Documenting Ancient Rhodes: Archaeological Expeditions and Rhodian Antiquities
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MANUSCRIT ACCEPTAT The South-eastern Aegean Mercourios Georgiadis Lemos, I.; Kotsonas, A. (eds.), A Companion to the Archaeology of Early Llibre Greece and the Mediterranean. Oxford: Wiley-Blackwell, 2020 ISBN 978-1-118-77019-1 Disponible Data de publicació 2020 en línia Per citar aquest document: Mercourios Georgiadis, "The Southeastern Aegean" a Lemos, I.; Kotsonas, A. (eds.), A Companion to the Archaeology of Early Greece and the Mediterranean, Wiley-Blackwell, Oxford, p. 985-1006. Aquest arxiu PDF conté el manuscrit acceptat per a la seva publicació. The South-eastern Aegean Keywords: South-eastern Aegean, Rhodes, Kos, burials, graves, pottery, sanctuary, cremation, inhumation, past Introduction The area of the South-eastern Aegean is defined here as the region known today as the Dodecanese and parts of Anatolia on the opposite coast, like the Halicarnassos peninsula. This area of the Aegean had been under the Minoan cultural influence from as early as the Middle Bronze Age in terms of its material culture and architecture (Georgiadis 2003). The South-eastern Aegean has yielded many remains of the LH III and the EIA, whilst it possesses a strategic position in the Aegean Sea in relation to its contacts and interactions with the Eastern Mediterranean. The traditional forms of explanation for culturalACCEPTAT development and change in this region have focused on migration and the presence of newcomers. In fact, this has been a common denominator in the understanding of the Southern-eastern Aegean equally for the Late Helladic III period and the Early Iron Age. The thorough and up-to-date presentation of the different cultural aspects and periods from this area will demonstrate the regional character and the idiosyncrasies that are visible already from the LH III phase. -
Hellenic Republic Asset Development Fund S.A. 1
HELLENIC REPUBLIC ASSET DEVELOPMENT FUND S.A. 1 Kolokotroni & Stadiou Str., 105 62, Athens, Greece INVITATION TO SUBMIT A PROPOSAL FOR AN INDEPENDENT VALUATION OF FOURTEEN (14) REAL ESTATE PROPERTIES WITH DEVELOPMENT POTENTIAL AS BOUTIQUE HOTELS Athens, July 17, 2014 1 A. Introduction The Hellenic Republic Asset Development Fund SA (HRADF) currently runs fourteen (14) separate and independent international tender processes for the exploitation of real estate properties with development potential as Boutique Hotels, through the acquisition by the preferred investors to be selected of real rights and rights of use thereupon, as further specified in the relevant request for proposals issued by HRADF on 1 July 2014 (the Request for Proposals). The fourteen (14) properties to which the Request for Proposals refers (the Properties) and the form of exploitation of each one of them are specified in Annex A attached hereto. According to article 6.2 of law 3986/2011, as currently in force, any assets of HRADF should prior to their exploitation be evaluated by an independent valuer (the Valuer), who is appointed in accordance with HRADF’s procurement regulation (recently amended and codified by Decision 2/16128/0025 of the Minister of Finance, Government Gazette B/476/2014) (the Regulation). In the above context, HRADF hereby invites experienced and specialized domestic and international valuers to submit a proposal in relation to the scope of work described herein (the Invitation). B. Scope of Work The Valuer is expected to deliver an independent opinion on the value of each one of the Properties according to the selected form of exploitation as described in Annex A, based on the following table: Form of property’s exploitation Basis of Value Sale of full ownership Market Value Establishment and transfer of the Right Market Value of the Right of Surface of Surface for 99 years Lease of the property for 50 years Annual market rent & Market Value 2 The Valuer is expected to deliver a separate valuation for each property. -
Classical Images – Greek Pegasus
Classical images – Greek Pegasus Red-figure kylix crater Attic Red-figure kylix Triptolemus Painter, c. 460 BC attr Skythes, c. 510 BC Edinburgh, National Museums of Scotland Boston, MFA (source: theoi.com) Faliscan black pottery kylix Athena with Pegasus on shield Black-figure water jar (Perseus on neck, Pegasus with Etrurian, attr. the Sokran Group, c. 350 BC Athenian black-figure amphora necklace of bullae (studs) and wings on feet, Centaur) London, The British Museum (1842.0407) attr. Kleophrades pntr., 5th C BC From Vulci, attr. Micali painter, c. 510-500 BC 1 New York, Metropolitan Museum of ART (07.286.79) London, The British Museum (1836.0224.159) Classical images – Greek Pegasus Pegasus Pegasus Attic, red-figure plate, c. 420 BC Source: Wikimedia (Rome, Palazzo Massimo exh) 2 Classical images – Greek Pegasus Pegasus London, The British Museum Virginia, Museum of Fine Arts exh (The Horse in Art) Pegasus Red-figure oinochoe Apulian, c. 320-10 BC 3 Boston, MFA Classical images – Greek Pegasus Silver coin (Pegasus and Athena) Silver coin (Pegasus and Lion/Bull combat) Corinth, c. 415-387 BC Lycia, c. 500-460 BC London, The British Museum (Ac RPK.p6B.30 Cor) London, The British Museum (Ac 1979.0101.697) Silver coin (Pegasus protome and Warrior (Nergal?)) Silver coin (Arethusa and Pegasus Levantine, 5th-4th C BC Graeco-Iberian, after 241 BC London, The British Museum (Ac 1983, 0533.1) London, The British Museum (Ac. 1987.0649.434) 4 Classical images – Greek (winged horses) Pegasus Helios (Sol-Apollo) in his chariot Eos in her chariot Attic kalyx-krater, c. -
