The Letters of Edward Fitzgerald, Volume 1 1830-1850 1St Edition Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Letters of Edward Fitzgerald, Volume 1 1830-1850 1St Edition Pdf, Epub, Ebook THE LETTERS OF EDWARD FITZGERALD, VOLUME 1 1830-1850 1ST EDITION PDF, EPUB, EBOOK Edward FitzGerald | 9780691616162 | | | | | The Letters of Edward Fitzgerald, Volume 1 1830-1850 1st edition PDF Book First Edition Thus. I suppose you never will come back to stay long in England again: I have given you up to a warmer latitude. Shining, shining! How glad I shall be if you can assure me that it is. Since these volumes were completed a large number of letters, addressed by FitzGerald to his life-long friend Mrs. But then I have only read it once; and I think that one is naturally impatient of all matter that does not absolutely touch Cowper: I mean, at the first reading; when one wants to know all about him. I have read nothing else. Garrett, Gilbert James, and others. But it is pleasant to retire to the Tale of a Tub, Tristram Shandy, and Horace Walpole, after being tossed on his canvas waves. God send that p. And yet all this gives a sense of stolen enjoyment to them. You here may judge, by the very nature of things, that I lose no time in answering it. My Titian is a great hit: if not by him, it is as near him as ever was painted. I should travel like you if I had the eyes to see that you have: but, as Goethe says, the eye can but see what it brings with it the power of seeing. Handel, I can never sing it like that. Theodore Hack — Boulge Hall , Woodbridge. Thackeray has illustrated my Undine in about fourteen little coloured drawings—very nicely. You will get out upon it from your bedroom window: so I advise you to begin before you go down to breakfast. She was a very fine singer: but her voice fails now. He tried to think in music: almost to reason in music: whereas perhaps we should be contented with feeling in it. Published by London: Bernard Quaritch, Elizabeth Horne — These verses are something in the old style, but not the worse for that: not that I mean to call them good: but I am sure they would not have been better, if dressed up in the newest Montgomery fashion, for which I cannot say I have much love. The Letters of Edward Fitzgerald, Volume 1 1830-1850 1st edition Writer This is a great shame indeed. I have also seen Alfred once or twice since you have p. In the arrangement of the Terhune collection, the original Maas folders and item numbers, when available, have been retained. Letters Jul Mar 12 folders. All this is not meant to be a lesson to you who write, everybody says, good sonnets. I should travel like you if I had the eyes to see that you have: but, as Goethe says, the eye can but see what it brings with it the power of seeing. Excellent example of bookart of the period, front cover slightly warped, easy to put in pocket or purse. Seller Inventory AB. First American Edition. Continue shopping. If I were transported now into your room at Castellamare, I would wag my tongue far beyond midnight with you. I should much like to see your Platonic Brother. I shall be glad you should possess it. I have read nothing else. Contributions by Porter Garnett Michael Kerney and Justin Huntly McCarthy Illustrated by Florence Lundborg - January 18, was an American illustrator, poster artist, and painter known for her book illustrations and wartime paintings. Your reason for liking your Paul Veronese what an impudence to talk so to a man who has just purchased a real Titian! Edward Fitzgerald and 'Posh', 'herring merchants' Including letters from E. I must however tell you that I am becoming a Farmer! One of copies signed by Elbert Hubbard. But you may be better off. Unsourced material may be challenged and removed. New Edition. Just for the record, okay, for we would be remiss if we did not mention that both binding and text block are rock solid tight and clean, AAA all the way. I rather think that I shall be hanging about this part of the world all the winter: for my two sisters are about to inhabit this new house alone, and I cannot but wish to add my company to them now and then. All I ask of you is to write no Sonnets on what you see or hear—no sonnets can sound well after Daddy Wordsworth, , etc. The first thing I do in answering your letter is to tell you that I am angry at your saying that your conscience pricks you for not having written to me before. Edited, with a 27 page introduction by Jessie B. While you are wandering among p. He left in manuscript a version of Attar of Nishapur 's Mantic-Uttair. Do you remember in A. I am now writing in the Library here: and the great Authoress is as busy as a bee making a catalogue of her books beside me, chattering away. If anything I had seen in my short travels had given me any new ideas worth having I should travel more: as it is, I see your Italian lakes and cities in the Picturesque Annuals as well as I should in the reality. Condition: Very good condition. The fifth division of the collection are the Terhune Correspondence- Subject Files which consists primarily of incoming letters about FitzGerald. The Letters of Edward Fitzgerald, Volume 1 1830-1850 1st edition Reviews Ask Mrs. Princeton University Press. See