DOCSLIB.ORG

Aia New York Announces 2018 Design Awards Recipients

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aia New York Announces 2018 Design Awards Recipients FOR IMMEDIATE RELEASE Press contact: Camila Schaulsohn 212-358-6114 [email protected] Smithsonian National Museum of African American History & Culture by Freelon Adjaye Bond / Smithgroup. Photo by Alan Karchmer; rights held by The Smithsonian Institution AIA NEW YORK ANNOUNCES 2018 DESIGN AWARDS RECIPIENTS Freelon Adjaye Bond / Smithgroup recognized with Best in Competition Award for the Smithsonian National Museum of African American History & Culture. Updated 3/22: As of March 22, 2018, the AIANY Board of Directors rescinded the Architecture Merit Award given to the Leblon Offices in Rio de Janeiro, Brazil (Architect: Richard Meier & Partners Architects; Associate Architect: RAF Arquitetura) and the Interior Merit Award given to The Lobster Club in New York City (Architect: Peter Marino Architect). NEW YORK CITY, January 9, 2018 – On Monday, January 8, 2018, a jury of independent architects, educators, critics, and planners from outside New York City convened at the Center for Architecture to select the winners of the 2018 AIA New York Design Awards. That evening, they publicly announced the 32 winning projects at a symposium at the Center for Architecture. The 32 selected projects and the architecture firms that designed them – many of whom were on hand for the symposium – represent the exceptional work by AIA New York members and architects practicing in New York City in four categories: Architecture, Interiors, Projects, and Urban Design. The jurors named the Smithsonian National Museum of African American History & Culture by Freelon Adjaye Bond / Smithgroup Best in Competition. Each winning project, granted either an “Honor,” “Merit,” or “Citation” award, was chosen for its design quality, response to its context and community, program resolution, innovation, thoughtfulness, and technique. Submitted projects had to be completed by AIANY members, architects/designers practicing in New York, or be New York projects designed by architects/designers based elsewhere. The winners range from temporary installations and exhibitions to large-scale urban interventions. 12 of the 32 winners are projects located in New York City. Design Awards Exhibition All winning work will be exhibited in the 2018 AIANY Design Awards exhibition at the Center for Architecture beginning Friday, April 20, with an opening reception from 6-8pm. The exhibition, designed by Once-Future Office, will remain on view through Wednesday, June 27. Honors and Awards Luncheon and Upcoming Programs In addition to the Jury Symposium, winning projects will be recognized at the Honors and Awards Luncheon, Friday, April 20, at Cipriani Wall Street (www.aiany.org/awardslunch). Members of the press are invited to all events. Jurors and a list of the winning projects are on the following pages. For project details and photographs or to RSVP to Design Awards events, contact Camila Schaulsohn at AIA New York, 212-358-6114 or [email protected]. 2018 AIANY DESIGN AWARDS JURORS Gro Benesmo, Partner, S P A C E G R O U P Ila Berman, DDes MRAIC, Dean and Edward Elson Professor, UVA School of Architecture Aaron Forrest, AIA, NCARB, Principal, Ultramoderne Walter Hood, Creative Director, Hood Studio Tom Kundig, FAIA, Principal and Owner, Olson Kundig Architects Debra Lehman Smith, Partner, LSM Studio J. Meejin Yoon, AIA, Co-Founder, Höweler + Yoon Architecture LLP, Professor and Head of the Department of Architecture, Massachusetts Institute of Technology AWARD RECIPIENTS Design Awards 2018 Statistics: 30 Awards Conferred ARCHITECTURE – 18 total (5 honors; 11 merits; 2 citations) INTERIORS - 5 total (1 honor; 3 merits; 1 citation) PROJECTS – 3 total (1 honor; 1 merit; 1 citation) URBAN DESIGN - 3 total (3 merits) BEST IN COMPETITION Architect: Freelon Adjaye Bond / Smithgroup Landscape Architect: Gustafson Guthrie Nichol Project: Smithsonian National Museum of African American History & Culture Location: Washington, DC ARCHITECTURE HONORS Architect: Architecture