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Book by Vera Morris Music and lyrics by Bill Francoeur © Copyright 1991, Pioneer Drama Service, Inc., Under the title of Jack and the Giant Performance License The amateur and professional acting rights to this play are controlled by Pioneer Drama Service, Inc., PO Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: 1. The full name of the play 2. The full name of the playwright and composer/arranger 3. The following credit line: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by Pioneer Drama Service, Inc. to whom all inquiries should be addressed. For preview only FEE, FI, FO, FUM! Adapted and dramatized from the Benjamin Tabart version of the English folktale, “The History of Jack Spriggins and the Enchanted Bean” Book by VERA MORRIS Music and Lyrics by BILL FRANCOEUR CAST OF CHARACTERS (In Order Of Appearance) # of lines JACK ................................................brave young lad; loves 149 adventure SUSAN .............................................his sister 53 JACK’S MOTHER .............................about to lose her farm 65 VILLAGE WOMAN #1 ......................lives in fear of the Giant 11 VILLAGE WOMAN #2 ......................more -
Giant Hogweed Please Destroy Previous Editions
MSU Extension Bulletin E-2935 June 2012 Giant Hogweed Please destroy previous editions An attractive but dangerous federal noxious weed. Have you seen this plant in Michigan? Hogweed is hazardous Wash immediately with soap and water if skin exposure occurs. If pos- Giant hogweed is a majestic plant sible, keep the contacted area cov- that can grow over 15 feet. Although ered with clothing for several days to attractive, giant hogweed is a public reduce light exposure. Giant hogweed health hazard because it can cause se- (Heracleum mantegazzianum) is a vere skin irritation in susceptible people. federal noxious weed, so it is unlaw- The plant exudes a clear, watery sap that ful to propagate, sell or transport this causes photodermatitis, a severe skin plant in the United States. The U.S. reaction. Skin contact followed by ex- Department of Agriculture (USDA) posure to sunlight may result in painful, has been surveying for this weed since burning blisters and red blotches that 1998 and several infestations have later develop into purplish or blackened been identified in Michigan. For more USDA APHIS PPQ Archive, USDA APHIS PPQ, Bugwood.org Archive, USDA APHIS PPQ USDA scars. The reaction can happen within information about giant hogweed, visit It’s a tall majestic plant, 24 to 48 hours after contact with sap, the Michigan Department of Agricul- and scars may persist for several years. ture and Rural Development at www. but DON’T TOUCH IT! Contact with the eyes can lead to tempo- michigan.gov/exoticpests. rary or permanent blindness. Use common sense around giant hogweed Don’t touch or handle plants using Don’t transplant or give away your bare hands. -
Revenge and Punishment: Legal Prototype and Fairy Tale Theme
Circles: Buffalo Women's Journal of Law and Social Policy Volume 6 Article 4 1-1-1998 Revenge and Punishment: Legal Prototype and Fairy Tale Theme Kimberly J. Pierson Follow this and additional works at: https://digitalcommons.law.buffalo.edu/circles Part of the Law Commons, and the Legal Studies Commons Recommended Citation Pierson, Kimberly J. (1998) "Revenge and Punishment: Legal Prototype and Fairy Tale Theme," Circles: Buffalo Women's Journal of Law and Social Policy: Vol. 6 , Article 4. Available at: https://digitalcommons.law.buffalo.edu/circles/vol6/iss1/4 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Circles: Buffalo Women's Journal of Law and Social Policy by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. CIRCLES 1998 Vol. VI REVENGE AND PUNISHMENT: LEGAL PROTOTYPE AND FAIRY TALE THEME By Kimberly J. Pierson' The study of the interrelationship between law and literature is currently very much in vogue, yet many aspects of it are still relatively unexamined. While a few select works are discussed time and time again, general children's literature, a formative part of a child's emerging notion of justice, has been only rarely considered, and the traditional fairy tale2 sadly ignored. This lack of attention to the first examples of literature to which most people are exposed has had a limiting effect on the development of a cohesive study of law and literature, for, as Ian Ward states: It is its inter-disciplinary nature which makes children's literature a particularly appropriate subject for law and literature study, and it is the affective importance of children's literature which surely elevates the subject fiom the desirable to the necessary. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Management Plan for the Giant Land Crab (Cardisoma Guanhumi) in Bermuda
Management Plan for the Giant Land Crab (Cardisoma guanhumi) in Bermuda Government of Bermuda Ministry of Home Affairs Department of Environment and Natural Resources 1 Management Plan for the Giant Land Crab (Cardisoma guanhumi) in Bermuda Prepared in Accordance with the Bermuda Protected Species Act 2003 This management plan was prepared by: Alison Copeland M.Sc., Biodiversity Officer Department of Environment and Natural Resources Ecology Section 17 North Shore Road, Hamilton FL04 Bermuda Contact email: [email protected] Published by Government of Bermuda Ministry of Home Affairs Department of Environment and Natural Resources 2 CONTENTS CONTENTS ........................................................................................................................ 3 LIST OF FIGURES ............................................................................................................ 4 LIST OF TABLES .............................................................................................................. 4 DISCLAIMER .................................................................................................................... 5 ACKNOWLEDGEMENTS ................................................................................................ 6 EXECUTIVE SUMMARY ................................................................................................ 7 PART I: INTRODUCTION ................................................................................................ 9 A. Brief Overview .......................................................................................................... -
