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Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
Bridging the Frontiers Between Film and Animation Bridging the Frontiers Between Film and Animation
BRIDGING THE FRONTIERS BETWEEN FILM AND ANIMATION BRIDGING THE FRONTIERS BETWEEN FILM AND ANIMATION Lusófona University INTRODUCTION PART I ESSEMBLE: A DIDACTIC AND PEDAGOGIAL APPROACH: FIVE SCHOOLS/ FOUR PERSPECTIVES/ONE PROPOSAL ESSEMBLE: OPPORTUNITIES FOR EXPERIMENTATION. ULUSOFONA, LISBOA, PORTUGAL Manuel José Damásio Head of the Film and Media Arts Department. Universidade Lusófona ASSEMBLE - ENSEMBLE LUCA SCHOOL OF ARTS, BRUSSELS, BELGIUM. Bart Geerts Vice Dean International Office and LUCA Art Office LUCA School of Arts ESSEMBLE: BRIDGING THE POINTS BETWEEN FILM AND ANIMATION MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN BUDAPEST - MOME József Fülöp Head of Animation Department MOME THE IMPORTANCE OF DIGITAL FILMMAKING AND HOW IT AFFECTS EDUCATION IN FILM SCHOOLS Simone Stewens ifs internationale filmschule köln PART II ESSEMBLE: PROGRAM DESCRIPTION AND OUTCOMES THE PROJECT TARGET GROUP TRAINING ACTIVITIES THE FILMS REACHING OUT FLYING BICYCLES STUDIO 109 A RAPARIGA DO CABELO VERDE FILMS FROM PREVIOUS EDITIONS OF ESSEMBLE SOCIAL ANIMALS RONDE LIGHT GAME RON THE BENCH UNEARTHED PURSUIT OF HEAVEN BACKPACK FOR YOU TO SEE MARY ALICE MADARAK WE ARE DESPERATE IN ALTITUDE PERFECT FIT ROEDEL PART III ESSEMBLE: REFLEXIONS ON DIGITAL STORYTELLING AND THE FRONTIERS OF CINEMA RIGHT, LEFT, HIGH,LOW NARRATIVE STRATEGIES FOR NON–LINEAR STORYTELLING SYLKE RENE MEYER WHERE GOOD OLD CINEMA NARRATIVES AND NEW MEDIA COLLIDE NATÁLIA FÁBICS MULTI-TASK CINEMA, OR A “WHATEVER STYLE” PAULO VIVEIROS TECHNOLOGY INSPIRES ART, AND ART…SHOULD INSPIRE OUR STUDENTS -
Deconstruction of the Sacred, Ontologies of Monstrosity: Apophatic Approaches in Late Modernist Cinema Scott D
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2016 Deconstruction of the Sacred, Ontologies of Monstrosity: Apophatic Approaches in Late Modernist Cinema scott d. vangel University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Arts and Humanities Commons Recommended Citation vangel, scott d., "Deconstruction of the Sacred, Ontologies of Monstrosity: Apophatic Approaches in Late Modernist Cinema" (2016). Doctoral Dissertations. 691. https://doi.org/10.7275/8438271.0 https://scholarworks.umass.edu/dissertations_2/691 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DECONSTRUCTION OF THE SACRED, ONTOLOGIES OF MONSTROSITY: APOPHATIC APPROACHES IN LATE MODERNIST CINEMA A Dissertation Presented By SCOTT VANGEL Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2016 Comparative Literature © Copyright by Scott Vangel 2016 All Rights Reserved DECONSTRUCTION OF THE SACRED, ONTOLOGIES OF MONSTROSITY: APOPHATIC APPROACHES IN LATE MODERNIST CINEMA A Dissertation Presented By SCOTT VANGEL Approved as to Style and Content by: -
COPING with IOWCE Essays from the Copenhagen Symposium
