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Excerpts of Record in Support of Appellants' Opening Brief, Vol. 3
Case: 13-17430 02/03/2014 ID: 8963820 DktEntry: 15-5 Page: 1 of 181 No. 13-17430 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT VIETNAM VETERANS OF AMERICA, ET AL., Plaintiffs-Appellants, vs. CENTRAL INTELLIGENCE AGENCY, ET AL., Defendants-Appellees. On Appeal from the United States District Court, Northern District of California D.C. No. CV-09-0037-CW The Honorable Claudia Wilken, Judge Presiding EXCERPTS OF RECORD IN SUPPORT OF APPELLANTS’ OPENING BRIEF, VOL. 3, PP. 579–757 MORRISON & FOERSTER LLP James P. Bennett Eugene Illovsky Stacey M. Sprenkel Ben Patterson 425 Market Street San Francisco, California 94105 Telephone: (415) 268-7000 Attorneys for Appellants Case: 13-17430 02/03/2014 ID: 8963820 DktEntry: 15-5 Page: 2 of 181 DISTRICT COURT DATE FILED DOCUMENT DESCRIPTION PAGE NO. DOCKET NO. 11/18/2010 Third Amended Complaint for 180 579 Declaratory and Injunctive Relief Under United States Constitution and Federal Statutes and Regulations Docket Report for U.S.D.C. (N.D. 655 Cal.) Case No. 09-cv-0037-CW, Vietnam Veterans of America et al. v. Central Intelligence Agency et al. sf-3377831 Case: 13-17430Case4:09-cv-00037-CW 02/03/2014 Document180 ID: 8963820 Filed11/18/10 DktEntry: 15-5Page1of76 Page: 3 of 181 1 GORDONP. ERSPAMER (CA SBN 83364) [email protected] 2 TIMOTHY W. BLAKELY (CA SBN 242178) [email protected] 3 STACEY M. SPRENKEL (CA SBN 241689) [email protected] 4 DANIEL 1. VECCHIO (CA SBN 253122) [email protected] 5 DIANA LUO (CA SBN 233712) [email protected] 6 MORRISON & FOERSTER LLP 425 Market Street 7 San Francisco, California 94105-2482 Telephone: 415.268.7000 8 Facsimile: 415.268.7522 9 Attorneys for Plaintiffs Vietnam Veterans ofAmerica; Swords to Plowshares: Veterans 10 Rights Organization; Bruce Price; Franklin D. -
Spring Volume 9 Number 1
Spring 1972 Volume 9 Number 1 Ramsey County History Published by the RAMSEY COUNTY HISTORICAL SOCIETY Editor: Virginia Brainard Kunz Contents Spring Old Federal Courts Building — Beautiful, Unique — Its Style 1972 of A rchitecture Faces Extinction Volume 9 By Eileen Michels................................. A Teacher Looks Back at PTA, 4-H — Number 1 And How a Frog in a Desk Drawer Became a Lesson in Biology By Alice Olson....................................... Forgotten Pioneers . XII....................... North St. Paul’s ‘Manufactories’ Come-back After 1893 Bust’ By Edward J. Lettermann..................... RAMSEY COUNTY HISTORY is published semi ON THE COVER: The Old Federal Courts Building, annually and copyrighted, 1972, by the Ramsey County viewed from across Rice Park about 1905. With the Historical Society, 2097 Larpenteur Avenue West, St. park itself, and the Minneapolis Public Library directly Paul, Minnesota. Membership in the Society carries across from it, the Old Federal Courts Building lends with it a subscription to Ramsey County History. Single a sense of community to the area. issues sell for $1.50. Correspondence concerning con tributions should be addressed to the editor. The Society assumes no responsibility for statements made by con tributors. Manuscripts and other editorial material are welcomed but no payment can be made for contribu ACKNOWLEDGEMENTS: The editor is indebted to tions. All articles and other editorial material submitted Eugene Becker and Dorothy Gimmestad of the Minne will be carefully read and published, if accepted, as sota Historical Society’s audio-visual staff for their help space permits. with the pictures used in this issue. 2 Old Federal Courts Building-- Beautiful, Unique-- OfArchitecture Faces Extinction By Eileen Michels UILT at a cost of nearly $2,500,000 B between 1892 and 1901, the United States Post Office, Court House and Customs House, known colloquially now as the Old Federal Courts Building, was the pride of downtown St. -
Two Architects, One Island by Sargent C
