Heritage Ethics and Human Rights of the Dead
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{TEXTBOOK} Missing in Action
MISSING IN ACTION PDF, EPUB, EBOOK Francis Bergèse | 48 pages | 09 Feb 2017 | CINEBOOK LTD | 9781849183437 | English | Ashford, United Kingdom Missing in Action () - IMDb Normalization of U. Considerable speculation and investigation has gone to a theory that a significant number of these men were captured as prisoners of war by Communist forces in the two countries and kept as live prisoners after the war's conclusion for the United States in Its unanimous conclusion found "no compelling evidence that proves that any American remains alive in captivity in Southeast Asia. This missing in action issue has been a highly emotional one to those involved, and is often considered the last depressing, divisive aftereffect of the Vietnam War. To skeptics, "live prisoners" is a conspiracy theory unsupported by motivation or evidence, and the foundation for a cottage industry of charlatans who have preyed upon the hopes of the families of the missing. As two skeptics wrote in , "The conspiracy myth surrounding the Americans who remained missing after Operation Homecoming in had evolved to baroque intricacy. By , there were thousands of zealots—who believed with cultlike fervor that hundreds of American POWs had been deliberately and callously abandoned in Indochina after the war, that there was a vast conspiracy within the armed forces and the executive branch—spanning five administrations—to cover up all evidence of this betrayal, and that the governments of Communist Vietnam and Laos continued to hold an unspecified number of living American POWs, despite their adamant denials of this charge. It is only hard evidence of a national disgrace: American prisoners were left behind at the end of the Vietnam War. -
Romer V. Evans and the Permissibility of Morality Legislation S
University of Missouri School of Law Scholarship Repository Faculty Publications Winter 1997 Romer v. Evans and the Permissibility of Morality Legislation S. I. Strong University of Missouri School of Law, [email protected] Follow this and additional works at: http://scholarship.law.missouri.edu/facpubs Part of the Civil Law Commons, Criminal Law Commons, and the State and Local Government Law Commons Recommended Citation S.I. Strong, Romer v. Evans and the Permissibility of Morality Legislation, 39 Ariz. L. Rev. 1259 (1997) This Article is brought to you for free and open access by University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of Missouri School of Law Scholarship Repository. ROMER v. EVANS AND THE PERMISSIBILITY OF MORALITY LEGISLATION S.I. Strong* I. INTRODUCTION ............................................................................................ 1260 II. THE ROMER MAJORrrY .............................................. 1263 III. THE ROMER DISSENT .................................................................................. 1265 IV. LOGIC AND LEGITIMACY: WHAT IS PERMISSIBLE AND WHAT IS POSSIBLE INTHE REALM OF MORALrrY LEGISLATION.................................. 1268 A. The Platonic Ideal 1........................................................................1269 B. The Aristotelian Ideal ................................... 1276 C. The Augustinian Approach ................................ 1280 D. -
REFLECTION of PEACE Lined by Blocks of Granite That Hold the Names of Doves of Peace Reach to the Sky on Top of the Emerald the Deceased
OSSUARY The Ossuary at Roselawn has a spiraling pathway REFLECTION OF PEACE lined by blocks of granite that hold the names of Doves of peace reach to the sky on top of the emerald the deceased. The ashes are placed in a co-mingle green granite circular columbarium. Surrounded by container. beautiful gardens and benches. Ossuary In Ground Burial Lots for 2 Cremains $895 Reflection of Peace* Co-Mingle Cremation Burial $3,800 Includes Interment, Marker and Inscription COMMUNITY Includes Placement and Inscription MAUSOLEUM Niche for 2 Cremains Reflection of Peace* Beautifully constructed bronze niche wall depicting $3,600 - $4,200 a Northern Minnesota Lake. This sculpture is said to Includes Placement and Inscription be the Largest Bronze Niche Wall in the World. See the front cover picture to view the entire mausoleum. Bronze Cremation Niche for 2 Cremains Roselawn Community Mausoleum* GARDEN OF $6,400 - $6,800 Includes Placement and Inscription REMEMBRANCE Price depends on row chosen Set into an embankment and accented with flowering topiary planters. It is a true work of beauty. And will SPLIT ROCK GARDEN forever be a peaceful resting place. Located near the Historic Roselawn Chapel, this In Ground Burial Lots for 2 Cremains limestone wall is the backdrop for the newest cremation columbarium. Serene pond, gardens and sculpture Garden of Remembrance* add to the peaceful resting place. $4,600 Includes Interment, Marker and Inscription In Ground Burial Lots for 2 Cremains Split Rock Garden* $3,800 Wall Niche for 2 Cremains Includes Interment, Marker and Inscription Garden of Remembrance* HISTORICAL CHAPEL $4,400 - $5,000 Niche for 2 Cremains Split Rock Garden* Our historic chapel, designed by renowned architect Includes Placement and Inscription $3,800 - $4,400 Cass Gilbert, may be reserved by lot owners for Price depends on row chosen Includes Placement and Inscription funerals and memorial services. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Text Kostnice En A4
