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Writers and Singers Assassinated by Their Government—Usually a Dictatorship—Or Killed During a Massacre
IN THE TIME OF THE ASSASSINS: MARTYRED POETS, WRITERS, AND SINGERS by Henry Rasof The focus of this article is simple: writers and singers assassinated by their government—usually a dictatorship—or killed during a massacre. A small selection of victims, whom I think of as martyrs, will be discussed briefly, followed by basic information about one or two of their creative works and links to a few relevant web sites. I will not be doing any sort of analysis or comparative discussion. Just getting the basic facts is challenging enough. In one of the rooms of my house is a room with several shelves of books, CDs, and memorabilia dedicated to these martyrs. PERSIAN SUFI WRITER: Attar of Nishapur Abū Hamīd bin Abū Bakr Ibrāhīm, better known as Farid ud-Din Attar or Attar of Nishapur, was the Persian author of the Sufi (Islamic mystical) classic The Conference of the Birds (English title), dated 1177. The characters in the book are different types of birds. Attar died in a Mongol massacre in Nishapur in about 1221, when he was in his 70s. Dates and numbers vary with the sources. *Attar, The Conference of the Birds, trans. Sholeh Wolpé. New York and London: W.W. Norton, 2017. *http://www.poetry-chaikhana.com/Poets/A/AttarFaridud/index.html. *https://www.worldliteraturetoday.org/blog/cultural-cross-sections/attar-sufi-poet-and-master-rumi- sholeh-wolpe. PAKISTANI SUFI SINGER: Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal was a well-known Pakistani singer of Sufi songs—qawwali. -
Sufism: in the Spirit of Eastern Spiritual Traditions
92 Sufism: In the Spirit of Eastern Spiritual Traditions Irfan Engineer Volume 2 : Issue 1 & Volume Center for the Study of Society & Secularism, Mumbai [email protected] Sambhāṣaṇ 93 Introduction Sufi Islam is a mystical form of Islamic spirituality. The emphasis of Sufism is less on external rituals and more on the inward journey. The seeker searches within to make oneself Insaan-e-Kamil, or a perfect human being on God’s path. The origin of the word Sufism is in tasawwuf, the path followed by Sufis to reach God. Some believe it comes from the word suf (wool), referring to the coarse woollen fabric worn by early Sufis. Sufiya also means purified or chosen as a friend of God. Most Sufis favour the origin of the word from safa or purity; therefore, a Sufi is one who is purified from worldly defilements. The essence of Sufism, as of most religions, is to reach God, or truth or absolute reality. Characteristics of Sufism The path of Sufism is a path of self-annihilation in God, also called afanaa , which means to seek permanence in God. A Sufi strives to relinquish worldly and even other worldly aims. The objective of Sufism is to acquire knowledge of God and achieve wisdom. Sufis avail every act of God as an opportunity to “see” God. The Volume 2 : Issue 1 & Volume Sufi “lives his life as a continuous effort to view or “see” Him with a profound, spiritual “seeing” . and with a profound awareness of being continuously overseen by Him” (Gulen, 2006, p. xi-xii). -
Role of Persians at the Mughal Court: a Historical
ROLE OF PERSIANS AT THE MUGHAL COURT: A HISTORICAL STUDY, DURING 1526 A.D. TO 1707 A.D. PH.D THESIS SUBMITTED BY, MUHAMMAD ZIAUDDIN SUPERVISOR: PROF. DR. MUNIR AHMED BALOCH IN THE AREA STUDY CENTRE FOR MIDDLE EAST & ARAB COUNTRIES UNIVERSITY OF BALOCHISTAN QUETTA, PAKISTAN. FOR THE FULFILMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY 2005 DECLARATION BY THE CANDIDATE I, Muhammad Ziauddin, do solemnly declare that the Research Work Titled “Role of Persians at the Mughal Court: A Historical Study During 1526 A.D to 1707 A.D” is hereby submitted for the Degree of Doctor of Philosophy and it has not been submitted elsewhere for any Degree. The said research work was carried out by the undersigned under the guidance of Prof. Dr. Munir Ahmed Baloch, Director, Area Study Centre for Middle East & Arab Countries, University of Balochistan, Quetta, Pakistan. Muhammad Ziauddin CERTIFICATE This is to certify that Mr. Muhammad Ziauddin has worked under my supervision for the Degree of Doctor of Philosophy. His research work is original. He fulfills all the requirements to submit the accompanying thesis for the Degree of Doctor of Philosophy. Prof. Dr. Munir Ahmed Research Supervisor & Director Area Study Centre For Middle East & Arab Countries University of Balochistan Quetta, Pakistan. Prof. Dr. Mansur Akbar Kundi Dean Faculty of State Sciences University of Balochistan Quetta, Pakistan. d DEDICATED TO THE UNFORGETABLE MEMORIES OF LATE PROF. MUHAMMAD ASLAM BALOCH OF HISTORY DEPARTMENT UNIVERSITY OF BALOCHISTAN, QUETTA PAKISTAN e ACKNOWLEDGMENT First of all I must thank to Almighty Allah, who is so merciful and beneficent to all of us, and without His will we can not do anything; it is He who guide us to the right path, and give us sufficient knowledge and strength to perform our assigned duties. -
