FRANCE by Bruno Dumont World Premiere - in Selection 01 02 03 04 05 06 FRANCE PLAYGROUND BIGGER MAGNETIC ROBUST BRUNO THAN US BEATS REIDAL
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Download Catalogue
LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
A FILM by NICOLAS MAURY CG CINÉMA Presents
A FILM BY NICOLAS MAURY CG CINÉMA presents NICOLAS MAURY NATHALIE BAYE PRESS RENDEZ-VOUS VIVIANA ANDRIANI / AURÉLIE DARD [email protected] / [email protected] Tel.: +33 1 42 66 36 35 A FILM BY NICOLAS MAURY Mob : +33 6 80 16 81 39 INTERNATIONAL SALES LES FILMS DU LOSANGE 22 Avenue Pierre 1er de Serbie - 75116 Paris Tél.: +33 1 44 43 87 24 www.filmsdulosange.com FRANCE • 2020 • 1H50 • IMAGE 2,35 • SOUND 5.1 Photos and press pack can be downloaded at https://filmsdulosange.com/en/film/my-best-part/ 4 5 pcoming actor Jérémie is going through an existential crisis. Pathologically jealous and plagued by romantic, professional and familial misadventures, he flees Paris to reset in the country with his mother – who turns out to be more than a little invasive… 6 7 The main theme of My Best Part is jealousy. passionate characters. I think that jealousy is a Jérémie, the lead character says that it burns powerful decipherer of the world, in the sense his blood. Did you do research? that it encourages the urge to overcome what The most basic item of research was my you imagine. The tragedy, if I can call it that, is own life. When I arrived in Paris as a teenager that the jealous person is not always wrong. raised in the country, in the Limousin region, They picture things in their mind, and crazily almost immediately I fell head over heels in enough it turns out the picture is often right. love and, like all devouring passions, it involved Jealousy is like tinnitus, background noise only overpowering jealousy. -
Château-Gontier 30 Au 06 Octobre 2020
Château-Gontier 30 au 06 octobre 2020 MON COUSIN De Jan Kounen Avec Vincent Lindon, Fran- Boutchou De Adrien Piquet- çois Damiens, Pascale Arbillot Gauthier Avec Carole Bouquet, Pierre est le PDG accompli d’un Gérard Darmon, Clémentine WWW.cinema-palace-53.fr QR Facebook grand groupe familial. Sur le point Célarié Réservez vos places de signer l’affaire du siècle, il doit Paul et Virginie viennent d’avoir une dernière formalité : la signature un petit garçon. Heureux de de son cousin Adrien qui détient découvrir leur nouvelle vie de jeunes parents, ils n’imagi- Mer Jeu Ven Sam Dim Lun Mar 50% de sa société. Ce doux rêveur qui enchaine gaffes et maladresses naient pas que leur Boutchou 30 01 02 03 04 05 06 allait devenir l’enjeu d’une lutte est tellement heureux de retrouver sans merci entre les grand- Pierre, qu’il veut passer du temps AVANT PREMIERE POLY 1h42 Fr 14h30 parents... avec lui et retarder la signature. 1h44 Fr 17h00 16h00 16h45 Mon cousin 14h30 20h30 20h30 20h30 ANTOINETTE DANS LES CE- Comédie 20h30 21h00 19h00 De Antoine de Maximy Avec Antoine VENNES De Caroline Vignal de Maximy, Alice Pol, Max Boublil Avec Laure Calamy, Benjamin J’irai mourir dans les 1h36 Fr L’histoire commence par un banal comédie 20h30 20h30 20h30 Lavernhe, Des mois qu’Antoinette Carpates thriller accident de voiture sur une route attend l’été et la promesse d’une montagneuse des Carpates. La voi- semaine avec son amant. Alors 1h18 Fr ture d'Antoine de Maximy, le présen- Boutchou 17h00 20h30 18h00 14h30 20h30 quand celui-ci annule leurs va- comédie tateur de la série "J'irai dormir chez vous" a été emportée dans une cances pour partir dans les Cé- 1h46 Us vennes avec sa femme et sa fille, Fin Antebellum int –12 ans 17h00 18h30 rivière et son corps n’a pas été re- thriller trouvé. -
