The Agony House by Cherie Priest I Love Her Book "I Am Princess X" and Her Steampunk Zombie Novel

Total Page：16

File Type：pdf, Size：1020Kb

The Agony House by Cherie Priest I love her book "I am Princess X" and her steampunk zombie novel. This book is completely different. It's a ghost story set in New Orleans about a girl who was displaced by hurricane Katrina. She moves back with her family to a haunted house they plan on turning into a Bed and Breakfast. She finds a comic book that had never been published with her friend. The book has clues that seem to keep trying to kill them. I liked that the novel was a combo novel/graphic novel. It takes about New Orleans and the local life after Katrina, and the gentrification. There are also neat messages about gender roles and female empowerment. The Unconscious Civilization by John Ralston Saul "Knowledge, The Enlightenment believed, could protect us from the follies of ideology. But Saul maintains that 'knowing' has not made us "conscious'. Instead we have become increasingly passive, our society increasingly conformist. These are no easy solutions to this problem, Saul say, but change is still possible. " Unintended Consequences: the United States at War by Kenneth J. Hagan and Ian J. Bickerton This book takes each war the US has engaged in and talks about the war and how it started, and the aftermath of each war. What they're really concluding is the similarities between the wars going back to the revolution. The rhetoric Polk used to support the Mexican-American War was remarkably similar to what Bush used to get us into the Iraq war. Bottom line- things don't change that much. We go back and make the same mistakes over and over again. .

Copy Link

Recommended publications

Spirits of the Age: Ghost Stories and the Victorian Psyche
SPIRITS OF THE AGE: GHOST STORIES AND THE VICTORIAN PSYCHE Jen Cadwallader A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by: Laurie Langbauer Jeanne Moskal Thomas Reinert Beverly Taylor James Thompson © 2009 Jen Cadwallader ALL RIGHTS RESERVED ii ABSTRACT JEN CADWALLADER: Spirits of the Age: Ghost Stories and the Victorian Psyche (Under the direction of Beverly Taylor) “Spirits of the Age: Ghost Stories and the Victorian Psyche” situates the ghost as a central figure in an on-going debate between nascent psychology and theology over the province of the psyche. Early in the nineteenth century, physiologists such as Samuel Hibbert, John Ferriar and William Newnham posited theories that sought to trace spiritual experiences to physical causes, a move that participated in the more general “attack on faith” lamented by intellectuals of the Victorian period. By mid-century, various of these theories – from ghosts as a form of “sunspot” to ghost- seeing as a result of strong drink – had disseminated widely across popular culture, and, I argue, had become a key feature of the period’s ghost fiction. Fictional ghosts provided an access point for questions regarding the origins and nature of experience: Ebenezer Scrooge, for example, must decide if he is being visited by his former business partner or a particularly nasty stomach disorder. The answer to this question, here and in ghost fiction across the period, points toward the shifting dynamic between spiritual and scientific epistemologies.
[Show full text]
NON- Fiction: FICTION Easy Reader (JJ-ER)
NON- Fiction: Atlas of monsters and ghosts Magrin, Federica Children's book of mythical beasts & magical monsters. Creepy costumes : DIY zombies, ghouls, and more Meinking, Mary Eye-popping jack-o'-lanterns : DIY glares, stares, and more Meinking, Mary Laugh-out-loud Halloween jokes : lift-the-flap Elliott, Rob LEGO Halloween ideas Wood, Selina Make frightful props : DIY eyeballs, organs, and more Meinking, Mary Marisol McDonald and the monster Brown, Monica Monster jokes Spooky haunted houses Maurer, Tracy Spooky haunted house : DIY cobwebs, coffins, and more Meinking, Mary What is the story of Frankenstein? Keenan, Sheila FICTION BOARD Books: Boo, boo, I love you! Magsamen, Sandra Clifford's first Halloween Bridwell, Norman Halloween dogs. Halloween is here! Mitter, Matt Halloween Kitty Yoon, Salina. Here comes Halloween! Church, Caroline Jack and Jill : a Halloween nursery rhyme Yoon, Salina Little Blue Truck's Halloween Schertle, Alice The pout-pout fish Halloween faces Diesen, Deborah Too many monsters! : a Halloween counting book Neubecker, Robert Llama llama trick or treat Dewdney, Anna Spooky Pookie Boynton, Sandra Fly, ghost, fly! Schwartz, Betty Ann Peppa's giant pumpkin Lizzio, Samantha Easy Reader (JJ-ER) A fairy-tale fall Jordan, Apple Arthur's Halloween costume : story and pictures Hoban, Lillian Click, clack, boo! : a tricky treat Cronin, Doreen Dragon's Halloween (Series: Dragon Tales) Pilkey, Dav Happy haunting, Amelia Bedelia Parish, Herman Monster games Lagonegro, Melissa Mercy Watson :Princess in disguise DiCamillo, Kate Sharmat, Marjorie Nate the Great and the Halloween hunt Weinman Scared silly Howe, James Scooby-Doo! and the cupcake caper Sander, Sonia The haunted Halloween party Herman, Gail Turtle and Snake's spooky Halloween Spohn, Kate Picture books (JJ) 5-minute Halloween stories.
