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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
A FILM by NICOLAS MAURY CG CINÉMA Presents
A FILM BY NICOLAS MAURY CG CINÉMA presents NICOLAS MAURY NATHALIE BAYE PRESS RENDEZ-VOUS VIVIANA ANDRIANI / AURÉLIE DARD [email protected] / [email protected] Tel.: +33 1 42 66 36 35 A FILM BY NICOLAS MAURY Mob : +33 6 80 16 81 39 INTERNATIONAL SALES LES FILMS DU LOSANGE 22 Avenue Pierre 1er de Serbie - 75116 Paris Tél.: +33 1 44 43 87 24 www.filmsdulosange.com FRANCE • 2020 • 1H50 • IMAGE 2,35 • SOUND 5.1 Photos and press pack can be downloaded at https://filmsdulosange.com/en/film/my-best-part/ 4 5 pcoming actor Jérémie is going through an existential crisis. Pathologically jealous and plagued by romantic, professional and familial misadventures, he flees Paris to reset in the country with his mother – who turns out to be more than a little invasive… 6 7 The main theme of My Best Part is jealousy. passionate characters. I think that jealousy is a Jérémie, the lead character says that it burns powerful decipherer of the world, in the sense his blood. Did you do research? that it encourages the urge to overcome what The most basic item of research was my you imagine. The tragedy, if I can call it that, is own life. When I arrived in Paris as a teenager that the jealous person is not always wrong. raised in the country, in the Limousin region, They picture things in their mind, and crazily almost immediately I fell head over heels in enough it turns out the picture is often right. love and, like all devouring passions, it involved Jealousy is like tinnitus, background noise only overpowering jealousy. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Château-Gontier 30 Au 06 Octobre 2020
Château-Gontier 30 au 06 octobre 2020 MON COUSIN De Jan Kounen Avec Vincent Lindon, Fran- Boutchou De Adrien Piquet- çois Damiens, Pascale Arbillot Gauthier Avec Carole Bouquet, Pierre est le PDG accompli d’un Gérard Darmon, Clémentine WWW.cinema-palace-53.fr QR Facebook grand groupe familial. Sur le point Célarié Réservez vos places de signer l’affaire du siècle, il doit Paul et Virginie viennent d’avoir une dernière formalité : la signature un petit garçon. Heureux de de son cousin Adrien qui détient découvrir leur nouvelle vie de jeunes parents, ils n’imagi- Mer Jeu Ven Sam Dim Lun Mar 50% de sa société. Ce doux rêveur qui enchaine gaffes et maladresses naient pas que leur Boutchou 30 01 02 03 04 05 06 allait devenir l’enjeu d’une lutte est tellement heureux de retrouver sans merci entre les grand- Pierre, qu’il veut passer du temps AVANT PREMIERE POLY 1h42 Fr 14h30 parents... avec lui et retarder la signature. 1h44 Fr 17h00 16h00 16h45 Mon cousin 14h30 20h30 20h30 20h30 ANTOINETTE DANS LES CE- Comédie 20h30 21h00 19h00 De Antoine de Maximy Avec Antoine VENNES De Caroline Vignal de Maximy, Alice Pol, Max Boublil Avec Laure Calamy, Benjamin J’irai mourir dans les 1h36 Fr L’histoire commence par un banal comédie 20h30 20h30 20h30 Lavernhe, Des mois qu’Antoinette Carpates thriller accident de voiture sur une route attend l’été et la promesse d’une montagneuse des Carpates. La voi- semaine avec son amant. Alors 1h18 Fr ture d'Antoine de Maximy, le présen- Boutchou 17h00 20h30 18h00 14h30 20h30 quand celui-ci annule leurs va- comédie tateur de la série "J'irai dormir chez vous" a été emportée dans une cances pour partir dans les Cé- 1h46 Us vennes avec sa femme et sa fille, Fin Antebellum int –12 ans 17h00 18h30 rivière et son corps n’a pas été re- thriller trouvé. -
Blanche Neige
Les inséparables d’après Colas Gutman mise en scène Léna Bréban du 6 au 10 octobre 2015 La Scène Watteau / Place du Théâtre / Nogent-sur-Marne locations 01 48 72 94 94 www.scenewatteau.fr La Scène Watteau est une scène conventionnée subventionnée par la Ville de Nogent-sur-Marne, la DRAC Ile-de-France, le Conseil départemental du Val-de-Marne et la Région Ile-de-France Les inséparables d’après Colas Gutman adaptation et mise en scène Léna Bréban avec Rachel Arditi, Laure Calamy, Julie Pilod, Alexandre Zambeaux collaboration artistique Alexandre Zambeaux musique Frédéric Fleischer lumières Jean-Luc Chanonat costumes Julie Deljehier scénographie et accessoires Camille Duchemin texte édité par L’Ecole des Loisirs projet soutenu par le collectif de producteurs jeune public associés d'Ile-de-France production Compagnie Ingaléo production déléguée Théâtre Paris-Villette coproduction Théâtre Paris-Villette, La Scène Watteau - Scène conventionnée