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Child Disability: a Study of Three Families. INSTITUTION Saskatchewan Univ., Saskatoon
DOCUMENT RESUME ED 371 529 EC 303 116 AUTHOR Bloom, Barbara TITLE Child Disability: A Study of Three Families. INSTITUTION Saskatchewan Univ., Saskatoon. Dept. for the Education of Exceptional Children. PUB DATE May 93 NOTE 306p.; For a summary of the study, see EC 303 117. PUB TYPE Reports Research/Technical (143) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Anxiety; Case Studies; *Child Rearing; *Coping; Elementary Secondary Education; Family Relationship; Foreign Countries; *Human Services; Interviews; *Mental Retardation; Observation; *Parent Attitudes; *Parent Child Relationship; Qualitative Research; Questionnaires; Stress Variables ABSTRACT This qualitative study used ouestionnaires, interviews, and observations to assess what having children with disabilities means to three families. The disabilities include severe mental retardation and seizure disorder, Down syndrome, and neurofibromatosis. Interview data were categorized into the following five areas: the children, stress/anxiety, services, pel,'.onal comments, and survival strategies. Data from MAPS (McGill Action Planning System) planning sessions with the three families are also provided. Results indicate that these families of disabled children do all the things that families ordinarily do to help their children grow and develop, but they do these things more intensely and for a longer period of time. Of particular note for these families was the intensity of the illness(es) of their children and the level and intensity of family interactions with health care professionals. Each family had many interactions, as well, with several other service delivery agencies. While many professionals provided positive, appropriate, and responsive service, each family also experienced very negative non-service from some professionals. Recommendations are offered concerning attitudes, policies, and service provision. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
Keith Sweat I Want Her Mp3, Flac, Wma
Keith Sweat I Want Her mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: I Want Her Country: UK Released: 1987 Style: RnB/Swing, Soul, New Jack Swing MP3 version RAR size: 1469 mb FLAC version RAR size: 1718 mb WMA version RAR size: 1794 mb Rating: 4.1 Votes: 758 Other Formats: AU AA TTA ADX MP4 MIDI DXD Tracklist A1 I Want Her (Extended Version) 6:22 A2 I Want Her (Acappella Dub Beat) 4:07 B1 I Want Her (Instrumental) 2:42 B2 I Want Her (LP Version) 5:58 Credits Co-producer – Teddy Riley Executive-Producer – Vincent Davis Mixed By – Keith Sweat, Vincent Davis Producer – Keith Sweat Written-By – Keith Sweat, Teddy Riley Notes Published by Vintertainment Publishing Inc. / Keith Sweat Publishing / Donril Publishing Original version available on the LP "Make It Last Forever" (960673-1) Barcode and Other Identifiers Barcode (Text): 0 75596 67880 3 Barcode (scanned): 075596678803 Other versions Category Artist Title (Format) Label Category Country Year 0-66788 Keith Sweat I Want Her (12") Vintertainment, Elektra 0-66788 US 1987 7-69431 Keith Sweat I Want Her (7") Elektra, Vintertainment 7-69431 US 1987 7-69431 Keith Sweat I Want Her (7") Vintertainment, Elektra 7-69431 US 1987 I Want Her (12", ED 5265 Keith Sweat Vintertainment, Elektra ED 5265 US 1987 Promo) I Want Her (CD, 10SW8-8 Keith Sweat Elektra 10SW8-8 Japan Unknown Mini, Single) Related Music albums to I Want Her by Keith Sweat Keith Sweat - Make It Last Forever Entouch - All Nite Keith Sweat - When I Give My Love Keith Sweat - Your Love-Part 1 & 2 Keith Sweat - How Do You Like It? Keith Sweat - Why Me Baby? (Remixes) Keith Sweat - Make You Sweat Keith Sweat - I'll Give All My Love To You Keith Sweat - I'm Not Ready Keith Sweat - What Is It. -
LSG Curious Mp3, Flac, Wma
LSG Curious mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Curious Country: US Released: 1998 Style: RnB/Swing MP3 version RAR size: 1379 mb FLAC version RAR size: 1462 mb WMA version RAR size: 1725 mb Rating: 4.7 Votes: 323 Other Formats: AHX AC3 ASF XM FLAC MP1 MIDI Tracklist 1 Curious (No Rap Version) 3:19 Companies, etc. Phonographic Copyright (p) – Elektra Entertainment Group Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Elektra Entertainment Group Copyright (c) – WEA International Inc. Made By – WEA Manufacturing Inc. Recorded At – Southern Tracks Recorded At – Tumblin' Dice Studios Mixed At – Tumblin' Dice Studios Published By – Hip Trip Music Published By – Mid-Star Music Credits Arranged By [Vocal Arrangements] – Keith Sweat, Tumblin' Dice Inc.* Backing Vocals [Background Vocals] – Gerald Levert, Johnny Gill, Keith Sweat Co-producer – Armondo Colon*, Keith Sweat Engineer – Karl Heilbron, Paul Gregory Engineer [Mixing Engineer], Mixed By – Lou Ortiz* Executive-Producer – Gerald Levert, Keith Sweat Executive-Producer [Co-Executive Producer] – Merlin Bobb Keyboards, Programmed By – Tumblin' Dice Inc.* Producer, Arranged By – Rashad Smith Tracking By – Paul Gregory Written-By – Bo Watson, Bobby Lovelace, Melvin Gentry Notes From the EastWest Records album Levert Sweat Gill #62125 available on cassette & cd. Barcode and Other Identifiers Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Levert Sweat EastWest UK & 7559-63841-0 Curious (12") 7559-63841-0 1998 Gill* America Europe Curious / My Body EastWest ED 6064 LSG (Remix) (12", Records ED 6064 US 1997 Promo) America Levert Sweat Levert Sweat Gill* Gill* Featuring Featuring L.L. -