[Show full text]
The Ghostmodern: Revisionist Haunting in Turn-Of-The-Century American Literature (1887-1910)
THE GHOSTMODERN: REVISIONIST HAUNTING IN TURN-OF-THE-CENTURY AMERICAN LITERATURE (1887-1910) by MATH TRAFTON B.A., University of Colorado, 2003 B.S., University of Colorado, 2003 M.A., University of Colorado, 2005 M.A., University of Colorado, 2008 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Comparative Literature 2013 This dissertation titled: The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887-1910) written by Math Trafton has been approved for the Department of Comparative Literature Dr. Karen Jacobs, committee chair Dr. Mark Leiderman Dr. Eric White Dr. Sue Zemka Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Trafton, Math (Ph.D., Comparative Literature) The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887- 1910) Dissertation directed by Associate Professor Karen Jacobs This project attempts to identify and explain numerous significant transformations in the genre of the literary ghost story in the period roughly contemporary with the earliest emergence of literary Modernism. Through a detailed examination of the literary encounters with invisibility in pivotal American ghost stories from the end of the twentieth century, the project considers the rich literary trope of ghostly haunting according to its capacity to provoke an engagement with marginalized, liminal spaces. In traditional ghost stories, however, as ghosts are ultimately overcome and order is restored, normative structures resume, and such engagements are trivialized.
[Show full text]
The Bell Witch an American Ghost Story The
peterson The Bell Witch An american Ghost Story The An American Ghost Story By Megan Cooley Peterson Snap Books are published by Capstone Press 1710 Roe Crest Drive, North Mankato, Minnesota 56003 www.capstonepub.com Copyright © 2020 by Capstone Press, a Capstone imprint All rights reserved. No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. Library of Congress Cataloging-in-Publication Data is available on the Library of Congress website. ISBNs: 978-1-5435-7335-0 (hardcover) 978-1-5435-7477-7 (paperback) 978-1-5435-7344-2 (eBook PDF) Editorial Credits Eliza Leahy, editor; Brann Garvey, designer; Tracy Cummins, media researcher; Tori Abraham, production specialist Photo Credits Alamy: age fotostock, 8, Trinity Mirror/Mirrorpix, 15; Courtesy of Tennessee State Library and Archives: 6, 17, 24; Shutterstock: ADragan, 23, Africa Studio, 18, avtk, Design Element, Bob Orsillo, 11, Chantal de Bruijne, Design Element, Everett Historical, 21, Giraphics, Design Element, GoMixer, Design Element, Hitdelight, 9, InnaPoka, 7, Joe Therasakdhi, Cover, LiskaM, 13, Lusica, 19, MagicDogWorkshop, Design Element, NikhomTreeVector, Design Element, NinaMalyna (frame), 9 Top, 21, 24, Prokrida (frame), 9 Left, 9 Bottom, Stefan Rotter, 12; Wikimedia: Brian Stansberry, 5, 27, Www78, 29 Direct Quotations Pages 14–15: Ingram, M.V. An Authenticated History of the Famous Bell Witch. Clarksville, TN: W. P. Titus, printer, 1894, 53. Page 20: Ingram, M.V. An Authenticated History of the Famous Bell Witch. Clarksville, TN: W.
[Show full text]
Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
[Show full text]
University of Alberta Qasim's Short Stories: .4N Esample of Arnbic
University of Alberta Qasim's Short Stories: .4n Esample of Arnbic SupernaturaUGhost/Horror Story Sabah H Alsowaifan O -4 thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requiremrnts for the degree of Doctor of philosophy Comparative Literature Department of Comparative Literature, Religion, and Filmli\fedia Studies Edmonton, Alberta Spnng 200 1 National Library Bibliothèque nationale 191 ,,a& du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 WeUington Street 395, rue Wellington Onawa ON K1A ON4 Ottawa ON KlA ON4 CaMda Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Libwof Canada to Bibliothèque nationale du Canada de reproduce, ban, distniute or sell reproduire, prêter, distribuer ou copies of this thesis in micloform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fi.lm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Dedica tion To my father and mother. To my supervisor, Dr. Milan V. Dimic. To Mr. Faisal Yousef Al Marzoq. To the Commercial Bank of Kuwait. To Kuwait University. Abstract This dissertation focuses on an Arabic wnter of short stories, Qasirn Khadir Qasim.
