DOCSLIB.ORG

Lagardère Publishing Presentation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PRESENTATION INVESTOR DAY LAGARDERE Paris - 28 May 2014 INVESTOR DAY – PRESENTATION AGENDA . Hachette Livre since 2010 – Hachette Livre today – 2003-2013 highlights . Hachette Livre’s successful digital transformation – Market environment: a new deal – Actions put in place and results today – Opportunities . Three year outlook – Pursue digital transformation – Consolidate market position – Invest in emerging markets . Conclusion 2 INVESTOR DAY – PRESENTATION HACHETTE LIVRE IS THE WORLD’S #3 CONSUMER BOOK PUBLISHER, A LEADER IN CORE MARKETS Top 3 Consumer book publishers Ranking in core markets worldwide Based on 2013 pro-forma turnover (€m) Based on 2013 market data and results (Consumer: Trade & Education including Higher Education) Worldwide #3 5,085 #1 3,259 2,066 #2 #3 * ** #4 Penguin Random House #2 *Pearson excludes Penguin revenues **Internal estimate including 100% of Penguin revenues Based on 2013 average exchange rates. Revenues from STM, professional markets and other activities than book publishing have been excluded when it could be isolated Sources: annual reports, internal estimates, Ipsos, Nielsen Bookscan 3 INVESTOR DAY – PRESENTATION IN FRANCE, ITS HOME TURF, HACHETTE LIVRE IS THE #1 PUBLISHING PLAYER SPLIT OF 2013 SALES BY BUSINESS France** CONTRIBUTION TO 2013 GLOBAL SALES* 37% Distribution 25% (€ 2,066m) 50% 25% Trade Education Focus on France 3 BUSINESSES TRADE EDUCATION DISTRIBUTION IN FRANCE 2013 ranking 20.5% 45% 33%*** and market # 1 # 1 # 1 share in value • Fiction & Non Fiction • Primary Main segments of presence and • Illustrated & Children • Secondary • Owned imprints examples of • Third-party clients (40%) imprints • Reference • Academic & Professional • High level of production • 75% backlist • From “boutique” to mass market • Dependant on curriculum change Key business • Exceptional brands • Working capital negative (none in 2013/2015) • Outstanding performances in 2013 • Extremely resilient factors • High margins associated with high (Fiction bestsellers, new album of market shares Asterix, Violetta) *Sales by country of origin ** Including other French-speaking countries ***Distribution in Trade (internal estimates for print market) Sources: Ipsos (physical sales only), Education group of Syndicat National de l’Edition, internal estimates 4 INVESTOR DAY – PRESENTATION HACHETTE BOOK GROUP IS THE #4 PLAYER IN THE US TRADE MARKET SPLIT OF 2013 SALES BY BUSINESS USA 4% CONTRIBUTION TO 2013 GLOBAL SALES* Distribution 23% (€ 2,066m) Trade 96% 2 BUSINESSES TRADE DISTRIBUTION 2013 ranking and 5.8%** ~8% market share in volume # 4 Main segments of • Owned imprints presence and examples of imprints • Third-party clients: ~40% of the activity • Brilliant Frontlist Publisher, # 1 in the market, experiencing good performance in 2013 • 206 print and 84 ebook NYT bestsellers • Working capital negative (52 titles in #1 positions) • Achieved digital transformation Key business factors • All authors have agents • Aggressive growth strategy in • Stronger in Adult Fiction than in other segments 3rd-party business • Acquisition of Hyperion in 2013 to reinforce the Non Fiction list *Sales by country of origin **Including sales of some distribution clients. Post-acquisition sales for Hyperion included. Physical sales only Sources: Nielsen Bookscan, internal estimates 5 INVESTOR DAY – PRESENTATION HACHETTE UK IS A LEADING PLAYER IN THE UK AND COMMONWEALTH COUNTRIES SPLIT OF 2013 SALES BY BUSINESS UK 8% 5% Distribution CONTRIBUTION TO 2013 GLOBAL SALES* Education (€ 2,066m) 21% Including Ireland, India and Australia 87% Trade Focus on the UK 3 BUSINESSES TRADE EDUCATION DISTRIBUTION IN THE UK 2013 ranking 12.8% ~23-24% and market # 2 # 4 # 1 share in value • Fiction & Non Fiction Main segments of presence and examples of • Secondary Schools Market: • Owned imprints • Illustrated imprints # 3 on this segment • Third-party clients: 41% of activity • Children • Need for size • All authors have agents • Extremely concentrated • Most unregulated market • Working capital negative Key business • More digital than France but • High retail concentration • Less profitable than France and only ~10% factors • Outstanding performances in 2013: US • Strong performance in 2013 112 Times bestsellers (curriculum change in Scotland) *Sales by country of origin Sources: Nielsen Bookscan (physical sales only); Education group of Publisher’s Association; The Publishers Association; internal estimates 6 INVESTOR DAY – PRESENTATION HACHETTE LIVRE ESPAÑA IS A LEADING PLAYER IN SPAIN AND LATIN AMERICA SPLIT OF 2013 SALES BY BUSINESS Spain & Latin America 4% Distribution CONTRIBUTION TO 2013 GLOBAL SALES* Trade 26% (€ 2,066m) 70% 8% Education EDUCATION TRADE DISTRIBUTION 4 BUSINESSES LATIN AMERICA (SPAIN) (SPAIN) (SPAIN) 