Elliott, R. Only people who deserve despotism are forced to suffer it. In all my life I found no man but he was true to me. I cannot refrain from quoting some recollections of the late Archdeacon Groome, a friend of his College days, and so near a neighbour in later life that few letters passed between them. Do you know that I wanted you to come down by the railroad and see me here: where there is nothing else to be seen but myself: which would have been a comfort to you. But I think that you will see Tennyson acquire all that at present you miss: when he has felt life, he will not die fruitless of instruction to man as he is. Do you remember that day when we sat upon that rock that runs out into the sea, and looked down into the clear water below? You may put Northampton after Thornby if you like. It would have been easy to increase the number considerably had I printed all that I possess, but it seemed better to create the desire for more than to incur the reproach of having given more than enough. There is an Eastlake, but I missed it. Yet, if your friend tells you it is by G. But you can read a bit at odd times, you know: or none at all. In October and November he was for three weeks in town with Thackeray, and in the following summer was thinking of joining him at Havre when he wrote to his friend Allen. I wonder within myself if we are changed since then. It is a most awful head: Dante, when about twenty-five years old. Why do you not bring up your children to it? I have lately bought a little pamphlet which is very difficult to be got, called The Songs of Innocence, written and adorned with drawings by W. I washed it myself very carefully with only sweet salad oil: perfectly innocuous as you may imagine: and that, with the new lining, and the varnishing, has at least made the difference between a dirty and a clean beauty. See Barton, Lucy. Bernard Barton — I am almost convicted in my own mind of ingratitude for not having travelled long ago to Pembrokeshire, to show my most kind friends of Freestone that I remember their kindness, and that they made my stay so pleasant as to make me wish to test their hospitality again. Remember me? I know very few people here: and care for fewer; I believe I should like to live in a small house just outside a pleasant English town all the days of my life, making myself useful in a humble way, reading my books, and playing a rubber of whist at night. The forehead is at present in Pembrokeshire, I believe: or Glamorganshire: or Monmouthshire: it is hard to say which. Whether I shall accompany him is not p. Spedding is here: taking lessons of drawing, before he goes for good into Cumberland: whither, for my sake and that of all his friends, I wish he never would go: for there are few such men, as far [as] I know. Then at half past one lunch on Cambridge cream cheese: then a ride over hill and dale: then spudding up some weeds from the grass: and then coming in, I sit down to write to you, my sister winding red worsted from the back of a chair, and the most delightful little girl in the world chattering incessantly. He must be very great, I think. Lusia says she has had a letter from Mrs. While you are wandering among p. Give me their names, etc. She is the only bad speculation of the season. For in half an hour I shall seek my Piscator, [61a] and we shall go to a Village [61b] two miles off and fish, and have tea in a pot-house, and so walk home. These fits of exultation are not very common with me: as after leaving off beef my life has become of an even grey paper character: needing no great excitement, and as pleased with Naseby as Naples.
Recommended publications
  • Omar Khayyam
    ABU OL-FATH EBN-EBRAHIM ’OMAR OL-KHAYYÁMI OF NISHAPUR 1048 CE May 15, Monday: Traditional date of birth of the Persian mathematician, astronomer, and poet Omar Khayyam يمغياث الدين ابو الفتح عمر بن ابراه Ghiyath al-Din Abu’l-Fath Omar ibn Ibrahim Al-Nisaburi Khayyámi) in Nishapur, the provincial capital of Khurasan in northeastern Iran, a town at an altitude of ,(خيام نيشابوري 3,920 feet. There appears to be no evidence whatever that he was born on this traditional date. It is, presumably, a pious fabrication committed by someone sometime. We think actually he was born in about 1038 to 1048, most likely 1044 — but hey, what does it matter? “Khayyam” means the tent-maker, and although generally he is considered as a Persian, it has also been suggested that he could have belonged to a tribe of Arab origin that settled in Persia. Little is known about his early life except that he was educated at Nishapur and lived there and at Samarqand for most of his life. He was a contemporary of Nidham al-Mulk Tusi. He would be the 1st to be able to solve some cubic equations, to wit, equations of degree three with the unknown raised to the third power and eventually would be recognized as the only person we know of, who was recognizably both a poet and a mathematician. Although patronage opportunities would be available to him, and although he would visit the great centers of learning in Samarqand, Bukhara, Balkh, and Isphahan in order to study and to interact with other scholars, he preferred a calm life devoted to inquiry and did not avail himself of the shah’s court.
