BRÍD Mccarthy

Total Page：16

File Type：pdf, Size：1020Kb

BRÍD McCARTHY NolanMuldoonA gency HEIGHT 5’ 2” HAIR Grey EYES Blue NATIONALITY Irish TRAINING Youth & Community Exchange Trust FILM & TELEVISION Production Part Director Company Red Rock 3 Maggie Brennan Various TV3/Element Pictures The Cherishing Granny Dave Tynan Warrior Films My Life for Ireland Kathleen Kieron J Walsh Suitable Films Red Rock 2 Maggie Brennan Various TV3/Element Pictures Moone Boy Fairy Godmother Chris O’Dowd Baby Cow Productions Vittoria Colonna Di 4 Bhanríon (4 Queens) Josie Stigliano Underground Films The Savage Eye Mother Damien O’Donnell Blinder Films The Enigma of Frank Ryan Hannah Sheehy Des Bell Glass Machine Darach Mac Con Corp agus Anam Bean an Pheitril Iomaire TG4 Fair City Ann Deasy Various RTÉ Legend Aunt Minnie Charlie McCarthy Ice Box Films Stardust Christine B’s Mum Ciaran Donnelly Merlin Films Deich gCoisceim Prison Barber Pearse Lehane Zanzibar Films Proof Street Trader Thaddeus O’Sullivan Subotica Boghaisini Gráinne Art Ó Briain Crimson Films Rebel Heart Mrs. O’Toole John Strickland BBC The Stranger Within Me Nora Murray Geraldine Creed Blue Light Films Family Neighbour Michael Winterbottom BBC Against All Odds Mary James Hawkes BBC War of the Buttons Mrs Riley John Roberts Sandove Productions Eat the Joyrider Isabelle John Comisky RTÉ Into the Abyss Mother Geraldine Creed Blue Light Films Bargain Shop Patricia Johnny Gogan Bandit Films Envirorror Nora Dearbhla Walsh RTÉ Glenroe Patsy Gallagher Various RTÉ NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com The Colleen Bán Mary Ferdia Mac Anna RTÉ THEATRE Play Part Director Venue/Company An Triail An Mháthair Bríd Ó Gallchóir Aisling Ghéar Limbo Edel Eithne McGuinness Queen of Sheba An Ghráin agus an Ghruaim An Mháthair Bríd Ó Gallchóir Samuel Beckett Centre An Triail An Mháthair Niall Ó Síordáin Passion Machine Native City Mrs Foreman Paul Mercier Tivoli Theatre Mirad, A Boy From Bosnia Verica Martin Murphy TEAM Rosie & Starwars Chrissie Joyce Garret Keogh Calypso Cun na Farriage Sios Máire Bairbre Ní Chaoimh Amharclann de hÍde Buddleia Liz Paul Mercier Project Arts Centre Brownbread Mrs. Farrell Paul Mercier Passion Machine Mallachtaí Muintire Máire Michael Scott Project Arts Centre Tine Chnámh Nanó Sweeney Michael Scott Project Arts Centre Cabaret Various roles Joe O’Byrne Co-Motion The Odd Couple Mickey Kevin McHugh Andrews Lane Hang All the Harpers Rose Pam Brighton Dubbeljoint Sixteen to Ninety One Lily Veronica Coburn Kilmainham Gaol Low in the Dark Curtains Philip Hardy Project Arts Centre Tea and Sex and Shakespeare Mrs. O Declan Hughes Rough Magic The White Devil Cornelia Lynne Parker Rough Magic A Mugs Game Mrs. Quigley Lynne Parker Project Arts Centre The Silver Tassie Mrs. Foran Declan Hughes Rough Magic SKILLS Accents Dublin (native), regional Irish, English and American Other Fluent Irish and singing NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com .

Copy Link

Recommended publications

About the Artists
Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre).
[Show full text]
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.
