The Ithacan, 1974-02-28

Total Page:16

File Type:pdf, Size:1020Kb

The Ithacan, 1974-02-28 Ithaca College Digital Commons @ IC The thI acan, 1973-74 The thI acan: 1970/71 to 1979/80 2-28-1974 The thI acan, 1974-02-28 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1973-74 Recommended Citation The thI acan, "The thI acan, 1974-02-28" (1974). The Ithacan, 1973-74. 19. http://digitalcommons.ithaca.edu/ithacan_1973-74/19 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1973-74 by an authorized administrator of Digital Commons @ IC. ·;-'.. ,,-- .. • .. .~. .. ,.', : .... ;~~;._-__ .... , '~ !- l ', ; • _:-..-:·-.·-· ,- '-1_ FEB 2 ;.- i974 .Pub/}/hed For T-J.,e I.(. Commun it J._C .. Students· ithac~ ·college,_:_it_h~c~,~n.y. _, · february 28 , 1974 volume 47 / no.19 Spirit~cil_ Cent•.r Students Riled As ~Plan,· Underw~y· .., ...- . ... ........ Thefts Increase; • - t - Tdslt -For~~ -Orgtl'!_iz,,l- To: Coor_t/iilt1fe Congress Acts By Barbara Sheldon Patrol, better known as SASP. tommanity lnpat has two persons on all-campus patrol Sunday through .. :_By Mark Engstrom Wednesday evenings. On I Model of one of the proposed' Splritual Centers , ' . ...._ Thursday, Friday. and Saturday A recent donation to -- the.. _ force is chaired . by Vice evenings, three SASP - patr_ols College of considerable size has · President o( Student Affairs Gus to meet construction costs. The· prowl the Quads. the Towers. brought the construction of an Perialas, and also includes chapel will be fully funded by and the Terraces accordingly. outside · gifts, the only costs on-campus religious center a step .. students Jim Kelsey, Sue Dave Lord acknowledged that which the College will incur will closer to reality. The gift, which Denrier, Chris Nelson, and Tom SASP has been an integral force amounts to $250,000, was Sprague. The force's initial be those of Ifiaintenence in reducing damages in presented to the school · by proposals of how to best-invest dormitories and increasing Herman· Muller, Jr., in ·memory the money are l~aning in the security on cam pus. of his parents. The money was direction of a multi-purpose donated with the idea that -it be chapel or spiritual center. Rape of the Lock used to help to develop - the • ~piritual and emotional growth Approximately $300,000 is Dave Lord also discu!>scd the df the College community:-:-- being budgeted for the proposed Task Force report regarding To deal with the problem of chapel, and constJ'uction will not locks· on -{;ampus. The six how this end could 'be best met~ begin until all the needed funds months spent in compiling this President Phillips has organized a are secured. At the present, report brought task . force. to coordinate there are no forseen obstacles in recommendations of an community - input. T1!_e task obtaining all the necessary funds interchangeable core lock -__ sys_tem. The present lock system on campus ·inherently involves a 74,;,75 BVDGET -APPROVED control and distribution problem of master keys. At present, then! exist 150 great grand master keys which can open the doors for you· all over campus. Dave Lord would like to sec this new lock system have only two great grand master keys, one which would be at the Safety Division Office for persons to check out when they need to use it. continued on page two lceCreamShop Gets Loan -.-- ·.·.-, ~e Ithac~, February 28, 1974, Page 2 , I ,. -... '; r ....--· By Andy Friedman plan; which went into effect ' ·_Thruway. around the· world ;ruesday, February 26, states: - 7. Statioris -niust post ·signs Beginning Tuesday, ,March' 5, l . Those cars with odd · listing the houfll at. which gas is numbers as. the last digit on the ~old, whether any is available, I'm Henry. Fly me. bulletin boards in the Union and near the Terrace mailroom will license plate, or no number but limitations they imposp and the rather a letter, can buy gas only day of the week~ven or odd. W~shington ... Secretary of State Henry Kissinger carry up-to-date information on. the current gas shortage. The on o~d numbered calendar'days. Those· students who are will soon be leaving on another trip to the Middle Those with even .numbers on making use of puolic East, hoping to brjng a permanent peace to the Energy Task Force, maintaining­ the boards, will also broadcast' their plates can buy gas solely on transportation or flying home area. The upcoming negotiations · will deal even numbered days. Zero is and. would like to leave their cars specifically with Israel and Syria_, in an effori to their reports regularly- over WICB and the campus activities considered an even number. on campus. over vacation should work out· an agreement that would separate the 