African American History & Culture by Freelon Adjaye Bond / Smithgroup Best in Competition. Each winning project, granted either an “Honor,” “Merit,” or “Citation” award, was chosen for its design quality, response to its context and community, program resolution, innovation, thoughtfulness, and technique.
    [Show full text]
  • The 150 Favorite Pieces of American Architecture
    The 150 favorite pieces of American architecture, according to the public poll “America’s Favorite Architecture” conducted by The American Institute of Architects (AIA) and Harris Interactive, are as follows. For more details on the winners, visit www.aia150.org. Rank Building Architect 1 Empire State Building - New York City William Lamb, Shreve, Lamb & Harmon 2 The White House - Washington, D.C. James Hoban 3 Washington National Cathedral - Washington, D.C. George F. Bodley and Henry Vaughan, FAIA 4 Thomas Jefferson Memorial - Washington D.C. John Russell Pope, FAIA 5 Golden Gate Bridge - San Francisco Irving F. Morrow and Gertrude C. Morrow 6 U.S. Capitol - Washington, D.C. William Thornton, Benjamin Henry Latrobe, Charles Bulfinch, Thomas U. Walter FAIA, Montgomery C. Meigs 7 Lincoln Memorial - Washington, D.C. Henry Bacon, FAIA 8 Biltmore Estate (Vanderbilt Residence) - Asheville, NC Richard Morris Hunt, FAIA 9 Chrysler Building - New York City William Van Alen, FAIA 10 Vietnam Veterans Memorial - Washington, D.C. Maya Lin with Cooper-Lecky Partnership 11 St. Patrick’s Cathedral - New York City James Renwick, FAIA 12 Washington Monument - Washington, D.C. Robert Mills 13 Grand Central Station - New York City Reed and Stern; Warren and Wetmore 14 The Gateway Arch - St. Louis Eero Saarinen, FAIA 15 Supreme Court of the United States - Washington, D.C. Cass Gilbert, FAIA 16 St. Regis Hotel - New York City Trowbridge & Livingston 17 Metropolitan Museum of Art – New York City Calvert Vaux, FAIA; McKim, Mead & White; Richard Morris Hunt, FAIA; Kevin Roche, FAIA; John Dinkeloo, FAIA 18 Hotel Del Coronado - San Diego James Reid, FAIA 19 World Trade Center - New York City Minoru Yamasaki, FAIA; Antonio Brittiochi; Emery Roth & Sons 20 Brooklyn Bridge - New York City John Augustus Roebling 21 Philadelphia City Hall - Philadelphia John McArthur Jr., FAIA 22 Bellagio Hotel and Casino - Las Vegas Deruyter Butler; Atlandia Design 23 Cathedral of St.
    [Show full text]
  • BÊKA & LEMOINE's COMPLETE WORK ACQUIRED by Moma
    BÊKA & LEMOINE’S COMPLETE WORK ACQUIRED BY MoMA The franco-italian duo of directors Ila Bêka and Louise Lemoine is pleased to announce that all the 16 films they produced have been acquired by The Museum of Modern Art (MoMA) in New York. Ila Bêka and Louise Lemoine have stood out on the international architectural scene for the last 10 years through a cinematographic work known for its innovative nature and its tender and biting humour, which has disrupted the usual representation of contemporary architecture by putting people and uses at the forefront. A project which defeats the question of genre, by placing itself at the edges of the documentary and video art, through a singular and highly subjective style. Thanks to an authentic artistic perspective on architecture, Bêka & Lemoine open new horizons to the relationship between architecture and cinema. Their first film, “Koolhaas HouseLife”, shown at the 11th Venice Architecture Biennale in 2008 delighted the public and was internationally acclaimed by critics: “Magic!” Le Monde, “The architecture cult movie! » El Pais, « Heartfelt, thought-provoking, and hilariously funny! » The New-York Times. By following Guadalupe, the charismatic housekeeper, this film gives us access, for the first time, to the daily intimacy of a contemporary architecture icon: the house in Bordeaux designed by the Dutch star architect Rem Koolhaas. Their work amazes us thanks to the immersion it allows in highly intimate situations within spaces that we only knew from the outside until then, and moves us because of the poetic fragility it brings out of a world of might and success.
    [Show full text]
  • Press Release
    Release Press FOR IMMEDIATE RELEASE Contact: Jennifer Nyholm Tel: +815/777-4444 The Chicago Athenaeum Museum of Architecture and Design AN ITALIAN JURY OF ARCHITECTS AWARD 132 BUILDINGS AND URBAN PLANNING PROJECTS FROM OVER 40 NATIONS TO DEFINE A NEW GLOBAL DESIGN AESTHETIC FOR 2016 Announcing the World’s Prestigious 2016 International Architecture Awards to be Exhibited at Contemorary Space Athens September 11- October 31 with Awards Gala Dinner in Athens, Greece September 23 VENICE, ITALY (July 28, 2016) —The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies have awarded over 130 new buildings, commercial and institutional developments, landscape architecture, and urban planning projects from 43 nations for The International Architecture Awards for 2016. Hundreds of submissions were received for this year’s annual Global Awards Program from architecture firms from across Europe, Asia, the Middle East, Australia, and the Americas—each hoping to pick up a coveted International Architecture Award. A final shortlist of 370 projects was presented to a Jury of Italian architects and critics. The newest projects by Adrian Smith + Gordon Gill Architecture, Zaha Hadid Architects, Skidmore, Owings & Merrill LLP., Kohn Pedersen Fox, Foster + Partners, AECOM, C.F. Møller Architects, HASSELL, Pei Cobb Freed & Partners Architects LLP., Morphosis Architects, HOK, SPEECH architectural office, Toyo Ito & Associates, Vo Trong Nghia Architects, Haworth Tompkins, Edward Suzuki Associates, Richard Meier and Partners, Rafael de La-Hoz Arquitectos, Pininfarina, Carlos Zapata Studio, Christian de Portzamparc, Safdie Architects, Antoine Predock Architect PC., and other leading world practices were among those shortlisted for the 2016 International Architecture Awards.
    [Show full text]