The Military System of the Romans
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Iulius Cæsar
GAIUS IULIUS CÆSAR “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Gaius Iulius Cæsar HDT WHAT? INDEX GAIUS IULIUS CÆSAR GAIUS IULIUS CÆSAR 100 BCE July 12: Gaius Iulius Cæsar, who would become Dictator Perpetuus of Rome (and, it must be pointed out, a god), was born — on what would become, famously, a number of centuries later, Henry David Thoreau’s birthday. HDT WHAT? INDEX GAIUS IULIUS CÆSAR GAIUS IULIUS CÆSAR NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT Gaius Iulius Cæsar “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX GAIUS IULIUS CÆSAR GAIUS IULIUS CÆSAR 71 BCE Death of Marcus Antonius Creticus, father of Marcus Antonius. (His mother, Julia, a 2d cousin of Julius Caesar, would remarry with Cornelius Lentulus Sura, consul in 71, who would in 63 be executed at the instigation of Marcus Tullius Cicero on account of his participation in the conspiracy of Catiline.) DO I HAVE YOUR ATTENTION? GOOD. Gaius Iulius Cæsar “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX GAIUS IULIUS CÆSAR GAIUS IULIUS CÆSAR 63 BCE In about this year Mark Antony got married with his cousin Antonia (the first of several wives). Cato the Younger was elected as tribune of the plebs for the following year. Lucius Sergius Catilina, a patrician, was leading a rebellion inside Rome with the purpose of making himself king. Cato assisted the consul, Marcus Tullius Cicero, in dealing with the Catiline conspiracy. Cato proposed to set an example by executing all the conspirators, over the objection of Gaius Julius Caesar, who advocated exile for the conspirators while their comrades were still in arms, possibly for the duration of their lives. -
LUCAN's CHARACTERIZATION of CAESAR THROUGH SPEECH By
LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY (Under the Direction of Thomas Biggs) ABSTRACT This thesis examines Caesar’s three extended battle exhortations in Lucan’s Bellum Civile (1.299-351, 5.319-364, 7.250-329) and the speeches that accompany them in an effort to discover patterns in the character’s speech. Lucan did not seem to develop a specific Caesarian style of speech, but he does make an effort to show the changing relationship between the General and his soldiers in the three scenes analyzed. The troops, initially under the spell of madness that pervades the poem, rebel. Caesar, through speech, is able to bring them into line. Caesar caters to the soldiers’ interests and egos and crafts his speeches in order to keep his army working together. INDEX WORDS: Lucan, Caesar, Bellum Civile, Pharsalia, Cohortatio, Battle Exhortation, Latin Literature LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY B.A., The College of Wooster, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2016 © 2016 Elizabeth Talbot Neely All Rights Reserved LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY Major Professor: Thomas Biggs Committee: Christine Albright John Nicholson Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 iv TABLE OF CONTENTS Page CHAPTER 1 INTRODUCTION .........................................................................................................1 -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
Pompey and Cicero: an Alliance of Convenience
POMPEY AND CICERO: AN ALLIANCE OF CONVENIENCE THESIS Presented to the Graduate Council of Texas State University-San Marcos in Partial Fulfillment of the Requirements for the Degree Master of ARTS by Charles E. Williams Jr., B.A. San Marcos, Texas May 2013 POMPEY AND CICERO: AN ALLIANCE OF CONVENIENCE Committee Members Approved: ______________________________ Pierre Cagniart, Chair ______________________________ Kenneth Margerison ______________________________ Elizabeth Makowski Approved: ______________________________ J. Michael Willoughby Dean of the Graduate College COPYRIGHT by Charles E. Williams Jr. 2013 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94- 553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Charles E. Williams Jr., authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS Above all I would like to thank my parents, Chuck and Kay Williams, for their continuing support, assistance, and encouragement. Their desire to see me succeed in my academic career is perhaps equal to my own. Thanks go as well to Dr Pierre Cagnart, without whom this work would not have been possible. His expertise in Roman politics and knowledge concerning the ancient sources were invaluable. I would also like to thank Dr. Kenneth Margerison and Dr. Elizabeth Makowski for critiquing this work and many other papers I have written as an undergraduate and graduate student. -
Julius Caesar
