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Msr Xviii, 2013
Composition and Worldview of some Bourgeois and Petit-Bourgeois Mamluk Adab-Encylopedias Thomas Herzog Thomas Herzog Bern University Composition and Worldview of some Bourgeois and Petit-Bourgeois Mamluk Adab-Encylopedias The economic and cultural rise of parts of the ʿāmmah 1 due to the particular economic and infrastructural conditions of the Mamluk era brought with it the emergence of new intermediate levels of literature that were situated between Mamluk Adab-Encylopedias the literature of the elite and that of the ignorant and unlettered populace; be- tween the Arabic koiné (al-ʿarabīyah al-fuṣḥá) and the local dialects (ʿāmmīyahs); and between written and oral composition, performance, and transmission. The following article proposes to analyze the composition of three Mamluk adab- encyclopedias and compendia and their treatment of poverty and wealth in light of the social milieus of their authors and audiences. The Rise of a New Class When the Mamluks took power between 1250 and 1260 in the former Ayyubid lands of Egypt and Syria, the Mongol invasions and the assassination of the Ab- basid caliph in Baghdad as well as the ongoing Crusader presence in Palestine all brought about a shift in the eastern Islamic world’s center to Mamluk Egypt, which became a highly effective bulwark of Arab-Islamic rule and culture. The © The Middle East Documentation Center. The University of Chicago. This article is the enhanced version of a contribution first presented as a “Working Paper” at the Annemarie Schimmel Kolleg for the History and Society during the Mamluk Era, Bonn, Ger- many. I would like to thank Nefeli Papoutsakis, Münster, for her most valuable remarks on the translation of some Arabic terms. -
Contents 3 4 7 9 10 13 14 15 18 Dear Map Friends
Newsletter N°17, September 2003 Contents Dear Map Friends, Pictures at The Autumn season start off with a visit to Johan Van Volsem's 3 extensive map collection, in Halle, which is about 20 km south west of an Exibition Brussels. Apart from the details in our Newsletter, you will find a registration form enclosed. Our second BIMCC event is our 5th Study Looks at Books Session on 13 December 2003, this time focussed on "Plans of (I and II) 4 Towns and Fortified Places", which will take place at College St Michel, near Square Montgomery, Brussels. We would appreciate A brief look that you return your registration forms for both events as early as at 2 Books 7 possible. In this context, may we remind you that the exhibition of Brussels' development in the Town Hall, with maps and charts, has BIMCC been extended until 31 December 2004 (cf our Exhibitions section). th 9 5 AGM Other BIMCC connected events are detailed in International News; let me tell you that Wulf Bodenstein will give a talk on Zanzibar in the 19th International Century from the cartographic point of view at the Comité Français de News & Events 10 Cartographie's Study Day in Paris on 5 November 2003. On 14/15 November, the 2nd Paris Map Fair will be held in the Hotel Ambassador; the BIMCC, which participated last year, will again have Maps on Cows 13 a stand at this significant international event. Nearer home, the 5th Breda Map Fair will take place on 28/29 November, which will be th followed by the 12 Antiquarian Book Fair, in Mechelen, 12/14 BIMCC News December 2003; interestingly, at Mechelen, there will be a free 14 valuation of books and maps on Saturday, 13 December between 11am and 1 pm. -
Les Premiãšres Cartes Chorographiques De La Corse À La