Two Architects, One Island By Sargent C. Gardiner Since the late nineteenth century, architects and designers of national prominence have been designing houses, landscapes, and other structures on Mount Desert Island, attracted by the strikingly beautiful landscape, the character of which heavily influenced the work they produced. Two of the most notable of these architects were William Ralph Emerson (1833–1917) and Bruce Price (1845– 1903), who designed a range of forward-looking residential projects that responded to the specific topography and natural context of Mount Desert Island. Although very different, both architects produced designs in what is now known as the “Shingle Style,” bringing a synthesis of nineteenth-century American domestic architectural styles to Mount Desert Island that, up to that point, had seen a predominantly local, vernacular building tradition in the form of Greek Revival structures. While Emerson was a regionally focused architect working primarily in New England, the houses he designed on Mount Desert Island represented the introduction of a contemporary style into the region. By contrast, Price was a nationally renowned architect with a more cosmopolitan career executing designs from his New York Studio in a range of locations, types, and styles. Price’s designs on Mount Desert bracket Emerson’s work, built before and after the 1880s, the decade when Emerson designed his most important houses in Bar Harbor. When viewed together, Emerson’s and Price’s designs on Mount Desert Island exemplify the development of a Shingle Style that incorporates earlier regional architectural forms and adapts to the specific geographic conditions of Mount Desert Island. -
The Canadian Rail the Chateau Style Hotels
THE CANADIAN RAIL A. THE CHATEAU STYLE HOTELS 32 SSAC BULLETIN SEAC 18:2 WAY HOTEL REVISITED: OF ROSS & MACFARLANE 18.2 SSAC BULLETIN SEAC 33 Figure 6 (previous page). Promotional drawing of the Chateau Laurier Hotel, Ottawa, showing (left to right) the Parliament Buildings, Post Office, Chateau Laurier Hotel, and Central Union Passenger Station. Artist unknown, ca. 1912. (Ottawa City Archives, CA7633) Figure 1 (right). Chateau Frontenac Hotel, Quebec City, 1892-93; Bruce Price, architect. (CP Corporate Archives, A-4989) TX ~h the construction of the Chateau Frontenac Hotel in 1892-93 on the heights of r r Quebec City (figure 1), American architect Bruce Price (1845-1903) introduced the chateau style to Canada. Built for the Canadian Pacific Railway, the monumental hotel estab lished a precedent for a series of distinctive railway hotels across the country that served to as sociate the style with nationalist sentiment well into the 20th century.1 The prolonged life of the chateau style was not sustained by the CPR, however; the company completed its last chateauesque hotel in 1908, just as the mode was being embraced by the CPR's chief com petitor, the Grand Trunk Railway. How the chateau style came to be adopted by the GTR, and how it was utilized in three major hotels- the Chateau Laurier Hotel in Ottawa, the Fort Garry Hotel in Winnipeg, and the Macdonald Hotel in Edmonton -was closely related to the background and rise to prominence of the architects, Montreal natives George Allan Ross (1879-1946) and David Huron MacFarlane (1875-1950). According to Lovell's Montreal City Directory, 1900-01, George Ross2 worked as a draughtsman in the Montreal offices of the GTR, which was probably his first training in ar chitecture, and possibly a consideration when his firm later obtained the contracts for the GTR hotels. -
Chapter 5. Historic Resources 5.1 Introduction