Blanche Neige
Les inséparables d’après Colas Gutman mise en scène Léna Bréban du 6 au 10 octobre 2015 La Scène Watteau / Place du Théâtre / Nogent-sur-Marne locations 01 48 72 94 94 www.scenewatteau.fr La Scène Watteau est une scène conventionnée subventionnée par la Ville de Nogent-sur-Marne, la DRAC Ile-de-France, le Conseil départemental du Val-de-Marne et la Région Ile-de-France Les inséparables d’après Colas Gutman adaptation et mise en scène Léna Bréban avec Rachel Arditi, Laure Calamy, Julie Pilod, Alexandre Zambeaux collaboration artistique Alexandre Zambeaux musique Frédéric Fleischer lumières Jean-Luc Chanonat costumes Julie Deljehier scénographie et accessoires Camille Duchemin texte édité par L’Ecole des Loisirs projet soutenu par le collectif de producteurs jeune public associés d'Ile-de-France production Compagnie Ingaléo production déléguée Théâtre Paris-Villette coproduction Théâtre Paris-Villette, La Scène Watteau - Scène conventionnée de Nogent-sur- Marne, Espace culturel Boris Vian - Les Ulis, Festival théâtral du Val d’Oise avec le soutien de la Drac Ile-de-France, Ville de Paris, Adami, SPEDIDAM, Arcadi mercredi 7 octobre 2015 à 14h30, samedi 10 octobre 2015 à 14h30 représentations scolaires : mardi 6 octobre à 10h et 14h30, jeudi 8 octobre à 10h et 14h30, vendredi 9 octobre à 10h et 14h30 spectacle tout public dès 6 ans durée estimée 1h prix des places de 5 à 22 € La Scène Watteau, Place du Théâtre, Nogent-sur-Marne, face à la station RER E Nogent-Le Perreux locations 01 48 72 94 94 contact La Scène Watteau Benoît Strubbe tél 01 43 24 76 76, [email protected] Résumé « Avec Delphine, on a conclu un pacte. -
Lo Sguardo (Dis)Umano Di Bruno Dumont
Lo sguardo (dis)umano di Bruno Dumont Alberto Scandola «La cinematografia – ha dichiarato Bruno Dumont – è disumana. […] È la materia delle nostre vite, è la vita stessa, presente e rappresentata»1. Sin dagli esordi (L’età inquieta, 1997), Bruno Dumont ha posto al centro della sua attenzione l’umano e soprattutto le sue derive verso l’animale, il selvaggio, il bestiale. Liberi di non significare altro che loro stessi e il loro opaco Dasein, i corpi di questo cinema abitano luoghi dove – penso a L’humanité (1999) – il visibile altro non è che il riflesso dell’invisibile e l’immagine sembra lottare contro il suono. Conflitti come quello tra i volumi e i rumori (l’ansimare dettagliato di un corpo ripreso in campo lunghissimo, per esempio), frequenti soprattutto nella prima fase della produzione, sono finalizzati a evidenziare la testura di un dispositivo a cui l’autore da sempre affida una precisa funziona catartica: Bisogna sviluppare il sistema immunitario dello spettatore, biso- gna mettergli il male. Costui svilupperà naturalmente gli anticorpi. È lo spettatore che deve svegliarsi, non il film. Per me un film non è molto importante. Ciò che è importante è cominciare; poi tocca allo spettatore terminare2. Per poter «terminare», però, bisogna innanzitutto riuscire a guardare. Guardare immagini che, nel disperato tentativo di catturare le vita, offrono 1 B. Dumont in Ph. Tancelin, S. Ors, V. Jouve, Bruno Dumont, Éditions Dis Voir, Paris 2001, p. 12. Nostra traduzione. 2 B. Dumont in A. Scandola, Un’estetica della rivelazione. Conversazione con Bruno Du- mont, in Schermi D’Amore dieci+1, a cura di P. -
Emergence Cinema