Walking with Giants
Journal of Agricultural Education, 55(1), 1-7. doi: 10.5032/jae.2014.01001 Walking With Giants George W. Wardlow1 Abstract Dr. George W. Wardlow presented the 2013 AAAE Distinguished Lecture at the Annual Meeting of the American Association for Agricultural Education in Columbus, Ohio in May, 2013. While the focus of the article is on the importance of research to the profession, it is intended as a philosophical work. There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown (American Bible Society, 1985, p. 6). Every culture from the beginning of human civilization has some reference to “giants” of old, or as Genesis refers to them, “men of renown.” The Bible refers to these individuals as Nephilim, a result of human genetic crosses with angels; and we accept the notion that this did not necessarily result in a positive outcome. In Greek mythology the giants who roamed the Earth were, according to the poet Hesiod, the children of Uranus and Gaea (spirits of the sky and the earth) (“Giants (Greek Mythology),” 2013). Indeed, references are made to “giants” among many cultures of the world. In Native American lore such as Paiute oral history, the Si-Te-Cah or Sai'i are a legendary tribe of red- haired cannibalistic giants (“Giants (Mythology),” 2013). In Norse mythology existed the Jotun, or jötnar in Old Norse (“Jotunn,” 2013). Megalithic construction in South America among Inca and even Aztec legend is, at times, attributed to ancient giants. -
Creating Little Red Riding Hood : Morality, Sexuality, and The
Creating Little Red Riding Hood : Morality, Sexuality, and the Evolution of a Classic Tale Julia Gralczyk HON 395 Spring Quarter 2017 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director James Choi, Digital Cinema Faculty Reader Nancy Grossman, Honors 1 THESIS ABSTRACT Little Red Riding Hood is a classic tale commonly known about a young girl in a red cape and a big, bad wolf. The story’s simple plot however, has given it way to considerable changes and adaptations depending on cultural beliefs, regional dialects, and personal interpretations. For my final Honors Program assignment, I would like to create a creative thesis in the form of a short film that incorporates my personal interpretations surrounding the tale. I will be researching themes and motifs that explore Little Red as an older character struggling with the thresholds of innocence and womanhood, lust and seduction, and the relationship between the sexes. 2 TABLE OF CONTENTS 1. INTRODUCTION………………………………………………………………….3 2. PERRAULT & THE GRIMM BROTHERS……………………………………..4 3. FREEWAY & RED RIDING HOOD (2011)...........................................................5 4. MEANINGS AND SYMBOLS ……………………………………………………7 5. PERSONAL INTERPRETATIONS & CREATING MY STORY……………....8 6. CONCLUSION ……………………………………………………………………..9 7. REFERENCES……………………………………………………………………..11 3 1. Introduction In 1697 French writer, Charles Perrault, published the earliest known printed version of Red Riding Hood. The invention of the tale cannot be credited to Perrault however, for many scholars have insisted Little Red Riding Hood has ancient origins as a spoken folklore shared by local peasants in Europe as early as the 10th century. Nonetheless, Perrault set the president for a story that will later be told, retold, and remade for centuries to come, with her perennial popularity accredited to her ability to adapt to the times. -
Little Red Riding Hood Story/ ENGLISH
Little Red Riding Hood story/ ENGLISH Once upon a time, there lived a little girl called Little Red Riding Hood. She wore a beautiful red cape that her grandma had made for her. One day, her mother said, “Come here Little Red Riding Hood. Your grandma is not very well. I would like you to take this bread and cheese to her but remember to stay on the path.” Little Red Riding Hood set off to her grandma’s house. She lived on the other side of a forest. As Little Red Riding Hood was going through the wood, she met a wolf. He was waiting for her to get closer and closer and closer and then…. he jumped out from behind a tree! The wolf asked. “Where are you going to?” Little Red Riding Hood said, “I am going to see my grandma because she is not very well.” The wolf gazed at her and said, “See these pretty flowers? Why not pick some, I am sure your grandma would love them.” “What a good idea,” said Little Red Riding Hood, and she skipped from the path to look for flowers for her grandma. Then the wolf ran to grandma’s house and knocked on the door. ‘Knock, knock, knock!’ “Who is there?” asked grandma. “Little Red Riding Hood”, replied the wolf. Grandma whispered, “Come in, I am too ill to come to the door.” The wolf let himself in. Poor granny did not have time to say another word, before the greedy wolf gobbled her up! He put on her nightgown and nightcap. -
Once Upon a Revision... Anthony Stefani Iowa State University