Research Office Project: Brooklyn Bridge Park Boathouse Location: Brooklyn, NY Architect: BIG – Bjarke Ingels Group Landscape Architect: Bach Landskab Project: Tirpitz Museum Location: Blåvand, Denmark Architect: LEVENBETTS Landscape Architect: Marc Peter Keane Project: Square House Location: Stone Ridge, NY Architect: MQ Architecture Project: Magazzino Italian Art Cold Spring, NY Architect: NADAAA Associate Architect: Adamson Associates Architects Restoration Architect: ERA Architects Project: University of Toronto Daniels Building at One Spadina Location: Toronto, Canada MERITS Architect: Desai Chia Architecture Architect of Record: Environment Architects Landscape Architect: SURFACEDESIGN Project: Michigan Lake House Location: Leelanau County, MI Architects: LTL Architects and Perkins+Will Landscape Architect: Trowbridge Wolf Michaels Landscape Architects Project: Cornell University Upson Hall Renovation Location: Ithaca, NY Architect: nARCHITECTS Project: NYC DOT Harper Street Yard Structures Location: Corona, NY Architect: N.E.E.D. Architecture Project: The Book Company Headquarters Location: Seoul, South Korea Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond Associate Architect: Body Lawson Associates Landscape Architect: James Corner Field Operations Project: Columbia University Lenfest Center for the Arts Location: New York, NY Architect: Selldorf Architects Architect of Record: C+D architecture Landscape Architect: Bureau Bas Smets Project: LUMA Arles Location; Arles, France Architect: Studio Libeskind Landscape Architect: Claude Cormier + Associés Project: Canadian National Holocaust Monument Location: Ottawa, Canada Architect: StudioSUMO Architect of Record: Obayashi Corporation Project: Josai International University i-House Dormitory Location: Togane, Japan Architect: Tod Williams Billie Tsien Architects | Partners Associate Architect: Ballinger Landscape Architect: Michael Van Valkenburgh Associates Project: Princeton University Andlinger Center for Energy and the Environment Location: Princeton, NJ Architect: WEISS/MANFREDI Architecture/Landscape/Urbanism Architect of Record: Richard L. Bowen + Associates Landscape Architect: Knight & Stolar Project: Kent State Center for Architecture and Environmental Design Location: Kent, OH Architect: WORK Architecture Company Project: Queens Library at Kew Gardens Hills Location: Flushing, NY CITATIONS Architect: David Scott Parker Architects Architect of Record: Bosch Architecture Project: Williamsburgh Savings Bank Location: Brooklyn, NY Architect: Michielli + Wyetzner Architects Project: Delancey and Essex Municipal Parking Garage Location: New York, NY INTERIORS HONOR Architect: N H D M / Nahyun Hwang + David Eugin Moon Architect of Record: ALab Architects Project: Nam June Paik Art Center Renovation Location: Yongin, South Korea MERITS Architect: LEVENBETTS Project: Cornell University Rhodes Hall Location: Ithaca, NY Architect: Rice+Lipka Architects Project: Parsons Making Center Location: New York, NY Architects: SheltonMindel in association with A+I Project: New York Family Office Location: New York, NY CITATION Architect: Young Projects Landscape Architect: Future Green Studio Project: The Gerken Residence Location: New York, NY PROJECTS HONOR Architect: LTL Architects Project: Manual of Section MERIT Architect: APTUM Architecture Project: Thinness Pavilion Location: San Francisco, CA CITATION Architect: Studio Joseph Architect of Record: Foster + Partners Project: London Mithraeum Location: London, UK URBAN DESIGN MERITS Architect: Kohn Pedersen Fox Associates Project: One Vanderbilt Location: New York, NY Architect: NADAAA Project: Justice in Design Location: New York, NY Architect: ROGERS PARTNERS Architects + Urban Designers Project: Houston-Galveston Area Protection System (H-GAPS) Location: Galveston Bay, TX About AIA New York AIA New York is the oldest and largest chapter of the American Institute of Architects with more than 5,500 architect, allied professional, student, and public members. AIANY is dedicated to three goals: design excellence, public outreach and professional development. www.aiany.org .