[Show full text]
English Statement of Commitments 2006
Commit cover.qxp 29/05/2006 14:30 Page 1 english Statement of Commitments 2006 Commit_06_eng_2-4.qxp 29/05/2006 16:08 Page 1 Statement of Commitments 2006 RTÉ is proud to be Ireland's public RTÉ's VISION, MISSION and VALUES service broadcaster that sets and During 2005, following an open staff consultation process, these goals were meets standards to the highest further developed and in September 2005 RTÉ's Strategic Framework, levels of accountability. As part of detailing the vision, mission and values of the organisation, was published. this process RTÉ publishes an The key elements of that document are as follows: annual Statement of Commitments to its audience – commitments RTÉ's vision is to grow the trust of the people of Ireland as it informs, inspires, reflects and enriches their lives. which can be independently assessed at the end of the year. RTÉ's mission is to: •Nurture and reflect the cultural and regional diversity of all the people of The Statement of Commitments reflects RTÉ's Ireland responsibilities as outlined in the Public •Provide distinctive programming and services of the highest quality and Service Broadcasting Charter published by the ambition, with the emphasis on home production Minister for Communications, Marine and •Inform the Irish public by delivering, nationwide, the best comprehensive Natural Resources in June 2004. The purpose independent News service possible of the Charter is to provide an understanding to •Be the unifying source of national participation in all major events the people of Ireland of what is expected of RTÉ's values are to: RTÉ in return for the significant public funds •Operate in the public interest, providing News and Current Affairs that is fair provided to it from the proceeds of the and impartial, accurate and challenging television licence fee.
[Show full text]
If AJ Liebling Is Correct That
COMMENTS OF THE WRITERS GUILD OF AMERICA REGARDING HARMFUL VERTICAL AND HORIZONTAL INTEGRATION IN THE TELEVISION INDUSTRY Relating To: CS Docket 98-82: Implementation of Section 11 of the Cable Television Consumer Protection and Competition Act of 1992; and CS Docket 96-85: Implementation of the Cable Act Reform Provisions of the Telecommunications Act of 1996; and MM Docket 92-264: The Commission’s Cable Horizontal and Vertical Ownership Limits and Attribution Rules; and MM Docket 94-150: Review of the Commission’s Regulations Governing Attribution of Broadcast and Cable/MDS Interests; and MM Docket 92-51: Review of the Commission’s Regulations and Policies Affecting Investment In the Broadcast Industry; and MM Docket 87-154: Reexamination of the Commission’s Cross-Interest Policy Filed By Charles B. Slocum, January 4, 2002 on behalf of Writers Guild of America, west, Inc. 7000 West Third Street Los Angeles, CA 90048 and Writers Guild of America, East, Inc. 555 West 57th Street New York, NY 10019 If A.J. Liebling is correct that “freedom of the press belongs to the man who owns one” then we have big problems in television… WGA COMMENTS REGARDING HARMFUL VERTICAL AND HORIZONTAL INTEGRATION IN TELEVISION PAGE 1 Vertical and Horizontal Concentration in Television Have Limited Diversity and Creativity The Commission Must Act to Understand the Lack of Competition in the Video Program Market and to Ensure Diversity is Established in the Future Since its creation in 1934, the Federal Communications Commission has been charged with protecting the public interest by regulating the technologies which make mass communications possible.
[Show full text]
The Keystone
THE KEYSTONE THE WITTLIFF COLLECTIONS FALL 2010 | SOUTHWESTERN WRITERS COLLECTION | SOUTHWESTERN & MEXICAN PHOTOGRAPHY COLLECTION ® UNIVERSITY SAN MARCOS A member of The Texas State University System from the INTERIM DIRECTOR Maria en el zócalo, ONE OF THE great joys—and perhaps the only joy—of We weren’t sure what to expect from our review. It’s one (left) Willie Nelson CD 1953, Héctor García being an interim director is getting to work more closely thing to think you’re doing a pretty good job. It’s quite collections including the deluxe Bear Family with some of the fine people who contribute so much to the another to put yourself at the mercy of an independent, OUR VERY Records box set and SINCERE THANKS Wittliff’s success. Over the past few months I’ve met outside appraiser. book with essays and session info, plus a rare to all those who have regularly with our Associate Vice President, Joan Heath, After Lisa closely analyzed our written report, she spent 45 rpm from Pappy provided recent along with our Vice President for Information Technology, two days on campus, interviewing everyone on the Wittliff Daily’s D Records, “The financial support Dr. Van Wyatt. staff as well as meeting with Joan Heath and Van Wyatt. She Storm Has Just Begun” (September 30, 2009 – On a parallel track, I’ve also visited extensively with asked good, tough questions. b/w “Man with the Blues” August 9, 2010). founding donor Bill Wittliff as well as many of our individ - A few weeks later, Lisa responded with her report: a (below) Country Favorites, Willie Nelson Friends of the Wittliff ual donors.
