1 the DEATH of GOD and the DEATH of MORALITY Brian Leiter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nietzsche, Beyond Good and Evil (Selections)
Nietzsche, Beyond Good and Evil (selections) This is an excerpt from Beyond Good and Evil, a book written by Nietzsche in 1886, consisting of about three hundred aphorisms on various subjects. The central theme of this book is the problem of morality—how we should act. The startling conclusion Nietzsche draws in the book is that we ought to jettison the altruistic morality that society and religion has imposed on us, the morality in which we demonstrate care and concern for the welfare and well-being of others, and instead institute a new morality centered around the self, a new self unfettered by social norms and the “slave morality” of what Nietzsche calls the “herd.” The final culmination of this new morality which lies “beyond good and evil” can be found in the final chapter titled “What Is Noble?” According to Nietzsche, to be noble means to see oneself as the center and origin of all value. In fact, the terms “good” and “bad” originally designated simply what the aristocracy did and did not value. For Nietzsche, “life is precisely the will to power,” and historically members of the aristocracy exercised their will to power by exploiting common people and using them as they saw fit. Nietzsche calls the morality of the ruling aristocracy a “master morality. ” He contrasts this kind of morality with “slave morality,” which arose when common people tried to make their inferior and despicable lives more bearable by exalting as virtues such qualities as kindness, sympathy, selflessness, patience, and humility (the cornerstones of Christian morality). Slave morality gave rise to the pair of terms “good” and “evil,” which Nietzsche contrasts with the “good” and “bad” of master morality. -
Beyond Good and Evil—1
Nietzsche & Asian Philosophy Beyond Good and Evil—1 Beyond good and Evil Preface supposing truth is a woman philosophers like love-sick suitors who don’t understand the woman-truth central problem of philosophy is Plato’s error: denying perspective, the basic condition of all life On the Prejudices of Philosophers 1) questioning the will to truth who is it that really wants truth? What in us wants truth? Why not untruth? 2) origin of the will to truth out of the will to untruth, deception can anything arise out of its opposite? A dangerous questioning? Nietzsche sees new philosophers coming up who have the strength for the dangerous “maybe.” Note in general Nietzsche’s preference for the conditional tense, his penchant for beginning his questioning with “perhaps” or “suppose” or “maybe.” In many of the passages throughout this book Nietzsche takes up a perspective which perhaps none had dared take up before, a perspective to question what had seemed previously to be unquestionable. He seems to constantly be tempting the reader with a dangerous thought experiment. This begins with the questioning of the will to truth and the supposition that, perhaps, the will to truth may have arisen out of its opposite, the will to untruth, ignorance, deception. 3) the supposition that the greater part of conscious thinking must be included among instinctive activities Nietzsche emphasizes that consciousness is a surface phenomenon conscious thinking is directed by what goes on beneath the surface contrary to Plato’s notion of pure reason, the conscious -
APA Newsletters
APA Newsletters Volume 02, Number 1 Fall 2002 NEWSLETTER ON PHILOSOPHY AND THE BLACK EXPERIENCE LETTER FROM THE NEW EDITORS, JOHN MCCLENDON & GEORGE YANCY ARTICLES JOHN H. MCCLENDON III “Black and White contra Left and Right? The Dialectics of Ideological Critique in African American Studies” GEORGE YANCY “Black Women’s Experiences, Philosophy of Religion and Womanist Theology: An Introduction through Jacquelyn Grant’s Hermaneutics of Location” BOOK REVIEWS Mark David Wood: Cornel West and the Politics of Prophetic Pragmatism REVIEWED BY JOHN H. MCCLENDON III George Yancy, Ed.: Cornel West: A Critical Reader REVIEWED BY ARNOLD L. FARR © 2002 by The American Philosophical Association ISSN: 1067-9464 APA NEWSLETTER ON Philosophy and the Black Experience John McClendon & George Yancy, Co-Editors Fall 2002 Volume 02, Number 1 George Yancy’s recent groundbreaking work, Cornel West: A ETTER ROM THE EW DITORS Critical Reader. Farr particularly highlights the revolutionary L F N E historical importance of Yancy’s book. For submissions to the APA newsletter on Philosophy and the Black Experience, book reviews should be sent to George We would like to say that it is an honor to assume, as new Yancy at Duquesne University Philosophy Department, 600 editors, the helm of the APA Newsletter on Philosophy and the Forbes Avenue, Pittsburgh, PA 15282; and he can be e-mailed Black Experience. Editors Leonard Harris and Jesse Taylor have at [email protected]. Articles for submission can done a consistent job of providing us with articles and reviews be sent to John H. McClendon, Associate Professor of African that reflect the importance of philosophy vis-a-vis the Black American and American Cultural Studies, Bates College, 223 experience. -