COPING WITH IOWCE essays from the Copenhagen Symposium edited by Morris Beja & Shari Benstock COPING WITH JOYCE Essays from the Copenhagen Symposium EDITED BY Morris Beja and Shari Benstock Coping with Joyce brings together eighteen scholars who contributed to making the 1986 International Joyce Symposium a land mark in Joycean studies. Their diverse ap proaches to the intricate Joyce corpus, from Dubliners and Exiles to Ulysses and Fin negans Wake, reflect the important changes that have taken place in the scholarly world during recent years, as traditional and post- traditional theorists and critics have found in James Joyce a major area of investigation and interpretation. Five major addresses of fer a litany of perspectives: historical, bio graphical, cultural, thematic, linguistic, textual, and sexual. These perspectives are further developed in the subsequent critical studies. Coping with Joyce provides a cross-section of the latest in James Joyce studies, the most recent views of several well-established Joyce scholars and the work of some newer critics in the field. Morris Beja is Professor of English at the Ohio State University and author of several works of literary criticism, including Epi phany in the Modern Novel. Shari Benstock is Professor of English at the University of Miami (Florida) and author of several books, including Women of the Left Bank: Paris 1900-1940. COPING WITH JOYCE Woodcut by Sid Chafetz, 1978. COPING WITH JOYCE Essays from the Copenhagen Symposium Edited by MORRIS BEJA and SHARI BENSTOCK Ohio State University Press Columbus ACKNOWLEDGMENT The editors wish to thank Dennis Bingham for his help before the Copenhagen Symposium, and in the preparation of this volume. -
CINEMA and Landscape [ Edited by Graeme Harper & Jonathan Rayner [ [ While the Consideration of Landscape on Film Has Been About the Editors
Harper | Rayner CINEMA AND Landscape [ Edited by Graeme Harper & Jonathan Rayner [ [ While the consideration of landscape on film has been About the editors growing in currency over the past four to five years, as Graeme Harper is Professor CINEMA AND yet no single publication has attempted to embrace the of Creative Writing and multitude of nationalities, cinematic examples and critical Director of Research in Arts approaches that Cinema and Landscape encompasses. and Humanities at Bangor Written by reputed cinema scholars and academic University. innovators, this volume both extends the existing field of Jonathan Rayner is Reader film studies and stakes claims to overlapping, contested in Film Studies at the territories in the art and humanities and the social University of Sheffield, sciences. School of English Literature, Language and Linguistics. The notion of landscape is a complex one, but it has CINEMA AND been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese and Landscape Spike Lee, without New York? Cinema and Landscape frames up contemporary film landscapes across the Landscape world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and [ Edited by Graeme Harper & Jonathan Rayner [ cultural geography, cinematic representation and the human environment. ] ISBN 978-1-84150-309-7 00 9 781841 503097 intellect | www.intellectbooks.com Cinema and Landscape Cinema and Landscape Graeme Harper & Jonathan Rayner (eds) intellect Bristol, UK / Chicago, USA First published in the UK in 2010 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2010 by Intellect, The University of Chicago Press, 1427 E. -
The News Belongs to Us!