[Show full text]
Peter Blayney
PETER BLAYNEY Freelance Sound Editor and Re-Recording Mixer for Film & Television 2 Library View Villas Phibsborough, Dublin 7 Ireland +353 87 230 8666 [email protected] PROFESSIONAL EXPERIENCE Freelance February 2008 - present Sound Editor, Re-Recording Mixer. Sound supervising, sound effects editing, dialogue editing and mixing for feature films, documentaries and TV dramas. Credits include: • Film: Wild Decembers, Cherrybomb, All Good Children, The Other Side, Roadkill, more • TV: Game Of Thrones, The Silence, The Clinic, The Take, Raw, Single Handed, Whistleblower, more Please see attached pages for a detailed list of mixing and editing credits Ardmore Sound Bray, Co. Wicklow February 2004 – February 2008 Sound Editor, Re-Recording Mixer. Dolby Digital, Dolby Stereo and Dolby Surround mixing of feature films, short films, documentaries and TV dramas. Dialogue and sound effects editing for features, shorts and TV dramas. Foley and ADR recording. Responsible for the creation and maintenance of a large sound effects database. Credits include: • Film: Becoming Jane, Breakfast On Pluto, Pavee Lackeen, Lassie, Adam And Paul, many more • TV: Single Handed, The Running Mate, George Gently, Murphy's Law, Stardust, Legend, more Please see attached pages for a detailed list of mixing and editing credits Lime Street Sound (formerly Drop In Recording) Dublin October 1996 – January 2004 Chief Engineer. Recording, editing and mixing audio post for multimedia, film and TV in a five-studio facility. Typical projects included LCRS and 5.1 mixing for film and TV, film sound editing, ADR and Foley, radio and TV ads, and Irish language dubbing. Introduced many techniques and processes currently used throughout the facility.
[Show full text]
Liberation Entertainment and Samson Films Present in Association With
Liberation Entertainment and Samson Films present in association with Radio Telefís Éireann and the Broadcasting Commission of Ireland with the participation of Bord Scannán na hÉireann/The Irish Film Board EDEN Directed by Declan Recks Produced by David Collins Screenplay by Eugene O’Brien (Based on his original play) Film Festivals Edinburgh International Film Festival Tribeca Film Festival Los Angeles Irish Film Festival Awards Eileen Walsh, Best Actress - 2008 Tribeca Film Festival Specs 84 Mins - Color - Dolby Digital - English - Not Rated NY PUBLICITY LA PUBLICITY Falco, Ink. Marina Bailey Film Publicity Shannon Treusch Marina Bailey Betsy Rudnick 323.650.3627 212.445.7100 [email protected] [email protected] [email protected] DISTRIBUTION CONTACT FIELD PUBLICTY Liberation Entertainment Liberation Entertainment Emily Woodburne James Teel 917.403.6638 310.475.6678 [email protected] [email protected] OPENS NOVEMBER 7 th IN NEW YORK and NOVEMBER 21 st in LOS ANGELES For photography and materials please visit www.EdenMovie.net 1 EDEN CAST Billy Farrell AIDAN KELLY Breda Farrell EILEEN WALSH Eoghan PADRAIC DELANEY Breffni Grehan KARL SHIELS Eilish Moore LESLEY CONROY Imelda Egan SARAH GREENE Edel Farrell CAROLYN MURRAY James Farrell BRENDAN KELLEHER Tony Tyrell ENDA OATES Yvonne Egan KATE O'TOOLE Ernie Egan GARY LILBURN Feggy Fennelly NOEL O'DONOVAN Naomi MICHELLE BEAMISH Quenchers Quinn RICHIE RECKS Dessie GAVIN O'CONNOR Dessie's Girlfriend KATIE McGRATH Amanda LEEONA
[Show full text]
Bulldog Gazette #9
W.P.M.S Bulldog Gazette # 9 Community Superintendent Mrs. Helen Balilo Phone: (703)-630-7012 Office of the Principal Mr. Miles J. Shea Phone: (845)-938-2923 Cell: (845)-667-0529 Dear West Point Middle School Stakeholders, I want to thank the faculty, staff, students, parents, community and other stake- holders for making this another great year at West Point Middle School. Our faculty and staff have distinguished themselves by mastering curriculum, pre- senting organized instruction, managing for effective learning, assessing student achievement, promoting diversity and equity and sponsoring a wide range of out- standing curricular and extra-curricular programs. An essential component of a high performing school is having strong partnerships throughout the community, including a vibrant Parent Teacher Organization (PTO). This is a strength at West Point Middle