2. Anybody may buy up to adhere tq some suggestions from military forces of the- two nations in the Golan phone (ext. 120). The Task Force is trying to two gallons of gas in a .can on the - Office of Safety and Heights. It is hoped that if Kissinger 1s successful any day, ·but the buyer must Sec~rity. Place the 'key to your . in reaching an agreement on troop separation assist those students who are planning to drive home for take it away from the station. car m an envelope and leave it in between the two nations, that the Arabs will lift 3. Gas can only· ·be sold to the Office of S~fety. Park your their oil embargo against the United States. spring vacation. The boards and activities phone will c·ontain the, Peace with Honor? most up-to-date information, based on daily reports from the Saigon ... lt ha~ only been little more than a year state police and the downtown since President Nixon announced that his headquarters ofthe Automobile. administration had brought "peace with- Honor" Assoc!iltion of America. to South Viet Nam, and an end to U.S .. The dorms will still be involvement in this Southeast Asian nation. opened Saturday, March 23, at llowever. the war between North and South Viet noon. But David Lord, Director Nam still rages on. an.cJ.. American presence in the of Housing, said he'll have to do conthct 1s still felt indirectly. At the present time, some "serious reconsideration" there are 4155 Amcm:an~ working in military of the plaris to reopen if a large relateu 1oh~ in South Viet Nam, along with 785 number of peopie have problems. c1vilkln employees from the United States in trying to drive back to school. ·Gromyko in Cairo Financial Considerations Moscow ... Andre1 A. (;romyko. the Soviet Union's Opening . the dorms a day Foreign Minister. will arrive 111 Cmo this Friday, in early involves a financial thl' wake ol Secretary Kis,;1ngcr\ visit to the stipulation. Not only would the l·.gyptian 1:apital. The Kq:mlin is reported to have Housing staff have to return a expressed irritation over their lack of information day early and be paid for its, but with regard to the ~talc of peace negotiations in When the fuel al Location ·program take!i effec-t the Union and its services and traffic In our'citles will be greatly reduced: the Middle East. and l"cel that Kissinger has the Health Center would also upstaged thi: Sovii:t Union 1,n recent negotiations. · have to open twenty four hours drivers_,whose tank is less than car in N Jot. Write on the . fl 1s thought that Gromykx1's·vis1t is an attempt to earlier. Food services .are another half full. envelope your name," campus reassert Soviet 111fluem:e III Middle Eastern policy. problem. As it stands now, the 4 . ·Co m m e r c i a I a n d address, and home telephone Snack bar will open at noon on agric,ultural vehicles and taxis· are number. Saturday, March. 23. The ex.empt, as are motorists • Until next Tuesday morning, cafc.teria docs pot open until responding to "a bona fide •any personal problems Monday. Lord said he would emergency". concerning the gas shortage or have to investigate· other 5: Cars on the New York questions about what to do may {around the nation possibilities if too many people State Thruway ·may purchase gas be directed to Housing Director are going to be affected. \ if they are more than one Lord. The problem concerns those hundred miles past the point at ~,.••1HHHHHHI,.. ~ Nixon Takes A Vow students with. even numbered ~:r~C:ay.they enterei;i the I ~asketball .TV license plates on their cars. Washington ... l're~1den1 Nixon heh.I his first press Under New York State's new 6. Out of state motorists, _,, · · conlcrcncL' wilh the WJ111c llouse pri:ss corps since -mandatory law, those students r--h"_\_~·r_v_er..;.. .;..:i_re...;;_n.;,;o;;.;;t..;e.;,;x.;;em~pt:..;;;on~th;,;.;e;..... Coverage Concluded last <!ctohc1 lhis wecls. Ni,,on reaffirmed his vow would have to return either IC"fV·· will cover the I ha! he will nol rL·s1g1i from offo:i:. and also added. Friday, March 22, or ·Tuesday, lhal the lluusc ot Rcprcscnla11vc~ can 1101 11npeach Handbook· conclusion of this year's March 26. Saturday and Mondav contl~~ed from page one 111111 unless they can produce cvidcm:e 1ha1 he has b~sketball season on Monday are odd numbered days and no vmlaled .:nm111JI l,1w SL•veral days prior to the Each member assumed mght ~hen the Bombers will stations are open on Sunday. prL·s~ 1.·onlL'rL'llCL' lhL' llouse Jud1.:iary Conunittee responsibility for the writing and take on .
Recommended publications
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Elizabeth Taylor: Screen Goddess
    PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred.