CHAPTER 5. HISTORIC RESOURCES 5.1 INTRODUCTION 5.1.1 CONTEXT Lower Manhattan is home to many of New York City’s most important historic resources and some of its finest architecture. It is the oldest and one of the most culturally rich sections of the city. Thus numerous buildings, street fixtures and other structures have been identified as historically significant. Officially recognized resources include National Historic Landmarks, other individual properties and historic districts listed on the State and National Registers of Historic Places, properties eligible for such listing, New York City Landmarks and Historic Districts, and properties pending such designation. National Historic Landmarks (NHL) are nationally significant historic places designated by the Secretary of the Interior because they possess exceptional value or quality in illustrating or interpreting the heritage of the United States. All NHLs are included on the National Register, which is the nation’s official list of historic properties worthy of preservation. Historic resources include both standing structures and archaeological resources. Historically, Lower Manhattan’s skyline was developed with the most technologically advanced buildings of the time. As skyscraper technology allowed taller buildings to be built, many pioneering buildings were erected in Lower Manhattan, several of which were intended to be— and were—the tallest building in the world, such as the Woolworth Building. These modern skyscrapers were often constructed alongside older low buildings. By the mid 20th-century, the Lower Manhattan skyline was a mix of historic and modern, low and hi-rise structures, demonstrating the evolution of building technology, as well as New York City’s changing and growing streetscapes. -
Dear Mrs. Post
18 • .th e R ftui.re.r H er W ritingl Endle.rs' )! H f!r Daily R outin e ;. a Co n siderabl e Wh irl • - . .-:... o JgJy ~JE MillJ&. (Gdl1 J&.JElJ CIll Il!llll J&.J&.JJMill IN/ at the mercy of the public she created when she wrote Etiquette. " ' hen the publishing firm Color P h o tograph $ Taktln f o r The Sa turday Euen in g Post by Juan D mitri of .l1"unk & \Vagnalls suggested that she write the book. she was skeptical; she disliked tho word "etiquette" as heing both fancy a.nd AWl' year, when the rort.\'-tir~ t printing of I·;mily ('ould hear in those siml}le words an (,(·ho of the phony. and she felt uncomforta.ble about setting PO!oit' s 1·:ti(luette: the Blue Book of Social author's own wistfulness ov('r the whole hellish herself up in print as an authority on <:Ol're('L sO('iul l'~ag(' was released to the puhli(', sonw of il~ situa.tion. behavior, which was something she had always ta.ken reader'S \\el'(' a little startled by the touch 01' lavender Etiquette in Society, in B u~iness. in Politic's a nd more 01' less idly forg-ranted. Hichurd Du fTy, of I ~"'ullk tha.t persisted in its pagE'R . " 'I'he ha 'helol' girl can. a.t Il ome has sold nearl y 500.000 ('opies-at fOllr dol & \\'agnalls, pointed out that, although there were on occasion, go out alone with any unmarried man lars apiece-sine-e it was first published in J922. -
The New Gilded Age May 24, 2020
The New Gilded Age May 24, 2020 Ice Skating on Tuxedo Lake (Source: Library of Congress) History never repeats itself, but the Kaleidoscopic combinations of the pictured present often seem to be constructed out of the broken fragments of antique legends. - The Gilded Age: A Tale of To-Day, by Mark Twain (1874) ©2020 Epsilon Theory 1 All rights reserved. Winston Churchill has probably since eclipsed him in this regard, but for decades Mark Twain was the person to whom you attributed a quotation if you didn’t know who said it. That whole bit he did about history rhyming but not repeating? It’s probably apocryphal, too, but at least Twain actually did write the thing that spawned the briefer expression. Strangely, it comes from what is probably his worst book, an attempted collaboration with another author that never really works. Yet even the title of this forgettable novel managed to spur the creation of a new term: The Gilded Age. Now, because it makes for better storytelling, modern conversations about the Gilded Age as a period tend to focus on excess. We imagine – both individually and in our artistic representations of the period – lavish parties, opulence, and absurd displays of wealth and status. And yes, it was a time when neither taxes nor anti-monopoly power had much authority to displace the ambitions of the extremely wealthy. In Manhattan and Newport, old and new money competed openly for social status. If that is what we mean when we use the expression – a time in which the doctrine of Social Darwinism made conspicuous consumption not only acceptable but morally proper – we wouldn’t be very wrong. -