    [Show full text]
  • Salman-Absal-Jami-En.Pdf
    Hu 121 SALÁMÁN & ABSÁL AN ALLEGORY TRANSLATED FROM THE PERSIAN OF JÁMI BY EDWARD FITZGERALD LONDON ALEXANDER MORING LTD. THE DE LA MORE PRESS 298 REGENT STREET W MDCCCCIV [1904] This is a translation of an allegorical Sufi poem by the Persian Sufi poet Jami. Nur ad-Din Abd ar-Rahman Jami, (b. 1441 d. 1492), lived in what is today Afghanistan and Uzebekistan. The translator, Edward Fitzgerald, is best known for his translation of the Rubayyat of Omar Khayyam. This book has not been reprinted since it was published in the early 20th century, although the poem has been reprinted in conjunction with other Fitzgerald works. Scanned, proofed and formatted at sacred-texts.com by John Bruno Hare, September 2008. This text is in the public domain in the US because it was published prior to 1923. MY DEAR COWELL, Two years ago, when we began (I for the first time) to read this Poem together, I wanted you to translate it, as something that should interest a few who are worth interesting. You, however, did not see the way clear then, and had Aristotle pulling you by one Shoulder and Prakrit Vararuchi by the other, so as indeed to have hindered you up to this time completing a Version of Hafiz’ best Odes which you had then happily begun. So, continuing to like old Jámi more and more, I must try my hand upon him; and here is my reduced Version of a small Original. What Scholarship it has is yours, my Master in Persian and so much beside; who are no further answerable for all than by well liking and wishing publisht what you may scarce have Leisure to find due fault with.
    [Show full text]
  • [Note: This Is a Pre-Copyedited, Author-Produced PDF of an Article
    [Note: This is a pre-copyedited, author-produced PDF of an article published as “FitzGerald and the Rubáiyát, In and Out of Time,” Victorian Poetry 46 (2008), 1- 14.] FitzGerald and the Rubáiyát, In and Out of Time Erik Gray This issue of Victorian Poetry commemorates a double anniversary: March 31, 2009, marks both the bicentennial of the birth of Edward FitzGerald and the sesquicentennial of his Rubáiyát of Omar Khayyám, which was published (give or take a few days) on the poet’s fiftieth birthday.i It is quite fitting that we should celebrate this occasion and at the same time quite ironic. FitzGerald’s poem, after all, seeks to do away with commemoration, and even with time itself: it enjoins the reader to think only of today, abjuring all consideration of past and future. FitzGerald himself moreover, who never liked birthdays in any case, certainly did not celebrate this one. His dearest friend, William Kenworthy Browne, to whom FitzGerald had been passionately attached ever since their first meeting twenty-seven years earlier, had died only the day before.ii Browne was still a young man – he had been only sixteen when he met FitzGerald – and his death was the result of an accident. As FitzGerald described it in a letter to Tennyson, while Browne was “Coming home from hunting the end of January, his Horse was kicked by another: reared, and her hind Legs slipping under her, she fell over and on him, crushing all the middle of his Body. He lived two months with a Patience and Vitality that would have left most Men to die in a Week … and then gave up his Ghost” (Letters 2:333).
