FOURTH EDITION of the HANDBOOK REVISED SEPTEMBER, 1935 Oi.Uchicago.Edu
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SUMERIAN LEXICAL TEXTS from the TEMPLE SCHOOL of NIPPUR Oi.Uchicago.Edu
oi.uchicago.edu THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE PUBLICATIONS Edited by JAMES HENRY BREASTED oi.uchicago.edu oi.uchicago.edu CUNEIFORM SERIES-VOLUME I SUMERIAN LEXICAL TEXTS FROM THE TEMPLE SCHOOL OF NIPPUR oi.uchicago.edu THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS THE BAKER & TAYLOR COMPANY NEW YORK THE MACMILLAN COMPANY OF CANADA, LIMITED TORONTO THE CAMBRIDGE UNIVERSITY PRESS LONDON THE MARUZEN-KABUSHIKI-KAISHA TOKYO, OSAKA, KYOTO, FUKUOKA, BENDAI THE COMMERCIAL PRESS, LIMITED SHANGHAI oi.uchicago.edu THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE PUBLICATIONS VOLUME XI CUNEIFORM SERIES-VOLUME I SUMERIAN LEXICAL TEXTS FROM THE TEMPLE SCHOOL OF NIPPUR BY EDWARD CHIERA PROFESSOR OF ASSYRIOLOGY, UNIVERSITY OF CHICAGO THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS oi.uchicago.edu COPYRIGHT 1989 BY THE UNIVERSITY OF CHICAGO ALL RIGHTS RESERVED. PUBLISHED NOVEMBER 1909 COMPOSED AND PRINTED BY THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS, U.S.A. oi.uchicago.edu FOREWORD The valuable materials which Professor Chiera is making accessible to scholars for the first time in this volume of cuneiform tablets from the Nippur School need no introduction. The careful accuracy which characterizes his copies of such materials has already become well known to orientalists through his earlier publications of cuneiform sources. In this first volume of cuneiform records published by the Oriental Insti- tute, the editor is glad to announce that the range of the Institute's publica- tions is being expanded to include such important classes of documents as the series here published, even though the originals may not belong to the collec- tions of the Institute. -
Figure 1. of the Rock-Carved Cones from Turkey's Their Lava Caps. See Page 45, Footnote
Figure 1. of the rock-carved cones from Turkey's their lava caps. See page 45, footnote. UNIVERSITY MUSEUM BULLETIN VOL. 17 DECEMBER, 19S2 NO. 2 A "FULBRIGHT" IN TURKEY BACKGROUND AND PURPOSE Early in September 1951 I came to Istanbul as the first Fulbright Re- search Scholar appointed by the United State:, Educational Committee in Turkey. fi'or practically a whole year, until late in August 1952, I worked in Istanbul's Museum of the Ancient Orient, studying and copying the Sumerian literary tablets in the Nippur collection of its Tablet Archives. The pages to follow wiJI attempt to sketch briefly the purpose and nature of these researches and summarize some of their results.1 One of the more significant archaeological contributions of the past hundred years to the humanities consists of the discovery, restoration, and translation of the Sumerian literary documents, the oldest group of belles lettres in the history of civilization. Inscribed more than thirty-five hundred years ago in the cuneiform script on some four thousand clay tablets and fragments, they include a varied assortment of man's first recorded myths and epic tales, h ymns and lamentations, proverbs and essays. Long before the Hebrews wrote down their Bible, and the Greeks their Iliad and Odyssey, the Sumerians, who were neither Indo-Europeans nor Semites and whose original homeland may have been in the steppes of Central Asia, created a rich and mature literature, largely poetic in form, which was copied, translated, and imitated all over the ancient L T his is not to deny the great debt we owe even in th:s highly specialized field of cuneiform research to such institutions as the British Museum, the Louvre, the Berlin Museum, and the Ashmolean :Museum; the material from these museums copied and published by such scholars as Zimmem and De Genouillac, King, Langdon, and Gadd have proved to be invaluable for the restoration of the Sumerian literary documents. -
Fighting for the King and the Gods
FIGHTING FOR THE KING AND THE GODS Press SBL RESOURCES FOR BIBLICAL STUDY Editor Marvin A. Sweeney, Old Testament/Hebrew Bible Number 88 Press SBL FIGHTING FOR THE KING AND THE GODS A Survey of Warfare in the Ancient Near East Charlie Trimm Press SBL Atlanta Copyright © 2017 by Charlie Trimm All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, SBL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Names: Trimm, Charlie, 1977– author. Title: Fighting for the king and the gods : a survey of warfare in the ancient Near East / by Charlie Trimm. Description: Atlanta : SBL Press, 2017. | Series: Resources for biblical study ; number 88 | Includes bibliographical references and index. Identifiers:LCCN 2017021412 (print) | LCCN 2017026895 (ebook) | ISBN 9780884142379 (ebook) | ISBN 9781628371840 (pbk. : alk. paper) | ISBN 9780884142386 (hardcover : alk. paper) Subjects: LCSH: Military art and science—History—To 500. | Military art and science— Middle East—History. | Iraq—History—To 634. Classification: LCC U31 (ebook) | LCC U31 .T75 2017 (print) | DDC 355.0209394—dc23 LC record available at hhps://lccn.loc.gov/2017021412 Press Printed on acid-free paper. SBL In memory of my father Press SBL Press SBL Contents Abbreviations and Sigla ...................................................................................ix List of Figures ................................................................................................xxiv 1. -
Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson
ART IN THE MIRROR: REFLECTION IN THE WORK OF RAUSCHENBERG, RICHTER, GRAHAM AND SMITHSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Eileen R. Doyle, M.A. ***** The Ohio State University 2004 Dissertation Committee: Approved by Professor Stephen Melville, Advisor Professor Lisa Florman ______________________________ Professor Myroslava Mudrak Advisor History of Art Graduate Program Copyright by Eileen Reilly Doyle 2004 ii ABSTRACT This dissertation considers the proliferation of mirrors and reflective materials in art since the sixties through four case studies. By analyzing the mirrored and reflective work of Robert Rauschenberg, Gerhard Richter, Dan Graham and Robert Smithson within the context of the artists' larger oeuvre and also the theoretical and self-reflective writing that surrounds each artist’s work, the relationship between the wide use of industrially-produced materials and the French theory that dominated artistic discourse for the past thirty years becomes clear. Chapter 2 examines the work of Robert Rauschenberg, noting his early interest in engaging the viewer’s body in his work—a practice that became standard with the rise of Minimalism and after. Additionally, the theoretical writing the French phenomenologist Maurice Merleau-Ponty provides insight into the link between art as a mirroring practice and a physically engaged viewer. Chapter 3 considers the questions of medium and genre as they arose in the wake of Minimalism, using the mirrors and photo-based paintings of Gerhard Richter as its focus. It also addresses the particular way that Richter weaves the motifs and concerns of traditional painting into a rhetoric of the death of painting which strongly implicates the mirror, ultimately opening up Richter’s career to a psychoanalytic reading drawing its force from Jacques Lacan’s writing on the formation of the subject. -
The Reception of Palaeolithic Art at the Turn of the Twentieth Century: Between Archaeology and Art History
The reception of Palaeolithic art at the turn of the twentieth century: between archaeology and art history Oscar Moro Abadía If I am asked to define any further what I mean by ‘the primitive’ I must refer the reader to the pages of this book, which will show that the term was associated in its time with early Greek vases, with quattrocento painting and with tribal art.1 These words by Ernst Gombrich summarize some of the main meanings associated with the term ‘primitive’ in the field of art history. In its original sense, the word refers to a movement of taste that, in the story of art, runs parallel to the progress towards naturalism. According to Gombrich, while art history may be described as the story of how ‘the artist got better and better in the imitation of nature’,2 there have been a number of artistic movements that have called for a deliberate abandonment of classical standards.3 This ‘preference for the primitive’ has been expressed in ‘the revulsion from that very perfection that art had been said to aim at’.4 During the last years of the nineteenth century, the theory of evolution ‘gave a new meaning to the term ‘primitive’ which […] came to denote the beginnings of human civilization’.5 As a result of this development, the term ‘primitive art’ was incorporated into art historians’ vocabulary to refer to a set of non-Western arts coming from Africa, America and Oceania.6 At the beginning of the twentieth century, ‘primitive art’ was used interchangeably with terms such as ‘savage art’, ‘tribal art’ and ‘art nègre’.7 Since then, the label has been intensively criticized for Acknowledgements. -
