The World's Largest Annual Film Fes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 1 of 8
Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 1 of 8 Jeff Watson 1745 Winona Boulevard, #14 Los Angeles, CA 90027 (323) 384-7209 [email protected] twitter: @remotedevice http://remotedevice.net Areas of Interest Transmedia interaction design, mobile and environmental media, applied game design, participatory media, urban interventionist art practice, ice hockey Education PhD in Media Arts and Practice, University of Southern California, May 2012 (expected). Committee: Tara McPherson (chair), Steve Anderson, Scott Fisher, Tracy Fullerton, Henry Jenkins. Alliance Atlantis Film Residency, Canadian Film Centre, December 2005. M.F.A. in Film and Video, York University, May 2002. Advisor: Amnon Buchbinder. B.A. in English (Communications & Cultural Studies), McGill University, May 1997. Experience Director, Reality Ends Here, USC School of Cinematic Arts (USC Game Innovation Lab/ Institute for Multimedia Literacy). March 2011 - present. Researcher, Intel People and Practices Lab. Mobile media and civic engagement commission. February - April 2011. Research Assistant/Designer, USC Mobile and Environmental Media Lab. October 2008 - present. Research Assistant, USC Interactive Media Division. August - December 2010. Chair, IndieCade Big Games Exhibition. With Colleen Macklin. March - October 2010. Founder and Organizer, Pervasive and Environmental Gaming Los Angeles (PEG-LA). With Sarah Brin and Celia Pearce (Georgia Tech). June 2010 - present. [email protected] | twitter: @remotedevice | http://remotedevice.net Jeff Watson - Curriculum Vitae - Update: Saturday, September 24, 2011 - Page 2 of 8 Teaching Assistant, USC Institute for Multimedia Literacy. August 2009 - December 2010. Screenwriter and Filmmaker. Freelance. Clients, funders, and partners include Telefilm Canada, January Films, Canada Council for the Arts, BRAVO, and MuchMusic. January 1999 to July 2008. -
Blue Banner, Is Published Two Times Per Year
bbllue banner HAEL’S COLLEGE SC ST. MIC HOOL Volume 13 ~ Fall/Winter 2012 SPECIAL POLITICS ISSUE 16 Making Our Mark In Public Service 18 St. Mike’s and Party Politics 20 All Politics is Local lettersbb tol theu editore banner HAEL’S COLLEGE S ST. MIC CHOOL The St. Michael’s College School alumni magazine, Blue Banner, is published two times per year. It reflects the history, accomplishments and stories of graduates and its purpose is to promote collegiality, respect and Christian values under the direction of the Basilian Fathers. TABLE OF CONTENTS USEFUL WEBSITES PRESIDENT: Terence M. Sheridan ’89 Message from the President 4 St. Michael’s College School: www.stmichaelscollegeschool.com EDITOR: Gavin Davidson ’93 Message from the Alumni President 5 Blue Banner Online: www.mybluebanner.com CO-EDITOR: Michael De Pellegrin ’94 Letter from the Editor 6 Basilian Fathers: www.basilian.org CISAA (Varsity Athletic Schedule): www.cisaa.ca Tel: 416-653-3180 ext. 292 Fax: 416-653-8789 Letters to the Editor 7 Twitter: www.twitter.com/smcs1852 E-mail: [email protected] Alumni E-mail: [email protected] Open Letter to Alumni: Canada Publications Mail Agreement #40006997 One Mission, One Thousand Options 8 CONTACT DIRECTORY Welcoming the New Alumni Executive 9 CONTRIBUTING EDITORS Tel: 416-653-3180 ext. 292 Paul Forbes Retires After 36 Years and 29 Titles 10 Kimberley Bailey, Fr. Lawrence Hyginus ’00, Jillian Kaster, Pat Mancuso ’90, Richard McQuade, E-mail: [email protected] Rick Naranowicz ’73, Joe Younder ’56 A Major Renewal 12 Web: www.stmichaelscollegeschool.com • Admissions (ext. 195) Securing our Future by Giving Back 13 ALUMNI EXECUTIVE 2012-2015 • Advancement (ext. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
HIGHLIGHTS … They Have Created a Public Event You Could No More Cancel Than You Could Cancel Valentine’S Day