de Nogent-sur- Marne, Espace culturel Boris Vian - Les Ulis, Festival théâtral du Val d’Oise avec le soutien de la Drac Ile-de-France, Ville de Paris, Adami, SPEDIDAM, Arcadi mercredi 7 octobre 2015 à 14h30, samedi 10 octobre 2015 à 14h30 représentations scolaires : mardi 6 octobre à 10h et 14h30, jeudi 8 octobre à 10h et 14h30, vendredi 9 octobre à 10h et 14h30 spectacle tout public dès 6 ans durée estimée 1h prix des places de 5 à 22 € La Scène Watteau, Place du Théâtre, Nogent-sur-Marne, face à la station RER E Nogent-Le Perreux locations 01 48 72 94 94 contact La Scène Watteau Benoît Strubbe tél 01 43 24 76 76, [email protected] Résumé « Avec Delphine, on a conclu un pacte. -
Cyrano De Bergerac
7 November to 16 December 2018 www.frenchfilmfestival.org.uk A TOUCH OF STYLE Nestled in the heart of Edinburgh and only two minutes from Princes Street, the ibis Styles St Andrew Square is an ideal base to tease tales from this mysterious city. Whether you're here to have a date with History, browse some Burns or have an intimate affair with a single malt, this hotel could not be better placed to fulfil your dreams. Not only that but breakfast and WIFI are included. The bedrooms are all uniquely designed and individual. 19 ST ANDREW SQUARE, EDINBURGH EH2 1AU TEL (+44) 131 292 0200 I FAX (+44) 131 292 0210 GENERAL INFORMATION [email protected] welcome BIENVENUE and welcome to the 26th Documentary selection features INDEX Edition of the French Film Festival UK five strong contenders – take your which every November and December partners for The Grand Ball; find out FILMS AT A GLANCE 5 –9 brings you the best of Francophone about the secrets of a master chef in cinema from France, Belgium, The Quest of Alain Ducasse; raise a PANORAMA HORIZONS 10 – 23 Switzerland, Quebec and French- glass to Wine Calling; join student speaking African territories. nurses for Nicolas Philbert’s Each DISCOVERY HORIZONS 24 – 28 For the first time this year the and Every Moment and uncover the DOCUMENTARY 29 – 31 Festival has established informal links daily life of a Parisian film school in The Graduation. with the Festival International du Film CROSSING BORDERS 33 / 34 Francophone in Namur in Belgium, Classics embrace master film-maker with whom we share titles and ideals. -
Pressekonferenz Zum Programm Der 68. Internationalen Filmfestspiele Berlin
Pressekonferenz zum Programm der 68. Internationalen Filmfestspiele Berlin 6. Februar 2018 um 11:30 Uhr Ablauf 9:45 – 11:15 Uhr Einlass 11:30 Uhr Beginn, Begrüßung und Photo-Call aller Leiter*innen der Sektionen und Initiativen Berlinale-Direktor Dieter Kosslick stellt neue Beiträge im Programm vor Moderation: Thomas Hailer / Berlinale-Kurator 11:50 Uhr Fragen der Presse Darüber hinaus sind alle Sektionsleiter*innen und Kurator*innen der Sektionen, Initiativen und des EFM anwesend und stehen für Fragen zur Verfügung. 68. Internationale Filmfestspiele Berlin Material zur Pressekonferenz > Grußwort Dieter Kosslick .........................................................................................................4 > Wettbewerb ..................................................................................................................................5 > Berlinale Special ..........................................................................................................................8 > Die Internationale Jury .......................................................................................................... 10 > Hommage und Goldener Ehrenbär für den Schauspieler Willem Dafoe ............ 12 > Berlinale Kamera 2018 ........................................................................................................... 13 > Gäste von Wettbewerb und Berlinale Special ............................................................... 15 > GWFF Preis Bester Erstlingsfilm ......................................................................................... -
Catalogue-2020-21 Mise En Page 1