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Global histories a student journal The Construction of Chinese Art History as a Modern Discipline in the Early Twentieth Century Author: Jialu Wang DOI: http://dx.doi.org/10.17169/GHSJ.2019.294 Source: Global Histories, Vol. 5, No. 1 (May 2019), pp. 64-77 ISSN: 2366-780X Copyright © 2019 Jialu Wang License URL: https://creativecommons.org/licenses/by/4.0/ Publisher information: ‘Global Histories: A Student Journal’ is an open-access bi-annual journal founded in 2015 by students of the M.A. program Global History at Freie Universität Berlin and Humboldt-Universität zu Berlin. ‘Global Histories’ is published by an editorial board of Global History students in association with the Freie Universität Berlin. Freie Universität Berlin Global Histories: A Student Journal Friedrich-Meinecke-Institut Koserstraße 20 14195 Berlin Contact information: For more information, please consult our website www.globalhistories.com or contact the editor at: [email protected]. The Construction of Chinese Art History as a Modern Discipline in the Early Twentieth Century by: WANG JIALU Wang Jialu Construction of Chinese Art | 65 | VI - 1 - 2019 Nottingham Ningbo China. ABOUT THE AUTHOR degree in Transcultural Studies at the Studies degree in Transcultural with a particular focus on China and its are Visual, Media and Material Cultures, global art history, and curating practices. global art history, She also holds an MA degree in Identity, She also holds an MA degree in Identity, London and a BA degree in International London contemporary media and cultural studies, Jialu Wang is currently pursuing a Master’s is currently pursuing a Master’s Jialu Wang Culture and Power from University College Culture and Power Communications Studies from University of Communications Studies University of Heidelberg. -
A Review on Historical Earth Pigments Used in India's Wall Paintings
heritage Review A Review on Historical Earth Pigments Used in India’s Wall Paintings Anjali Sharma 1 and Manager Rajdeo Singh 2,* 1 Department of Conservation, National Museum Institute, Janpath, New Delhi 110011, India; [email protected] 2 National Research Laboratory for the Conservation of Cultural Property, Aliganj, Lucknow 226024, India * Correspondence: [email protected] Abstract: Iron-containing earth minerals of various hues were the earliest pigments of the prehistoric artists who dwelled in caves. Being a prominent part of human expression through art, nature- derived pigments have been used in continuum through ages until now. Studies reveal that the primitive artist stored or used his pigments as color cakes made out of skin or reeds. Although records to help understand the technical details of Indian painting in the early periodare scanty, there is a certain amount of material from which some idea may be gained regarding the methods used by the artists to obtain their results. Considering Indian wall paintings, the most widely used earth pigments include red, yellow, and green ochres, making it fairly easy for the modern era scientific conservators and researchers to study them. The present knowledge on material sources given in the literature is limited and deficient as of now, hence the present work attempts to elucidate the range of earth pigments encountered in Indian wall paintings and the scientific studies and characterization by analytical techniques that form the knowledge background on the topic. Studies leadingto well-founded knowledge on pigments can contribute towards the safeguarding of Indian cultural heritage as well as spread awareness among conservators, restorers, and scholars. -
Public Weather and Media in Egypt
Public weather and media in Egypt Dr. Aly kotb The Egyptian Meteorological Authority Koubry El-Quobba /Cairo/Egypt Tel. (+002) 01005825753 E-mail: [email protected] The geographical location of Egypt makes affected by different phenomenon and air mass….. 1. 1 Geographical location Egypt is located in the sub-tropical climatic zone between latitudes 22°N and 32°N. It is surrounded by the Mediterranean Sea to the north, the red Sea to the east, the great African desert to the west and the tropical zone to the south in upper Egypt. Most of Egyptian Areas lands are flat except the North East (southern part of Sinai) and the areas adjacent to the Red Sea which are rather mountainous areas with peaks reaching approximately three kilometres. 1. 2 Main climatic characteristics Due to its location in the subtropical zone between the middle latitude climate zone to the north and the tropical climate zone to the south, Egypt is exposed to varying weather regimes. In the warm season (which extends from late spring to mid autumn) the tropical weather dominates. In the cold season (which extends from mid autumn to late spring) the middle latitudes weather prevails. El-Fandy (1946) and Zohdy (1971) show that during the cold season the northern part of Egypt is affected by the sporadic passage of upper westerly troughs associated with Mediterranean depression moving from west to east. Some of these depressions when reaching the east Mediterranean deepen and become stationary providing the northern part of Egypt with 1 cold winds and sometimes very heavy rain. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Early Hydraulic Civilization in Egypt Oi.Uchicago.Edu