2018HIGHLIGHTS … they have created a public event you could no more cancel than you could cancel Valentine’s Day. — Kate Taylor, The Globe and Mail Contents 1 INTRODUCTION NCFD by the numbers • Spotlight on Women • Trailblazers 12 SCREENING EVENTS Interactive Google map • Enhanced events • International events • 2018 communities • RCtv 26 SCREENING PARTNER RESOURCES 30 ONLINE, ON-AIR AND IN-THE-AIR PROGRAMMING 36 BUZZ Promotional video • Media coverage highlights • Social media highlights • Website highlights • Media partnerships 46 TESTIMONIALS 50 SUPPORT REEL CANADA Board of Directors and Advisory Committee • Our Sponsors • Our Partners Introduction “… they have, in five short years, created a public event you could The way Canadians embraced our spotlight on women also showed no more cancel than you could cancel Valentine’s Day.” us that Canadians are not only hungry for homegrown stories, but – Kate Taylor, The Globe and Mail are deeply interested in hearing underrepresented voices, and celebrating them. When the article quoted above was published, that’s when we knew. We don’t expect you, Dear Reader, to take in every detail of this report. But we hope you will browse and enjoy some of the nuggets We knew there was a huge appetite for a cultural celebration that — the individual testimonials, the range of screening venues (and allows us to embrace our own stories, and we knew that Canadians countries!) and the ways in which screening partners made the day are beginning to think of it as a national institution! their own. It’s not very Canadian of us to toot our own horn, but we’re Reflecting on the fifth annual NCFD brings us to one conclusion: incredibly proud of the way National Canadian Film Day (NCFD) celebrating Canada by watching great Canadian films truly matters has grown over the past five years. -
Meditation Park
Presents MEDITATION PARK A film by Mina Shum (94 min., Canada, 2017) Language: English, Cantonese, Mandarin w/ English Subtitles Canadian Distribution International Sales 1352 Dundas St. West 1352 Dundas Street West Toronto, Ontario, Canada, M6J 1Y2 Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-516-9775 Fax: 416-516-0651 Caroline Habib E-mail: [email protected] Tel: 416-516-9775 Ext. 221 www.mongrelmedia.com [email protected] Canadian & International Publicity Bonne Smith Star PR Tel: 416-488-4436 Twitter: @starpr2 E-mail: [email protected] @MongrelMedia MongrelMedia MEDITATION PARK LOGLINE & SYNOPSIS Devoted wife and mother, 60-year-old Maria Wang’s life is altered when she discovers an orange thong in her husband’s pants pocket, forcing her to confront how powerless she truly is. Her efforts to find out the truth send her on an unexpected journey of liberation. LONG SYNOPSIS East Vancouver: an immigrant mix, old and new. We witness Maria (60) hanging the laundry; we meet her neighbours, and see her exercising in the park with her charming soulful husband, Bing (65). Epic landscapes and the hint of loneliness. It’s Bing’s 65th birthday, and their grown daughter Ava (40s), her husband Jonathan (40s) and their biracial kids, baby Milly and Max (6), come home to honour him. Tipsy, Bing makes a heartfelt ode to his gal Maria, and is restrained and sweet. The day after, Maria is alone doing her usual tidying when she reaches into Bing’s suit pocket and discovers an orange g-string thong. We watch her reaction and her full range of emotions morphing between disbelief, shock, anger and fear. -
Truth Commission Discourse and the Aesthetics of Reconciliation