Writers and Singers Assassinated by Their Government—Usually a Dictatorship—Or Killed During a Massacre
IN THE TIME OF THE ASSASSINS: MARTYRED POETS, WRITERS, AND SINGERS by Henry Rasof The focus of this article is simple: writers and singers assassinated by their government—usually a dictatorship—or killed during a massacre. A small selection of victims, whom I think of as martyrs, will be discussed briefly, followed by basic information about one or two of their creative works and links to a few relevant web sites. I will not be doing any sort of analysis or comparative discussion. Just getting the basic facts is challenging enough. In one of the rooms of my house is a room with several shelves of books, CDs, and memorabilia dedicated to these martyrs. PERSIAN SUFI WRITER: Attar of Nishapur Abū Hamīd bin Abū Bakr Ibrāhīm, better known as Farid ud-Din Attar or Attar of Nishapur, was the Persian author of the Sufi (Islamic mystical) classic The Conference of the Birds (English title), dated 1177. The characters in the book are different types of birds. Attar died in a Mongol massacre in Nishapur in about 1221, when he was in his 70s. Dates and numbers vary with the sources. *Attar, The Conference of the Birds, trans. Sholeh Wolpé. New York and London: W.W. Norton, 2017. *http://www.poetry-chaikhana.com/Poets/A/AttarFaridud/index.html. *https://www.worldliteraturetoday.org/blog/cultural-cross-sections/attar-sufi-poet-and-master-rumi- sholeh-wolpe. PAKISTANI SUFI SINGER: Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal was a well-known Pakistani singer of Sufi songs—qawwali. -
Sufism and Mysticism in Aurangzeb Alamgir's Era Abstract
Global Social Sciences Review (GSSR) Vol. IV, No. II (Spring 2019) | Pages: 378 – 383 49 Sufism and Mysticism in Aurangzeb Alamgir’s Era II). - Faleeha Zehra Kazmi H.O.D, Persian Department, LCWU, Lahore, Punjab, Pakistan. Assistant Professor, Department of Urdu, GCU, Lahore, Punjab, Farzana Riaz Pakistan. Email: [email protected] Syeda Hira Gilani PhD. Scholar, Persian Department, LCWU, Lahore, Punjab, Pakistan. Mysticism is defined as a search of God, Spiritual truth and ultimate reality. It is a practice of Abstract religious ideologies, myths, ethics and ecstasies. The Christian mysticism is the practise or theory which is within Christianity. The Jewish mysticism is theosophical, meditative and practical. A school of practice that emphasizes the search for Allah is defined as Islamic mysticism. It is believed that the earliest figure of Sufism is Prophet Muhammad (PBUH). Different Sufis and their writings have http://dx.doi.org/10.31703/gssr.2019(IV played an important role in guidance and counselling of people and Key Words: peaceful co-existence in the society. Mughal era was an important period Sufism, Mystic poetry, regarding Sufism in the subcontinent. The Mughal kings were devotees of URL: Mughal dynasty, different Sufi orders and promoted Sufism and Sufi literature. It is said that | Aurangzeb Alamgir was against Sufism, but a lot of Mystic prose and Aurangzeb Alamgir, poetic work can be seen during Aurangzeb Alamgir’s era. In this article, 49 Habib Ullah Hashmi. ). we will discuss Mystic Poetry and Prose of Aurangzeb’s period. I I - Introduction Mysticism or Sufism can be defined as search of God, spiritual truth and ultimate reality. -
Lieven De Boeck Elaine Byrne John
Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger 4 Director’s Foreword barbara dawson 8 Dweller on the Threshold Michael deMpsey 22 Mark Wallinger 24 Ari Marcopoulos 26 Lawrence Abu Hamdan 30 Dragana Juriši´c 35 Dermot Seymour 37 John Byrne 41 Border, She Wrote sara reisMan 56 Dor Guez 58 Lieven De Boeck 59 Chto Delat 60 Elaine Byrne 64 Tony Cokes 69 Raqs Media Collective 72 Undoing Walls rehan ansari 79 Homework: borders within and without hugh caMpbell 86 List of Exhibited Works 88 Biographies 2 “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Director’s Foreword barbara dawson Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. -
By Henry Rasof the Focus of This Article Is Simple: Writers and Singers Assassinated by Their Government—Usually a Dictators
