Evolution of Television in a Social Way, in Other Word the Impact on Our Society, Which Utility and the Limits Nowadays
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Information and Communication Technologies: 11. Television World in History
Information and communication technologies: 11. Television world in history. Analog and digital. Metodický koncept k efektivní podpoře klíčových odborných kompetencí s využitím cizího jazyka ATCZ62 - CLIL jako výuková strategie na vysoké škole History of television in Czechoslovakia Pioneers: ● František Pilát - later post-war technical director of Barrandov Film Studio, himself built a television receiver ● Pilát was the first in Czechoslovakia to receive experimental Baird's "thirty-line" broadcast, spread in the early 1930s (1929- 1935) from Great Britain to the mid-wave of 261.5 meters. ●The most active pre-war pioneer of the television is dr. Jaroslav Šafránek, associate professor of experimental physics at Charles University in Prague ●In 1935 Šafránek built his own functioning television equipment, with which he later traveled to the Republic and presented him in public. History of television in Czechoslovakia The Ministry of Post and Telegraph refused to authorize Šafránek to broadcast television in the air. Šafranek´s equipment could only work in the laboratory and lecture halls. While Šafránek, radio amateurs and their interest organization, Czechoslovak Radio Broadcasting Corporation requested permission for experimental broadcasting of a mechanical low-line (30 line) television mainly serving radio amateurs, the Ministry of Post and Telegraph, which since 1934 closely watched developments abroad, wanted to provide frequencies for television broadcasting to some more developed Projects. He was guided by the principle - to wait, to study foreign facts and then to decide. In 1939, television research on the territory of former Czechoslovakia ended. (Threats to the Republic, Munich, and the Nazi occupation). At that time, Shafranek was working on a more advanced 240-line image decomposition device. -
The Science of Television. Television and Its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach
Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach To cite this version: Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach. Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine. Gesnerus, Schwabe Verlag Basel, 2019, 76 (2), pp.153-171. 10.24894/Gesn-en.2019.76008. hal-02885722 HAL Id: hal-02885722 https://hal.archives-ouvertes.fr/hal-02885722 Submitted on 30 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gesnerus 76/2 (2019) 153–171, DOI: 10.24894/Gesn-en.2019.76008 Introduction. The Science of Television: Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach* From the live transmission of daunting surgical operations and accounts of scandals about medicines in the 1950s and 1960s to participatory aerobic workouts and militant AIDS documentaries in the 1980s the interrelation- ship of the history of bodies and health on television and the history of tele- vision can be witnessed. A telling example of this is the US born aerobics movement as it was brought to TV in Europe, with shows such as Gym Tonic (from 1982) in France, Enorm in Form (from 1983) in Germany or the Green Goddess on BBC Breakfast Time (from 1983) in Great Britain. -
Console Comparison
CONSOLE COMPARISON CURRENT INTEGRITY Cybex 50L Console C Console X Console Discover ST Cybex 70T Discover SE3 Discover SE3HD SCREEN 21" 1080p Touch Screen (Tread) 19" 720p Touch Screen (Tread) 21" 1080p Touch Screen (Tread) Display LED LED LED 7" Touch LCD 16" 1080p Touch Screen (Tread, Bikes and Arcs) 16" 1080p Touch Screen (Non-Tread) 16" 720p Touch Screen (Non-Tread) 16" 1080p Touch Screen (Non-Tread) Navigation Membrane buttons Membrane Buttons Membrane Buttons Touch, Tactile Buttons Touch Screen Touch Screen Touch Screen Touch Screen Languages 9 Universal Universal 19 24 24 24 24 Speed, Distance, Distance Climbed, Average Pace, Average Speed, Speed, Incline, Heart Rate (current, average, max), Pace, Elapsed Speed, Incline, Heart Rate (current, average, max), Pace, Elapsed Speed, Incline, Heart Rate (current, average, max), Pace, Elapsed Speed, Incline, Heart Rate (current, average, max), Pace, Elapsed Speed, Incline, Heart Rate, Elapsed Time, Pace, Distance, Distance Display Readouts - Treadmills Speed, Time, Distance, HR, Calories, Incline, Pace Speed, Time, Distance, HR, Calories, Incline Total Cal Burned, Average METs, Average Watts, Average HR, Max Time, Time Remaining, Time in Zone, Time of Day, Distance, Distance Time, Time Remaining, Time in Zone, Time of Day, Distance, Distance Time, Time Remaining, Time in Zone, Time of Day, Distance, Distance Time, Time Remaining, Time in Zone, Time of Day, Distance, Distance Climbed, Calories, Calories/HR HR Climbed, Distance Remaining, Calories, Calories/HR Climbed, Distance Remaining, -
BA(Prog)III Yr 11/04/2020
BA(prog)III yr 11/04/2020 Analog Video • In an analog system, the output of the charge-coupled device (CCD) is processed by the camera into three channels of color information and synchronization pulses (sync) and the signals are recorded onto magnetic tape. • There are several video standards for managing analog CCD output, each dealing with the amount of separation between the components—the more separation of the color information, the higher the quality of the image (and the more expensive the equipment). • If each channel of color information is transmitted as aseparate signal on its own conductor, the signal output is called component (separate red, green, and blue channels), which is the preferred method for higher-quality and professional video work. • Lower in quality is the signal that makes up Separate Video (S-Video), using two channels that carry luminance and chrominance information. The least separation (and thus the lowest quality for a video signal) is composite, when all the signalsare mixed together and carried on a single cable as a composite of the three color channels and the sync signal. • The composite signal yields less-precise color definition, which cannot be manipulated or color-corrected as much as S-Video or component signals. • The analog video and audio signals are written to tape by a spinning recording head that changes the local magnetic properties of the tape’s surface in a series of long diagonal stripes. • Because the head is canted or tilted at a slight angle compared with the path of the tape, it follows a helical (spiral) path, which is called helical scan recording. -