Romer V. Evans and the Permissibility of Morality Legislation S
University of Missouri School of Law Scholarship Repository Faculty Publications Winter 1997 Romer v. Evans and the Permissibility of Morality Legislation S. I. Strong University of Missouri School of Law, [email protected] Follow this and additional works at: http://scholarship.law.missouri.edu/facpubs Part of the Civil Law Commons, Criminal Law Commons, and the State and Local Government Law Commons Recommended Citation S.I. Strong, Romer v. Evans and the Permissibility of Morality Legislation, 39 Ariz. L. Rev. 1259 (1997) This Article is brought to you for free and open access by University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of Missouri School of Law Scholarship Repository. ROMER v. EVANS AND THE PERMISSIBILITY OF MORALITY LEGISLATION S.I. Strong* I. INTRODUCTION ............................................................................................ 1260 II. THE ROMER MAJORrrY .............................................. 1263 III. THE ROMER DISSENT .................................................................................. 1265 IV. LOGIC AND LEGITIMACY: WHAT IS PERMISSIBLE AND WHAT IS POSSIBLE INTHE REALM OF MORALrrY LEGISLATION.................................. 1268 A. The Platonic Ideal 1........................................................................1269 B. The Aristotelian Ideal ................................... 1276 C. The Augustinian Approach ................................ 1280 D. -
Heritage Ethics and Human Rights of the Dead
genealogy Article Heritage Ethics and Human Rights of the Dead Kelsey Perreault ID The Institute for Comparative Studies in Literature, Art, and Culture, Carleton University, Ottawa, ON K1S 5B6, Canada; [email protected] Received: 1 May 2018; Accepted: 13 July 2018; Published: 17 July 2018 Abstract: Thomas Laqueur argues that the work of the dead is carried out through the living and through those who remember, honour, and mourn. Further, he maintains that the brutal or careless disposal of the corpse “is an attack of extreme violence”. To treat the dead body as if it does not matter or as if it were ordinary organic matter would be to deny its humanity. From Laqueur’s point of view, it is inferred that the dead are believed to have rights and dignities that are upheld through the rituals, practices, and beliefs of the living. The dead have always held a place in the space of the living, whether that space has been material and visible, or intangible and out of sight. This paper considers ossuaries as a key site for investigating the relationships between the living and dead. Holding the bones of hundreds or even thousands of bodies, ossuaries represent an important tradition in the cultural history of the dead. Ossuaries are culturally constituted and have taken many forms across the globe, although this research focuses predominantly on Western European ossuary practices and North American Indigenous ossuaries. This paper will examine two case studies, the Sedlec Ossuary (Kutna Hora, Czech Republic) and Taber Hill Ossuary (Toronto, ON, Canada), to think through the rights of the dead at heritage sites. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Nietzsche and the Pathologies of Meaning
Nietzsche and the Pathologies of Meaning Jeremy James Forster Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Jeremy James Forster All rights reserved ABSTRACT NIETZSCHE AND THE PATHOLOGIES OF MEANING Jeremy Forster My dissertation details what Nietzsche sees as a normative and philosophical crisis that arises in modern society. This crisis involves a growing sense of malaise that leads to large-scale questions about whether life in the modern world can be seen as meaningful and good. I claim that confronting this problem is a central concern throughout Nietzsche’s philosophical career, but that his understanding of this problem and its solution shifts throughout different phases of his thinking. Part of what is unique to Nietzsche’s treatment of this problem is his understanding that attempts to imbue existence with meaning are self-undermining, becoming pathological and only further entrenching the problem. Nietzsche’s solution to this problem ultimately resides in treating meaning as a spiritual need that can only be fulfilled through a creative interpretive process. CONTENTS Introduction 1 Chapter I: The Birth of Tragedy and the Problem of Meaning 30 Part I: Background 33 Part II: Meaningfulness in Artistic Cultures 45 Part III: Meaningfulness in Tragic Cultures 59 Part IV: Meaningfulness in Socratic Cultures 70 Conclusion: The Solution to Socratism 78 Chapter II: Meaning, Science, and the “Perceptions of Science -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Interpreting the Theology of Barth in Light of Nietzsche's Dictum “God Is Dead”