Printed commentary – RETURN please! Cemetery Church of All Saints with the OSSUARY Dear visitors, you are at a memorial site, a final resting place of 60,000 people. On behalf of the Roman Catholic parish - an administrator of the site, we thank you for keeping the reverence and respect in the area of the cemetery. Cemetery Church was a part of the oldest Cistercian monastery in Bohemia founded in 1142. Also a unique Cathedral of the Assumption of Our Lady and St. John the Baptist near by (a UNESCO-listed site since 1995) and a former baroque convent (a seat of a tobacco factory since 1812) were preserved. Church of All Saints was built in the late 14th century and is an important monument of the High Gothic style. Architecturally it is a Gothic charnel house with an upper chapel and an underground Ossuary. According to the legend, one of the local abbots was sent by the Czech king to Jerusalem around the year 1278. The Abbot brought a handful of soil from Golgotha and scattered it over the Sedlec cemetery. The soil from the Holy Land was used for consecrating and healing. Also people from Europe desired to be buried in Sedlec. (Similar Holy fields were also in e. g. Rome, Pisa or Paris). The cemetery was considerably extended during great epidemics in 14th century - 30,000 deceased were buried there. In the spring of 1421 the Hussite troops captured Kutná Hora. They also attacked Sedlec, plundered and burnt the cathedral and the monastery. The cemetery Church of All Saints was also devastated. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Unearth Exhibition Catalog
UNEARTH | JUDY ONOFRIO The Rochester Art Center “This work is celebrating the ongoing cycle of ever-changing life, filled with expectation, anticipation, and the unknown. Through my intuitive studio practice, I seek to move beyond a specific narrative, and reach toward a universal experience of beauty that speaks to the transitory nature of life.” -JUDY ONOFRIO 4 TABLE OF CONTENTS Materiality, Texture and Form: A Lived Practice in Unearth Foreword the Work of Judy Onofrio Works in the Exhibition O6 10 21 “...I was so much Unearthing Materiality and older then Meaning in the Work of I’m younger than Judy Onofrio that now.” Artist's Resume 86 98 104 Acknowledgments Colophon 111 112 5 FOREWORD Megan Johnston Rochester Art Center Executive Director With this exhibition, Unearth by Rochester- an intentional turn towards being more open based, nationally recognized artist Judy and engaging. While we celebrate 70 years of Onofrio, Rochester Art Center is proud fostering creativity in our community, with to announce the celebration of our 70th more than 1 million people served, we are also anniversary. registering eleven years sited on the banks of the Zumbro River and at the heart of a city. The exhibition highlights RAC’s commitment to presenting signature solo shows by artists In this context, the exhibition Unearth by Judy regionally, nationally and internationally. Onofrio not only highlights this change but For more than 25 years I have worked closely also a re-connection to our specific context. with artists on significant new bodies of For many of us in Rochester and Minnesota, work, creating space for risk and support. -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
Ossuarius Eva Bujalka
Ossuarius Eva Bujalka Sedlec, Kutná Hora, the 1870th year of Our Lord Jesus Christ. The Schwarzenberg family—a family of Franconian and Bohemian aristocrats—has commissioned Czech woodcarver František Rint with an intriguing task. See these bones lying here in the Sedlec Ossuary? See these bones, organized by a sixteenth-century, half-blind monk? See these bones? Make something of these bones. Look at the Church of the Assumption of Our Lady and Saint John the Baptist. Look there at the bejeweled and clothed relics of the saints. But do not bejewel or clothe these bones. No. Instead, make something of these bones. And Rint, quite literally, makes something of them. But Rint’s craft leads him to produce something altogether different from the winding walls-of-bones pathways of the Catacombs de Paris, different from the ‘archway- altarpiece’ in Faro’s Capela dos Ossos, different, also, from the circular geometric bone-designs at Lima’s Convento de San Francisco catacombs, different, also, from the ornate bone- adornments of Rome’s Santa Maria della Concenzione dei Cappuccini crypt. It is possible that no one would have ever heard of František Rint or his crafts had he not, rather fortuitously, been commissioned to further elaborate on the work of his predecessors at the Kostnice v Sedleci. There is little remaining documentation of his employment there, and even less about his life and work. When Karl Joseph Adolf von Schwarzenberg hired him for the task, Rint was met with what had already been eight-hundred years of death—a veritable history of decay. -