Ons of the Realty
Is Too Hoover News, Comment and Re corded REAL ESTATE «REAL ESTATE ^ Transact!ons of the ISLAS» Autocratic, Realty Market LONG LOSO ISLAND American to High Rentals Recorded Transfers Recorded Mortgages Surety Spend Keep Downtown Downtown Pinchot WEST Says ST, 143, 25.5x83.9x84x73.», correc¬ CEDAR ST, n a c Greenwich Great Demand tion deed. Elborac Realty et at, 84.2x123* Up trus. to Alex Corpn at, Irre«; p m; April 15; Mary N MaeDonald in Joske. 241 av. to ' FOR Pershing Jones St SALE Annex Lafayette-Great Corpn, 170 $2,500,000 San, Antonio, and Texas, ano, Building 12: O tru»; April Bww; 3 yrs. 6 d c; pr njtga $129.490; Called Not atty, K Relief Activity For Whitman, 130 Bway.. 1109 attys, Lachrr.an & G, 25 Xassao at Dwellings WILLIAM ST. 11s. sea, 89.6 n John at, Kind of Work to 101.1x25.3x irreg; Chas F $32.500 the Fit Addition Noyes to Den- GREENWICH ST. v t, !' i Jay at. 25x58; Modern Twenty-one Story Sale iHon Realty Corpn, 93 William at mtg-e April 14: Fireproof Ut- & Hess« to Factory Feb Armstrong Fidelity Him for the Task To of$4,850,000 Houses on East West »90,000; 3?; attya, Stoddard & M, Trust Co, 1 Hudson st; due Gigantic Be Erected Around and 13* Bway .aiOO 1933; April 14, ¡PEARL n w »pe, attya, Raba & K. 258 on Confronting President Present Site in of Sides Share in the ST, 250, s, 52 a w Fulton st, Bway .:.$20,000 With R. R. Siding Jackson Avenue, Long IsUnd Place RealtyAuthorized Buy¬ ti.5iiluG.li; Restan Realty C«» to Car- MUTT ST. -
Completed Dissertations
Completed Dissertations Yale University Department of the History of Art 1942 TO PRESENT 190 York Street PO Box 208272 New Haven, CT 06520 203-432-2668 Completed Dissertations YALE UNIVERSITY DEPARTMENT OF THE HISTORY OF ART Completed Dissertations from 1942 - Present Listed are the completed dissertations by Yale History of Art graduate students from 1942 to present day. 1942 Hamilton, George Heard, “Delacroix and the Orient” Studies in the Iconography of the Romantic Experience” 1945 Frisch, Teresa Grace, “A Study in Nomadic Art with Emphasis on Early Sythian Conventions and Motifs” 1948 Hamilton, Florence Wiggin, “The Early Work of Paul Gaugin: From Impressionism to Synthetism” Smith, Helen Wade, “Ptolemaic Heads: An Investigation of Sculptural Style” 1949 Averill, Louise Hunt, “John Vanderlyn: American Painter 1775-1852” Danes, Gibson A., “William Morris Hunt: A Biographical and Critical Study of 1824-1879” Newman, Jr., Richard King, “Yankee Gothic: Medieval Architectural Forms in Protestant Church Building of 19th Century New England” Peirson, Jr., William Harvey, “Industrial Architecture in the Berkshires” Scully, Jr., Vincent J., “The Cottage Style: An Organic Development in Later 19th Century Wooden Domestic Architecture in the Eastern United States” 1951 Davidson, J. LeRoy, “The Lotus Sutra in Chinese Art to the Year One Thousand” 1953 Branner, Robert J., “The Construction of the Chevet of Bourges Cathedral and its Place in Gothic Architecture” FORM013 8-JUN-2021 Page 1 Completed Dissertations Spencer, John R., “Leon Battista Alberti on Painting” Wu, Nelson Ikon, “T’and Ch’i-ch’ang and His Landscape Paintings” 1955 Spievogel, Rosalind Brueck, “Wari: A Study in Tiahuanaco Style” 1956 Donnelly, Marian Card, “New England Meeting Houses in the 17th Century” Hadzi, Martha Leeb, “The Portraiture of Gallienus (A.D. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI Bmce Price, And His Montreal Train Stations Kevin Dandurand A Thesis in The Department Of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada May 2000 O Kevin Dandurand, 2000 National Libraiy Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibtiographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OnawaON KlAON4 Onawa ON KlAONQ Canada CaMda The author has granted a non- L'auteur a accordé une licence non exclusive Licence aiiowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Bruce Price, And His Montreal Train Stations Ket?n Dandurand The foUowing is an investigation into a portion of an Amencan's work contrîved in Montreal. Architect Bruce Price experienced a short yet prosperous career: and part of his career was devoted to Canadian architecture. -