    [Show full text]
  • TV Report: Sharon Told of Killings
    Some miss it, jYankee magazine Allied wins others not at all uses him a lot Bendix battle ... page 3 ... page 11 ... page 20 Manchester, Conn. Cloudy today, rain tomorrow. Saturday, Sept. 25, 1982 Single copy 25c — See page 2 Ipralft TV report: Sharon told of killings TEL AVIV, Israel (UPI) - Israel Yishai and Sharon occurred last television, in .one of the most Friday, the start of the Jewish New detailed accounts of Israeli Year celebration of Rosh Hashanah, knowledge of the massacre in and nearly a day after the massacre Beirut, said Friday night its of as many as 1,000 men, women and reporter told Defense Minister Ariel children began in the Chatila and Sharon about the killings but Sharon Sabra refugee camps. wished him a happy new year and Sharon previously has admitted hung up after five minutes. the Israelis ordered and helped its The report by Ron Ben Yishai, the Christian Phalange allies plan an en­ television’s military correspondent, try into the camps. But Sharon in­ also said Prime Minister Menachem sisted the Phalange were given Begin may^ave been the last person direct orders not to touch women to learn about the massacre. and children and only to “purge” the It said Begin heard about the camps of any remaining PLO killings at 5 p.m, last Saturday, “ap­ fighters. parently on the radio news.” The report said the Christian The conversation bet\veen Ben Phalangists who entered the refugee camps were led by Eli Bekha, chief information officer for the Phalange and dressed in uniforms resembling those used in renegade Lebanese At least Major Saad Haddad’s army.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
    3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Johnny Guitar by Michael Schlesinger
    Johnny Guitar By Michael Schlesinger There are very few films—especially from Hollywood studios—that truly deserve to be called sui generis. But “Johnny Guitar” is surely one of them. Even its log line—“a Joan Crawford western”—sounds faintly ludicrous, like “an Ernest Borgnine musi- cal.” But from its humble beginning as a critically-dismissed vanity production, it has grown in stature over the decades, boosted by the likes of Martin Scorsese and Francois Truffaut (who said anyone who didn’t like it should never be permit- ted inside a cinema again, a severe if well -intentioned endorsement), serving as an inspiration for other films, and even being adapted into an award-winning off- Broadway musical in 2004, until it now Joan Crawford gets caught in a stare down between Scott Brady (left) and stands as a unique combination of dispar- Sterling Hayden. Courtesy Library of Congress Collection. ate — and none too friendly — talents man- aging to pull a golden egg out of a very odd duck and that sits right where the railroad is coming through. creating a masterwork that can still leave first-time [She obtained this knowledge by “exchanging confi- viewers gobsmacked some six decades later. After dences” with a fellow in the know.] This doesn’t sit all, name another western that has a massive follow- well with the townsfolk—especially McCambridge — ing among gay people. who see her as a slutty intruder. Sensing that violence may be on the horizon, Joan engages Hayden as pro- Much of its appeal revolves around the fact that it tection.
    [Show full text]
  • The Cinematic Voice Transcript
    The Cinematic Voice Transcript Neil Fox [00:00:30] Welcome to the Cinematologists podcast. I'm Neil Fox, and I'm pleased to say joining me as always is Dario Llinares. Hello Dario. Dario Llinares [00:00:38] Hello Neil. It's great to talk to you. I'm really looking forward to this episode and talking to you about it. Neil Fox [00:00:44] Absolutely. This is a long time coming, eagerly awaited episode. And I'm pleased to say it's finally here. And I think that our listeners are in for an absolute treat. And yeah, you've done an amazing job pulling us together. So do you want to let us know what is in store? Dario Llinares [00:00:59] Yep. So, this is our episode on The Cinematic Voice, which basically has been about six months in the making. I had the idea about a year ago that I wanted to do another kind of audio-essay style of podcast, and I was kind of thinking, you know, what would lend itself to basically aural sensibility of podcasting, but perhaps kind of triggered this sense of the “audio-cinematic”, which is something I'm writing about right now. So, something that has a cinematic, experiential flavour to it, but is without the images, which is obviously a tricky thing to kind of manage. And yeah, I got in contact with various film critics, scholars that you will hear on this episode and I won't give away who they are. It will come up on the episode and I thank them very much at the end.
    [Show full text]
  • IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
    IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Dirty God + Q&A with director Sacha Polak and actor Vicky Knight UK-Netherlands-Belgium-Ireland 2019. Dir Sacha Polak. With Vicky Knight, Eliza Brady-Girard, Rebecca Stone. 104min. Digital. Cert tbc. Courtesy of Modern Films Set in a small East London council estate, the film follows young mother Jade (Knight) as she tries hard to recover from an acid attack that left her severely disfigured. Dutch director Sacha Polak draws an outstanding performance of raw emotion and sexual frankness from first-time actor Vicky Knight, defying character expectations. SAT 1 JUN 17:30 NFT1 The Night of the Iguana + intro by actors Clive Owen, Lia Williams and Anna Gunn USA 1964. Dir John Huston. With Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon. 118min. Format tbc. 12A ‘One man... Three women... One night...’ John Huston’s production of Tennessee Williams’ play depicts a disgraced priest who, in a moment of desperation, forces a bus load of passengers to detour to a small Mexican coastal village. He unravels further in the company of its newly widowed owner (Gardner) and one of her guests (Kerr). In association with the new production of The Night of the Iguana at the Noël Coward Theatre, which runs from 6 July, starring Clive Owen (Closer), Lia Williams (The Crown) and Anna Gunn (Breaking Bad) iguanawestend.com TUE 4 JUN 20:10 NFT1 TV Preview: Poldark + Q&A with actors Aidan Turner, Jack Farthing and Luke Norris, and writer Debbie Horsfield BBC One-Mammoth Screen 2019.