[Show full text]
Supernatural Folklore of Rhode Island
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1956 Supernatural Folklore of Rhode Island Eidola Jean Bourgaize University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Bourgaize, Eidola Jean, "Supernatural Folklore of Rhode Island" (1956). Open Access Master's Theses. Paper 909. https://digitalcommons.uri.edu/theses/909 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. ·. r1 t0IS COLl. SUPERNATURAL FOLKLORE OF RHODE ISL... l\ND BY EIDOLA J EAN BOURGAIZE A THES IS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH I t J, ) II/, I l'I \' I, r I •I ,1 1 11 I I ( UNIVERSITY OF RHODE ISLAND 1956 ~L\S TER OF ARTS THESIS OF EI DOLA J EAN BOURGAIZE Approved: Ma j or Professor _.....,C::__._..a""""""".... d~""""""jfr.:.....-....;;;G,:-.+-~~~'-='· """""""""'"------ Head of Department ~ ~~c::~ UNIVERSITY OF RHODE ISL.AND 1956 ABSTRACT Although folklore has attra cted nati on-wide atten tion in the past forty years, the task of coll ecting folk material peculia r to Rho de Island has been neglected. Several recently-published volumes have included small portions of Rhode Island folklore, but this amount has been very limited. In the past one hundred years a number of individuals have s hown interest in one particular town or section of the sta te and have gat hered material p erti nent t o their cause.
[Show full text]
The Haunted House As Literary Motif
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1982 There's No Place Like Home: The aH unted House as Literary Motif Mary Catherine McDaniel Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation McDaniel, Mary Catherine, "There's No Place Like Home: The aH unted House as Literary Motif" (1982). Masters Theses. 2990. https://thekeep.eiu.edu/theses/2990 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. r-- Please sign one of the following statements: ... .. i ic Booth Library of Eastern Illinois University has my permission to lend £A my thesis to a reputable college or university for the purpose of copying 1: it for inclusion in that institution's library or research holdings. I · � a: w .... {/) :::; I s � .�. 19£;;. � Date Author 0 ! � • 111 <�iii �g I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because --------------- la: .
[Show full text]
THE GHOSTS of FEMALE GOTHIC Coşkun Liktor
THE GHOSTS OF FEMALE GOTHIC Coşkun Liktor Abstract This article explores the representation of woman as a ghost or at least a ghostly figure in two films, What Lies Beneath (Robert Zemeckis, 2000) and La Cara Oculta (The Hidden Face, Andres Baiz, 2011), both of which, it is argued, are situated in the female Gothic tradition. Ghosts and haunting, i.e., activity associated with ghosts, are widely used metaphors in female Gothic works of art, a sub-genre of Gothic that addresses the themes of gender oppression and domestic entrapment, both of which are emblematic of women’s experience in a patriarchy. This article argues that What Lies Beneath and The Hidden Face depict the haunting of a woman by another woman who is either dead or, if still alive, dead to the world, in ways that articulate feminist concerns and draw attention to gender oppression. While What Lies Beneath makes use of a ghost to address female victimization and male violence against women, The Hidden Face deals with the “ghosting,” or erasure, of women within patriarchal, phallocentric power structures that negate her existence. In both films, the figure of the ghostly woman serves to highlight the ways in which women are oppressed, victimized, disempowered – in short, rendered ghostly – in phallocentric, patriarchal culture. Keywords: Female Gothic, ghost, haunting, patriarchy, gender oppression, Symbolic order. Kadın Gotiğinin Hayaletleri Öz Bu makale, kadın Gotiğinin çağdaş örnekleri arasında sayılabilecek Robert Zemeckis’in What Lies Beneath (Gizli Gerçek, 2000) ve Andres Baiz’in La Cara Oculta (Gizli Oda, 2011) filmlerinde kadının hayalet ve hayaletimsi bir figür olarak temsilini incelemektedir.