2013 ranking 20.3% • Mexico and market # 1 # 4 -- • Argentina share • # 2 in Adult Non Fiction • Educational books Main segments (market share of 7.1%) of presence • # 5 in Adult Fiction (market and examples • Mainly for owned share of 2.4%) of imprints imprints • # 4 in Juvenile segment (8.5%) • Reference • Several languages and • Very concentrated Key business curricula • Hurt by very difficult • Not an established factors • Heavily funded by public environment business in Spain • Reform in 2014 • Opportunities to come ? *Sales by country of origin Sources: Internal estimates for education. Nielsen Bookscan for Trade market shares (print sales, in volume) 7 INVESTOR DAY – PRESENTATION HACHETTE LIVRE OPERATES A PARTWORKS BUSINESS WITH A STRONG PRESENCE WORLDWIDE Partworks CONTRIBUTION TO 2013 GLOBAL SALES* (€ 2,066m) 11% Editorial do Brazil Germany United Kingdom Ireland Russia Canada Netherlands Belgium Switzerland Austria Japan France Hungary Spain Mexico Greece Portugal Taiwan Romania Italy Presence of Bulgaria AT A GLANCE Malta Hachette Livre Slovakia Poland 33 Countries * Czech Republic 16 Languages Peru Brazil Ukraine 157 Employees Belorussia Australia 69 Launches in 2013 Chile 177 Active collections South Africa around the world Argentina New Zealand *Sales by country of origin 8 INVESTOR DAY – PRESENTATION HACHETTE COLLECTIONS IS THE #2 GLOBAL PLAYER IN PARTWORKS BUSINESS OVERVIEW 23%* 2013 ranking and market # 2 share in value - Partworks activity has been extending its international network year after year: compared to 2009, new countries became the main contributors of sales in 2013 ** 2009 61% of sales & 57% of EBIT Key business factors 2013 51% of sales & 69% of EBIT - Successes on all markets excluding Spain in 2013 - High R&D, marketing and promotional expenses - Need for very professional testing processes - Need for tight operational management * Internal estimates based on sales in newsstands ** Spain, Portugal, and Latin America excluding Brazil 9 INVESTOR DAY – PRESENTATION HACHETTE LIVRE EXTENDED ITS REACH THROUGH BUSINESSES IN DEVELOPING COUNTRIES * * * • Participation in Azbooka- • Launched in 2008 Atticus Publishing Group • English language • Joint venture with Librairie since 2011 consumer book subsidiary • Joint venture with Phoenix Antoine established at the • 407 people Overview Publishing Media Group end of 2009 • 17 people • 21 people in the in the # 2 Trade market # 3 Trade market • Trade: local and international • Marketing and distributing Fiction & Non Fiction, • Local and international books for HUK and HBG • International Fiction, Non Children, Practical, Fiction, Children, Non Fiction • Fiction, Children’s and Segments Fiction / Practical, Children Reference / Practical Reference books as well • Education as Non Fiction • 1,229 new titles in 2013 • 91 titles in 2013 • 227 titles in 2013 • Growth of 2013 sales: +10% • Fiction: D. Kennedy, J-C • Growth of 2013 sales: +10% • Fiction: development of Grangé, D. Baldacci, • Fiction: Arab classics as well foreign authors (JK Rowling, acquisition of G. Musso as very contemporary Jojo Moyes, Jo Nesbø), • Non Fiction: I Am Malala, bestsellers (both Arab like strong line of classics • ~35 adult books and David Beckham illustrated Ahlam Mosteghanemi, and • Children: strong authors 15 children’s books Key trends biography, self-help, soft Western like J.K. Rowling, (Enid Blyton, Astrid published per year business, biographies Harlan Coben) Lindgren), new Harry Potter • Strong Children line, with • Disney license, Mr. Men & edition for 2014 « Disney Learning » license Little Miss license • Development in new and other Edutainment titles, • Practical titles (Méthode segments such as business and Children Fiction Dukan, cook books) books, coffee-table books *Not consolidated 10 INVESTOR DAY – PRESENTATION HACHETTE LIVRE PUBLISHED 16,452 NEW TITLES IN 2013 Examples of 2013 bestsellers Trade Education and Partworks References Literature Illustrated Children Germany Italy France Brazil Japan Russia Russia France 11 INVESTOR DAY – PRESENTATION AGENDA . Hachette Livre since 2010 – Hachette Livre today – 2003-2013 highlights . Hachette Livre’s successful digital transformation – Market environment: a new deal – Actions put in place and results today – Opportunities . Three year outlook – Pursue digital transformation – Consolidate market position – Invest in emerging markets . Conclusion 12 INVESTOR DAY – PRESENTATION THE GROWTH OF THE GROUP WAS FUELLED BY ACQUISITIONS AND INTERNATIONAL DEVELOPMENT 20032004 2005 200620072008 2009 2010 2011 2012 2013 2014 France UK Spain USA Latin America Argentina Mexico China (JV) Others (JV) India Lebanon Russia (25%) 13 INVESTOR DAY – PRESENTATION HACHETTE LIVRE HAS POSTED STRONG GROWTH OVER THE PAST TEN YEARS Hachette
Recommended publications
  • The 2021 Guide to Manuscript Publishers