IN THE TIME OF THE ASSASSINS: MARTYRED POETS, WRITERS, AND SINGERS by Henry Rasof The focus of this article is simple: writers and singers assassinated by their government—usually a dictatorship—or killed during a massacre. A small selection of victims, whom I think of as martyrs, will be discussed briefly, followed by basic information about one or two of their creative works and links to a few relevant web sites. I will not be doing any sort of analysis or comparative discussion. Just getting the basic facts is challenging enough. In one of the rooms of my house is a room with several shelves of books, CDs, and memorabilia dedicated to these martyrs. PERSIAN SUFI WRITER: Attar of Nishapur Abū Hamīd bin Abū Bakr Ibrāhīm, better known as Farid ud-Din Attar or Attar of Nishapur, was the Persian author of the Sufi (Islamic mystical) classic The Conference of the Birds (English title), dated 1177. The characters in the book are different types of birds. Attar died in a Mongol massacre in Nishapur in about 1221, when he was in his 70s. Dates and numbers vary with the sources. *Attar, The Conference of the Birds, trans. Sholeh Wolpé. New York and London: W.W. Norton, 2017. *http://www.poetry-chaikhana.com/Poets/A/AttarFaridud/index.html. *https://www.worldliteraturetoday.org/blog/cultural-cross-sections/attar-sufi-poet-and-master-rumi- sholeh-wolpe. PAKISTANI SUFI SINGER: Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal Sage-E-Miran Qari Saeed Mohammed Chishti Qawwal was a well-known Pakistani singer of Sufi songs—qawwali. -
Download Abstract Book
Dear Researchers, Distinguished Guests and scholars, on behalf of the organizing committee IMRC-2019, I welcome you to the 5th International Multidisciplinary Research Conference (IMRC-2019). The conference is organized in collaboration with Sarhad University of Information Technology, Abdul Wali Khan University and University of Malakand, on October, 29-31, 2019 at Shaheed Benazir Bhutto Women University Peshawar. IMRC is a series of conference organized every year and the initiative was taken by Sarhad University. Main Objective of the IMRC is to promote research culture and to disseminate scientific and educational information related to the fields of interests. The conference brings together leading researchers in the related areas and provide an opportunity for exchanging ideas, between researchers and establishing networking and collaborations. The conference includes several invited papers on important and timely topics in the field. We hope that such type of academic ventures and collaborations will continue as we all are working for the same goal, i.e Global Prosperity. IMRC is a catalyst for researchers to present their ideas and bring different fields together and bridge the gap by giving them the opportunity to gain insight into new areas and new perspectives to their respective fields. We will be glad to welcome you all to IMRC-2020 in October 2020, to be hosted by another partner university. Dr. Asma Gul Conference Chair, IMRC-2019. pg. 2 Table of Contents Patron-in-Chief Message .................................................................................................... -
1 October 2020 – 31 January 2021 Introduction
Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger 1 October 2020 – 31 January 2021 Introduction This is a reflection on permeability across the India-Pakistan border, and resulting bordered-up states of mind, the occasion being a recent conversation with Shuddhabrata Sengupta (Shuddha) of the Delhi-based Raqs Media Collective, a group of media-practitioners founded in 1992. We talked of his witnessing the Delhi protests in the winter of 2019/20,1 where the anthems of the protests were two Pakistani poems. The protests were peaceful but faced armed intimidation by right-wing gangs and the police of an oppressive regime. In an infamous incident, the police broke into the library of Jamia Millia Islamia, a college central to the protests, and beat up students who were reading. Jamia is Shuddha’s alma mater. Raqs Media Collective’s video installation Undoing Walls (2007) is part of Worlds Without End: Stories Around Borders. 1. The continuous protests began in December 2019 and were against the Citizenship Amendment Act (passed in Parliament), National Register of Citizens, National Population Register, which together put Indian citizenship to a religious test, and against police brutality. In late March 2020, the Covid-19 virus, and the regime, put an end to them. In this text I am going to be writing the words protest, protestors and poetry repeatedly, and it is going to look redundant, like The Jewish Question.2 These protests in Delhi I accessed primarily from Shuddha’s social media. -
( Negative Fifty Five = 47 = -9 = 43 = 0 ) We Wish T