Les premières cartes chorographiques de la Corse à la fin du xve siècle... https://journals.openedition.org/mefrm/611 122-2 | 2010 : Mélanges Mélanges Les premières cartes chorographiques de la Corse à la fin du e siècle, un outil de gouvernement The first chorographic maps of Corsica at the end of the 15th century, an instrument of government A F p. 347-377 Résumés Français English Les dix cartes étudiées dans cet article, dessinées à partir de 1480, forment un ensemble cohérent par l’unité textuelle des toponymes, et pour la plupart, par le dessin des côtes, des rivières et des montagnes ; une unité qui marque une nette rupture vis-à-vis des données des cartes nautiques et des cartes ptoléméennes. Abandonnant toutes références à Buondelmonti ou à l’année 1447 qui ont jusque là été attachées à ces cartes, on croise plutôt les géographes allemands installés à Florence. La rencontre de la technologie allemande et de l’humanisme italien dans ce modeste exemple permet d’apercevoir une évolution de la représentation, où la description picturale l’emporte sur la dimension narrative de la connaissance. Pour autant, participant à la formation des territoires, la carte chorographique apporte surtout au gouvernement des hommes et des choses un outil décisif et nécessaire. The ten maps studied in this article, drawn up from 1480, form a coherent group on account of the textual uniformity of the toponyms but mostly through the illustrations of the coasts, rivers and mountains, a uniformity that marks a clean break compared to data from nautical and ptolemaic maps. -
6 • Globes in Renaissance Europe Elly Dekker
6 • Globes in Renaissance Europe Elly Dekker Introduction Abbreviations used in this chapter include: Globes at Greenwich for In 1533 Hans Holbein the Younger, the foremost painter Elly Dekker et al., Globes at Greenwich: A Catalogue of the Globes and then in London, made the portrait now known as The Armillary Spheres in the National Maritime Museum, Greenwich (Ox- Ambassadors (fig. 6.1).1 One of the remarkable features ford:OxfordUniversityPressandtheNationalMaritimeMuseum,1999). 1. The best study of the painting and its provenance still is the book of this painting is the abundance of scientific instru- by Mary Frederica Sophia Hervey, Holbein’s “Ambassadors”: The Pic- ments depicted in it. On the top shelf there is a celestial ture and the Men (London: Bell and Sons, 1900). See also Susan Fois- globe, a pillar dial, an equinoctial dial (in two parts), ter, Ashok Roy, and Martin Wyld, Holbein’s Ambassadors (London: a horary quadrant, a polyhedral dial, and, on top of a National Gallery Publications, 1997), esp. 30 – 43; the information book, an astronomical instrument known as a tor- about the globes and the instruments provided in this catalog should be considered with some care. quetum. On the lower shelf there is a terrestrial globe, a 2. The book on arithmetic is that by Peter Apian, titled Eyn newe und book on arithmetic, a set square and a pair of dividers, wolgegründete underweisunge aller Kauffmans Rechnung (Ingolstadt, a lute with broken strings, a case of flutes, and a hymn- 1527), and the hymn book is by Johann Walther [Walter], Geystliche book.2 The objects displayed between the two men are gesangk Buchleyn (Wittenberg, 1525). -
Some Landmarks in Icelandic Cartography Down to the End of The
ARCTIC VOL. 37, NO. 4 (DECEMBER 198-4) P. 389-401 Some Landmarks in.keland-ic. Cartography down to the End of the Sixteenth Century HARALDUR. SIGURDSSON* Sometime between 350.and 310 B.C., it is thought, a Greek Adam of Bremen,and Sax0 ,Grammaticus both considered navigator, F‘ytheas of Massilia .(Marseilles), after a sail of six Iceland and Thule to be the same country. Adam is quite ex- daysfrom the British Isles, came to anunknown country plicit on the point:“This Thule is now named Iceland from the which hemmed Thule. The sources relating.to this voyageare ice which bind the sea” (von .Bremen, 1917:IV:36; Olrik and fragmentary and less explicit than one might wish. ‘The infor- Raeder, 1931:7). When the ,Icelanders themselves.began to mationis taken from its original contextand distorted in write about their country (Benediktsson, 1968:31) they were various ways. No one knows what country it wasthat F‘ytheas quite certain that Iceland was the same country as that which came upon farthest from his native shore, and most of the the Venerable Bede called by the name of Thule. .North Atlantic countries have been designated as .candidates. Oldest among .the maps on which Iceland is shown is the But in the.form in which it has come downto us, Pytheas’sac- Anglo-Saxon map, believed to have been made somewhere count does not, in reality, fit ,any of them. His voyage ‘will around the year 1OOO. If that dating is approximatelyright, this always remain one of the insoluble riddles of geographical is the first knownOccurrence in writing of the name history. -