    The 2021 Guide to Manuscript Publishers

    Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing ..................................................................................................
  • Jean-Yves Mollier

    Jean-Yves Mollier

    French publishing in World War Two: A habitus of submission? Jean-Yves Mollier The present article sets out to explore the situation of French publishing between June 1940 and August 1944. Before addressing the main argument, however, it is important to bear in mind that it is difficult to understand this key sector of French cultural life in the period immediately prior to the Nazi occupation without looking back at its development over the preceding decades and even centuries. Similarly, understanding the deeper meaning underlying the attitude of the leading publishers who occupied the higher echelons of the publishing union means bearing in mind their “centuries-old habitus of submission”1 to authority. Take for example the “voluntary delegation of notables representing Paris's industrial sector” led by the industrialists Emile Menier and Jean- François Cail and the printer Henri Plon to the Elysée Palace on December 19, 1851 to thank Louis- Napoléon Bonaparte for “guaranteeing the defence of order, family, and property” after seizing power in a coup seventeen days earlier.2 Though it is important not to overstate the importance of such an event in the contemporary context, it can be seen as symbolic of a craven attitude to power that remained largely unchanged in the summer of 1940. Napoleon I and his successors set up a system to police the book trade, with inspectors whose task it was to keep a close eye not only on ports and borders, but also printers, bookshops, pedlars, second-hand bookshops, and any other premises or itinerant points of sale where books could be acquired.
  • Publishing in the Nineteenth Century

