24 July 2020 2020 FIRST HALF FINANCIAL REPORT
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CINERAMA: the First Really Big Show
CCINEN RRAMAM : The First Really Big Show DIVING HEAD FIRST INTO THE 1950s:: AN OVERVIEW by Nick Zegarac Above left: eager audience line ups like this one for the “Seven Wonders of the World” debut at the Cinerama Theater in New York were short lived by the end of the 1950s. All in all, only seven feature films were actually produced in 3-strip Cinerama, though scores more were advertised as being shot in the process. Above right: corrected three frame reproduction of the Cypress Water Skiers in ‘This is Cinerama’. Left: Fred Waller, Cinerama’s chief architect. Below: Lowell Thomas; “ladies and gentlemen, this is Cinerama!” Arguably, Cinerama was the most engaging widescreen presentation format put forth during the 1950s. From a visual standpoint it was the most enveloping. The cumbersome three camera set up and three projector system had been conceptualized, designed and patented by Fred Waller and his associates at Paramount as early as the 1930s. However, Hollywood was not quite ready, and certainly not eager, to “revolutionize” motion picture projection during the financially strapped depression and war years…and who could blame them? The standardized 1:33:1(almost square) aspect ratio had sufficed since the invention of 35mm celluloid film stock. Even more to the point, the studios saw little reason to invest heavily in yet another technology. The induction of sound recording in 1929 and mounting costs for producing films in the newly patented 3-strip Technicolor process had both proved expensive and crippling adjuncts to the fluidity that silent B&W nitrate filming had perfected. -
The Search for Spectators: Vistavision and Technicolor in the Searchers Ruurd Dykstra the University of Western Ontario, [email protected]
Kino: The Western Undergraduate Journal of Film Studies Volume 1 | Issue 1 Article 1 2010 The Search for Spectators: VistaVision and Technicolor in The Searchers Ruurd Dykstra The University of Western Ontario, [email protected] Abstract With the growing popularity of television in the 1950s, theaters experienced a significant drop in audience attendance. Film studios explored new ways to attract audiences back to the theater by making film a more totalizing experience through new technologies such as wide screen and Technicolor. My paper gives a brief analysis of how these new technologies were received by film critics for the theatrical release of The Searchers ( John Ford, 1956) and how Warner Brothers incorporated these new technologies into promotional material of the film. Keywords Technicolor, The Searchers Recommended Citation Dykstra, Ruurd (2010) "The Search for Spectators: VistaVision and Technicolor in The Searchers," Kino: The Western Undergraduate Journal of Film Studies: Vol. 1 : Iss. 1 , Article 1. Dykstra: The Search for Spectators The Search for Spectators: VistaVision and Technicolor in The Searchers by Ruurd Dykstra In order to compete with the rising popularity of television, major Hollywood studios lured spectators into the theatres with technical innovations that television did not have - wider screens and brighter colors. Studios spent a small fortune developing new photographic techniques in order to compete with one another; this boom in photographic research resulted in a variety of different film formats being marketed by each studio, each claiming to be superior to the other. Filmmakers and critics alike valued these new formats because they allowed for a bright, clean, crisp image to be projected on a much larger screen - it enhanced the theatre going experience and brought about a re- appreciation for film’s visual aesthetics. -
10. the Extraordinarily Stable Technicolor Dye-Imbibition Motion
345 The Permanence and Care of Color Photographs Chapter 10 10. The Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color Print Process (1932–1978) Except for archival showings, Gone With the He notes that the negative used to make Wind hasn’t looked good theatrically since the existing prints in circulation had worn out [faded]. last Technicolor prints were struck in 1954; the “That negative dates back to the early ’50s 1961 reissue was in crummy Eastman Color when United Artists acquired the film’s distri- (the prints faded), and 1967’s washed-out bution rights from Warner Bros. in the pur- “widescreen” version was an abomination.1 chase of the old WB library. Four years ago we at MGM/UA went back to the three-strip Tech- Mike Clark nicolor materials to make a new internegative “Movies Pretty as a Picture” and now have excellent printing materials. All USA Today – October 15, 1987 it takes is a phone call to our lab to make new prints,” he says.3 In 1939, it was the most technically sophisti- cated color film ever made, but by 1987 Gone Lawrence Cohn With the Wind looked more like Confederates “Turner Eyes ’38 Robin Hood Redux” from Mars. Scarlett and Rhett had grown green Variety – July 25, 1990 and blue, a result of unstable film stocks and generations of badly duplicated prints. Hair The 45-Year Era of “Permanent” styles and costumes, once marvels of spectral Technicolor Motion Pictures subtlety, looked as though captured in Crayola, not Technicolor. With the introduction in 1932 of the Technicolor Motion Not anymore. -