LCH0010.1177/1743872115603665Law, Culture and the HumanitiesVallee 603665research-article2015 LAW, CULTURE AND THE HUMANITIES Article Law, Culture and the Humanities 1 –16 Truth Commission Discourse © The Author(s) 2015 Reprints and permissions: and the Aesthetics of sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1743872115603665 Reconciliation lch.sagepub.com Mickey Vallee University of Lethbridge, Canada Abstract Truth Commissions have come to be regarded as a turning point for post-conflict and post- authoritarian states in transition. In this article, I argue that truth commission testimony, broadly defined to include artistic, cultural, and media productions, must be experienced as forms of affective materiality over discursive inscription. Using as an instrumental case study the Truth and Reconciliation Commission of Canada (2008–2015), I conceptualize testimony as a necessary re-fictionalization of the past, present, and future of a nation. The truth commission discourse, especially in Canada, works to protect the perpetrators by (1) disallowing their identities from entering into the public record, and (2) creating bystanders out of those perpetrators that allows for an innocent and ineffective witnessing. The push for forgiveness harnesses an imperative for truth commissions to idealize and idolize the emotional moment of testimony. It is imperative to resist the spectacle of confession and testimony. But the witness must not be discarded. The witness must be found in those cultural institutions beyond truth commission events to include the aesthetics of reconciliation. Keywords Truth and Reconciliation Commission of Canada; transitional justice; testimony; voice I. Inarticulate Voice This research originated in the classroom. It grows from a course in social problems I teach at the University of Lethbridge, traditional land of the Kaínaí Indian Reserve No. -
Productions in Ontario 2007
PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation 2007 www.omdc.on.ca You belong here FEATURE FILMS - THEATRICAL BLINDNESS EATING BUCCANEERS Company: Rhombus Media (Blindness) Inc. Producers: Mark Montefiore, Jennifer Mesich Producers: Niv Fichman, Sonoko Sakai, Executive Producers: Bill Keenan, ADORATION Andrea Barata Ribeiro Tracy Keenan Company: Ego Film Arts Executive Producers: Gail Egan, Director: Bill Keenan Producers: Atom Egoyan, Simone Urdl, Simon Channing Williams Writer: Bill Keenan Jennifer Weiss Director: Fernando Meirelles Production Manager: Adili Yahel Executive Producers: Robert Lantos, Writer: José Saramago D.O.P.: Wesley Legge Michele Halbertstadt, Laurent Petin Production Manager: Ivan Teixeira Key Cast: Peter Keleghan, Leah Pinsent, Director: Atom Egoyan D.O.P.: Cesar Charlone Neil Crone, Jeff White, Shanon Beckner, Production Designer: Phillip Baker Key Cast: Julianne Moore, Mark Ruffalo, Steven McCarthy D.O.P.: Paul Sarossy Sandra Oh, Don McKellar Shooting Dates: 8/1/2007 - 9/30/2007 Key Cast: Rachel Blanchard, Scott Speedman, Shooting Dates: 7/24/2007 - 10/15/2007 Devon Bostick FLASH OF GENIUS Shooting Dates: 9/17/2007 - 10/19/2007 CRY OF THE OWL Company: Spyglass Entertainment/ Company: Sienna Films Productions XI Inc. Universal Pictures Productions AMERICAN PIE PRESENTS: Producer: Julia Sereny, Jennifer Kawaja Producers: Gary Barber, Roger Birnbaum, BETA HOUSE Executive Producers: Steve Ujlaki, Michael Lieber David Thompson, Jamie Laurenson, Executive Producers: Miles Dale, Company: -
The Most Popular Canadian Films
Spring 2005 The Alliance of Canadian Cinema, Television and Radio Artists INSIDE: CANADIAN FEATURE FILMS 2005 Genie The race to get ahead – page 8 Awards Reflections on a dream role Thor Bishopric ack in 1984, I spent the whole summer end of May, I will preside over my last the country. Many of them feel more like Bworking on a feature film shot at an National Council meeting as ACTRA family members than employees. I have amusement park in Montreal. It was a President. I have served for six years – studied the operations of all of ACTRA’s great summer job. And it was an exciting believe it or