Transliteration # Definition or Recursion of Infinite Indifferences -55 -55 ( negative fifty five = 47 = -9 = 43 = 0 ) we wish to work with your spirit -55 ( negative forty six = 5 = 14 = 8 = 21 = -15 = 62 = -43 = 29 -46 -46 = -9 = 43 = 0 ) know your mytserious enemy -46 -37 -37 ( negative thirty seven = 18 = 39 = -2 = 13 ) luxury -37 sixty-six -37 -66 survivors -37 we shall stir you or still you -37 wouldn't you know -37 wussy -37 your monster zero -37 -28 -28 ( negative twenty eight = 27 = -18 = 68 = -6 ) allow us to touch you -28 get your ass to work -28 monstrous -28 prostitutes -28 prostitution -28 surplus -28 thou knowest not; nor shalt thou know ever -28 (AL II:76) (Marvin Bernard, born March 31, 1978, is a rapper and member of the hip hop group G-Unit. He was brought up in South Jamaica, Queens, New York and is longtime friends Tony Yayo -28 with 50 Cent and Lloyd Banks) trust -28 turn your ears on -28 we won't let the sun go down on you -28 worn out -28 your way is the way -28 yours -28 -19 -19 ( negative nineteen = 55 = 18 = 39 = -2 = 13 ) a window of opportunity -19 autopsy -19 blowzy -19 buzz -19 for you my lord -19 funny vomit -19 I want to blow you -19 illusory -19 lupus -19 mystery is buried truth -19 Outlook Express -19 Transliteration # Definition or Recursion of Infinite Indifferences (Greek mythology: in Ancient Greek poetry Pitys (English translation: "pine") was an Oread nymph who was pursued by Pan. -
Natalia Prigarina SARMAD: LIFE and DEATH of a SUFI
314 Sufism and ‘Irfan: Non-Akbarian Schools * Natalia Prigarina Natalia Prigarina (Institute of Oriental Studies, Russia) SARMAD: LIFE AND DEATH OF A SUFI The poet named Muhammad Sa‘id Sarmad Kashani (his nisba is also men- tioned as Lahori [Tazkira Shu‘arā’-i Punjab 1967, p. 178]) was executed during the reign of Aurangzeb in Delhi in 1660/61 at the age of 70. With his execution a new expression “sword and rope” (tīghu rasan) would appear in the Persian and Urdu poetry, in addition to a known expression “rope and gallows.” While the latter expression referred to Hallaj and his torturous death, the former quite pos- sibly pertained to the torturous death of Aynu’l-Qudat Hamadhani1 by hanging and Sarmad’s death by decapitation, in addition to the Hallaj reference. After his death Sarmad got a nickname “The Second Hallaj” (Ḥallāj-i Thānī). Annemarie Schimmel pointed out that the torturous life story of Sarmad should be compared to that of Hallaj through Aynu’l-Qudat Hamadani: “He (Sarmad.—N. P.) fol- lowed the tradition of Hallaj, longing for execution as the final goal of his life… This idea goes back at least to Aynu’l-Qudat Hamadhani” [Schimmel 1978, p. 362]. Reminiscences of his contemporaries serve as the sources of information about Sarmad. Among them are the memoirs of Bernier and Manucci2 and an- thologies — tazkira — such as Dabistān-i mazāhib, the author of which is con- 3 sidered to have been Sarmad’s peer, Riyāẓ ash-shu‘arā’ of Waleh Daghistani 1 See a very impressive sketch on ‘Ayn al-Qudat Hamadani: Bertels E. -
Divine Visions, Earthly Pleasures Five Hundred Years of Indian Painting Divine Visions, Earthly Pleasures Five Hundred Years of Indian Painting
Divine Visions, Earthly Pleasures five hundred years of indian painting Divine Visions, Earthly Pleasures five hundred years of indian painting June 28–September 10, 2017 UC BERKELEY ART MUSEUM· PACIFIC FILM ARCHIVE deities: gods and religious traditions Included in this small assortment of paintings are images from diverse traditions in India, where gods range from nature-based to sophisticated deities who feature in intricate legends. The main Hindu sects worship either the gods Shiva and Vishnu, the latter in his various incarnations, including Krishna, as well as a supreme god; or the Goddess, usually placed under the all-inclusive name Devi. Representations of these deities can be found in various other groupings in this exhibition, since their presence is all-pervasive. Besides Hinduism other religions of India also use visual arts to illustrate their religious figures. A few paintings offer examples of the art of Jainism, and one painting in the portrait section depicts a Sikh subject. 1 Gajendra Moksha, Vishnu Saves the Elephant King Central India, Malwa, c. 1640–50 Ink and gouache on paper Museum Purchase 1974.6 Vishnu is a god who takes many forms, both in divine stories and, more commonly, as incarnations or avataras. Among the former is a popular tale from one of the books in the Bhagavata Purana that recounts an incident in which Vishnu had to save the elephant king Gajendra, who was held captive by a vicious crocodile in a lake for many years. Gajendra, a devotee of Vishnu, was near death when he lifted up a lotus calling to the god to save him.