Working Paper CEsA CSG 168/2018 ANCIENT ROMAN POLITICS – JULIUS CAESAR Maria SOUSA GALITO Abstract Julius Caesar (JC) survived two civil wars: first, leaded by Cornelius Sulla and Gaius Marius; and second by himself and Pompeius Magnus. Until he was stabbed to death, at a senate session, in the Ides of March of 44 BC. JC has always been loved or hated, since he was alive and throughout History. He was a war hero, as many others. He was a patrician, among many. He was a roman Dictator, but not the only one. So what did he do exactly to get all this attention? Why did he stand out so much from the crowd? What did he represent? JC was a front-runner of his time, not a modern leader of the XXI century; and there are things not accepted today that were considered courageous or even extraordinary achievements back then. This text tries to explain why it’s important to focus on the man; on his life achievements before becoming the most powerful man in Rome; and why he stood out from every other man. Keywords Caesar, Politics, Military, Religion, Assassination. Sumário Júlio César (JC) sobreviveu a duas guerras civis: primeiro, lideradas por Cornélio Sula e Caio Mário; e depois por ele e Pompeius Magnus. Até ser esfaqueado numa sessão do senado nos Idos de Março de 44 AC. JC foi sempre amado ou odiado, quando ainda era vivo e ao longo da História. Ele foi um herói de guerra, como outros. Ele era um patrício, entre muitos. Ele foi um ditador romano, mas não o único. -
Roman Soldier Germanic Warrior Lindsay Ppowellowell
1st Century AD Roman Soldier VERSUS Germanic Warrior Lindsay Powell © Osprey Publishing • www.ospreypublishing.com 1st Century ad Roman Soldier Germanic Warrior Lindsay PowellPowell © Osprey Publishing • www.ospreypublishing.com INTRODUCTION 4 THE OPPOSING SIDES 10 Recruitment and motivation t Morale and logistics t Training, doctrine and tactics Leadership and communications t Use of allies and auxiliaries TEUTOBURG PASS 28 Summer AD 9 IDISTAVISO 41 Summer AD 16 THE ANGRIVARIAN WALL 57 Summer AD 16 ANALYSIS 71 Leadership t Mission objectives and strategies t Planning and preparation Tactics, combat doctrine and weapons AFTERMATH 76 BIBLIOGRAPHY 78 INDEX 80 © Osprey Publishing • www.ospreypublishing.com Introduction ‘Who would leave Asia, or Africa, or Italia for Germania, with its wild country, its inclement skies, its sullen manners and aspect, unless indeed it were his home?’ (Tacitus, Germania 2). This negative perception of Germania – the modern Netherlands and Germany – lay behind the reluctance of Rome’s great military commanders to tame its immense wilderness. Caius Iulius Caesar famously threw a wooden pontoon bridge across the River Rhine (Rhenus) in just ten days, not once but twice, in 55 and 53 bc. The next Roman general to do so was Marcus Agrippa, in 39/38 bc or 19/18 bc. However, none of these missions was for conquest, but in response to pleas for assistance from an ally of the Romans, the Germanic nation of the Ubii. It was not until the reign of Caesar Augustus that a serious attempt was made to annex the land beyond the wide river and transform it into a province fit for Romans to live in. -
Cover Page.Ai
CULTURAL CONSTRUCTIONS: DEPICTIONS OF ARCHITECTURE IN ROMAN STATE RELIEFS Elizabeth Wolfram Thill A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2012 Approved by: Dr. Monika Truemper Dr. Sheila Dillon Dr. Lidewijde de Jong Dr. Mary Sturgeon Dr. Richard Talbert ABSTRACT ELIZABETH WOLFRAM THILL: Cultural Constructions: Depictions of Architecture in Roman State Reliefs (Under the direction of Monika Truemper) Architectural depictions are an important window into crucial conceptual connections between architecture and culture in the Roman Empire. While previous scholarship has treated depictions of architecture as topographic markers, I argue that architectural depictions frequently served as potent cultural symbols, acting within the broader themes and ideological messages of sculptural monuments. This is true both for representations of particular historic buildings (identifiable depictions), and for the far more numerous depictions that were never meant to be identified with a specific structure (generic depictions). This latter category of depictions has been almost completely unexplored in scholarship. This dissertation seeks to fill this gap, and to situate architectural depictions within scholarship on state reliefs as a medium for political and ideological expression. I explore the ways in which architectural depictions, both identifiable and generic, were employed in state-sponsored sculptural monuments, or state reliefs, in the first and second centuries CE in and around the city of Rome. My work is innovative in combining the iconographic and iconological analysis of architectural depictions with theoretical approaches to the symbolism of built architecture, drawn from studies on acculturation (“Romanization”), colonial interactions, and imperialism. -
Constructing Caesar: Julius Caesar’S Caesar and the Creation of the Myth of Caesar in History and Space
CONSTRUCTING CAESAR: JULIUS CAESAR’S CAESAR AND THE CREATION OF THE MYTH OF CAESAR IN HISTORY AND SPACE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Bradley G. Potter, M.A. * * * * * The Ohio State University 2004 Dissertation Committee: Approved by Professor Erik Gunderson, Adviser Professor Fritz Graf ______________________ Professor Ellen O’Gorman Advisor Department of Greek & Latin ABSTRACT Authors since antiquity have constructed the persona of Caesar to satisfy their views of Julius Caesar and his role in Roman history. I contend that Julius Caesar was the first to construct Caesar, and he did so through his commentaries, written in the third person to distance himself from the protagonist of his work, and through his building projects at Rome. Both the war commentaries and the building projects are performative in that they perform “Caesar,” for example the dramatically staged speeches in Bellum Gallicum 7 or the performance platform in front of the temple of Venus Genetrix in the Forum Iulium. Through the performing of Caesar, the texts construct Caesar. My reading aims to distinguish Julius Caesar as author from Caesar the protagonist and persona the texts work to construct. The narrative of Roman camps under siege in Bellum Gallicum 5 constructs Caesar as savior while pointing to problems of Republican oligarchic government, offering Caesar as the solution. Bellum Civile 1 then presents the savior Caesar to the Roman people as the alternative to the very oligarchy that threatens the libertas of the people. -