NTE15039 Integrated Circuit VHS/VCR Chroma Signal Proessor for NTSC/PAL/SECAM Systems
NTE15039 Integrated Circuit VHS/VCR Chroma Signal Proessor for NTSC/PAL/SECAM Systems Description: The NTE15039 is a multifunctional IC in a 24–Lead DIP type package that contains VHS VCT chroma signal processing circuitry. Since the package is small and a minimum number of external compo- nents are required, the NTE15039 occupies much less space on the PC board thus facilitating VCR design. The chroma section is made adjustment–free (except REC chroma level) thus streamlining the manufacture of VCRs Features: D Designed for NTSC/PAL/MESECAM Systems D Adjustment–Free Chroma Section (Except REC Chroma Level) D Few External Components Required D LPF Usable for REC/PB D Multifunctional: 2fSC Generator for CCD Drive Function to Select APC Loop Input Signal Passed/Not Passed Through Comb Filter 3rd Lock Protector of VXO Absolute Maximum Ratings: (TA = +25°C unless otherwise specified) Maximum Supply Voltage, VCCmax. 7V Allowable Power Dissipation (TA ≤ +65°C), PDmax. 850mW Operating Temperature Range, Topg . –10° to +65°C Storage Temperature Range, Tstg . –40° to +125°C Recommended Operating Conditions: (TA = +25°C unless otherwise specified) Recommended Supply Voltage, VCC . 5V Operating Voltage Range, VCCop. 4.8 to 5.5V Electrical Characteristics: (TA = +25°C, VCC = 5V unless otherwise specified) Parameter Symbol Test Conditions Min Typ Max Unit REC Current Dissipation ICC(R) 49 62 75 mA REC Output Level VO(R) 75 110 145 mVP–P REC ACC Characteristics ∆VO(R) Input ± 6dB –0.5 ±0.1 +0.5 dB Electrical Characteristics (Cont’d): (TA = +25°C, VCC -
Digital Television and the Allure of Auctions: the Birth and Stillbirth of DTV Legislation
Federal Communications Law Journal Volume 49 Issue 3 Article 2 4-1997 Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman Covington & Burling Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the Legislation Commons Recommended Citation Goodman, Ellen P. (1997) "Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation," Federal Communications Law Journal: Vol. 49 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman* I. INTRODUCTION ................................... 517 II. ORIGINS OF THE DTV PRovIsIoNs OF THE 1996 ACT .... 519 A. The Regulatory Process ..................... 519 B. The FirstBills ............................ 525 1. The Commerce Committee Bills ............. 526 2. Budget Actions ......................... 533 C. The Passage of the 1996Act .................. 537 Ill. THE AFTERMATH OF THE 1996 ACT ................ 538 A. Setting the Stage .......................... 538 B. The CongressionalHearings .................. 542 IV. CONCLUSION ................................ 546 I. INTRODUCTION President Clinton signed into law the Telecommunications Act of 1996 (1996 Act or the Act) on February 8, 1996.1 The pen he used to sign the Act was also used by President Eisenhower to create the federal highway system in 1957 and was later given to Senator Albert Gore, Sr., the father of the highway legislation. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
The Transition to Digital Television*
DIGITAL TELEVISION 1 The Transition to Digital Television* Jérôme Addaa and Marco Ottavianib University College London; London Business School This paper studies the role of economic policy for the transition from analogue to digital television, with particular attention to the switch off of the analogue terrestrial signal. The analogue signal cannot be credibly switched off until almost all viewers have migrated to digital, due to universality of access to television. But before switch off, only part of the population can be reached with the digital signal. In addition, those who are reached need to spend more to upgrade their reception equipment than after switch off, because the capacity to increase the power of the digital signal will be made available only then. After reviewing the competitive structure and the role of government intervention in television markets, we present the early experience of a number of industrialised countries in the transition to digital television. We then formulate a micro-econometric model of digital television adoption by individual viewers. The model is calibrated to UK data and simulated to predict the impact of government policies on the take up of digital television. Policy makers can affect the speed of take up of digital television by: (i) controlling the quality of the signals and the content of public service broadcasters; (ii) intervening in the market for digital equipment with subsidies; and (iii) publicising the conditions and date of switch off of the analogue signal. We find that if the analogue terrestrial signal is switched off conditionally on aggregate adoption, strategic delays possibly arise and expectations affect the success of the switch off policy. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
Unit 2 Setting
History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match. -
World Converter Model WC-01 User and Technical Manual
World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray -
Reading Between the Lines
volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France.