THE BANK of the METROPOLIS, 31 Union Square West A/K/A 19-23 East 16Th Street, Borough of Manhattan
Landmarks Preservation Commission July 12,1988; Designation List 206 LP-1537 THE BANK OF THE METROPOLIS, 31 Union Square West a/k/a 19-23 East 16th Street, Borough of Manhattan. Built 1902-1903; architect, Bruce Price; builder, George Fuller Company. Landmark Site: Borough of Manhattan Tax Map Block 844, Lot 17. On May 14, 1985, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Bank of the Metropolis (Item No. 3). The hearing was continued to September 17, 1985 (Item No. 1). Both hearings had been duly advertised in accordance with the provisions of law. Forty-two witnesses spoke in favor of designation. One witness took no position. The Commission received several letters in support of designation. DESCRIPTION AND ANALYSIS Summary A limestone-faced bank and office tower, the Bank of the Metropolis, a columnar tripartite skyscraper, is a representative example of the major New York architect Bruce Price's neo Renaissance commercial architecture. The design incorporates classical elements which were traditionally associated with American bank architecture. Notable features include the bowed two-story portico with monumental polished granite columns, lions' heads, consoles, foliated spandrels and spandrels with open-mouthed lions. Built in 1902-1903, 1 the bank occupies a commanding corner location on Union Square West and demonstrates the arch~tect's ability to adapt a building to both the requirements of function and the dictates of site. Created to serve the needs of businesses on the square, the bank had members of the local business community on its board of directors. -
Some Thoughts on Canadian and American Eclecticism in Public Architecture
SOME THOUGHTS ON CANADIAN AND AMERICAN ECLECTICISM IN PUBLIC ARCHITECTURE ADRIAN SHEPPARD, FRAIC Professor of Architecture McGill University Montreal, QC Canada _______________________________________________________________________________ PREFACE The paper examines the specificity of 19th and early 20th century Eclectic Movement as it applied to public architecture in Canada, and compares the Movement’s position to the corresponding current in the United States. This divergence manifested itself most eloquently in the architecture of the public buildings of the two capitals, Ottawa and Washington. Canada, like most western nations, did not escape the cultural penchant of the times. In some ways, it followed steadfastly the architectural path of their neighbour to the south, but in other ways, it looked to Europe for its muses and its models. It was not until the latter part of the 19th century that Canada found its own voice and defined a distinct image for much of its public architecture. Ideology as well as taste played a part in formulating the national stylistic differences, but so did the issue of cultural nationalism. Furthermore, the question of stylistic disparity is somewhat blurred by a unique paradoxical condition: many (and some of the best) of Canada's significant public buildings were designed by American architects who either followed their own well-determined design tenets or whose perspective on architecture and architectural history differed significantly from those of their Canadian colleagues. In other words, the lure of the past existed in both countries, but the visions were different. INTRODUCTION eclectic: a. & n. (Ancient philosopher) selecting from each school of thought such doctrines as pleases him; (person, doctrine) borrowing freely from various sources; not exclusive in opinion, taste, etc.1 Eclecticism was the dominant movement in Western architecture from about 1870 to 1930, the period stretching from the mid-Victorian era to the early 20th century.