Technicolor 2015 Consolidated Financial Statements
TECHNICOLOR 2015 CONSOLIDATED FINANCIAL STATEMENTS Consolidated statement of operations 2 Consolidated statement of comprehensive income 3 Consolidated statement of financial position 4 Consolidated statement of cash flows 6 Consolidated statement of changes in equity 7 Notes to the consolidated financial statements 1. General information .................................................................................................................................................. 8 2. Accounting policies ................................................................................................................................................... 9 3. Group critical accounting estimates and judgments ............................................................................................... 11 4. Scope of consolidation ........................................................................................................................................... 13 5. Information by operating segments and by geographic areas ............................................................................... 22 6. Selling and administrative expenses and other income (expense) ........................................................................ 27 7. Research and development expenses ................................................................................................................... 27 8. Net impairment losses on non-current operating assets ....................................................................................... -
YOUR COMPANY Mrougi-I Me YEAR~
YOUR COMPANY mROUGI-I mE YEAR~ •Trademark Reg. U.S. Pat. Off. RECENTLY DOCTOR KALMUS AT THE BEGINNING ... SUMMARIZED THE HISTORY It was forty years ago on November 19, 1915, that OF TECHNICOLOR Technicolor Motion Picture Corporation was born. It all FOR THE DIRECTORS OF OUR COMPANY started a year or so before that date when Mr. William Coolidge, a prominent attorney and businessman of Bos ton, Massachusetts, asked Kalmus, Comstock &Westcott , ------------ Inc., to investigate for him a motion picture projector called Vanascope. Kalmus, Comstock & Westcott was a company formed in 1912 by Dr. Daniel F. Comstock and myself, both graduates of Massachusetts Institute of HIS DISCUSSION REVEALED AN ASTONISHING FACT: Technology and recently returned from obtaining Ph.D. TECHNICOLOR HAS FACED FOUR SERIOUS DEPRESSIONS degrees abroad on fellowships from Massachusetts Insti tute of Technology, together with W. Burton Westcott, a AND HAS SURMOUNTED EACH OF THEM mechanical genius. SUCCESSFULLY We reported unfavorably on the Vanascope and a year later, at the request of Mr. Coolidge, we made a -------------- second unfavorable report in which we suggested to him that if he wanted to put money into the motion picture business he raise his sights and aim to put color on the screen. During the consideration of the problems con BECAUSE YOU ARE WORKING TODAY nected with Vanascope the ideas which led to the first AT THE BEGINNING OF WHAT WE HAVE EVERY Technicolor camera and process were germinated . CONFIDENCE WILL PROVE TECHNICOLOR'S FIFTH Mr. Coolidge must have enjoyed my statement that GREAT STORY "the most he could lose was all he put into this color mo tion picture venture" because he and his partner, Mr. -
Notice of Meeting Annual General Shareholders’ Meeting of Technicolor to Be Held on Thursday, June 17, 2010 at 5:00 P.M
Notice of meeting Annual General Shareholders’ Meeting of Technicolor To be held on Thursday, June 17, 2010 at 5:00 p.m. At the Palais des Congrès de Paris 2, place de la Porte-Maillot - 75017 Paris On first notice* Contents page AgendA 2 HOw tO pArticipAte in tHe meeting 3 tecHnicOlOr in 2009 5 Organization 5 Reviewofactivities 5 Consolidatedresults 7 Balancesheetrestructuring 10 Strategyandoutlook 11 Parentcompanyresults 12 Keyfinancialdata 13 explAnAtOry cOmments On tHe resOlutiOns 14 infOrmAtiOn AbOut tHe directOrs wHOse rAtificAtiOn Of tHe cO-OptAtiOn, tHe renewAl Of tHe term Of Office, Or tHe AppOintement Are submitted fOr ApprOvAl tO tHe sHAreHOlders’ meeting 16 prOpOsed resOlutiOns 19 finAnciAl results Of tHe pArent cOmpAny fOr tHe lAst five fiscAl yeArs 21 request fOr dOcuments And infOrmAtiOn 23 * In case of a lack of quorum, the Meeting will be convened on second notice by June 30, 2010. AgendA To be considered by The ordinary shareholders’ MeeTing n Board of Directors’ report and statutory auditors’ report on the annual and consolidated accounts for the fiscal year ended December 31, 2009 and special report of the statutory auditors on regulated agreements; n Report of the Chairman of the Board of Directors on the preparation and organization of the Board’s activities and on internal control procedures and risk management, and the statutory auditors’ report relating to the report of the Chairman of the Board of Directors; n Resolution n°1: Approval of the parent company unconsolidated financial statements for the fiscal year -