not, the longest period in large, sister-organizations and I can assure time to be an actor as there was a fair office of a National President in ACTRA’s you without qualification, that we have the amount of capital flowing into our indus- history. The experience of leading this finest complement of staff of any performer try. It seemed Canadian movies were des- tined to break out. One afternoon on set, I mentioned to At the end of May, I will preside over my last National my co-star, (to this day one of Canada’s most successful performers) that there was Council meeting as ACTRA President. I have served for an ACTRA meeting that night and did he want to check it out with me. He didn’t six years – believe it or not, the longest period in miss a beat. “Thor, ACTRA meetings aren’t cool,” he said. -
The 2005 ACTRA Awards in Toronto
Spring 2005 The Alliance of Canadian Cinema, Television and Radio Artists INSIDE: CANADIAN FEATURE FILMS 2005 Genie The race to get ahead – page 8 Awards Reflections on a dream role Thor Bishopric ack in 1984, I spent the whole summer end of May, I will preside over my last the country. Many of them feel more like Bworking on a feature film shot at an National Council meeting as ACTRA family members than employees. I have amusement park in Montreal. It was a President. I have served for six years – studied the operations of all of ACTRA’s great summer job. And it was an exciting believe it or not, the longest period in large, sister-organizations and I can assure time to be an actor as there was a fair office of a National President in ACTRA’s you without qualification, that we have the amount of capital flowing into our indus- history. The experience of leading this finest complement of staff of any performer try. It seemed Canadian movies were des- tined to break out. One afternoon on set, I mentioned to At the end of May, I will preside over my last National my co-star, (to this day one of Canada’s most successful performers) that there was Council meeting as ACTRA President. I have served for an ACTRA meeting that night and did he want to check it out with me. He didn’t six years – believe it or not, the longest period in miss a beat. “Thor, ACTRA meetings aren’t cool,” he said. -
Movie Museum MAY 2009 COMING ATTRACTIONS
Movie Museum MAY 2009 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! LAST CHANCE HARVEY Buddha Day Mother's Day THIRD MAN ON THE THREE MEN IN A BOAT (2008-UK/US) TRAVELLERS AND LAST CHANCE HARVEY MOUNTAIN (1956-UK) in widescreen MAGICIANS (2008-UK/US) (1959) (2003-Australia/Bhutan) in widescreen with Laurence Harvey, Jimmy with Dustin Hoffman, Emma in Dzongkha with English with Dustin Hoffman, Emma with Michael Rennie, James Edwards, David Tomlinson, Thompson, Eileen Atkins, subtitles & in widescreen Thompson, Eileen Atkins, MacArthur, Janet Munro, with Tsewang Dandup, Shirley Eaton, Lisa Gastoni, Kathy Baker, Liane Balaban, Kathy Baker, Liane Balaban, James Donald, Herbert Lom, James Brolin, Richard Schiff. Sonam Lhamo, Lhakpa Dorji, James Brolin, Richard Schiff. Laurence Naismith. Jill Ireland, Martita Hunt. Deki Yangzom, Sonam Kinga. Written and Directed by Directed by Directed by Written and Directed by Written and Directed by Joel Hopkins. Ken Annakin. Ken Annakin. Joel Hopkins. Khyentse Norbu. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & 8:30pm 7 & 8:30pm 8 & 8:30pm 9 & 8:30pm 10 & 8:30pm 11 QUARTET TRAVELLERS AND THE CURIOUS CASE OF TAKEN Hawaii Premiere! (1948-UK) MAGICIANS BENJAMIN BUTTON (2008-France) ACROSS THE BRIDGE (1957-UK) hosted by W. Somerset (2003-Australia/Bhutan) (2008) in English & in widescreen Maugham, with Dirk Bogarde, in Dzongkha with English in widescreen in widescreen George Cole, Honor Blackman, subtitles & in widescreen with Brad Pitt, Julia Ormond, with Liam Neeson, Famke with Rod Steiger, David Mai Zetterling, Basil Radford, with Tsewang Dandup, Sonam Cate Blanchett, Elias Koteas, Janssen, Leland Orser, Knight, Marla Landi, Noel Naunton Wayne, Cecil Parker, Lhamo, Lhakpa Dorji, Tilda Swinton, Taraji P. -