[Show full text]
The Loudun Possessions: Witchcraft Trials at the Jacob Burns Law Library
LH&RB Newsletter of the Legal History & Rare Books Special Interest Section of the American Association of Law Libraries Volume 16 Number 3 Hallowe’en 2010 The Loudun Possessions: Witchcraft Trials at The Jacob Burns Law Library by Mary Kate Hunter* Harry Potter. Sabrina, The Teenage Witch. Bewitched. Are there really any “evil” witches anymore? Popular culture has turned once-feared hags and sorcerers into “cool” phenomena. Now it seems we ponder witchcraft mainly for entertainment, during Hallowe’en, or in an election year when a political candidate reveals a youthful dabbling in the satanic.1 But four hundred years ago, witches were serious business. The possessions began September 22, 1632, in the west-central French town of Loudun, in a climate of uncertainty. A serious concern which occupied the collective thoughts of many French communities at the time, including Loudun, was the Crown’s attempt to centralize its power by tearing down city walls. The royal order for demolition divided Loudun along the lines of those who wanted to keep the walls – generally, the Huguenots – and those who sided with the Crown and its desire for a strong central government – in large part, the Catholic population. Compounding the distress generated by this political wrestling was a return of the plague to Loudun in May, 1632, which claimed the lives of a significant segment of the Loudun population. These circumstances fueled apprehension about the future, and created an atmosphere of anxiety which set the scene for one of the most notorious witchcraft trials in history. Urbain Grandier arrived in Loudun in 1617, having been granted two lucrative benefices by the Jesuits: the office of parish priest of Saint-Pierre-du-Marché, and appointment as a canon at the Church of Sainte-Croix.
[Show full text]
Haunted Places in HP Lovecraft's, MR James's, A. Machen's and A
THEORIA ET HISTORIA SCIENTIARUM, VOL. XIV Ed. Nicolaus Copernicus University 2017 DOI: http://dx.doi.org/10.12775/ths.2017.013 Anna Maleszka Institute of History and Archival Sciences Nicolaus Copernicus University in Toruń [email protected] Mateusz Maleszka Institute of History and Archival Sciences Nicolaus Copernicus University in Toruń [email protected] Supernatural or Material: Haunted Places in H.P. Lovecraft’s, M.R. James’s, A. Machen’s and A. Blackwood’s Horror Fiction Abstract. The horror story writers of the early 20th century presented various views on the surrounding reality. Howard P. Lovecraft and Montague R. James, for their part, rejected the mere possibility of phenomena regarded as supernatural, contrary to other writers, such as Arthur C. Doyle, Arthur Machen or Algernon Blackwood, who were members of theosophical or occultist societies. The writers differed also in the level of their education. Lovecraft was an erudite interested in science, notwithstanding the fact that he did not receive formal education. James was a respected medievalist, a specialist in the history of Christianity. Blackwood, educated abroad (in Germany), explicitly differed in his artistic output from Machen, a Welshman, who left the United Kingdom only to pursue his journalistic career. The aim of the article is to present the haunted places in the literary works of the chosen authors and to juxtapose their narratives with their scholarly achievements and their views on the surrounding reality. Based on the New Historicist approach, the study shows that the roots of horror in the haunted places presented by the authors in their works were more “material” than “supernatural”—what accounted for their choices of haunted places, story characters and haunting horrors were personal attitudes and life experience of each of the writers.
[Show full text]
Haunted Detectives: the Mysteries of American Trauma
HAUNTED DETECTIVES: THE MYSTERIES OF AMERICAN TRAUMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian R. Hauser, B.A., M.A. The Ohio State University 2008 Dissertation Committee: Approved by Professor Jared Gardner, Adviser Professor James Phelan ____________________________________ Professor Linda Mizejewski Adviser English Graduate Program Copyright by Brian R. Hauser 2008 ABSTRACT In this dissertation, I investigate American motion picture narratives from the 1990s in which detectives encounter the supernatural. These narratives did not originate during this decade, but there were a remarkable number of them compared to previous periods. I argue that the supernatural is often analogous to personal, national, or cultural trauma. I further suggest that a detective investigating the supernatural stands in for the psychoanalyst, who studies and treats this trauma. I then trace the origins of the supernatural detective in history, as well as in British and American popular fiction. To begin, I discuss Tim Burton’s Sleepy Hollow (1999) as an example of a supernatural detective, who is himself traumatized but who also manages to solve the supernatural mystery in the eponymous village. That solution points to the obscured narrative of women’s rights in the early-American republic. Next, I suggest that spaces can be traumatized like people. I introduce the concept of the chronotope of the traumatized space, which I then apply to Shirley Jackson’s The Haunting of Hill House (1959) and its various film and television adaptations to argue that these influential haunted house tales have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as an admirable calling.
[Show full text]