America's Name Baptized on a Globe in 1510 Leonardo Da Vinci's
Advances in Historical Studies, 2021, 10, 93-133 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 America’s Name Baptized on a Globe in 1510. Leonardo da Vinci’s Blueprint for the Jagiellonian Armillary Sphere Discovered. Stefaan Missinne Professor, Fellow of the Royal Geographical Society, London, UK How to cite this paper: Missinne, S. (2021). Abstract America’s Name Baptized on a Globe in 1510. Leonardo da Vinci’s Blueprint for the The treasure room at the Collegium Maius of the Jagiellonian Museum in Jagiellonian Armillary Sphere Discovered. Cracow contains an armillary sphere dating from 1510. This scientific object Advances in Historical Studies, 10,93-133. of excellent French workmanship contains the Jagiellonian Globe, which looks https://doi.org/10.4236/ahs.2021.101008 surprisingly like the Lenox Globe, a sibling of the da Vinci Globe. The fact Received: January 10, 2021 that the Jagiellonian Globe is mounted in an armillary sphere supports the Accepted: March 26, 2021 hypothesis that the Lenox, cast from reddish copper, was most likely the cen- Published: March 29, 2021 tral part of a lost armillary sphere. A horologist copied the cartography of the Lenox Globe. It is hypothesized that he also copied the decorative artistic de- Copyright © 2021 by author(s) and sign of the armillary sphere as a blueprint. Using primary data in his research, Scientific Research Publishing Inc. This work is licensed under the Creative the author describes the compelling Jagiellonian instrument. He concentrates Commons Attribution International on aspects of epigraphy, toponymy, orthography, iconography, cosmography, License (CC BY 4.0). -
Fall 2013 Journal of the Washington Map Society
ThePortolan Issue 87 Fall 2013 JOURNAL OF THE WASHINGTON MAP SOCIETY page 8 In This Issue A Newly Discovered Early Sixteenth-Century page 25 Columbus and the Quest for Jerusalem Globe Engraved on an Ostrich Egg: by Carol Delaney The Earliest Surviving Globe page 35 Showing the New World Mapping Real and Imaginary Worlds: Graphic Design in the by Stefaan Missinne Pursuit of Learning by Claudia Carlson page 46 The Pierre levée at Poitiers: A dolmen with graffiti by cartographers and draughtsmen by Peter van der Krogt page 63 WMS Annual Business Meeting by Hal Meinheit page 65 WMS Annual Dinner by Tom Sander page 66 New Conference Series in Athens by Bert Johnson www.WashMapSociety.org The New World on the ostrich egg globe. C M Y The Philadelphia Print Shop CM 8441 Germantown Avenue 2819 East 2nd Avenue MY Philadelphia, PA 19118 Denver, CO 80206 (215) 242-4750 CY (303) 322-4757 CMY www.philaprintshop.com K The Washington Inside President’s Fall 2013 Letter J.C. McElveen 2 Map Society Washington Map Society Meetings 3 Exhibitions and Meetings 4 OFFICERS, 2013–2014 J.C. McElveen Map Site Seeing 5 President In Memorium – Highbarger, Hirsch, Morrison 6 Ted Callaway Ristow Prize Competition 2014 7 Vice President A Newly Discovered Early Sixteenth-Century Globe Engraved on an Ostrich Egg: Peter Porrazzo The Earliest Surviving Globe Showing the New World Treasurer Stefaan Missinne 8 Harold Meinheit Columbus and the Quest for Jerusalem Carol Delaney 25 Secretary Robert Moir Mapping Real and Imaginary Worlds: Graphic Design in the Pursuit of Learning -
'The Medieval Housebook and Elias's “Scenes from the Life of a Knight”: a Case