Exhibits: U.S. V. Technicolor Motion Picture Corporation
William C, Dixon, Special Assistant to the Attorney General James M, McGrath, Special Attorney Antitrust DiTision D3pa7T;msLi- of Justjoe 16u2 Ti. Postcffice & Courthouse Los Angeles 12, Clifornia Madison 7411, Extension 285 Attorneys for the Plaintiff IN THE DISTRICT COURT OF THE UNITED STATES FOR THE W13THERN DISTRICT OF CALIFORNIA CENTRAL DIVISION UNITED STATES OF AMERICA, Plaintiff, v. Civil Action No. •o-,^11 TECHNICOLOR, INC., TECHNICOLOR COMPLAINT •. MOTION PICTURE CORPORATION, and ELSTIAN KODAK COMPANY, Defendants. The United States of America, plaintiff, by its attorneys, acting under the direction of the Attorney General of the United States, brings this action against the defendants, and complains and alleges as follows JURISDICTION AND VENUE 1, This Complaint is filed and these proceedings are instituted under c. ^6tim 4 of the Act of Congress of July 2, 1890, c. 647, 26 Stat. 20q, es amended, entitled 'An Act to ProteA Trade and Commerce against Unlawrul Restraints and Monopolies," commonly known as the Sherman Antitrust Act, end under Section 15 of the Act of Congress of October 15, 1914, a. 323, 38 Stat, 730, as amended, commonly known as the Clayton Act, in order to prevent and restrain c-Jntinuing violations by the defendants, as hereinafter alleged, of Sections 1 and 2 of the Sherman Act, and of Section 3 of the Clayton Act. 2. Defendants Technicolor Motion Picture Corporation and East- man Kodak Company transact business and are found in the Southern District of California. II DEFINITIONS 3. The words 'professional -
990-PF Or Section 4947(A)(1) Trust Treated As Private Foundation | Do Not Enter Social Security Numbers on This Form As It May Be Made Public
EXTENDED TO NOVEMBER 15, 2019 Return of Private Foundation OMB No. 1545-0052 Form 990-PF or Section 4947(a)(1) Trust Treated as Private Foundation | Do not enter social security numbers on this form as it may be made public. Department of the Treasury 2018 Internal Revenue Service | Go to www.irs.gov/Form990PF for instructions and the latest information. Open to Public Inspection For calendar year 2018 or tax year beginning , and ending Name of foundation A Employer identification number BILL & MELINDA GATES FOUNDATION TRUST 91-1663695 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number P.O. BOX 23350 206-709-3100 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here ~ | SEATTLE, WA 98102 G Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here ~~ | Final return Amended return 2. Foreign organizations meeting the 85% test, Address change Name change check here and attach computation ~~~~ | X H Check type of organization: Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here ~ | X I Fair market value of all assets at end of yearJ Accounting method: Cash Accrual F If the foundation is in a 60-month termination (from Part II, col. (c), line 16) Other (specify) under section 507(b)(1)(B), check here ~ | | $ 46,894,654,661. -
ANNUAL REPORT 2012 ANNUAL REPORT Including Theannual Financial Report 2012 50/317:29 115/04/13 5 / 0 4 / 1 3
2012 ANNUAL REPORT REPORT ANNUAL Corporate Headquarters: 1-5, rue Jeanne d’Arc 92130 Issy-les-Moulineaux – France E-mail: [email protected] Tel.: +33 (0)1 41 86 50 00 – Fax: +33 (0)1 41 86 58 59 Technicolor Inc. 6040 Sunset Blvd Hollywood, CA 90 028 USA Tel.: +1 (323) 817 6600 www.technicolor.com ANNUAL REPORT 2012 Technicolor S.A. with a share capital of €335,543,841 – 333 773 174 R.C.S. Nanterre including the Annual Financial Report TTEN2012EN2012_D DRFRF_E ENN_C COUVOUV_P PLANCHE.inddLANCHE.indd I 115/04/135/04/13 1 17:297:29 PRESENTATION OF THE GROUP AND TECHNICOLOR ITS ACTIVITIES ................................................................................................................................................................................................... 5 AND ITS SHAREHOLDERS ...........................................................................................................................93 1 1.1 financial data ..................................................................................................................................................................... 6 5 5.1 Share capital ............................................................................................................................................................................................................. 94 1.2 History and strategy of the Company .................................................................................................. 8 5.2 Listing information ................................................................................................................................................................................100 -