Volume 40 Issue 5 Article 12 May 1994 Once Upon A Revision... Anthony Stefani Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/ethos Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Stefani, Anthony (1994) "Once Upon A Revision...," Ethos: Vol. 1994 , Article 12. Available at: http://lib.dr.iastate.edu/ethos/vol1994/iss1/12 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. • • eVISIOn • • • It's a downcast day in the enchanted forest The Big Bad Wolf is working his hide off doing commanity service. At the tender age of 13. Goldilocks is being charged with breaking and entering and the Fairy Godmother from Cinderella has been accased of craelty to animals. a commentary by Anthony Stefani ranted, these scenarios are a little far fetched,but thanks to today's parents they could quite possibly appear at your local bookstore in the near future. Why the changes? Adults have become amnesiac to the fact that these characters were originally designed to educate people and convey a message for leading a healthy life free of gin, sin and blowpops. Reacting to parental charges of heinous nursery crimes, publishers have begun sanitiz ing these children's classics-a move sure to make the Brothers Grimm cringe. American and foreign publishers have turned McCue added that Little Golden Books would be children's fairy tale books into a potential pot of gold at sticking with the Walt Disney versions of Snow White the end of the reading rainbow. -
KOERNER S HAVES by BUFFALO N Vv
; KOERNER S HAVES BY BUFFALO N Vv ! = \A #1 t : 4 ¢ Jack the Giant=Killer. The Giant Stepped on Jack’s Trap and Fell Headlong into the Pit. [° the days of the renowned King Arthur there lived a Cornishman named Jack, who was famous for his valiant deeds. His bold and warlike spirit showed itself in his boyish days; for Jack took especial delight in listening to the wonderful tales of giants and fairies, and of the extraordinary feats of valor displayed by the knights of King Arthur’s Round Table, which his father would sometimes relate. Jack’s spirit was so fired by these strange accounts, that he determined, if ever he became a man, that he would destroy some of the cruel giants who infested the land. Not many miles from his father’s house there lived, on the top of St. Michael’s Mount, a huge giant, who was the terror of the country round, who was named Cormoran, from his voracious appetite. It is said that he was eighteen feet in height. When he required food, he came down from his castle, and, seizing on the flocks of the poor people, would throw half a dozen oxen over his shoulders, and suspend as many sheep as he could carry, and stalk back to his castle. He had carried on these depredations many years ; and the poor Cornish people were well-nigh ruined. Jack went by night to the foot of the mount and dug a very deep pit, which he covered with sticks and straw, and over which he strewed the earth. -
Giants: Legends & Lore of Goliaths
PERHAPS MYTHOLOGY CONTAINS MORE TRUTH THAN WE REALIZE! The word “myth” has come to mean “fiction” in our minds, and so some people take Bible accounts, Aesop’s fables, and Greek myths and place them all in the same category. But what if some of the old legends are true? Rather than dismiss these narratives, perhaps we should investigate them. In this case, the world is filled with giant legends that speak of heroes and wars. In this highly engaging book of giants you will discover ? Unique glimpses into the ancient accounts of giants from around the world @ What does the Bible say about giants? ? Full-color artistry developed in an interactive format with fold outs and flaps, booklets, and more! @ A spectacular center spread stretching 4-feet across! It is fascinating that the ancient world agreed on many aspects of the Martin Bible, one of these being that early in the history of mankind, a race of violent, yet intelligent giants walked the earth, were destroyed by the Flood. Through historical records, the pre-Flood and post-Flood worlds are reconstructed, with giants re-emerging in and around Israel, and you’ll see one more reason that the Bible can be trusted. RELIGION/Biblical Studies/General JUVENILE NONFICTION/Religious/ Christian/General $18.99 U.S. ISBN-13: 978-0-89051-864-9 EAN First printing: June 2015 Copyright © 2015 Master Books. All rights reserved. No part of this book may be used Odysseus Blinds Polyphemus or reproduced in any manner whatsoever without written permission of the publisher, except in the case of brief quotations in articles and reviews. -
Little Red Riding Hood Brothers Grimm Dear Reader, the Grimm Brothers Published Their First Book of Fairy Tales Two Hundred Years Ago
Little Red Riding Hood Brothers Grimm Dear reader, The Grimm Brothers published their first book of fairy tales two hundred years ago. They proved so popular they were soon being avidly read not only all over Germany but also well beyond. More recently, the outstan- ding importance of the tales was highlighted by the inscrip-tion in 2005 on UNESCO’s Memory of the World Register of one of the star exhibits of the Brothers Grimm Museum in Kassel, an early edition of the “Children’s and Household Tales” owned and annotated by Jacob and Wilhelm Grimm. This Register is the collective memory of humankind, so to speak, and holds valuable book collections, ma- nuscripts,Dear reader, musical scores, one-of-a-kind documents, visual images, sound recordings and films from around the world. The Grimm Brothers published their first book of fairy tales two hundred years ago. They Andproved certainlyso popular they were Rapunzel, soon being avidly readthe not Frogonly all over King Germany and but also Little well Snow White have becomebeyond. More recently,familiar the outstanding figures importance to of thechildren tales was highlighted all overby the inscrip the- world, not just in tion in 2005 on UNESCO’s Memory of the World Register of one of the star exhibits of the Germany.Brothers Grimm Museum Grimms’ in Kassel, anfairy early edition tales of the is “Children’s in fact and Household the most Tales” widely read, sold andowned translated and annotated by Jacob book and Wilhelm ever Grim m.written This Register in is the German.