Load more

Recommended publications
  • SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier
    SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier Location Darien, Connecticut Date 1965 to 1967 timeline Building Type house Construction System vertical wood siding Climate temperate Context suburban Style Modern Notes Simple forms and materials for a reserved modern sculptural expression. http://www.greatbuildings.com/buildings/Smith_House.html Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. http://richardmeirer.com Martin’s press 1990. P23 Jodidio, Philip. An Richard Meier . Printed in Germany: Jodidio, Philip. An Richard Meier . Printed in Prestel, 1995. P54 Germany: Prestel, 1995. P55 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in http://richardmeirer.com Germany: Prestel, 1995. P53 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P51 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P50 SMITH HOUSE Sean Corriveau ARCH 211 Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. Martin’s press 1990. P23 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P53 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966-1976 . New York: Prestel,Oxford Universtiy press 1978. P26 SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966- 1976 . New York: Prestel,Oxford Universtiy press 1978. P25 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com Hejduk, John.
    [Show full text]
  • High Museum of Art
    About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections.
    [Show full text]
  • Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
    03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up.
    [Show full text]
  • New York — 24 September 2019
    ÁLVARO SIZA Curated by Guta Moura Guedes New York — 24 September 2019 PRESS KIT A Bench For a Tower The First Stone programme is offering a bench made of Portuguese Estremoz marble, designed by Álvaro Siza, for his Tower in New York. The presentation of the bench is on the 24th of September at the sales gallery of the building in Manhattan and includes a presentation by the architect. After several projects developed and presented in Venice, Milan, Weil am Rhein, São Paulo, London, Lisbon and New York, the First Stone programme returns to this iconic North-American city - this time to present Hell’s Kitchen Bench, designed by the Pritzker Prize winning architect Álvaro Siza, specifically for the lobby of his new tower on the island of Manhattan. Hell’s Kitchen Bench is a large-scale streamlined bench, created for one of the most striking new residential projects in New York city: 611 West 56th Street, the first building by Álavro Siza, one of the greatest architects of our time, on American soil. This bench, also designed by the Architect, was commissioned within the scope of the First Stone programme, which has become a cornerstone for the promotion of Portuguese stone and its industry throughout the world. The bench is a gift from the First Stone programme and will be permanently installed within the lobby of this skyscraper. Its presentation to the press and a select group of guests will occur in New York on Tuesday the 24th of September around 4:30 pm, and will include the participation of Álvaro Siza.
    [Show full text]
  • Lecture Handouts, 2013
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.
    [Show full text]
  • The Architecture of Curved Shapes Kazimierz Butelski
    Nexus00/01_017-102 31-05-2001 17:27 Pagina 19 Kazimierz Butelski The Architecture of Curved Shapes In the 20th century, architecture remains the part of art where formal principles are very important for creators and spectators. Because form in architecture is so important, two questions arise: How can architects nowadays create forms? How can forms be described and classified? When we work only with formal analysis, we can point to an important criterion of innovation, that is, that certain forms have never before been seen in the history of architecture. In the present day, CAD/CAM technology permits us to realize any form our imaginations can create. Introduction We can analyse the architecture of a building in many different ways. Let us name three main categories: • formal analysis • functional analysis • structural analysis. In my opinion, formal analysis is the most important because it can show us a thin line that divides architecture from construction (or, the construction industry), and it can also show us architecture as an art. In the 20th century, architecture remains the part of art where formal principles are very important for creators and spectators. Architectural critics are still around and have something to say because formal aspects of architecture can be criticised. Because form in architecture is so important, two questions arise. How can architects nowadays create forms? How can forms be described and classified? When we work only with formal analysis, we can point to an important criterion of innovation, that is, certain forms have never before been seen in the history of architecture.