2 Éditos p 4 L’association Cannes Cinéma p 8 Les Rencontres de Cannes p 14 Cannes Cinéphiles p 22 Cannes Écrans Juniors p 24 CANNESERIES p 26 Les événements spéciaux p 28 En avant les premières p 29 Regards sur... p 30 Semaine du Cinéma Italien de Cannes p 33 ACID POP p 35 Les Mercredis de l’image p 36 Les événements de la ville de Cannes avec Cannes Cinéma p 37 Les Jeudis de Cannes Cinéma p 39 Les Mercredis des petits p 43 Les Ciné-conférences avec Cannes Université p 49 Ciné voir et revoir avec le GIP Cannes Bel Âge p 52 Ciné-club avec le Film Club de Cannes p 62 Cannes Filmécole p 71 Les lieux de projection de Cannes Cinéma p 74 Calendrier des projections p 77 Remerciements p 82 3 4 Éditos Retrouvons le cinéma Que de jours, de semaines, de mois avons-nous été privés du plaisir des salles obscures par la pandémie du Covid-19. Aujourd’hui encore, malgré l’application de règles sanitaires plus souples, nous peinons parfois à franchir le seuil d’un cinéma. Et pourtant… Quoi de plus précieux et de plus nécessaire que d’échapper, l’espace de quelques heures, à un quotidien pesant en se laissant transporter par la magie d’un bon scénario ? Comme le disait le réalisateur François Truffaut : « Le cinéma est un mélange parfait de vérité et de spectacle ». C’est cette double réalité que nous recherchons en toute œuvre. Celle qui raconte à la fois le monde tel qu’il est et tel qu’il pourrait être, gardant les pieds sur terre et la tête dans les étoiles. -
Emergence Cinema
2021 2 BANDE ANNONCE 4 MISSIONS D’EMERGENCE 6 RÉSIDENCE CINÉMA 6 À propos 14 Édition 2021 23 Actualités des lauréats 29 ATELIER MUSIQUE 29 À propos 32 Édition 2020 36 EMERGENCE SÉRIES 37 La fabrique des séries 39 L’atelier séries (format court) 41 AUTRES PROGRAMMES 41 L’Atelier Podcasts 44 Stage d’acteurs 46 Éducation à l’image 47 Paysages de cinéma 49 ÉVÈNEMENTS 50 ÉQUIPES 51 PARTENAIRES 4 MISSIONS D’EMERGENCE Emergence est une fabrique pour le cinéma et la fiction unique en Europe. Sa vocation est de soutenir la création, de révéler et d’accompagner les talents, de favoriser les nouvelles collaborations, de contribuer au développement des projets. Inspirée par le director’s lab du Sundance Institute, la Résidence Cinéma est depuis bientôt 25 ans l’unique résidence de tournage en Europe. Chaque année, 5 réalisateurs sélectionnés pour leurs projets de premiers longs métrages tournent deux scènes avec leurs acteurs et techniciens rêvés, dans des décors naturels. Cette expérience de 6 mois, du choix des séquences à la post- production, joue un rôle déter- minant pour le développement des premiers films en France et le cheminement des cinéastes. 60 premiers films soutenus parEmergence sont sortis en salles et nous retrouvons désormais avec joie, dans les sélections des grands festivals, les films de réalisateurs accompagnés par Emergence pour leurs premières promesses de cinéma, comme Farid Bentoumi, Julie Bertuccelli, Leyla Bouzid, Stéphane Demoustier, Marc Fitoussi, Mia Hansen-Løve, Deniz Gamze Ergüven, Joachim Lafosse, Antonin Peretjatko, Katell Quillévéré, Elie Wajeman, Alice Winocour… MISSIONS D’EMERGENCE 5 Pour contribuer plus largement encore au renouvellement des talents, nous avons imaginé et développé des programmes complémentaires de la Résidence Cinéma, avec la même exigence et la même ouverture à la diversité des propositions artistiques. -
FRANCE by Bruno Dumont World Premiere - in Selection 01 02 03 04 05 06 FRANCE PLAYGROUND BIGGER MAGNETIC ROBUST BRUNO THAN US BEATS REIDAL
FRANCE by Bruno Dumont World Premiere - In Selection 01 02 03 04 05 06 FRANCE PLAYGROUND BIGGER MAGNETIC ROBUST BRUNO THAN US BEATS REIDAL Market screening 07 08 THE BROKEN CROSSING KEYS Announcement 09 ANGRY ANNIE On release 10 11 12 13 DEAD & QUO VADIS, CALAMITY SHOULD BEAUTIFUL AIDA ? THE WIND DROP Still available 14 15 16 17 18 19 ADVENTURES ENORMOUS WELCOME MAN UP ! ALL THE FISHLOVE OF A TO THE DEAD ONES MATHEMATICIAN JUNGLE INDIE SALES INDIE SALES @CANNES 32, RUE WASHINGTON 2 RUE BIVOUAC NAPOLÉON 75008 PARIS 5TH FLOOR + 33 1 44 83 02 27 [email protected] NICOLAS ESCHBACH Austria, Benelux, Germany, Italy, Japan, Switzerland, UK Co-rep : USA & France [email protected] +33 6 62 93 51 62 FLORENCIA GIL Airlines, Asia excl. Japan, Eastern Europe, Latin America, Portugal, Scandinavia, Spain, Russia & CIS, Turkey. Co-rep : France [email protected] +33 7 62 99 49 19 SIMON GABRIELE Africa, Australia, Canada, Greece, Israel, Middle East. Co-rep : USA & France [email protected] +33 6 33 89 32 11 CLÉMENT CHAUTANT Head of Festivals [email protected] +33 6 76 01 41 69 SARAH DELAFOULHOUZE Sales Assistant [email protected] +33 6 37 30 46 27 LOÏC LE CORRE Festivals Assistant [email protected] +33 6 86 22 51 96 NON CONTRACTUAL CREDITS NON CONTRACTUAL TO REQUEST A VIRTUAL MEETING PLEASE CONTACT SARAH AT [email protected] PRE-CANNES SCREENINGS SCHEDULE JUNE 21ST-25TH JUNE MONDAY 21st JUNE TUESDAY 22nd JUNE WEDNESDAY23RD JUNE THURSDAY 24TH 10:00 AM @Pre-Cannes 31 10:30 AM @Pre-Cannes 28 INDIE SALES 12" SHOWREEL 11:30 AM @Pre-Cannes