    Publishing in the Nineteenth Century

    1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976).
  • Reference Document Including the Annual Financial Report

    Reference Document Including the Annual Financial Report

    REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié.
  • Medios De Proximidad: Participación Social Y Políticas Públicas

    Medios De Proximidad: Participación Social Y Políticas Públicas

    MEDIOS DE PROXIMIDAD: PARTICIPACIÓN SOCIAL Y POLÍTICAS PÚBLICAS MANUEL CHAPARRO (ED.) · LUIS A. ALBORNOZ · ENEKO BIDEGAIN ENRIQUE BUSTAMANTE · MANUEL CHAPARRO · JEAN-JACQUES CHEVAL JAVIER DÍAZ MURIANA · TXEMA EGAÑA · AMAL EL MOHAMMADIANE HELENA S. ESCORCIA · ROSA FRANQUET · VICTORIA GABILONDO ÁNGEL GARCÍA CASTILLEJO · JOSEP LLUÍS GÓMEZ MOMPART FRANCISCO GUERRERO · AMADOR IRANZO · AURORA LABIO · PETER LEWIS PATRICIA MARENGHI · VÍCTOR M. MARÍ · MIRIAM MEDA CAROLINE MITCHELL · BELÉN MONCLÚS · CARMEN R. MONEDERO AMPARO MORENO · LUCÍA MUÑOZ · ELOÍSA NOS · SILVIA OLMEDO CARMEN PEÑAFIEL · SALVADOR SEGUÍ-COSME MANUEL Á. VÁZQUEZ MEDEL · AITOR ZUBEROGOITIA iMEDEA / COMandalucía Luces de Gálibo > comunicación Medios de proximidad: participación social y políticas públicas Manuel Chaparro Escudero (ed.) Medios de proximidad: participación social y políticas públicas lucesde:gálibo © 2014, las autoras y los autores © 2014, Luces de Gálibo (Gorbs Edicions ­), Girona / Málaga © 2014, iMedea (Investigación de Medios, Desarrollo de Estrategias y Análisis) © 2014, andalucía (Laboratorio de Comunicación y Cultura, Universidad de Málaga) Edición: Elena Campos Valladares y Ferran Fernández Maquetación: Zaranda & Jo ­: 978-84-617-3274-6 Depósito legal: ­¡-2228-2014 Imprime: Imagraf Impreso en España / Printed in Spain Motivo de la portada (fotografía Manuel Chaparro): Tela artística del pueblo Shipibo Konibo o conibo de la Amazonía. El pueblo Shipibo es resultado de la fusión cultural de varias etnias. El kené o kewe son dibujos representativos en los que las líneas shipibas representan un entra - mado de ideas, de conectividades comunicativas ecosistémicas y sensoriales, la representación/ composición visual de su cosmovisión como resultado de la contemplación y la vivencia en la naturaleza como un ser más. Esta conexión de consciencia con el entorno y la espiritualidad queda representada en el cruce de líneas y en los nodos de las que parten, una comunicación integral.
  • Random House, Inc. Booth #52 & 53 M O C