    [Show full text]
  • The Second Edition of Edward Fitzgerald's Rubá'iyyát of 'Umar
    llttidUi THE SECOND EDITION OF EDWARD FITZGERALD'S RUBA'IYYAT OF 'UMAR KHAYYAM THE SECOND EDITION OF EDWARD FITZGERALD'S rubA'iyyat of 'umar khayyam (LONDON : 1868 : B. QUARITCH) EDITED, WITH AN INTRODUCTION AND NOTES, BY EDWARD HERON-ALLEN LONDON DUCKWORTH AND CO. 1908 A II rights reserved BetJtcation iL/o " ji^ Jl^ ^:S ^ iuU> ^5 j*l-3 ij :Nrour-i-iitaij O Name of Thine, the best heading of a commencement, Without Thy Name how shall I begin my book ? Nizam'i—Leila and Majnun Ion 536^7 Kal 6 fiev rau noLrirav e^ ciWris Movarjs, 6 8e i^ nWrjs e^TjpTrjrai— ovofid^ofiev 8e dvro KarexfraL, to 8i fan rrapaTrXrjcriov e'jj^erai yap— fK 8e TovTuiv Twv TTpoiTOiv daKTvXiwv, T(bv TTOtJ/raJj', aXXoi e^ oXXou ail r]pTr]p.ivoi (ia\ Koi ivdovcria^ovai, ol fi€i> e^ Op(f}ia)s, ol de (k Movddiov 61 di TToXXtii e^ 'Op,r]pov Karexovrdi re koi e'xovrai. Ion 536 * 4-536 «^ 3: 2)1/ av, ft) "lo)v, eis ei Kal KarixTH ^$ 'Ofirjpov, koI eneiSav p-iv ris aXKov Tov TTOirjTov aBr), Kadivdeis re kcL aTTopfls brt, X4yi]s, eireidav Se TovTov TOV TTOirjTov (pdey^yjTaL tis p,f\os, evdvs eypijyopas koX opxeiTai fj '^"' f^'^opels ort Xtyrjs' ov ovS' eiri(rTrjp,T} crov V^'^'X') yap Tixyu TrepX 'Op,fjpov Xeytis a Xiyeis, dXXa diia p.6ipa koi KaTOKaxf], Stfrtrep ol KopvjBavTiS)VTes fKcivov p^ovov alaOdvovTai. tov p,iXovs o^ecos o &i> rj TOV deov i^OTOv tiv KaT€X(>>vTai, Kal els eicetvo to p^eXos Kal crx^paTuiv Kal pt]p,dT(ov eviropovaif tu)v fie hXXwi' ov (j)povTi^ov(riv ovtco Kal(rv, 0) "lav, Trepl pev 'Oprjpov oTav tis p,vrja6fj, (VTropeis, vrepi de tS)v (iXXoJV aTTopeis' tovtov S' e'crrt to uitiou, 6 p epcuTas, 81 on cri) nepl pev 'Op,7]pov eviroptis, wepl 8e tcov (iXX<ov ov, on ov Texv;/ dXXd Oiia pLOipa 'Opijpov 8eiv6s et enaipeTtjs.
    [Show full text]
  • Title 'So You Knew Fitzgerald'-Oscar Wilde and the Rub?Iy?T of Omar
    ‘So You Knew FitzGerald’-Oscar Wilde and The Title Rub?iy?t of Omar Khayy?m- Author(s) 小宮,彩加 THE JOURNAL OF HUMANITIES MEIJI UNIVERSITY, 21: Citation 1-10 URL http://hdl.handle.net/10291/17922 Rights Issue Date 2015-03-31 Text version publisher Type Departmental Bulletin Paper DOI https://m-repo.lib.meiji.ac.jp/ Meiji University The Journal 01 Humanities ,A 例 iUniv. , Vo l. 21 (地 rch 31 ,2015) ,1- ]0 '80 '80 You Knew FitzGerald': Oscar Wilde and The Rubaiyat o/Omar Khayyam KOMIYA Ay aka 3 'So 'So You Kn ew FitzGerald': Oscar Wilde and The Rubaiyat o/Omar Khayyam KOMIYAAyaka The Picture of Dorian Gray is Oscar Wilde's best 司 known work ,which is often identified withfin-de-siecle , decadent literature. There are actually two versions of The Picture of Dorian Gray: Gray: the original novella forrn version published in Lippincott きMagazine in June 1890 , and the revised revised longer version which appeared in book form in 189 1. L ψ'P incott 主version ,which comprised comprised 13 chapters ,received a storrn of protest from reviewers. It was deemed so immoral that that the July issues of L 伊'P incott sMagazine were withdrawn 仕om bookstalls at railway stations. Although Although Wilde was undefeated by the harsh criticisms , he took some advice seriously. During his his trial , in 1895 ,when Wilde was being tried for ‘gross indecency ,' he admitted that he made some alterations to the original version of The Picture of Dorian Gray because ‘it had been pointed pointed out ..