    [Show full text]
  • Columbia Chronicle (02/20/1995) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-20-1995 Columbia Chronicle (02/20/1995) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (02/20/1995)" (February 20, 1995). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/316 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE mLUMBIA COLLEGE Moore Runs for 16th Ward Alderman By Sergio Barreto verse constituency with largc Afri­ Editor in Ch ief can-American and Latino popula­ tions, as wcll as whites and Asians. John Moore's bid for aldennan Moore is running against six of the 16th ward is an offshoot of other candidates, including incum­ what Moore does every day as as­ bent Coleman and Hal Baskin, an sociate dean of students at Colum­ advisor to the gang-related 21 st bia College. He educates and serves Century V.O.T.E. organi,.ation. All young people. something he arc Dcmocnlts. Moore has financed stretches into the neighborhoods. "I have been doing work Lhal the his campaign mostly through per­ sonal funds, and has run it from his alderman should have been doing for years," Moore said.
    [Show full text]
  • 69D370b47810da9e381f43418a
    mARYmoooy IDRTHEn THEATRE mERCEDESmccAmBRIDGE July 10-JLV 29, 1973 DepartmentStaff With her first film performance in "All The King's Men," Mercedes McCambridge ST.EDWARD, unlUERSITY Managing Director .. Edward Mangum launched her motion picture career by win­ ning an Academy Award. Previously, Orson Designer Welles had dubbed her "the world 's greatest DEPRRTmEnTOf flnE 1no PERFORfflln6 ARTS in Residence . David Maverick Lane radio actress." In theater, she had suffered Box Office Manager . ... James Elliott her share of flops but was rewarded by a Premts most successful season in the demanding role Theatre Business Manager James Keane of Martha in "Who 's Afraid Of Virginia Woolf" on Broadway. Technical Director . Mel Green Miss McCambridge travels some seventy mERCEDESlcCAmBRIDGE Master Electrician Nicky Yeager thousand miles a year and has appeared in theaters and auditoriums in nearly every Costumes and Props Patti London state. She performs in recital on the univer­ sity circuit and maintains that this activity is The Madwomin of Chaillot her "favorite thing." ProductionStaff In television, Miss McCambridge has made guest appearances on all of the top-ranking Stage Manager . Margaret Ann Robinson dramatic shows and has completed four fea­ ture-length films for TV, an Orson Welles ' Jean6audouH Assistant Director . Teresa Nichols film, and "Like a Crow on a Junebug," shot in the swamplands of Georgia. Staged andesigned by House Manager . .. .. Glen Schleicher Miss McCambridge devotes much of her time to her position as Honorary Chairman DAVID MAVRICK LANE of the National Council on Alcoholism. She Crews has been cited by President and Mrs. Nixon, Original Music b~enneth Cottrell by governors and mayors throughout the Box Office and House Crews country, and by a Senate committee.
    [Show full text]
  • The Sexuality Politics, and Aesthetics, of a Mimetic Image
    ECCE BUTCH THE SEXUALITY POLITICS, AND AESTHETICS, OF A MIMETIC IMAGE Alison McIlwaine B.A. Hons., La Trobe University, 1991 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Women's Studies O Alison McIlwaine 1995 SIMON FRASER UNIVERSITY July 1995 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Alison McIlwaine Degree: Master of Arts Title of thesis: Ecce Butch: Sexuality Politics and Asthetics of a Mimetic Image Examining Committee: Chair: Sue Wendell ~ac~uelideLevitin Senior Supervisor Associate Professor of Women's Studies and Contemporary Arts Simon Fraser University Heather Dawkins Assistant Professor of Women's Studies and Contemporary Arts Simon Fraser University - - guzYanne decastell Professor Faculty of Education Simon Fraser University PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser Universi the right to lend my thesis, pro'ect or extended essay (the title oB which is shown below) to users of' the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission.
    [Show full text]
  • Femalemasculi Ni Ty
    FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self-
    [Show full text]