Soulsabbath.Pdf
SOUL SABBATH SYNOPSIS Even as a child, Mieszko’s parents knew there was something not quite right about the boy, and when they saw him drawing a picture of a woman with wolf-like characteristics, they were convinced he was “unsound” and handed him over to the local Benedictine monastery, abandoning him forever. Mieszko would spend the rest of his life in that monastery until one day he simply vanished without a trace. Though he took his vows very seriously, he could no longer maintain his silence when an epiphany came to him that certain scriptures were not gospel at all – an offense that exposed him as a heretic. Mieszko’s revelation concerned the redemption of mankind, and such heresy shook the monastery to its very foundation. Though this was a crime punishable by death, Mieszko was able to bargain for his life, but it could be argued that the punishment delivered was, in fact, worse than death. The bricks were gathered, the mortar poured, and Mieszko was confined in the tiny scriptorium and assigned the task of scribing the greatest book of his time – The Codex Gigas. Even as Mieszko dropped to his knees to enter the tomb, he could not repent of the truth he had been shown, and he began the monumental chore, not to find forgiveness, but to pay homage to his convictions. Although he was writing possessed, Mieszko knew in his heart that he could never complete this impossible task alone – not in his current form. Still, he labored, and with each stroke of the quill, he became more a part of the book, until he was absorbed into the very book itself. -
Deconsecration Rites of Roman Catholic Church Buildings
religions Article Ritual Void or Ritual Muddle? Deconsecration Rites of Roman Catholic Church Buildings Kim de Wildt Transformation of Sacred Space: Function and Use of Religious Places in Germany (FOR 2733), University of Bonn, 53113 Bonn, Germany; [email protected] Received: 29 August 2020; Accepted: 6 October 2020; Published: 10 October 2020 Abstract: The decrease in people who regularly celebrate liturgy in western Europe has led to the question of what to do with so-called obsolete church buildings. This question not only refers to whether or not a church building will be converted, reused or demolished, but also to the question of whether or not such a building needs to be deconsecrated, and if so, what does deconsecration of a church building actually entail? In this contribution, I will consider the role deconsecration rites play in the Roman Catholic church when a church building is taken out of liturgical use. In Roman Catholic liturgy, there are no prescribed, official deconsecration rites that are mandatory for a church building that is to be taken out of liturgical use. The actual deconsecration of a church building is, according to canon law, established by a decree that is issued by the responsible diocesan bishop. In the case of a church being taken out of liturgical use, however, there seems to be a shift from having a ritual void with regard to deconsecration rites, and also a focus on the “legitimate” way (in the sense of canon law) to deconsecrate a church building (object orientation), towards, in recent decades, paying more attention to a growing pastoral need (subject orientation) for deconsecration rites. -
I Ana Rafaela Ferraz Ferreira Body Disposal in Portugal: Current
Ana Rafaela Ferraz Ferreira Body disposal in Portugal: Current practices and potential adoption of alkaline hydrolysis and natural burial as sustainable alternatives Dissertação de Candidatura ao grau de Mestre em Medicina Legal submetida ao Instituto de Ciências Biomédicas Abel Salazar da Universidade do Porto. Orientador: Prof. Doutor Francisco Queiroz Categoria: Coordenador Adjunto do Grupo de Investigação “Heritage, Culture and Tourism” Afiliação: CEPESE – Centro de Estudos da População, Economia e Sociedade da Universidade do Porto i This page intentionally left blank. ii “We are eternal! But we will not last!” in Welcome To Night Vale iii This page intentionally left blank. iv ACKNOWLEDGMENTS My sincerest thank you to my supervisor, Francisco Queiroz, who went above and beyond to answer my questions (and to ask new ones). This work would have been poorer and uglier and a lot less composed if you hadn’t been here to help me direct it. Thank you. My humblest thank you to my mother, father, and sister, for their unending support and resilience in enduring an entire year of Death-Related Fun Facts (and perhaps a month of grumpiness as the deadline grew closer and greater and fiercer in the horizon). We’ve pulled through. Thank you. My clumsiest thank you to my people (aka friends), for that same aforementioned resilience, but also for the constant willingness to bear ideological arms and share my anger at the little things gone wrong. I don’t know what I would have done without the 24/7 online support group that is our friendship. Thank you. Last, but not least, my endless thank you to Professor Fernando Pedro Figueiredo and Professor Maria José Pinto da Costa, for their attention to detail during the incredible learning moment that was my thesis examination.