School and I want to thank each and every person who took time out of their incredibly busy lives to conceptualize, plan and implement programs that contributed to not only increased student achievement, but enhanced our positive school climate as well. Our Bulldogs had another impressive year as measured by many metrics. They were terrific citizens who were committed to our educational process; they pro- duced incredible work samples and were great team members of Team West Point Middle School. We are extremely proud of their accomplishments! On behalf of our faculty and staff, I want to wish everyone a great summer! If you are returning, we will see you in August and if not, “Wherever you go, go with all your heart!” Go Bulldogs! Miles J. Shea Principal West Point Middle School “Where Partnerships Maximize Success” Teacher Notes ADAC Poster Contest 1991 – 2017 West Point Middle School Spanish Classes began participating in the Anti Drug And Alcohol poster contest in 1991.
[Show full text]
Feature Pitch Memo 4.26.19
WGA Weekly Feature Memo – April 26, 2019 We are excited to send you this inaugural edition of the WGA Weekly Feature Memo for your consideration. Each Friday's memo will present log lines for available specs and pitches submitted by WGA writers. If you'd like to read a spec, hear a pitch or set a general meeting, click the link to a writer’s profile. There you will find their authorized representatives and a link to “contact the writer” directly. We are thrilled to be off to a great start, with hundreds of submissions and hundreds of subscribers. Since our first edition is longer than we expect the typical Memo to be, for one time only we’ll also be doing a bonus edition this coming Tuesday! Starting next Friday, we’ll settle into our weekly routine. You can also check out features writers on Twitter under the hashtags #WGAWeeklyMemo and #WGAFeatureBoost Please forward this email to other feature producers and development executives who may want to receive the Memo. They can subscribe here. Concepts remain the property of the writers submitting them FEATURE SPECS 21st C. Sci-Fi/Gothic Horror Writer: Seth Lochhead (Profile) Title: SOMNIUM Targets: A24, Focus Features, Fox Searchlight Logline: Set in an isolated mining facility in the far north of Alaska, SOMNIUM is the story of Karin Anderrson whose dream to become an astronaut slowly turns into a nightmare. Ex Machina/The Thing meets Frankenstein. Action Writer: Don Perez (Profile) Title: The Invincibles Logline: A team of four superheroes from around the globe (America, China, Africa, India) unite to combat a supervillian and his army of shapeshifting warrior monks who seek a weapon that will grant immortality.
[Show full text]
A Study of Women in Prison in Ireland
Discourse and Identity: A Study of Women in Prison in Ireland Christina Quinlan, BSc, MSc, Dip. Stats Submitted for the degree of Doctor of Philosophy Dublin City University School of Communications January 2006 Discourse and Identity: A Study of Women in Prison in Ireland Christina M Quinlan B.Sc. M. Sc. Dip. Stats Thesis presented for the qualification of Ph.D. to the School of Communications, DCU January 2006 Supervisor: Dr. Barbara O’Connor ! hereby certify that this material, which 1 now submit for assessment on the programme o f study leading to the award o f Ph.D. is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed — ^Candidate) rD N o.:99145901 Date: ¿ L m c^ In memory of my father, Tom Quinlan. I would like to thank all of the people who supported and encouraged me in this research. I would like to thank my mother Mary-Jo Quinlan, all my family, and in particular my beloved nephews Daniel Lanigan and Tom Quinlan. I would like to thank all o f my friends for encouraging and supporting me in the work. I would particularly like to thank Bemie Morris, Karen Talbot, Grainne Blair, Maria Luddy, Muireann NT Dhuigneain and Barbara Henry. I would like to thank the School of Communications for funding the research and for supporting me through it. I would particularly like to thank my supervisor Dr. Barbara O’Connor, for her years of critical engagement with the work, without which neither the thesis nor I would have grown and developed as we have.