    [Show full text]
  • The Impact of Power and Ideology on Edward Fitzgerald's Translation Of
    TranscUlturAl, vol. 11.1 (2019), 35-48 https://journals.library.ualberta.ca/tc/index.php/tc The Impact of Power and Ideology on Edward FitzGerald’s Translation of the Rubáiyát: A Postcolonial Approach Bentolhoda Nakhaei University of Lorraine Introduction The Rubáiyát1 refers to a collection of quatrains composed by the Persian poet, Omar Ibn Ibrāhīm-I Nayshāpūrī (1048-1131), known simply as Omar Khayyám in the West. The quatrains of Omar Khayyám were first introduced to the West through the translation of an English writer named Edward FitzGerald (1859). FitzGerald translated Khayyám’s quatrains in the form of five versions of translation: 1859, 1868, 1872, 1879, 1889. However, his translation is a free adaptation and a selection of the Persian poet’s quatrains which is regarded today as a brilliant instance of 19th-century English Literature on its own merit. According to André Lefevere, the act of translation can be regarded as the “rewriting of an original text” (Lefevere xi). In fact, the process of rewriting reflects the ideology of the translator who manipulates the original text so that it will “function in a given society in a given way” (xi). In other terms, for Lefevere, “rewriting is manipulation, undertaken in the service of power […]” (xi). The word power in this context refers to either the power of the writer or the power of the editor. However, since the editorial power on FitzGerald’s translations did not have much effect, this paper will focus on the recognition of the extent of manipulative power of the translator. In other terms, it is aimed to investigate whether FitzGerald has attempted to abuse his colonial power as a British writer while rendering the Persian quatrains.
    [Show full text]
  • The Great 'Umar Khayyam
    The Great ‘Umar Khayyam Great The IRANIAN IRANIAN SERIES SERIES The Rubáiyát by the Persian poet ‘Umar Khayyam (1048-1131) have been used in contemporary Iran as resistance literature, symbolizing the THE GREAT secularist voice in cultural debates. While Islamic fundamentalists criticize ‘UMAR KHAYYAM Khayyam as an atheist and materialist philosopher who questions God’s creation and the promise of reward or punishment in the hereafter, some A GLOBAL RECEPTION OF THE RUBÁIYÁT secularist intellectuals regard him as an example of a scientist who scrutinizes the mysteries of the universe. Others see him as a spiritual A.A. Seyed-Gohrab (ed.) master, a Sufi, who guides people to the truth. This remarkable volume collects eighteen essays on the history of the reception of ‘Umar Khayyam in various literary traditions, exploring how his philosophy of doubt, carpe diem, hedonism, and in vino veritas has inspired generations of poets, novelists, painters, musicians, calligraphers and filmmakers. ‘This is a volume which anybody interested in the field of Persian Studies, or in a study of ‘Umar Khayyam and also Edward Fitzgerald, will welcome with much satisfaction!’ Christine Van Ruymbeke, University of Cambridge Ali-Asghar Seyed-Gohrab is Associate Professor of Persian Literature and Culture at Leiden University. A.A. Seyed-Gohrab (ed.) A.A. Seyed-Gohrab WWW.LUP.NL 9 789087 281571 LEIDEN UNIVERSITY PRESS The Great <Umar Khayyæm Iranian Studies Series The Iranian Studies Series publishes high-quality scholarship on various aspects of Iranian civilisation, covering both contemporary and classical cultures of the Persian cultural area. The contemporary Persian-speaking area includes Iran, Afghanistan, Tajikistan, and Central Asia, while classi- cal societies using Persian as a literary and cultural language were located in Anatolia, Caucasus, Central Asia and the Indo-Pakistani subcontinent.