1 2 Published by The Norbert Elias Foundation J.J. Viottastraat 13 1017 JM Amsterdam Board: Johan Goudsblom, Herman Korte Stephen Mennell Secretary to the Foundation: EsterWils Tel: & Fax: +31 20 671 8620 Email: [email protected] http://norberteliasfoundation.nl/ Free eBook 2015 http://www.norberteliasfoundation.nl/docs/pdf/Medievalhousebook.pdf Printed by the University of Leicester 3 The Medieval Housebook and Elias’s ‘Scenes from the Life of a Knight’: A case study fit for purpose? Patrick Murphy Contents1 Part 1: The Elias thesis in outline 1. Introduction 2. Why was Elias attracted to The Medieval Housebook? 3. Elias’s selection and interpretation of the drawings Part 2: Elias as a point of departure 4. Focus on the artist, with the patron in absentia 5. A presentational farrago 6. A possible case of intellectual amnesia Part 3: Moving beyond Elias 7. An overview of the housebook figuration 8. Naming the manuscript: Its appearance and form 9. What’s in a picture? Attribution and interpretation 10. Reconstituting the housebook: Problems and pitfalls 11. Is it a book? 12. The precious, the mundane and the commonplace Part 4: Moving further beyond Elias 13. Elusive timelines 14. Excurses on Swabia in the later Middle-Ages 15. Backwater or whirlpool: Aggressive resentment or nostalgia? 16. The quest to identify the Master 17. From Master to patron 18. In search of Elias’s benchmarks Part 5: Climbing out on a limb 19. Artistic empathy or, could it be ridicule? Part 6: Conclusion 20. Were the housebook drawings fit for purpose? 21. Involvement -
42 • Cartography in the German Lands, 1450–1650
42 • Cartography in the German Lands, 1450 –1650 Peter H. Meurer Introduction the degree of their subjection under royal sovereignty dif- fered greatly. They included the secular dominions The state structure in the heart of central Europe was a (duchies, counties, and baronies) as direct or indirect group of individual regions that in some cases were po- fiefs; the ecclesiastical territories (dioceses and imperial litically and culturally very independent. Additionally, abbeys) somewhat outside the immediate feudal struc- many developments and influences affected these regions ture; the imperial cities; and, as a special case, the king- differently for more than two eventful centuries—from dom of Bohemia, a fief of the German crown since 1198, about 1450 to 1650. This highly complex situation is re- but which was also ruled by kings from non-German dy- flected with unusual clarity in the history of cartography.1 nasties. The main criterion for affiliation with the king- Parallel events and continuities in space and time can be dom of Germany was the right to attend meetings of the recognized in only a few cases. Taken as a whole, Re- joint parliament (Reichstag). naissance cartography in that area is a mosaic of individ- Along with the German lands were the two “side lands” ual parts differing in type and importance, and the sys- (Nebenländer), united with the German crown since the tematic structure applied here is only one of several Middles Ages: the kingdom of Italy, which, after 1454, logical possibilities. At the threshold of the modern age, “Germany” was a Abbreviations used in this chapter include: Karten hüten for Joachim federation of more than six hundred territories that had Neumann, ed., Karten hüten und bewahren: Festgabe für Lothar grown together over a period of about seven hundred Zögner (Gotha: Perthes, 1995); Lexikon for Ingrid Kretschmer, Jo- years.2 It included an area that is covered today by Ger- hannes Dörflinger, and Franz Wawrik, eds., Lexikon zur Geschichte der many, Austria, Switzerland, Belgium, Luxembourg, and Kartographie, 2 vols. -
Mapping Metageographies: the Cartographic Invention of Italy and the Mediterranean 1
Mapping Metageographies: The Cartographic Invention of Italy and the Mediterranean 1 Veronica della Dora Introduction: Visualizing Italy and the Mediterranean Per la verità non sappiamo neppure fin dove il Mediterraneo si estenda: quanto ampi siano i tratti della costa che occupa, fin dove si spinga nelle rientranze del territorio e dove in effetti cessi. Gli antichi greci lo videro da Phasis sul Caucaso fino alle colonne d”Ercole dello stretto di Gibilterra, andando da oriente verso occidente, sottintendendo i suoi naturali confini verso nord e trascurando qualche volta quelli a sud. La saggezza antica insegnava che il Mediterraneo arriva fin dove cresce l’ulivo. 