    [Show full text]
  • Proposed Evacuation Links at Height in the World Trade Center Design Entries
    ctbuh.org/papers Title: Bridging the Gap: Proposed Evacuation Links at Height in the World Trade Center Design Entries Authors: Philip Oldfield, University of Nottingham Antony Wood, University of Nottingham Subjects: Architectural/Design Fire & Safety Keyword: Urban Design Publication Date: 2005 Original Publication: CTBUH 2005 7th World Congress, New York Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Philip Oldfield; Antony Wood Philip F. Oldfield School of the Built Environment, University of Nottingham Philip Oldfield is a postgraduate student of architecture at the University of Nottingham in the United Kingdom. He has particular interest in the design of high-rise buildings, having previously participated in two tall building design research projects at Nottingham — the first on the Heron Tower project in London, the second on the concept of skybridges, entitled Pavements in the Sky. He has recently returned from a tall building study in Shanghai and is investigating the World Trade Center site and brief as a suitable vehicle for his final postgraduate design thesis. Mr. Oldfield has also been instrumental in the construction of the Web site for the Tall Buildings Teaching and Research Group, www.tallbuildingstarg.com. He currently works at the University of Nottingham as a research assistant. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Bridging the Gap: Proposed Evacuation Links at Height in the World Trade Center Design Entries This presentation is based on a paper by the presenter and Antony Wood of the University of Nottingham. The World Trade Center towers’ collapse has created the largest single retrospective analysis of tall building design in the past 40 years.
    [Show full text]
  • A.Joe 1 the Weinstein House Long Island, NY Richard Meier & Partners Architects, LLP 2 Douglas House Harbor Springs, Minneso
    A.Joe No. Project's Name Project's Location Architect Student's name 1 The Weinstein House Long Island, NY Richard Meier & Partners Architects, LLP 2 Douglas House Harbor Springs, Minnesota, USA Richard Meier & Partners Architects, LLP 3 Villa Shodhan Ahmedabad, India Le Coubusier 4 House VI Cornwall, Connecticut Peter Eisenman 5 House in Las Arenas Lima, Peru Javier Artadi 6 Lotus House Eastern Japan Kengo Kuma and Associates 7 Mobius House Amsterdam Ben van Berkel 8 Stretto House Texas, USA Steven Holl 9 Lawson-WESTERN house Brentwood, Los Angeles, CA, USA Eric Owen Moss Architects 10 Maison à Bordeaux France Rem Koolhaas 11 Bunker House Bangkok Vaslab Architecture A.Pup No. Project's Name Project's Location Architect Student's name 1 Winton Guest House Minnesota, USA Frank Gehry 2 House NA Tokyo, Japan Sou Fujimoto Architects 3 Casa Madalena Madalena, Portugal Carlos Castanheira 4 Balancing Barn Suffolk, UK MVRDV 5 Curutchet House La Plata, Argentina Le Corbusier 6 Conformable Minimax House in Lembang eben 7 MD House Alric Galindez Arquitectos 8 Tinman House Junsekino Architect And Design 9 Baan Yo Yen Nonthaburi, Thailand TA-CHA Design 10 2 Holland Grove A D LAB 11 Equilibrium House Bangkok, Thailand VaSLab Architecture A.Vittvat No. Project's Name Project's Location Architect Student's name 1 "Y" House New York, USA Steven Holl 2 Casa David Vieira de Castro Famalicao, Potugal Alvaro Siza 3 Koshino House Hyogo, Japan Tadao Ando 4 The Grey House of Gu Gu Thailand Tonsilp Studio 5 Patong House Phuket, Thailand Architect 49 6 Berlin Building Exposition House Berlin Mies van der Rohe 7 Gwathmey Residence Amagansett, New York Charlese Gwathmey 8 King Road House West Hollywood, USA Rudolf Schindler 9 Prime Nature Residence Samutprakarn, Thailand Department of Architecture 10 Goldberg- bean House Los Angeles, USA Frankin D.