oi.uchicago.edu Early Hydraulic Civilization in Egypt oi.uchicago.edu PREHISTORIC ARCHEOLOGY AND ECOLOGY A Series Edited by Karl W. Butzer and Leslie G. Freeman oi.uchicago.edu Karl W.Butzer Early Hydraulic Civilization in Egypt A Study in Cultural Ecology Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber The University of Chicago Press Chicago and London oi.uchicago.edu Karl Butzer is professor of anthropology and geography at the University of Chicago. He is a member of Chicago's Committee on African Studies and Committee on Evolutionary Biology. He also is editor of the Prehistoric Archeology and Ecology series and the author of numerous publications, including Environment and Archeology, Quaternary Stratigraphy and Climate in the Near East, Desert and River in Nubia, and Geomorphology from the Earth. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London ® 1976 by The University of Chicago All rights reserved. Published 1976 Printed in the United States of America 80 79 78 77 76 987654321 Library of Congress Cataloging in Publication Data Butzer, Karl W. Early hydraulic civilization in Egypt. (Prehistoric archeology and ecology) Bibliography: p. 1. Egypt--Civilization--To 332 B. C. 2. Human ecology--Egypt. 3. Irrigation=-Egypt--History. I. Title. II. Series. DT61.B97 333.9'13'0932 75-36398 ISBN 0-226-08634-8 ISBN 0-226-08635-6 pbk. iv oi.uchicago.edu For INA oi.uchicago.edu oi.uchicago.edu CONTENTS List of Illustrations Viii List of Tables ix Foreword xi Preface xiii 1. -
Groundwater Processes in Saharan Africa: Implications for Landscape Evolu- Tion in Arid Environments
ÔØ ÅÒÙ×Ö ÔØ Groundwater processes in Saharan Africa: Implications for landscape evolu- tion in arid environments Abotalib Z. Abotalib, Mohamed Sultan, Racha Elkadiri PII: S0012-8252(16)30049-6 DOI: doi: 10.1016/j.earscirev.2016.03.004 Reference: EARTH 2237 To appear in: Earth Science Reviews Received date: 18 September 2015 Revised date: 3 February 2016 Accepted date: 11 March 2016 Please cite this article as: Abotalib, Abotalib Z., Sultan, Mohamed, Elkadiri, Racha, Groundwater processes in Saharan Africa: Implications for landscape evolution in arid environments, Earth Science Reviews (2016), doi: 10.1016/j.earscirev.2016.03.004 This is a PDF file of an unedited manuscript that has been accepted for publication. As a service to our customers we are providing this early version of the manuscript. The manuscript will undergo copyediting, typesetting, and review of the resulting proof before it is published in its final form. Please note that during the production process errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. ACCEPTED MANUSCRIPT Table 1 Groundwater processes in Saharan Africa: Implications for landscape evolution in arid environments Abotalib Z. Abotalib,a, b Mohamed Sultan,a Racha Elkadiria,c (a) Department of Geosciences, Western Michigan University, 1903 West Michigan Avenue, Kalamazoo, Michigan 4900 8, USA. (b) Department of Geology, National Authority for Remote Sensing and Space Sciences, Cairo 1564, Egypt. (c) Department of Geosciences, Middle Tennessee State University, Murfreesboro, Tennessee 37132, USA. Corresponding Author: Mohamed Sultan, Department of Geosciences, Western Michigan University, 1903 West Michigan Avenue, Kalamazoo, Michigan 49008, USA. -
CHICAGO ASSYRIAN DICTIONARY (CAD) Martha T
oi.uchicago.edu CHICAGO ASSYRIAN DICTIONARY CHICAGO ASSYRIAN DICTIONARY (CAD) Martha T. Roth 2010–11 saw the publication of the final volume of the Chicago Assyrian Dictionary. The last detailed tasks occupied Manuscript Editor Linda McLarnan, Research Assistant Anna Hudson Steinhelper, and me for much of the year. Below is an edited version of the lecture I presented at the celebratory symposium for the completion of the project, held at the Oriental Institute on 6 June 2011. For more detailed histories, the reader is referred to I. J. Gelb’s “Introduction” to CAD A/1 (1964) and Erica Reiner’s An Adventure of Great Dimension (2002). The CAD was ambitiously begun in 1921 under the guidance of James Henry Breasted, whose vision for collaborative projects launched the Oriental Institute, the University of Chicago’s first research institute. Housed originally in the basement of Haskell Hall and under the direction of Daniel D. Luckenbill, the small staff of scholars and students began to produce the data set by typing editions onto 5 x 8 cards, duplicating with a hectograph, parsing, and filing. Luckenbill died unexpectedly in 1927 at the age of 46, and Edward Chiera was called to Chicago from the University of Pennsylvania to take over the project. The enlarged resident staff was augmented by some twenty international collaborators, and in 1930 the project moved into its current home in the new building, to a spacious room on the third floor that was specially reinforced to hold the weight of tons of file cabinets and books. Technological advances allowed the old hectograph to be replaced with a modern mimeograph machine for duplicating the cards.