2021 2 BANDE ANNONCE 4 MISSIONS D’EMERGENCE 6 RÉSIDENCE CINÉMA 6 À propos 14 Édition 2021 23 Actualités des lauréats 29 ATELIER MUSIQUE 29 À propos 32 Édition 2020 36 EMERGENCE SÉRIES 37 La fabrique des séries 39 L’atelier séries (format court) 41 AUTRES PROGRAMMES 41 L’Atelier Podcasts 44 Stage d’acteurs 46 Éducation à l’image 47 Paysages de cinéma 49 ÉVÈNEMENTS 50 ÉQUIPES 51 PARTENAIRES 4 MISSIONS D’EMERGENCE Emergence est une fabrique pour le cinéma et la fiction unique en Europe. Sa vocation est de soutenir la création, de révéler et d’accompagner les talents, de favoriser les nouvelles collaborations, de contribuer au développement des projets. Inspirée par le director’s lab du Sundance Institute, la Résidence Cinéma est depuis bientôt 25 ans l’unique résidence de tournage en Europe. Chaque année, 5 réalisateurs sélectionnés pour leurs projets de premiers longs métrages tournent deux scènes avec leurs acteurs et techniciens rêvés, dans des décors naturels. Cette expérience de 6 mois, du choix des séquences à la post- production, joue un rôle déter- minant pour le développement des premiers films en France et le cheminement des cinéastes. 60 premiers films soutenus parEmergence sont sortis en salles et nous retrouvons désormais avec joie, dans les sélections des grands festivals, les films de réalisateurs accompagnés par Emergence pour leurs premières promesses de cinéma, comme Farid Bentoumi, Julie Bertuccelli, Leyla Bouzid, Stéphane Demoustier, Marc Fitoussi, Mia Hansen-Løve, Deniz Gamze Ergüven, Joachim Lafosse, Antonin Peretjatko, Katell Quillévéré, Elie Wajeman, Alice Winocour… MISSIONS D’EMERGENCE 5 Pour contribuer plus largement encore au renouvellement des talents, nous avons imaginé et développé des programmes complémentaires de la Résidence Cinéma, avec la même exigence et la même ouverture à la diversité des propositions artistiques. -
No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA -
The Feel-Bad Film Nikolaj Lübecker Is Associate Professor in French at the University of Oxford, Fellow of St John’S College
Edinburgh Studies in Film and Intermediality Series Editors: Martine Beugnet and Kriss Ravetto Founding Editor: John Orr NIKOLAJ NIKOLAJ A series of cutting-edge scholarly research monographs covering core aspects of film studies. The series’ internationally respected authors contribute analytical and often controversial volumes, offering a critical intervention into their subject. ‘Nikolaj Lübecker clearly and insightfully analyses many of the most controversial films of recent years by cinematic heavyweights like Michael Haneke, Lars von Trier, Claire L Denis and Gus Van Sant. In doing so, he invites his readers to reconsider movies in ÜBECKER general: maybe sometimes it’s not so bad for a movie to make us feel bad. As we root around for hope at a time when it seems thin on the ground, Lubecker paradoxically conjures hope where there seemed to be none. A unique and ground-breaking work.’ William Brown, Senior Lecturer in Film, University of Roehampton, London In recent years some of the most innovative European and American directors have made films that place the spectator in a position of intense discomfort. Systematically The Feel- manipulating the viewer, sometimes by withholding information, sometimes through shock or seduction, these films have often been criticised as amoral, nihilistic, politically irresponsible or even anti-humanistic. But how are these unpleasurable viewing experiences created? What do the directors believe they can achieve via this ‘feel-bad’ experience? How can we situate these films in intellectual history? And why B should we watch, study and teach feel-bad films? ad Film Answering these questions through the analysis of work by directors such as Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, The Contemporary Feel-Bad Film invites readers to consider cinematic art as an experimental activity with ethical norms that are wholly different from the ones we would hope to find outside the movie theatre. -