Indigenous Feature Film Production in Canada: a National and International Perspective
Indigenous Feature Film Production in Canada: A National and International Perspective October 2013 Rhymes for Young Ghouls, Jeff Barnaby, Director Indigenous Feature Film Production in Canada: A National and International Perspective Acknowledgements This report was commissioned by the imagineNATIVE Film + Media Arts Festival (imagineNATIVE) and was researched and written by consultants Danis Goulet and Kerry Swanson. Funding was provided by the Ontario Media Development Corporation’s (OMDC) Research Grant Program and Telefilm Canada (Telefilm). This report would not have been possible without the support or contributions of the writers, directors, producers, programmers, industry professionals and other stakeholders who contributed their valuable time and knowledge to this process. imagineNATIVE would also like to acknowledge the participation of the Canada Media Fund, the Canada Council for the Arts, and the National Screen Institute and internationally, Screen Australia, the New Zealand Film Commission, and the Sundance Institute. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of Ontario Media Development Corporation, the Government of Ontario, Telefilm Canada, or the Government of Canada. The Government of Ontario, the Government of Canada, and their agencies are in no way bound by the recommendations contained in this document. About the imagineNATIVE Film + Media Arts Festival Helen Haig-Brown, Director Now entering its 14th year, the imagineNATIVE Film + Media Arts Festival is the world’s largest exhibitor of Canadian and international Indigenous film and media. With a mandate to foster and promote the Aboriginal film and media sector, the organization has created the largest industry event for Aboriginal ?E?anx The Cave, filmmakers at its annual festival at the TIFF Bell Lightbox in Toronto and is recognized globally as the leading presenter of Indigenous film and media content. -
For Immediate Release Thursday, September 20, 2018
For Immediate Release Thursday, September 20, 2018 Winners of FIN Atlantic International Film Festival 2018 announced! (Halifax, NS) – After a highly successful 38th year, FIN Atlantic International Film Festival announces its award winners for the event, September 13 - 20 in Halifax. Award winners include: The Gordon Parsons Award for Best Atlantic Feature: Presented by FIN Atlantic International Film Festival Winner: An Audience of Chairs Directed by Deanne Foley Produced by Jill Knox-Gosse, Eric Jordan, Paul Stephens, and Lynne Wilson Best Atlantic Short: Sponsored by 902 Post Winner: Duck Duck Goose Directed by Shelley Thompson Produced by Sylvia Bell Best Atlantic Documentary: Sponsored by DOC Atlantic Winner: Nos Hommes Dans L'Ouest (Shadow Men) Directed by Renée Blanchar Produced by Maryse Chapdelaine Best Atlantic Short Documentary: Presented by FIN Atlantic International Film Festival Winner: The Song and the Sorrow Directed by Millefiore Clarkes Produced by Rohan Fernando and Paul McNeill Best Atlantic Animation Presented by FIN Atlantic International Film Festival Winner: Billy’s Behemoth Blast Directed by Josh Owen Best Atlantic Director: Sponsored by William F. White International Winner: Deanne Foley An Audience of Chairs The Michael Weir Award for Best Atlantic Screenwriting: Presented by FIN Atlantic International Film Festival Winner: Rosemary House An Audience of Chairs Best Atlantic Cinematographer: Presented by FIN Atlantic International Film Festival Winner: Philippe Lavalette CSC Nos Hommes Dans L'Ouest (Shadow Men)