2 Italy and the Mediterranean share an ontological quality. They are metageographical objects carved out of the land and of the sea by human imagination. Italy is a peninsula. As such, it lacks the reassuring cartographic enclosure of islands. According to fifth-century-B.C. historian Antiochus of Syracuse, originally the name Italia did not apply to the whole peninsula, but only to modern Calabria. The Greeks gradually came to employ the name to designate a larger region, but it was not until the time of the Roman conquests that the term was expanded to cover the entire peninsula. 3 Unlike the Italian Peninsula, the Mediterranean is a self-enclosed geographical entity, a “watery continent” surrounded by land along its full perimeter (with the exception of the Straits of Gibraltar and the Dardanelles). But as historian David Abulafia notes, “the Mediterranean cannot simply be defined by its edges.” 4 And, as with the Italian Peninsula, we do not know where the so-called “Mediterranean region” ends. -
The Italian Map Trade, 1480–1650 David Woodward
STATE CONTEXTS OF RENAISSANCE MAPPING 31 • The Italian Map Trade, 1480–1650 David Woodward The story of the Italian map trade mirrors the trends in attended a lecture in Venice, he was listed among the au- general European economic history in the sixteenth cen- dience as “Franciscus Rosellus florentinus Cosmogra- tury, of which one major force was a shift from a Medi- phus.” Marino Sanuto also lauded him as a cosmographer terranean to an Atlantic economy. During the first part of in an epigram in his Diaries. Several important maps are the period covered by this chapter, from 1480 to 1570, known from his hand from at least the 1490s.3 But a re- the engravers, printers, and publishers of maps in Flor- cent study may put his cartographic activity back a decade ence, Rome, and Venice dominated the printed map earlier: Boorsch has surmised, on stylistic grounds, that trade. More maps were printed in Italy during that period than in any other country in Europe.1 After 1570, a pe- riod of stagnation set in, and the Venetian and Roman Abbreviations used in this chapter include: Newberry for the New- berry Library, Chicago. sellers could no longer compete with the trade in Antwerp 1. For a useful map comparing the centers of printed world map pro- and Amsterdam. This second period is characterized by duction in Europe in 1472–1600 with those in 1600 –1700, showing the reuse of copperplates that had been introduced in the the early dominance of the Italian states, see J. B. Harley, review of The sixteenth century. -
America's Birth Certificate: the Oldest Globular World Map: C. 1507
Advances in Historical Studies, 2015, 4, 239-307 Published Online June 2015 in SciRes. http://www.scirp.org/journal/ahs http://dx.doi.org/10.4236/ahs.2015.43019 America’s Birth Certificate: The Oldest Globular World Map: c. 1507 Stefaan Missinne PhD Art and Globe Expert, Vienna, Austria Email: [email protected] Received 4 June 2015; accepted 30 June 2015; published 2 July 2015 Copyright © 2015 by author and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract In 2012, a woodcut print for a c. 11 centimeter globe was discovered in an ancient volume in the University Library in Munich. This pivotal 1 million US$ globular world map, which only differs marginally from four other extant woodcut copies, attracted worldwide media attention. This dis- covery ignited the search for the date and the origin of an enigma in the form of an intricate secre- tive small Renaissance map. The aforementioned had been acquired inserted in a French adapted and unauthorised copy of the Introduction to Cosmography dated 1507 and printed in Lyon. The son of a Dutch American immigrant from Flusching, H. C. Kalbfleisch bought it in Paris in 1881 and brought it to New York. The author offers key evidence that this secretive map is an important misinterpreted and misdated cultural historical prototype which antedates five later woodcut copies: gores in Munich UB, Minnesota-Hauslab, Christie’s, SL Munich and Offenburg. He proves that its size and scale are inspired by a calculation of Leonardo da Vinci as described in one of his Codices, and applied on the 1504 Ostrich Egg globe discovered in London 2012.