FRANCE by Bruno Dumont INDIE SALES INDIE SALES @CANNES 32, RUE WASHINGTON 2 RUE BIVOUAC NAPOLÉON 75008 PARIS 5TH FLOOR + 33 1 44 83 02 27 [email protected]
FRANCE by Bruno Dumont INDIE SALES INDIE SALES @CANNES 32, RUE WASHINGTON 2 RUE BIVOUAC NAPOLÉON 75008 PARIS 5TH FLOOR + 33 1 44 83 02 27 [email protected] NICOLAS ESCHBACH Austria, Benelux, Germany, Italy, Japan, Switzerland, UK Co-rep : USA & France [email protected] +33 6 62 93 51 62 FLORENCIA GIL Airlines, Asia excl. Japan, Eastern Europe, Latin America, Portugal, Scandinavia, Spain, Russia & CIS, Turkey. Co-rep : France [email protected] +33 7 62 99 49 19 SIMON GABRIELE Africa, Australia, Canada, Greece, Israel, Middle East. Co-rep : USA & France [email protected] +33 6 33 89 32 11 CLÉMENT CHAUTANT Head of Festivals [email protected] +33 6 76 01 41 69 SARAH DELAFOULHOUZE Sales Assistant [email protected] +33 6 37 30 46 27 LOÏC LE CORRE Festivals Assistant [email protected] +33 6 86 22 51 96 NON CONTRACTUAL CREDITS NON CONTRACTUAL TO REQUEST A VIRTUAL MEETING PLEASE CONTACT SARAH AT [email protected] FRANCE World premiere World A FILM BY BRUNO DUMONT France de Meurs : A brilliant woman of our times who seeks out anonymity and simplicity. Bruno Dumont PARIS, TODAY. France de Meurs is a star journalist running between a television set, a distant war and the hustle and bustle of her busy family life. Her frantic high-profile world is suddenly turned upside down after a traffic accident in which she injures a pedestrian. This unexpected irruption of reality calls everything into question. As France attempts to slow down and retreat into a simple anonymous life, her fame continues to pursue her until Synopsis a mystified love affair seems to put an end to her quest. -
VINCENT MACAIGNE Je Suis Un Pays Comédie Burlesque Et Tragique De Notre Jeunesse Passée Voilà Ce Que Jamais Je Ne Te Dirai
COMPAGNIE FRICHE 22.66 THÉÂTRE VIDY-LAUSANNE Direction production and touring Camille Hakim Hashemi AV. E.-H. JAQUES-DALCROZE 5 Caroline Barneaud Mail : [email protected] Mail : [email protected] Elisabeth Le Coënt CH-1007 LAUSANNE +41 (0)76 428 23 48 Mail: [email protected] VINCENT MACAIGNE Je suis un pays Comédie burlesque et tragique de notre jeunesse passée Voilà ce que jamais je ne te dirai Je suis un pays (répétition) © Mathilda Olmi VINCENT MACAIGNE JE SUIS UN PAYS 2 JE SUIS UN PAYS Writing, directing, visuals and set Théâtre Vidy-Lausanne design : Coproduction : Vincent Macaigne Nanterre-Amandiers, centre dramatique national Scenography : Festival d’Automne à Paris Théâtre National de Bretagne, Rennes Julien Peissel La Colline-Théâtre national, Paris Props : Grand Théâtre du Luxembourg Lucie Basclet Théâtre national de Strasbourg Costumes : Holland Festival, Amsterdam Camille Aït Allouache La Filature, Scène nationale, Mulhouse Costumes intern : TANDEM, Scène nationale Estelle Deniaud Théâtre de l’Archipel-scène nationale de Perpignan Light : CDN Orléans/Loiret/Centre Matthieu Wilmart Bonlieu Scène nationale Annecy et La Bâtie-Festival Light intern : de Genève dans le cadre du soutien FEDER du Edith Biscaro programme Interreg France-Suisse 2014-2020 Thanks : Sound collaboration : Théâtre de la