    Random House, Inc. Booth #52 & 53 M O C

    RANDOM HOUSE, INC. BOOTHS # 52 & 53 www.commonreads.com One family’s extraordinary A remarkable biography of The amazing story of the first One name and two fates From master storyteller Erik Larson, courage and survival the writer Montaigne, and his “immortal” human cells —an inspiring story of a vivid portrait of Berlin during the in the face of repression. relevance today. grown in culture. tragedy and hope. first years of Hitler’s reign. Random House, Inc. is proud to exhibit at this year’s Annual Conference on The First-Year Experience® “One of the most intriguing An inspiring book that brings novels you’ll likely read.” together two dissimilar lives. Please visit Booths #52 & 53 to browse our —Library Journal wide variety of fiction and non-fiction on topics ranging from an appreciation of diversity to an exploration of personal values to an examination of life’s issues and current events. With so many unique and varied Random House, Inc. Booth #52 & 53 & #52 Booth Inc. House, Random titles available, you will be sure to find the right title for your program! A sweeping portrait of Anita Hill’s new book on gender, contemporary Africa evoking a race, and the importance of home. world where adults fear children. “ . [A] powerful journalistic window “ . [A]n elegant and powerful A graphic non-fiction account of “ . [A] blockbuster groundbreaking A novel set during one of the most into the obstacles faced by many.” plea for introversion.” a family’s survival and escape heartbreaking symphony of a novel.” conflicted and volatile times in –MacArthur Foundation citation —Brian R.
  • Bibliography of Spanish Materials for Children: Kindergarten Through Grade Six

    Bibliography of Spanish Materials for Children: Kindergarten Through Grade Six

    DOCUMENT RESUME ED 048 797 FL 002 152 AUTHOR Gonsalves, Julia, Comp.; And Others TITLE Bibliography of Spanish Materials for Children: Kindergarten Through Grade Six. INSTITUTION California State Dept. of Education, Sacramento. SPONS AGENCY Office of Education (DHEW) ,Washington, D.C. PUB DATE 71 NOTE 48p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS *Annotated Bibliographies, Bilingual Education, *Childrens Books, Childrens Games, Cultural Education, Dictionaries, Drama, *Elementary Education, Elementary School Students, Fles Materials, *Instructional Materials, Language Arts, Language Instruction, Language Learning Levels, Mathematics, modern Languages, Music, Reading Instruction, Social Sciences, *Spanish ABSTRACT This annotated bibliography of instructional materials, intended for students, teachers, and native speakers of Spanish, contains more than 400 items emphasizing both language and culture. The entries are arranged alphabetically in sections including: (1) books in series;(2) childrenes literature: (3) dictionaries and encyclopedias;(4) dramatization, rhymes, and poetry; (5) games, puzzles, and activities:(6) health and science; (7) mathematics; (8) music: (9) reading and language arts, and (10) social science. Bibliographic information includes the price of the publication, availability, and suggested readership. Appendixes contain a directory of publishers and distributors, and a book evaluation form. (RL) ii 1 DEPAINISNI Off MIN. MEADOW I MAW :. WM Of SWOON THIS DOtuNENI MS WEN WPRODOCED EXACTiv IS RELAYED 12014THE PERSON OR OmonsuOi ORMOND IIPOINtS OF VOW OR OPINIONS Wile DO NOT NKOSI,OR MVO (NNW OM OF INIFAIION 'NOON ON POIWy %MO I 8 A Kindergarten Through Grade Six CALIFORNIA STATE DEPARTMENT OF EDUCATION Wilson Riles Superintenden. of Public Instruction Sacramento 1971 I lb This publication, which was funded under pro- visions of the National Defense Education Act, Tide ill, was edited and prepared for photo-offset production by the Bureau of Publications, Call.
  • Read It Before You Watch It Sampler 2018