THE NEWS BELONGS TO US! THE NEWS BELONGS TO US! Moderna galerija / Museum of Modern Art, Ljubljana, Koroška galerija likovnih umetnosti / Museum of Modern and Contemporary Art Koroška, Slovenj Gradec 2017 1. MOVIES Andrej Šprah, THE UNCOMPROMISING RETURN OF NEWSREELS 11 Igor Bizjan, THE MOVIE POEMS 26 Thomas Waugh, MELTDOWNS, INTERTEXT, ANCESTORS, MARCHES, MIGRATIONS: NOTES ON NIKA AUTOR AND NEWSREEL FRONT 28 Bill Nichols, NOW. AND THEN… 40 Nika Autor, NEWSREEL SHREDS 44 Nicole Brenez, FILMIC INFORMATION, COUNTERINFORMATION, UR-INFORMATION 54 Darran Anderson, IMPRESSIONS 70 Ivan Velisavljević, SOCIALIST MODERNIZATION IS NOT THE REAL NEWS: YUGOSLAV DOCUMENTARIES OF THE 1960S AND EARLY 1970S 76 2. TRAINS Ciril Oberstar, TRAIN VIEWERS: ON FILMS AND TRAINS 87 Anja Golob, IT’S NOT THE TRAVELS 108 Svetlana Slapšak, ON THE TRAIN. UNDER THE TRAIN. A CHANGE IN ART AND RESPONSIBILITY 110 Matjaž Lunaček, THE READER 114 Anja Golob, THE BIBLE OF MECHANICAL ENGINEERING 118 Mirjana Dragosavljević, FROM SOLIDARITY TO SOCIALITY 120 Uroš Abram, US? 132 Jelka Zorn, NEWSREEL FRAGMENT, BELGRADE, RAILWAY STATION 138 Zdenka Badovinac, THE BROTHERHOOD AND UNITY HIGHWAY 140 3. PEOPLE Andreja Hribernik, THE LUCK OF THE DRAW AND THE PURSUIT OF (UN)HAPPINESS 147 LOTTERY TICKET 157 Anja Golob, WHAT IS HAPPINESS 158 Miklavž Komelj, SIX FRAGMENTS ON THE LOTTERY 160 Miklavž Komelj, THREE COLLAGES 169 Franco Berardi – Bifo, REELING TRUTH 172 Creative Agitation (Travis and Erin Wilkerson), 100-YEAR-OLD NEWSREEL 184 Sezgin Boynik, MEETING THE TRUTH: ON THE PRACTICE OF FILMING THE UPRISING PEOPLE 210 Igor Španjol and Vladimir Vidmar, WHERE IS THIS TRAIN GOING? SOME NON-BINDING REFLECTIONS ON ART, TOOLS AND MEANING 226 8 9 1. -
World Cinemas, Transnational Perspectives
WC-00-p.qxd 21/5/09 13:16 Page i WORLD CINEMAS, TRANSNATIONAL PERSPECTIVES 1ST PROOFS - NOT FOR PUBLICATION WC-00-p.qxd 21/5/09 13:16 Page ii Previously published in the AFI Film Readers series Edited by Charles Wolfe and Edward Branigan Landscape and Film Martin Lefebvre East European Cinemas Anikó Imre New Media Anna Everett and John T. Caldwell Authorship and Film David A. Gerstner and Janet Staiger Westerns Janet Walker Masculinity Peter Lehman Violence and American Cinema J. David Slocum The Persistence of History Vivian Sobchack Home, Exile, Homeland Hamid Naficy Black Women Film and Video Artists Jacqueline Bobo The Revolution Wasn’t Televised Lynn Spigel and Michael Curtin Classical Hollywood Comedy Henry Jenkins and Kristine Brunovska Karnick Disney Discourse Eric Smoodin Black American Cinema Manthia Diawara Film Theory Goes to the Movies Jim Collins, Ava Preacher Collins, and Hilary Radner Theorizing Documentary Michael Renov Sound Theory/Sound Practice Rick Altman Fabrications Jane M. Gaines and Charlotte Herzog Psychoanalysis and Cinema E. Ann Kaplan European Film Theory Temenuga Trifonova Film Theory and Contemporary Hollywood Movies Warren Buckland 1ST PROOFS - NOT FOR PUBLICATION WC-00-p.qxd 21/5/09 13:16 Page iii WORLD CINEMAS, TRANSNATIONAL PERSPECTIVES EDITED BY NATASˇA DUROVIˇ CˇOVÁ AND KATHLEEN NEWMAN 1ST PROOFS - NOT FOR PUBLICATION WC-00-p.qxd 21/5/09 13:16 Page iv First published 2009 Simultaneously published in the UK by Routledge by Routledge 270 Madison Avenue, 2 Park Square, New York, NY 10016 Milton Park, Abingdon, Oxon OX14 4RN © 2009 Taylor & Francis Routledge is an imprint of the Taylor & Francis Group, an informa business Typeset in Spectrum by Keystroke, High Street, Tettenhall, Wolverhampton Printed and bound in the United States of America on acid-free paper by TO FOLLOW All rights reserved.