    [Show full text]
  • The 150 Favorite Pieces of American Architecture
    The 150 favorite pieces of American architecture, according to the public poll “America’s Favorite Architecture” conducted by The American Institute of Architects (AIA) and Harris Interactive, are as follows. For more details on the winners, visit www.aia150.org. Rank Building Architect 1 Empire State Building - New York City William Lamb, Shreve, Lamb & Harmon 2 The White House - Washington, D.C. James Hoban 3 Washington National Cathedral - Washington, D.C. George F. Bodley and Henry Vaughan, FAIA 4 Thomas Jefferson Memorial - Washington D.C. John Russell Pope, FAIA 5 Golden Gate Bridge - San Francisco Irving F. Morrow and Gertrude C. Morrow 6 U.S. Capitol - Washington, D.C. William Thornton, Benjamin Henry Latrobe, Charles Bulfinch, Thomas U. Walter FAIA, Montgomery C. Meigs 7 Lincoln Memorial - Washington, D.C. Henry Bacon, FAIA 8 Biltmore Estate (Vanderbilt Residence) - Asheville, NC Richard Morris Hunt, FAIA 9 Chrysler Building - New York City William Van Alen, FAIA 10 Vietnam Veterans Memorial - Washington, D.C. Maya Lin with Cooper-Lecky Partnership 11 St. Patrick’s Cathedral - New York City James Renwick, FAIA 12 Washington Monument - Washington, D.C. Robert Mills 13 Grand Central Station - New York City Reed and Stern; Warren and Wetmore 14 The Gateway Arch - St. Louis Eero Saarinen, FAIA 15 Supreme Court of the United States - Washington, D.C. Cass Gilbert, FAIA 16 St. Regis Hotel - New York City Trowbridge & Livingston 17 Metropolitan Museum of Art – New York City Calvert Vaux, FAIA; McKim, Mead & White; Richard Morris Hunt, FAIA; Kevin Roche, FAIA; John Dinkeloo, FAIA 18 Hotel Del Coronado - San Diego James Reid, FAIA 19 World Trade Center - New York City Minoru Yamasaki, FAIA; Antonio Brittiochi; Emery Roth & Sons 20 Brooklyn Bridge - New York City John Augustus Roebling 21 Philadelphia City Hall - Philadelphia John McArthur Jr., FAIA 22 Bellagio Hotel and Casino - Las Vegas Deruyter Butler; Atlandia Design 23 Cathedral of St.
    [Show full text]
  • BÊKA & LEMOINE's COMPLETE WORK ACQUIRED by Moma
    BÊKA & LEMOINE’S COMPLETE WORK ACQUIRED BY MoMA The franco-italian duo of directors Ila Bêka and Louise Lemoine is pleased to announce that all the 16 films they produced have been acquired by The Museum of Modern Art (MoMA) in New York. Ila Bêka and Louise Lemoine have stood out on the international architectural scene for the last 10 years through a cinematographic work known for its innovative nature and its tender and biting humour, which has disrupted the usual representation of contemporary architecture by putting people and uses at the forefront. A project which defeats the question of genre, by placing itself at the edges of the documentary and video art, through a singular and highly subjective style. Thanks to an authentic artistic perspective on architecture, Bêka & Lemoine open new horizons to the relationship between architecture and cinema. Their first film, “Koolhaas HouseLife”, shown at the 11th Venice Architecture Biennale in 2008 delighted the public and was internationally acclaimed by critics: “Magic!” Le Monde, “The architecture cult movie! » El Pais, « Heartfelt, thought-provoking, and hilariously funny! » The New-York Times. By following Guadalupe, the charismatic housekeeper, this film gives us access, for the first time, to the daily intimacy of a contemporary architecture icon: the house in Bordeaux designed by the Dutch star architect Rem Koolhaas. Their work amazes us thanks to the immersion it allows in highly intimate situations within spaces that we only knew from the outside until then, and moves us because of the poetic fragility it brings out of a world of might and success.