    Read It Before You Watch It Sampler 2018

    Read It Before You Watch It Sampler 2018 penguinrandomhouse.com Table of Contents Sharp Objects by Gillian Flynn BUY HERE Ready Player One by Ernest Cline BUY HERE The Mountain Between Us by Charles Martin BUY HERE Big Little Lies by Liane Moriarty BUY HERE The Magician's Land by Lev Grossman BUY HERE The Jungle Books by Rudyard Kipling BUY HERE Crazy Rich Asians by Kevin Kwan BUY HERE The Girl in the Spider's Web by David Lagercrantz BUY HERE The Underground Railroad by Colson Whitehead BUY HERE The Looming Tower by Lawrence Wright BUY HERE The Guernsey Literary and Potato Peel Pie Society by Annie Barrows and Mary Ann Shaffer BUY HERE The Death Cure by James Dashner BUY HERE The Alienist by Caleb Carr BUY HERE penguinrandomhouse.com Gillian Flynn Sharp Objects a novel B\D\W\Y Broadway Books NEW YORK Flyn_9781101902875_4p_all_r1.indd 7 9/5/14 4:21 PM Flyn_9781101902875_4p_fm_r1.pdf 7 9/5/14 4:40 PM This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. 2014 Broadway Books Mass Market Edition Copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Broadway Books, an imprint of the Crown Publishing Group, a division of Random House LLC, a Penguin Random House Company, New York. www.crownpublishing.com BROADWAY BOOKS and its logo, B\D\W\Y, are trademarks of Random House LLC.
  • (Mildred L.) Batchelder Award Winners, 1968-Present

    (Mildred L.) Batchelder Award Winners, 1968-Present

    (Mildred L.) Batchelder Award winners, 1968-Present The most outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States. 2021 Enchanted Lion Books, for Telephone Tales, written by Gianni Rodari, illustrated by Valerio Vidali and translated by Antony Shugaar. Honor: HarperAlley, an imprint of HarperCollins Publishers, for Catherine’s War, written by Julia Billet, illustrated by Claire Fauvel, and translated by Ivanka Hahnenberger. 2020 Enchanted Lion Books, for Brown, written by Håkon Øvreås, illus. by Øyvind Torseter, and translated by Kari Dickson. Honors: Godwin Books/Henry Holt/Macmillan, for The Beast Player, written by Nahoko Uehashi and translated by Cathy Hirano. Atheneum Books for Young Readers/Simon & Schuster, for The Distance Between Me and the Cherry Tree, written by Paola Peretti, illustrated by Carolina Rabei and translated by Denise Muir. Enchanted Lion Books, for Do Fish Sleep?, written by Jens Raschke, illustrated by Jens Rassmus and translated by Belinda Cooper. Plough Publishing, for When Spring Comes to the DMZ, written and illustrated by Uk-Bae Lee and translated by Chungyon Won and Aileen Won. 2019 Thames & Hudson, Inc., for The Fox on the Swing, written by Evelina Daciūtė, illustrated by Aušra Kiudulaitė, and translated by The Translation Bureau Honors: NorthSouth Books, Inc., for Edison: The Mystery of the Missing Mouse Treasure, written and illustrated by Torben Kuhlmann,
  • Oxford University at Exeter College, Oxford Shaye Areheart, Director Emma Skeels, Assistant Director

    Oxford University at Exeter College, Oxford Shaye Areheart, Director Emma Skeels, Assistant Director

    Columbia Columbia Publishing Course at Publishing Course Oxford University at Exeter College, Oxford Shaye Areheart, Director Emma Skeels, Assistant Director For Information Columbia Publishing Course A Professional The Graduate School of Journalism Columbia University Experience in the 2950 Broadway, MC 3801 • New York, NY 10027 Business of Publishing In the UK: Columbia Publishing Course 06 September - Exeter College • Turl Street Oxford • OX1 3DP 01 October, 2021 Tel. +1 212-854-1898 A Program of the E-mail: [email protected] Columbia University Graduate @columbiapubcrse https://journalism.columbia.edu/publishing School of Journalism The Columbia Publishing Course The Columbia Publishing Course does not discriminate among applicants or students on the basis of race, at Exeter College, Oxford, religion, age, gender, sexual orientation, is a twin of the book-publishing portion national origin, color, or disability. of the New York course. Columbia Publishing y Exeter College at Oxford. The Refectory and classrooms. Course areers in publishing have always attracted > Oxford has always been an important center of people with talent and energy and a love of publishing and learning. C reading. Those with a love of literature and > People who are certain book publishing is where language, a respect for the written word, an inquiring they intend to be after the course do not have to mind, and a healthy imagination are naturally drawn to endure the rigors of the magazine-digital portion of an industry that creates, informs, and entertains. the New York program. For many, publishing is more than a business; it is a > The course in New York is limited to 110 people, so vocation that constantly challenges and continuously Exeter enables us to help shepherd more people into educates.
  • Bertelsmann Completes Full Acquisition of Penguin Random House