Interpreting the theology of Barth in light of Nietzsche’s dictum “God is dead” André J Groenewald Pastor: Presbyterian Church of Scotland Edinburgh, Scotland Abstract Karl Barth responded with his theology to Nietzsche’s dictum “God is dead” by stating that God is the living God. God does not need the human race to exist. God reveals God self to humankind whenever God wills. Barth agreed with Nietzsche that the god of the nineteenth century was a “Nicht-Gott”. The article aims to discus Karl Barth’s respons to Nietzsche’s impulse towards the development of a concept of God that would lead to neither atheism nor theism. The article argues that Barth paved the way for talking about God by defining God as the “communicative God”. 1. INTRODUCTION In his book, Die fröhliche Wissenschaft, originally written in 1882, Nietzsche tells about a mad man who runs around in a marketplace looking for “God” (Nietzsche 1973:159). Since he cannot find God, he can only reach one conclusion. God is dead! Nietzsche did not per se deny or affirm the existence of God. He announced the death of the god of modernity (Ward [1997] 1998:xxix; Groenewald 2005:146). He had a problem with the notion of “Fortschritt” according to which history has proven that human beings develop to greater heights of their own accord and that the potential for progress is intrinsic to humankind (Nietzsche 1969a:169; 1972: 304, 309, 310; see Jensen 2006:47, 51). “God’s existence and providence could then be proven on account of this optimistic progress in the course of history” (Groenewald 2005:146). -
Nietzsche, Polytheism and Parody
Bulletin de la Sociiti Amhicaine de Philosophie de Langue Franrais Volume 14} Number 2} Fall 2004 Nietzsehe, Polytheism and Parody Pierre I<lossowski Parody and polytheism in Nietzsche? At first sight, it is not at all clear what relation exists between these two terms, nor what kind oE concerns would lead one to speak oE them, nor what interest one n1ight have in raising such a question. If for most people Nietzsche's name is inseparable from the utterance God is dead, then it may seem surprising to speak of the religion of many gods with regard to Nietzsche. After all, there are countless people today for whom Nietzsche's name signifies nothing more than this utterance-and they did not need Nietzsche to know that all the gods are dead. It mayaiso seem, perhaps, that I am simply using Nietzsche to demonstrate the existence of many gods and to legitimate polytheism; and, by playing on these words, I will not escape the reproach, under the pretext of showing the meaning of parody in Nietzsche, of making a parody of myself and thus of parodying Nietzsche. If I must open myself to such confusion, I would nevertheless like to make one thing clear: insofar as one is lead to interpret the thought of a mind [eprit] that one tries to comprehend and make comprehensible, there is no one who leads his interpreter to parody him as much as Nietzsche. 82 NIETZSCHE, POLYTHEISM, AND PARODY This is true not only of those interpreters who are smitten with his thought, but also those who try hard to refute him as a dangerous spirit. -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
Traces of Friedrich Nietzsche's Philosophy
Traces of Friedrich Nietzsche’s Philosophy in Scandinavian Literature Crina LEON* Key-words: Scandinavian literature, Nietzschean philosophy, Georg Brandes, August Strindberg, Knut Hamsun 1. Introduction. The Role of the Danish Critic Georg Brandes The age of Friedrich Nietzsche in Scandinavia came after the age of Émile Zola, to whom Scandinavian writers such as Henrik Ibsen and August Strindberg were indebted with a view to naturalistic ideas and attitudes. Friedrich Nietzsche appears to me the most interesting writer in German literature at the present time. Though little known even in his own country, he is a thinker of a high order, who fully deserves to be studied, discussed, contested and mastered (Brandes 1915: 1). This is what the Danish critic Georg Brandes asserted in his long Essay on Aristocratic Radicalism, which was published in August 1889 in the periodical Tilskueren from Copenhagen, and this is the moment when Nietzsche became to be known not only in Scandinavia but also in other European countries. The Essay on Aristocratic Radicalism was the first study of any length to be devoted, in the whole of Europe, to this man, whose name has since flown round the world and is at this moment one of the most famous among our contemporaries (Ibidem: 59), wrote Brandes ten years later. The term Aristocratic Radicalism had been previously used by the Danish critic in a letter he wrote to Nietzsche himself, from Copenhagen on 26 November 1887: …a new and original spirit breathes to me from your books […] I find much that harmonizes with my own ideas and sympathies, the depreciation of the ascetic ideals and the profound disgust with democratic mediocrity, your aristocratic radicalism […] In spite of your universality you are very German in your mode of thinking and writing (Ibidem: 63).