Audited Consolidated Financial Statements As of December 31, 2019
TECHNICOLOR 2019 CONSOLIDATED FINANCIAL STATEMENTS Audited consolidated financial statements as of December 31, 2019 1 TECHNICOLOR 2019 CONSOLIDATED FINANCIAL STATEMENTS CONSOLIDATED STATEMENT OF OPERATIONS 3 CONSOLIDATED STATEMENT OF COMPREHENSIVE INCOME 4 CONSOLIDATED STATEMENT OF FINANCIAL POSITION 5 CONSOLIDATED STATEMENT OF CASH FLOWS 7 CONSOLIDATED STATEMENT OF CHANGES IN EQUITY 8 NOTES TO THE CONSOLIDATED FINANCIAL STATEMENTS 1. GENERAL INFORMATION ............................................................................................................................... 9 1.1. MAIN EVENTS OF THE YEAR ............................................................................................................................................ 9 1.2. ACCOUNTING POLICIES .................................................................................................................................................. 9 2. SCOPE OF CONSOLIDATION ....................................................................................................................... 17 2.1. SCOPE AND CONSOLIDATION METHOD ........................................................................................................................... 17 2.2. CHANGE IN THE SCOPE OF CONSOLIDATION OF 2019 ..................................................................................................... 18 2.3. CHANGE IN THE SCOPE OF CONSOLIDATION 2018 .......................................................................................................... 18 -
1 Press Release Update on the On-Going
PRESS RELEASE UPDATE ON THE ON-GOING NEGOTIATION PROCESS Paris (France), 11 June 2020 – Technicolor (Euronext Paris: TCH; OTCQX: TCLRY) (the “Company”) announces today that, in the framework of the conciliation proceedings opened on June 2nd, negotiations with its lenders are progressing and that, in order to facilitate the implementation of a restructuring transaction, the Company wishes to have the ability to request, as the case may be, (i) the opening in France of a “procédure de sauvegarde financière accélérée” (which is a form of pre-negotiated safeguard procedure with financial creditors only) (“SFA”) on Technicolor SA and (ii) the recognition of the SFA in the US, in accordance with applicable regulations (the “Recognition Procedure”). The Recognition Procedure is solely a procedure allowing the recognition of the effects of foreign proceedings in the US (here the French SFA), in a rather light process. While the implementation of a restructuring transaction in conciliation requires the consent of 100% of the impacted lenders under the Credit Facilities, the SFA would allow for the implementation of such transaction with only a 2/3 majority of such impacted lenders. As announced in the June 4th press release, the Company has received an indicative global proposal from financial institutions representing approximately 59% of the Term Loan B lenders and Revolving Credit Facility lenders. Such proposal addresses both the Group’s liquidity requirements and the need to deleverage the Company’s balance sheet. It should be further noted that the SFA and the Recognition Procedure would have no impact on the other creditors of the Group, including in particular its suppliers, or on the Company’s normal operations. -
Annual Report 2013.Pdf
PRESENTATION OF THE GROUP AND ITS SOCIAL INFORMATION AND 1 ACTIVITIES ................................................................................................................................................................................................................................ 5 6 SUSTAINABILITY ....................................................................................................................................................................................... 111 1.1 Selected financial information ........................................................................................................................ 6 6.1 Employees and workforce ...................................................................................................................................... 112 1.2 History and strategy of the Company .................................................................................... 8 6.2 Environmental matters .................................................................................................................................................. 126 1.3 Business overview ................................................................................................................................................................................. 15 6.3 Stakeholder relations and local impacts of the Company’s activities ...........................................................................................................................................................