    Bertelsmann Completes Full Acquisition of Penguin Random House

    PRESS RELEASE Bertelsmann Completes Full Acquisition of Penguin Random House • Group now sole owner of the world’s biggest trade publishing group • Bertelsmann CEO Thomas Rabe: Penguin Random House is to continue organic and acquisitive growth Gütersloh / New York, April 1, 2020 – Bertelsmann now owns 100 percent of the shares in the world’s biggest trade publishing group, Penguin Random House, headquartered in New York. The international media, services, and education company has completed the acquisition of the remaining 25-percent stake from co-shareholder Pearson after receiving all necessary regulatory approvals. Penguin Random House comprises around 320 individual book publishing imprints on six continents, with more than 15,000 new publications and over 600 million books sold per year. For Bertelsmann, the transaction, valued at approximately $675 million, is economically attractive, as the share of Bertelsmann’s shareholders in group profit will increase by more than €70 million per year. Thomas Rabe, Chairman and CEO of Bertelsmann and Chairman of the Board of Directors at Penguin Random House, said: “The completion of this transaction has a historic dimension for Bertelsmann. 185 years after C. Bertelsmann Verlag was founded by the printer and bookbinder Carl Bertelsmann, our company will become the sole owner of the undisputed global market leader in book publishing. We are proud of the creative diversity, publishing quality, and commercial and entrepreneurial strength of our book publishing business, to which many of the most popular authors from all over the world entrust their literary work.” Thomas Rabe affirmed that Bertelsmann intends to develop Penguin Random House over the long term and with continuity: “We will ensure that our book business can continue to expand through organic growth and acquisitions in future, and remain a home for the world’s best creative talent.
  • Partnering with Random House Is a PLUS!

    Partnering with Random House Is a PLUS!

    Spring 2011 Ballantine Fawcett / Del Rey PLUS! Bantam / Dell Partnering with Random House is a Blue Apple Books Broadway Clarkson Potter Powerful... Crown Offering books to consumers, clients or employees DC Comics can be a powerful incentive to attract and keep them Doubleday with your company, product or service. Fodor’s Hatherleigh Press Knopf Kuperard Lasting… Listening Library In today’s economy, everyone is interested Living Language in expanding their dollar as far as it can go. Mark Batty Publishers With a premium book purchase, you will The Monacelli Press not only get lasting value for your dollar, National Geographic but you will also give a gift to be treasured New York Review Books for years to come. North Atlantic Osprey Publishing Unlimited… The Other Press Pantheon Schocken Random House offers unlimited possibilities. powerHouse Books We have the ability to change the look Princeton Review of the cover, jacket or packaging to incorporate your company’s logo, as Quirk Books well as create abridged editions, Random House / Modern Library / Villard bind-in inserts, coupons, a foreword Random House with your company’s message or other Audio Books pertinent information. Random House Children’s Publishing Random House Large Print Random House Reference Rizzoli Smart… Seven Stories Press Random House is the smart choice in promotional partners Shambhala since books provide knowledge and promote literacy. Smithsonian Steerforth Press Ten Speed Press Great Books! Great Terms! Titan Tundra Books • Free freight via ground • Top-rated distribution center Vintage / Anchor • 60 days EOM billing • Excellent customer service Vertical Books • Endless selection of books • Aggressive discounts for bulk orders Watson-Guptill Welcome Books Reference promo code SPRING11 when you contact us, and we’ll send you a free bestseller! Wizards of the Coast Call: 1-800-800-3246 E-mail: [email protected] Visit us on the Web: www.randomhouse.com BUILD YOUR NEXT PROMOTION with RANDOM HOUSE, INC.