Julius Caesar in Shakespeare………………………………………………………
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Transcending Temporality a Study of the Reception of Julius Caesar’s Self-representation in Epic and Drama Dimitrova, Miryana Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: Transcending Temporality – a Study of the Reception of Julius Caesar’s Self- representation in Epic and Drama Author: Miryana Dimitrova The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. -
1 Caesar's Civil War 49-44 BC Brittany Babineau History 503
1 Caesar’s Civil War 49-44 BC Brittany Babineau History 503: Roman History April 30, 2018 2 This StoryMap, which showcases Caesar’s significant battles during the Civil War, is best shown in a spatial format because the real lack of strategy can be seen. Caesar fought the Civil War, with only tactical awareness of how to win each battle, not with a mind to conquer. Caesar had a sometimes uncanny ability to win in battles and succeed in more massive campaigns against various odds. The StoryMap presentation of the Civil War he fought from 49 to 44 BC, reveals that even though Caesar knew how to succeed strategically in war, he chose to respond tactically to each battle. He was reacting to the moves made against him by those in Rome who opposed him.1 Not only is the overlay of the war going to present this case, but how Caesar chose to conclude any battle he was involved in will make the case as well. Additionally, the reason I chose the icon I did as my point icon, is because it is a posthumous bust of Julius Caesar done some time between 44 and 30 BC.2 Caesar has managed to capture people’s hearts and minds even though he died long ago. Something made him stand out and has managed to keep him alive even passed the Ides of March, when he was brutally murdered. Julius Caesar was a unique human being, perhaps too modern for the times he lived in, with his overwhelming capability to proffer forgiveness even to the point of ignoring mortal danger to himself. -
Military Defeats, Casualties of War and the Success of Rome
MILITARY DEFEATS, CASUALTIES OF WAR AND THE SUCCESS OF ROME Brian David Turner A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2010 Approved By: Advisor: Prof. R. J. A. Talbert Prof. F. Naiden Prof. D. M. Reid Prof. J. Rives Prof. W. Riess Prof. M. T. Boatwright © 2010 Brian David Turner ALL RIGHTS RESERVED ii ABSTRACT BRIAN DAVID TURNER: Military Defeats, Casualties of War and the Success of Rome (Under the direction of Richard J. A. Talbert) This dissertation examines how ancient Romans dealt with the innumerable military losses that the expansion and maintenance of their empire demanded. It considers the prose writers from Polybius (c. 150 B.C.E.) through Dio Cassius (c. 230 C.E.), as well as many items from the material record, including triumphal arches, the columns of Trajan and Marcus, and other epigraphic and material evidence from Rome and throughout the empire. By analyzing just how much (or how little) the Romans focused on their military defeats and casualties of war in their cultural record, I argue that the various and specific ways that the Romans dealt with these losses form a necessary part of any attempt to explain the military success of Rome. The discussion is organized into five chapters. The first chapter describes the treatment and burial of the war dead. Chapter two considers the effect war losses had on the morale of Roman soldiers and generals. -
CAESAR's STRATEGY in the CIVIL WAR by FREDERICK WILLIAM
CAESAR'S STRATEGY IN THE CIVIL WAR by FREDERICK WILLIAM CADMAF B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of CLASSICS We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1957 ii ABSTRACT The purpose of this study is to determine Caesar's strategy in the Civil War of Rome, 49 B, C. to 45 B. C. The Civil War with all its political intrigues has received less attention than the Gallic War but it is in many mays more interesting. Roman is pitted against Roman with an empire as the prize for the victor. Caesar is struggling for his life against forces in Italy and other parts of Europe who do not wish to see Rome ruled by a Dictator. The Civil War rings the death knell of the Republic and heralds the birth of the Empire. The basic works for this study are the three books of the Civil War (De Bello Civili) written by Caesar himself, the Alexandrine War (De Bello Alexandrino), the African War (De Bello Afrioo) and the Spanish War (De Bello Hispanienal), all of doubtful origin but nevertheless im• portant and of great value to the student of military strategy. I have referred often to the Letters of Cicero, which reveal much information about the military scene at the time of Caesar's march through Italy. Cicero's work is the only contemporary account of Caesar's activities available to the scholar, but I have supplemented this by a study of later historians of Rome.