Chicago Music Communities and the Everyday Significance of Playing Jazz
MUSIC PRACTICES AS SOCIAL RELATIONS: CHICAGO MUSIC COMMUNITIES AND THE EVERYDAY SIGNIFICANCE OF PLAYING JAZZ by John Frederic Behling A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2010 Doctoral Committee: Professor Mark Allan Clague, Chair Professor Paul A. Anderson Professor Kelly M. Askew Professor Charles Hiroshi Garrett Copyright John Frederic Behling 2010 Acknowledgements In this dissertation, I argue that the solos of jazz musicians spring from the practices of the communities in which they live. What holds true for expression and creativity in jazz is no less true of academic research and writing. This dissertation would not be possible without the support and encouragement of many communities and individuals. I thank all the musicians in Chicago who played music with me and welcomed me into their communities. I am especially grateful to Aki Antonia Smith, Edwina Smith, Scott Earl Holman, and Ed Breazeale for befriending me and introducing me to the musicians and communities about whom I write. I am also grateful for the support of my academic community. Kelly Askew introduced me to the anthropological side of ethnomusicology. Her writing showed me what compassionate and concrete ethnography should be like. Paul Anderson’s late night seminars helped me understand that musical practices have philosophical and psychological significance and that jazz criticism is part of a much larger and long- standing intellectual conversation. Charles Hiroshi Garrett, a late addition to my committee, embraced this project with enthusiasm. His generous encouragement and insightful comments are greatly appreciated. -
Artist Song Album Blue Collar Down to the Line Four Wheel Drive
Artist Song Album (BTO) Bachman-Turner Overdrive Blue Collar Best Of BTO (BTO) Bachman-Turner Overdrive Down To The Line Best Of BTO (BTO) Bachman-Turner Overdrive Four Wheel Drive Best Of BTO (BTO) Bachman-Turner Overdrive Free Wheelin' Best Of BTO (BTO) Bachman-Turner Overdrive Gimme Your Money Please Best Of BTO (BTO) Bachman-Turner Overdrive Hey You Best Of BTO (BTO) Bachman-Turner Overdrive Let It Ride Best Of BTO (BTO) Bachman-Turner Overdrive Lookin' Out For #1 Best Of BTO (BTO) Bachman-Turner Overdrive Roll On Down The Highway Best Of BTO (BTO) Bachman-Turner Overdrive Take It Like A Man Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Best Of BTO (BTO) Bachman-Turner Overdrive You Ain't Seen Nothing Yet Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Hits of 1974 (BTO) Bachman-Turner Overdrive You Ain't Seen Nothin' Yet Hits of 1974 (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. Blue Sky Greatest Hits of ELO (ELO) Electric Light Orchestra Rockaria Greatest Hits of ELO (ELO) Electric Light Orchestra Showdown Greatest Hits of ELO (ELO) Electric Light Orchestra Strange Magic Greatest Hits of ELO (ELO) Electric Light Orchestra Sweet Talkin' Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Telephone Line Greatest Hits of ELO (ELO) Electric Light Orchestra Turn To Stone Greatest Hits of ELO (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. -
2015 STREET DATES FEBRUARY 10 FEBRUARY 17 Orders Due January 14 Orders Due January 21 2/10/15 AUDIO & VIDEO RECAP
ISSUE 4 MUSIC • FILM • MERCH axis.wmg.com NEW RELEASE GUIDE 2015 STREET DATES FEBRUARY 10 FEBRUARY 17 Orders Due January 14 Orders Due January 21 2/10/15 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE The Carol Burnett Show: Together Again Burnett, Carol TSV DV 610583455298 30102-X $12.95 1/14/15 (DVD) Dr. John In The Right Place (Colored Vinyl) ACG A 603497911110 7018-A $24.98 1/14/15 Giddens, Rhiannon Tomorrow Is My Turn NON CD 075597956313 541708 $16.98 1/14/15 Mama's Family: The Complete Sixth Mama's Family TSV DV 610583464795 30372-X $29.95 1/14/15 Season (3DVD) Fire On The Bayou (Starburst Colored Meters, The RRW A 081227955939 2228 $22.98 1/14/15 Vinyl) Mike + The Mechanics Living Years (2CD) ACG CD 081227959708 542230 $24.98 1/14/15 The Black Parade (Explicit)(2LP w/D- My Chemical Romance REP A 093624933595 545468 $25.98 1/14/15 Side Etching) Three Cheers For Sweet Revenge My Chemical Romance REP A 093624933632 545465 $20.98 1/14/15 (Explicit)(Vinyl) Sweat, Keith Harlem Romance: The Love Collection ECG CD 081227955359 547638 $13.98 1/14/15 Last Update: 12/16/14 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Carol Burnett TITLE: The Carol Burnett Show: Together Again (DVD) Label: TSV/Time/Life Star Vista Config & Selection #: DV 30102 X Street Date: 02/10/15 Order Due Date: 01/14/15 UPC: 610583455298 Box Count: 30 Unit Per Set: 1 SRP: $12.95 Alphabetize Under: B ALBUM FACTS Genre: Television Packaging Specs: Single DVD; Running Time: 158 minutes Description: MORE HILARITY WITH CAROL AND HER FUNNY CAST & GUESTS! Go ahead…try not to laugh! THE CAROL BURNETT SHOW is still zany after all these years. -