    [Show full text]
  • Press Release
    Release Press FOR IMMEDIATE RELEASE Contact: Jennifer Nyholm Tel: +815/777-4444 The Chicago Athenaeum Museum of Architecture and Design AN ITALIAN JURY OF ARCHITECTS AWARD 132 BUILDINGS AND URBAN PLANNING PROJECTS FROM OVER 40 NATIONS TO DEFINE A NEW GLOBAL DESIGN AESTHETIC FOR 2016 Announcing the World’s Prestigious 2016 International Architecture Awards to be Exhibited at Contemorary Space Athens September 11- October 31 with Awards Gala Dinner in Athens, Greece September 23 VENICE, ITALY (July 28, 2016) —The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies have awarded over 130 new buildings, commercial and institutional developments, landscape architecture, and urban planning projects from 43 nations for The International Architecture Awards for 2016. Hundreds of submissions were received for this year’s annual Global Awards Program from architecture firms from across Europe, Asia, the Middle East, Australia, and the Americas—each hoping to pick up a coveted International Architecture Award. A final shortlist of 370 projects was presented to a Jury of Italian architects and critics. The newest projects by Adrian Smith + Gordon Gill Architecture, Zaha Hadid Architects, Skidmore, Owings & Merrill LLP., Kohn Pedersen Fox, Foster + Partners, AECOM, C.F. Møller Architects, HASSELL, Pei Cobb Freed & Partners Architects LLP., Morphosis Architects, HOK, SPEECH architectural office, Toyo Ito & Associates, Vo Trong Nghia Architects, Haworth Tompkins, Edward Suzuki Associates, Richard Meier and Partners, Rafael de La-Hoz Arquitectos, Pininfarina, Carlos Zapata Studio, Christian de Portzamparc, Safdie Architects, Antoine Predock Architect PC., and other leading world practices were among those shortlisted for the 2016 International Architecture Awards.
    [Show full text]
  • Visitor Guide Entirelyunexpected
    John and Mary Pappajohn Gallery and Studio Map Welcome to the Des Moines Art Center! Sculpture Park bell bell P Open to visitors since September 2009, the P The Des Moines Art Center is a world-class museum in the heart of the John and Mary Pappajohn Sculpture Park Midwest. With a focus on contemporary art, it has amassed an important features artwork by 19 of the world’s most collection exhibited in three major buildings, on the grounds, and Photo © Cameron Cam celebrated artists. The 4.4 acre park, located Photo © Cameron Cam downtown in the John and Mary Pappajohn Sculpture Park. We hope you within a major crossroads of the urban grid, The first addition on the south side of the The second addition, on the north, was museum was designed by I. M. Pei and opened designed by Richard Meier and opened enjoy your visit and that you will return soon! creates a pedestrian friendly entranceway in 1968. in 1985. to downtown Des Moines. This accessible FREE admission Restaurant setting, coupled with the skilled landscape To Pei Building design and caliber of the art, makes it (with the exception of some The Art Center Restaurant, located directly special events) across the Maytag Courtyard, offers a unlike any other sculpture park in the United To Meier Building Meredith Gallery States. The Pappajohns’ contribution of West Gallery lunch menu that is inspired by fresh, local 25 works for the park is the most significant W.T. and Edna Dahl Visitor Guide Museum Hours ingredients and changes weekly. Wine, Gallery Tuesday – Friday: 11 am – 4 pm spirits, and homemade desserts are donation of artwork ever made to the Restaurant Upper Level Thursday: 11 am – 9 pm available.
    [Show full text]