    [Show full text]
  • Anne Thackeray Ritchie Biographical Introductions to the Complete Works of William Makepeace Thackeray
    Special Collections Department Anne Thackeray Ritchie Biographical Introductions to The Complete Works of William Makepeace Thackeray 1897 - 1899 Manuscript Collection Number: 371 Accessioned: Transferred from printed collection, March 1997 Extent: .3 linear feet (29 items) Content: Proofs, galleys, and letters. Access: The collection is open for research. Processed: July 1998, by Meghan J. Fuller for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Notes Scope and Contents Note Series Outline Contents List Biographical Notes William Makepeace Thackeray One of the most prolific and beloved novelists of the Victorian Era, William Makepeace Thackeray was born in Alipur, India, on July 18, 1811, the only child of Richmond Thackeray, a successful administrator for the East India Company, and his wife, Anne Becher. Thackeray's father passed away four years later, and young William was sent to boarding school in London. Many of his early experiences in India and later in boarding school found their way into several of his popular works, including Vanity Fair and The Newcomes. After his premature departure from Cambridge University and a half-hearted attempt at law school in 1834, Thackeray moved to Paris to concentrate on his art. While studying there, he met and married Isabella Getkin Creach Shawe (1818-1893). The couple had three daughters, Anne Isabella, Harriet Marrian, and Jane who died at age eighteen months. Soon after her daughter's death, Isabella Thackeray suffered a nervous breakdown from which she never recovered. Thackeray was then left with the responsibility of raising two young daughters and supporting his wife who would remain in various sanitoriums for the rest of her life.
    [Show full text]
  • THE RUBAIYAT Aim the AUCIEUT SAGE
    The Rubaiyat and The ancient sage; a comparison Item Type text; Thesis-Reproduction (electronic) Authors Calder, Helen Graham, 1904- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 17:18:00 Link to Item http://hdl.handle.net/10150/553315 THE RUBAIYAT Aim THE AUCIEUT SAGE A COI .PARI SOU By Helen G* Calder A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1937 Approved : Major Professor Date. s jzr???; l/,4 PREFACE Having been impressed on the first reading of The Ancient Sage by a vague but sustained similarity to some familiar poem, a likeness which became more pronounced and positive with each re-reading, I set me about to find its counterpart. I believe that I found it in the Rubaiyat. Since no material comparing the poems was available, I com­ piled my own to see if my conclusions were justifiable. Having completed the comparison I felt that Tennyson cast The Ancient Sage in its dual form so that he might present Omarian agnosticism and with mystic Pantheism refute it, ar­ gument by argument. It appears to me that in The Ancient Snge, more than any other philosophical poem, Tennyson shows the direct influence of two sourcest FitzGerald's Rubaiyat and Lao Tsze rs Tao Teh King.
    [Show full text]
  • Omar Khayyam's Ruba'iyat and Rumi's Masnavi Interpreted. The
    Chapter 6 Omar Khayyam’s Ruba’iyat and Rumi’s Masnavi Interpreted. The Politics and Scholarship of Translating Persian Poetry 1Truth and Poetry of TwoPersian Poets In 1072,the youngphilosopher Omar Khayyamenteredthe CentralAsian capital of scholarshipSamarkand.Ashewalkedthroughthe city,hefound amob assault- ingastudentofthe greatphilosopher Ibn Sina (Avicenna).Khayyam intervened to save thestudent.But hisreputationasaphilosopherand poet of hereticmateri- alistverseshad preceded Khayyamand when thecrowd discovered whohewas, they turned on himand roughedhim up.Khayyam wasthen broughtbeforeSa- markand’sleading qadi (judge/magistrate),Abu Taher. Insteadofcondemning thephilosopher,who challenged thestricturesoforthodoxtheology, AbuTaher recognised hisintellect, butwarned Khayyamofutteringhis critical poetry openly. Theqadihandedthe philosopherabeautifulnotebookintowhich he should write hiswitty andthought-provoking quatrains,instead of speaking hispoems openly andthereby endangeringhis ownsafety. This notebook wastobecomethe manu- script that marked thebeginning of the Ruba’iyat of Omar Khayyam, whichwould gain global fame in thenineteenthcentury andbecomefor decadesthe second most printedbookinthe Englishspeakingworld afterthe Bible. This is how Amin Maalouf has it in the opening of his historic fiction novel Samarcande.¹ In areview afew years later,Rashid noted that “Omar Khayyam is treated likeamedieval Salman Rushdie”,onlythat backinthe Middle Ages, dur- ing the days of glorious scientific Islam,hewas not condemned to death by the orthodoxy but protected by an Islamic jurist.² The almostsimultaneous publica- tion of Samarcande and Rushdie’s Satanic Verses in 1988 preclude Maalouffrom having been influenced by Khomeini’sinfamous fatwa against the British Indian author ayearlater,but Rashid’scommentary pointstothe rise of political Islam and its growingintolerance of contrarian views in the 1980s, which had also seen the ban of Khayyam’s Ruba’iyat in Iran after the revolution in 1979.³ Maa- Amin Maalouf, Samarcande (Paris:Jean-Claude Lattès, 1988), 4–17.