Ville, Paris Charlotte Constant La Villette, Paris – Le Parvis-Scène nationale Tarbes- Video collaboration : Pyrénées Oliver Vulliamy Théâtre Ouvert - Centre National des Dramaturgies Directing assistant : Contemporaines Salou Sadras Musical composition : With the support of the Région Ile-de-France and the Nova Materia artistic participation of Jeune théâtre national (Caroline Chaspoul, Eduardo Henriquez) Production and technique : Compagnie Friche 22.66 is supported by DGCA - Théâtre Vidy-Lausanne Ministère de la Culture et de la Communication (FR) as national company. -
Line up Brochure Cannes 2017 New.Indd
attending may 17th - 25th - rIvIera J8 fIOrella mOrettI I fi orella@luxboxfi lms.com I +33 6 26 10 07 65 héDI ZarDI I hedi@luxboxfi lms.com I +33 6 64 46 10 11 aNNe SOPhIe trINtIgNaC I festivals@luxboxfi lms.com I +33 7 63 42 26 12 A CIAMBRA A film by JONaS CarPIgNaNO “ By the director of Mediterranea (Cannes Critics’ Week 2015), Best Director at the Gotham Independent Film Awards and 3 nominations at the Film Independent Spirit Awards including Best First Feature. Winner of the Cannes Discovery Award with his short film A Ciambra in 2014 (Cannes Critics’ Week 2014). His second feature A Ciambra, based on his short film, was developed at the Cannes Cinéfondation Residence » 2017 I 120 min I Italian I Drama Italy, US, France, Sweden CAST: Pio Amato, Koudous Seihon, Iolanda Amato, Damiano Amato PRODUCTION: Stayblack Productions, RT Features, Sikelia Productions, Rai Cinema SYNOPSIS: In A CIAMBRA, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the regions’ factions - the local Italians, the African immigrants and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he’s ready to step into his big brother’s shoes and in the process he must decide if he is truly ready to become a man. A CIAMBRA Available worldwide. -
Tournées Film Festival
TOURNÉES FILM FESTIVAL FRENCH FILMS ON CAMPUS 2020/2021 TOURNÉES FILM FESTIVAL FILM FESTIVAL TOURNÉES face-foundation.org/tournees-film-festival by: is made possible Film Festival Tournées Embassy of the French Services with the Cultural in collaboration Foundation of FACE is a program Film Festival Tournées TABLE OF CONTENTS Presentation Eligibility and Guidelines Featured Film Selection CASSANDRO, THE EXOTICO! / CASSANDRO, THE EXOTICO! / 6 CHAMBRE 212 / ON A MAGICAL NIGHT / 7 DILILI À PARIS / DILILI IN PARIS / 8 L’EXTRAORDINAIRE VOYAGE DE MARONA / MARONA’S FANTASTIC TALE / 9 FUNAN / FUNAN / 10 GRÂCE À DIEU / BY THE GRACE OF GOD / 11 JEANNE / JOAN OF ARC / 12 NE CROYEZ SURTOUT PAS QUE JE HURLE / JUST DON’T THINK I’ILL SCREAM / 13 O QUE ARDE / FIRE WILL COME / 14 PORTRAIT DE LA JEUNE FILLE EN FEU / PORTRAIT OF A LADY ON FIRE / 15 PREMIÈRE ANNÉE / THE FRESHMEN / 16 LE PROCÈS DE MANDELA ET LES AUTRES / THE STATE AGAINST MANDELA AND THE OTHERS / 17 SIBYL / SIBYL / 18 SYNONYMS / SYNONYMS / 19 TOUT EST PARDONNÉ / ALL IS FORGIVEN / 20 UN FILM DRAMATIQUE / A DRAMATIC FILM / 21 VARDA PAR AGNÈS / VARDA BY AGNES / 22 LA VÉRITÉ / THE TRUTH / 23 Alternative Film Selection Classic Film Selection L’AMI DE MON AMIE / BOYFRIENDS & GIRLFRIENDS / 25 AFRIQUE SUR SEINE / AFRICA ON THE SEINE, LAMB / LAMB, UNE NATION EST NÉE / A NATION WAS BORN, L’ENVERS DU DÉCOR / L’ENVERS DU DÉCOR / 26 LA FEMME DE L’AVIATEUR / THE AVIATOR’S WIFE / 27 HYÈNES / HYENAS / 28 MR. KLEIN / MR. KLEIN / 29 LE MYSTÈRE PICASSO / THE MYSTERY OF PICASSO / 30 SOLEIL Ô / SOLEIL Ô / 31 Distributors Campus France USA Franco-American Cultural Fund CREDITS Cover image from Portrait of a Lady on Fire, courtesy of NEON.