Conspicuous Consumption, New-School Hip-Hop and "The New Rock & Roll"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-21-2019 1:00 PM "I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll" Emmett H. Robinson Smith The University of Western Ontario Supervisor Keightley, Keir The University of Western Ontario Coates, Norma The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts ©Follow Emmett this andH. Robinson additional Smithworks at:2019 https:/ /ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, Art Practice Commons, Cultural History Commons, Music Performance Commons, Music Practice Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Languages, Societies, and Cultures Commons, and the Social History Commons Recommended Citation Robinson Smith, Emmett H., ""I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll"" (2019). Electronic Thesis and Dissertation Repository. 6322. https://ir.lib.uwo.ca/etd/6322 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract 2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. -
And Her Hair Went with Her
06/16/08 And Her Hair Went With Her.... by Zina Camblin 172 5th Ave #13 Bret Adams LTD Agency Brooklyn, NY 11217 448 West 44th St [email protected] New York, NY 10036 (347) 564-6145 (212) 765-5640 2. Part One: WIGS AND WEAVES 3. THE SHOP Lights up on two large doors facing down stage center. A sign hangs on the left door that reads “Sorry We’re Closed”. Two ACTORS enter, open the two doors, and together they wheel on two barber chairs, a television set, a CD player, two stands loaded with beauty products, a variety of wigs on stands, and a table on which sits an old fashioned cash register. The ACTORS put on smocks. ACTOR ONE, who is now JASMINE, late forties/early fifties with relaxed hair, puts a CD in the player. Nina Simone’s “Love Me or Leave Me” plays loudly. JASMINE pulls a small envelope out of the pocket of her smock, holds it above her head, and dances around the shop, while the other ACTOR, who is now ANGIE, mid to late twenties with natural hair, sits in one of the barber chairs with her notebook sulking. JASMINE You ain’t gonna get these tickets, you ain’t gonna get these tickets! ANGIE I’m not paying you any attention. JASMINE I got tickets to Nina and you ain’t got none. ANGIE You’re not playing fair. Nina Simone herself wouldn’t know the answer to that question. JASMINE (singing) To be young gifted and black you need to get yourself some tickets.. -
Musical Personae in a Cosmopolitan Society by Merav Singer A
Singing as an Israeli Woman: Musical Personae in a Cosmopolitan Society By Merav Singer A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Benjamin Brinner, Chair Professor Tamara Roberts Professor Paola Bacchetta Professor Edwin Seroussi Fall 2015 Abstract Singing as an Israeli Woman: Musical Personae in a Cosmopolitan Society by Merav Singer Doctor of Philosophy in Music University of California, Berkeley Professor Benjamin Brinner, Chair Israel in the 21 st century is an intensely multicultural society where several types of cosmopolitanism vie with regional and ethnic forms of expression, a phenomenon that plays out in musical life. I propose that such a society offers a variety of possibilities for what a woman is, what she can do, and how she can work. This dissertation is an ethnographic study of four female singer-songwriters that examines the ways they negotiate and sometimes challenge socio-cultural norms in creating their careers and constructing their artistic personae, or the version of themselves that they present as musicians. The artists I focus on straddle four major rifts in Israeli society, between Arabs and Jews, Mizrahim and Ashkenazim, Russian-speaking immigrants and native Israelis, and Orthodox and non-Orthodox communities. In using their ethnic heritage as cultural capital to corner a unique market niche, these artists become enmeshed in social politics that include tensions between ethnic and religious groups, conflicting gender roles, and struggles over belonging. I argue that as they create legible personae to meet the demands of the music industry, their liminality between mainstream society and a minority sector challenges the discourse around those identities.