    [Show full text]
  • Rubáiyát of Omar Khayyám and Salámán and Absál
    RUBÁIYÁT OF OMAR KHAYYÁM AND SALÁMÁN AND ABSÁL TOGETHER WITH A LIFE OF EDWARD FITZGERALD AND AN ESSAY ON PERSIAN POETRY BY RALPH WALDO EMERSON OMAR KHAYYÁM AND RALPH WALDO EMERSON TO E. FITZGERALD Old Fitz, who from your suburb grange Where once I tarried for a while, Glance at the wheeling Orb of change And greet it with a kindly smile; Whom yet I see, as there you sit Beneath your sheltering garden tree, And watch your doves about you flit And plant on shoulder, hand and knee, Or on your head their rosy feet, As if they knew your diet spares Whatever moved in that full sheet Let down to Peter at his prayers; But none can say That Lenten fare makes Lenten thought, Who reads your golden Eastern lay, Than which I know no version done In English more divinely well; A planet equal to the sun; Which cast it, that large infidel Your Omar: and your Omar drew Full-handed plaudits from our best In modern letters.... Alfred, Lord Tennyson. LIFE OF EDWARD FITZGERALD Edward FitzGerald was born in the year 1809, at Bredfield House, near Woodbridge, Suffolk, being the third son of John Purcell, who, subsequently to his marriage with a Miss FitzGerald, assumed the name and arms proper to his wife‟s family. St. Germain and Paris were in turn the home of his earlier years, but in 1821, he was sent to the Grammar School at Bury St. Edmunds. During his stay in that ancient foundation he was the fellow pupil of James Spedding and J.
    [Show full text]
  • Preparing for the Centenary of Fitzgerald's Rubaiyat
    Colby Quarterly Volume 5 Issue 1 March Article 4 March 1959 Preparing for the Centenary of Fitzgerald's Rubaiyat Carl J. Weber Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.1, March 1959, p.5-14 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Weber: Preparing for the Centenary of Fitzgerald's Rubaiyat Colby Library Quarterly 5 1879: the first printing of the Fourth Version, London, with one hundred and one quatrains. 1884: the first illustrated edition: Boston, with Vedder's drawings. 1885: the first New York edition, issued by The Grolier Club. 1889: the first printing of the Fifth Version, London. 1894: the first printing in Portland, Maine: the first of Thomas B. Mosher's many editions of this poem. 1906: the first Australian printing, at Melbourne. 1910: the first German printing, at Leipzig. The Centennial Edition planned for publication by the Colby College Press this month presumably marks the first time that this famous work has been published in Waterville. The printing has been done in Portland by the distinguished Anthoensen Press. PREPARING FOR THE CENTENARY OF FITZGERALD'S RUBAIYAT By CARL J. WEBER MILY DICKINSON remarks in one of her poems that the E bustle in a house the morning after death is the sol­ emnest of industries. TIle hustle in the house of the liter­ ary historian as he prepares for the arrival of the year 1959 is, if not so solemn, at least as noticeable and as emphatic as the bustle of which Emily Dickinson writes.
    [Show full text]