La Drachme Au Temps Du Denier : Le Monnayage Impérial De Mélos, Entre Domination Romaine Et Identité Civique Enora Le Quéré
La drachme au temps du denier : le monnayage impérial de Mélos, entre domination romaine et identité civique Enora Le Quéré To cite this version: Enora Le Quéré. La drachme au temps du denier : le monnayage impérial de Mélos, entre domination romaine et identité civique. G. Bonnin; E. Le Quéré. Pouvoir, Iles et Mer : Formes et modalités de l’hégémonie dans les Cyclades antiques (VIIe s. a.C.-IIIe s. p.C.), 64, Ausonius, pp.217-237, 2014, Scripta Antiqua. hal-01938108 HAL Id: hal-01938108 https://hal-normandie-univ.archives-ouvertes.fr/hal-01938108 Submitted on 12 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Pouvoirs, îles et mer Grégory Bonnin est docteur en Histoire, Langues et Littérature anciennes, université de Bordeaux - Montaigne ; chercheur associé à Ausonius - UMR 5607. Enora Le Quéré est docteur en Archéologies et Sciences de l’Antiquité, université Paris 1 - Panthéon Sorbonne ; chercheur associé à ArScAn - UMR 7041. Ausonius Éditions — Scripta Antiqua 64 — Pouvoirs, îles et mer Formes et modalités de l’hégémonie dans les Cyclades antiques (viie s. a.C.-iiie s. p.C.) édité par Grégory BONNIN & Enora LE QUÉRÉ ouvrage édité avec le soutien de ArScAn - Archéologies et Sciences de l’Antiquité (UMR 7041) et de l’Université de Paris 1 - Panthéon Sorbonne Diffusion De Boccard 11 rue de Médicis F - 75006 Paris — Bordeaux 2014 — Notice catalographique : Bonnin, G. -
Four New Campana Dinoi, a New Painter, Old Questions J.M
BABesch 82 (2007, 365-421. doi:10.2143/BAB.82.2.2020783) Four New Campana Dinoi, a New Painter, Old Questions J.M. Hemelrijk in collaboration with Elisabeth den Boer Abstract Four new Campana dinoi have come to light: three in the U.S.A. and a fragmentary one in Amsterdam. The publication of one, the dinos in the collection Shelby White in New York, is forthcoming. The other three are published here. We also study a fifth dinos in the U.S.A. and one in Würzburg. It appears that three, rather than two, painters were active in the workshop; this third artisan, whom we call the Hoof Painter, painted the dinoi in Würzburg and Amsterdam. We analyse the style of these painters and of related ware, especially of the Northampton amphorae. Finds show that the Northampton amphorae were not made in Etruria, as we formerly assumed, but somewhere in East Greece. The same holds, we believe, for the Campana dinoi, but new evidence, and especially clay analysis is needed to decide this matter for good.1 The group of the Campana dinoi2 owes its name (figs. 48-54, List B1). This dinos was first attrib- to the original owner of many of its pieces, Gio- uted to the Eight Painter (Hölscher 1975) and vanni Pietro Campana (director of the deposito twenty years later to the Ribbon Painter (Gaultier bank Monte di Pietà since 1832, bankrupt in 1858, 1995, 23). Den Boer calls her new artisan the Hoof imprisoned and then exiled in 1859). We know of Painter because he is inclined, as an afterthought, the existence of 22 of these dinoi (or fragments of to incise hooves through the feet of his satyrs (fig. -
Red-Figured Pottery from Corinth Plate 64
RED-FIGUREDPOTTERY FROM CORINTH SACRED SPRING AND ELSEWHERE (PLATES 63-74) THE PRESENT ARTICLE publishes the inventoried pieces of Attic red-figured pottery discovered during the excavations of the Sacred Spring. Four fragments, 49-52, belong to an unidentified fabric which does not appear to be Attic. The article also includes fragments from the Peribolos of Apollo and the Lechaion Road East, and ends with two miscellaneous sherds and an importantstemless cup. This is, in fact, the first of two articles which will cover most of the Attic red figure that has been found at Corinth since 1957.1The second article will deal with the pottery from the recent exca- vations in the central and southwesternarea of the Forum. Some 71 pieces, mainly fragments, are presented here: 52 (1-52) come from the Sacred Spring, 6 (53-58) from the Peribolos of Apollo, 10 (59-68) from excavations below Roman Shop V, east of the Lechaion Road, 3 (69-71) from various findspots. The catalogue is arrangedby shape and, within each shape, by date so far as possible. A. SACRED SPRING (Pls. 63-69) The early excavations in the Sacred Spring were published by B. H. Hill. The area was re-examined from 1968 to 1970 and again in 1972, during which eight architectural phases were distinguished, the earliest beginning in the later 8th century, the latest ending with the destruction of Corinth in 146 B.C.2 All the inventoried Attic red figure from the new excavations is listed in the following catalogue, but other fragments, of less significance, are kept in the relevant Corinth pottery lots. -