[Show full text]
Complete List of DVD and Blu-Ray Movies
List of Movies and TV Shows in the Library Collection Title Type 10,000 B.C. [bluraydisc] The 100. The complete first season [videodisc] The 100. The complete second season [videodisc] The 100. The complete third season [videodisc] The 100 year-old man who climbed out the window and disappeared [videodisc] The 10th kingdom [videodisc] 11.22.63 [videodisc] 12 angry men [videodisc] 12 strong [bluraydisc] 12 strong [videodisc] 12 years a slave. [bluraydisc] 12 years a slave [videodisc] 127 hours [videodisc] 13 assassins [videodisc] 13 hours : the secret soldiers of Benghazi [videodisc] 13 Rue Madeleine [videodisc] 1408 [videodisc] The 15:17 to Paris [bluraydisc] The 15:17 to Paris [videodisc] 15 minutes [videodisc] 16 and pregnant [videodisc] 16 and pregnant : the first season. [videodisc] 2 days in New York [videodisc] 2 fast 2 furious [videodisc] 2001 a space odyssey / [videodisc] 2012 [bluraydisc] 2012 [videodisc] 20th century women [videodisc] 21 grams [videodisc] 21 Jump Street [videodisc] 22 Jump Street [videodisc] 24. [videodisc] 24. [videodisc] 24. Season five [videodisc] 24. [videodisc] 24. [videodisc] 24. Season seven [videodisc] 24. Season six [videodisc] 24. [videodisc] Jul 11, 2018 - 1 - 10:00:03 AM List of Movies and TV Shows in the Library Collection Title Type 24. [videodisc] 25th hour [videodisc] 27 dresses [videodisc] 28 days later [videodisc] 3:10 to Yuma [videodisc] 300 rise of an empire / [bluraydisc] 300 rise of an empire / [videodisc] The 33 [videodisc] 360 [videodisc] The 39 steps [videodisc] 4 film favorites. [videodisc] 4 months, 3 weeks & 2 days [videodisc] 42 [bluraydisc] 42 : the Jackie Robinson story / [videodisc] 42nd Street [videodisc] 47 Ronin [videodisc] 5 flights up [bluraydisc] 5 flights up [videodisc] 50 first dates [videodisc] 50 Sci-fi classics over 62 hours.
[Show full text]
Ruth Bradley
www.hamiltonhodell.co.uk Ruth Bradley Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company ENDEAVOUR VIII Matty Shaun Evans Mammoth Screen / ITV TED LASSO S2 Ms Bowen Declan Lowney Warner Bros/Apple GUILT Nominated for the Actress In A Supporting Role In Drama Award, Irish Film and Angie Robbie McKillop BBC Scotland/BBC2 Television Awards, 2020 Darlow Smithson AGATHA AND THE TRUTH OF MURDER Agatha Christie Terry Loane Productions/Channel 5 THE SPLIT Lauren Brooker Jessica Hobbs Sister Pictures/BBC PHILIP K. DICK'S ELECTRIC DREAMS Yaro Peterson Francesca Gregorini Sony Pictures/Channel 4 THE FALL Series 3 Wallace Allan Cubitt Artists Studio/BBC REBELLION Winner of the Best Actress In A Lead Role In Drama Award, Irish Film and Frances O'Flaherty Aku Louhimies Touchpaper Television/RTÉ Television Awards, 2016 HUMANS Series 1-3 Karen Samuel Donovan AMC/Channel 4 HORIZON (Pilot) Lauren Howl Yves Simoneau USA Network BIG THUNDER (Pilot) Nora Rob Bowman ABC THREESOME Series 2 Julie Ian Fitzgibbon Big Talk Productions BEAUTY AND THE BEAST (Pilot) Grace (Lead) Yves Simoneau ABC TITANIC Mary Maloney Jon Jones Deep Indigo/ITV Cilla Ware/Mark PRIMEVAL Lady Emily Merchant Impossible Pictures Everest/Robert Quinn LOVE/HATE Mary David Caﬀrey RTE PLUS ONE Laura Sarah O'Gorman Channel 4 BBC/Tightrope Productions THE INNOCENCE PROJECT Beth Bill Anderson Charlie McCarthy/Robert LEGEND Jacinta
[Show full text]