The Art and Archaeology of Ancient Greece Judith M
Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Frontmatter More information The Art and This richly illustrated, color textbook introduces the art and Archaeology of archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of Ancient Greece ancient art, this book reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what “messages” they transmitted, and how the surrounding environment shaped their meaning. The book includes more than 500 illustrations (with over 400 in color), including specially commissioned photographs, maps, fl oorplans, and reconstructions. Judith Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta fi gurines, reliefs, jewelry, armor, and wall paintings. Numerous text boxes, chapter summaries, and timelines, complemented by a detailed glossary, support student learning. • More than 500 illustrations, with over 400 in color, including specially commissioned photographs, maps, plans, and reconstructions • Includes text boxes, chapter summaries and timelines, and detailed glossary • Looks at Greek art from the perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion. -
Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc. -
Greek Mouldings of Kos and Rhodes
GREEK MOULDINGS OF KOS AND RHODES (PLATES 108-109) I. INTRODUCTION JT WAS regrettablethat it had not been possibleto makedrawings of the Dodeca- nesian material to include in the study of the profiles of Greek architectural mouldings published by the American School of Classical Studies at Athens in 1936.' Later opportunity arose 2 to make the drawings, full size with a Maco Template,3but their study was unfortunately delayed.4 The material is presented now as a supple- ment to the original volume. Considerations of printing have, however, made advisable certain changes in form as well as format, but it is hoped that this article may be used with the earlier publication without inconvenience, for the material in the two belongs together. It has not been possible to print all the profiles full size as in the original study, but Figure 1 is retained at full scale. It should be noted, then, in making comparison, that all the other profiles here presented, in Figures 2 through 8, are shown at one-half size. Information and comment regarding each profile, formerly presented in tabular form, is here put into catalogue form. All the same information given previously is included except the proportions. These were published originally as part of the proof of the chronological development noted in each type. Since the general lines of development appear now to have become established, it has not been considered essential to record the proportions. Only two of the Twelve Islands have yielded as yet any considerable Greek archi- tectural remains. Rhodes, with its numerous settlements, was an important seat of 1 L. -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967
This dissertation has been microfilmed exactly as received 66-15,122 PIPER, Linda Jane, 1935- A HISTORY OF SPARTA: 323-146 B.C. The Ohio State University, Ph.D., 1966 History, ancient University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967 All Rights Reserved A HISTORY OF SPARTA: 323-1^6 B.C. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Linda Jane Piper, A.B., M.A. The Ohio State University 1966 Approved by Adviser Department of History PREFACE The history of Sparta from the death of Alexander in 323 B.C; to the destruction of Corinth in 1^6 B.C. is the history of social revolution and Sparta's second rise to military promi nence in the Peloponnesus; the history of kings and tyrants; the history of Sparta's struggle to remain autonomous in a period of amalgamation. It is also a period in Sparta's history too often neglected by historians both past and present. There is no monograph directly concerned with Hellenistic Sparta. For the most part, this period is briefly and only inci dentally covered in works dealing either with the whole history of ancient Sparta, or simply as a part of Hellenic or Hellenistic 1 2 history in toto. Both Pierre Roussel and Eug&ne Cavaignac, in their respective surveys of Spartan history, have written clear and concise chapters on the Hellenistic period. Because of the scope of their subject, however, they were forced to limit them selves to only the most important events and people of this time, and great gaps are left in between.