DOCSLIB.ORG

4`^Avez X Eyv`Czvd+ 6Ize A`]]D Gd ]Rev Efc `Fe Dfcxv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

. $$ ! A 7&.0 , (.0 , 0 )*+$)%",-./0 '4&+&'+ /'0123 4'0)5 '7 ! / F ! 1: B/ 1/ *1 1- 1 B * 1*B*1/1 1 / B C462 // 1- 1 E;3 / 11/ 1 1 B 1 F1 1B 1*1: 81 11 D '$(5@ ))" E4 D1 /'( 1,, 7 -- 1 12 3-/4 !" $$ $ !" Minister Amit Shah and State surge of voters to trash the exit BJP president Manoj Tiwari polls, saying they captured the )")&+,)&-" xit polls may have predict- don’t agree to the exit polls’ pre- voting trend up to only till 3 ,;11, & Eed an Aam Aadmi Party’s dictions. They have stuck their pm. However, such surge in ,( <4,' '=4 sweep in the Delhi Assembly necks out and claimed that the voting is a universal trend in poll, but empathetic claims by BJP will get between 45 and 48 India and there is no empirical &, ' ( LM ('( top BJP leadership of a “lotus” seats and comfortably form a evidence to suggest that even if ,2 (,' ( bloom has injected an element Government. The Delhi BJP voters turnout in large number ', @, of interest in the counting pro- unit is also reported to have in the evening they would en ceedings on Tuesday. ordered a 47 kg laddoo, hoping mass vote for any political names of the Assembly con- cause of worry for the AAP as The pro-AAP camp will they will get no less than 47 party only. stituencies where according to they feel that AAP voters did take heart from the fact that seats, sources said. Delhi BJP leaders and their him the BJP will win. not come out to vote. In 2015, many of the exit polls have While a few politicians poll managers say Delhiites The BJP is also claiming the polling percentage stood at given it 60 plus seats in the accept defeat till the last vote is voted in two phases: The first that the entire AAP leadership 67.17 while the overall poll per- House of 70. The India Today- counted, questions are doing being between 8 am and 3 pm is unusually quiet after the centage in 2020 is 62.59. Axis My India poll, which hit the rounds: Why would Amit when the AAP had a clear lead. polling, which is an indication Late surge, EVM tamper- the bull’s eye on more than one Shah of all the persons would However, thereafter, BJP’s vot- that the party has not got the ing, silent voters — these are occasion in the recent past, has put his prestige on stake if he ers started pouring in, they desired result. some of the theories doing the gone to the extent of predict- believed in the findings of the claimed. Neelkant Bakshi, the The BJP leaders also rounds on the eve of the count- ing 68 seats for the AAP in the exit polls? political adviser to Delhi BJP claimed that the five per cent ing of votes. For good mea- best possible scenario. The skeptics are counting president Manoj Tiwari, post- * $ $ - & . * * * " & " $ decline in the voting com- sures, they have kept interest However, both Home on claims of “late” evening ed a series of tweets with " + , pared to the 2015 poll is also a alive in the counting. ' % $ Q R ()* checked (for coronavirus),” of the virus, according to media Sarkar, a chef from Bengal, said reports. n unspecified number of in Hindi. He was flanked by According to an AFP # $ AIndians, who were among five of his Indian colleagues report, people on board the 3,711 passengers and crew who were wearing masks. ship are facing difficulty due to he Government and the Q$ R' ( members on board a cruise Around 60 people tested the quarantine measures, par- TCongress on Monday ship quarantined off Japan due positive of the virus on ticularly those in windowless sparred in Parliament over the Congress Government in to diagnosis of coronavirus Monday, taking the total num- interior cabins and others who Supreme Court ruling that Uttarakhand, and asserted that cases, have sent an SOS video ber of those infected on the require medication for various States are not bound to provide the Central Government is message to Prime Minister cruise ship Diamond Princess chronic conditions. quota in appointments and “committed” and “dedicated” to Narendra Modi to rescue them — which had arrived at the The Japanese Health promotions. reservation for SCs, STs and as soon as possible. Japanese coast early last week Ministry said on Monday that As tempers began to fray OBCs. “Please somehow save us and was quarantined after a around 600 people on board and Opposition and treasury The Congress hit back at as soon as possible. What’s the passenger who de-boarded last urgently needed medication, benches clashed with each Gehlot and accused him of point if something happens (to month in Hong Kong was and around half received sup- other, the Government misleading the Lok Sabha. us)...I want to request the found to be the carrier of the plies over the weekend, it informed the Lok Sabha that it The party also decided to Government of India and novel virus on the ship — to said. was not a party to the case, but move a privilege motion Prime Minister (Narendra) 130. Authorities had initially Meanwhile, the operator of insisted the issue was being dis- against him. Outside Modiji, please segregate us tested nearly 300 people when the ship on Monday vowed to cussed at the “highest level”. Parliament, Congress leader and bring us back home safe- the ship arrived at the Japanese refund all 2,666 passengers The BJP ally Lok Janshakti Rahul Gandhi said it was in the ly,” said Indian crew member, coast. due to the onboard outbreak of Party (LJP) sought that the % & $ ' ( DNA of the BJP and the RSS to identified as Binay Kumar Indian Embassy in Tokyo the new coronavirus. Carnival reservation for SCs/STs should % )* try and erase reservations. Sarkar. on Monday tweeted the infor- Japan Inc, the Japanese branch be put in the 9th schedule so + , He asserted that his party Quoting Sarkar, on board mation about the Indians on of Princess Cruise Lines Ltd, that none could make any will not allow doing away with Diamond Princess, NDTV the ship. which operates the ship, said change in it and another ally Opposition parties demanded quota. news channel said there are 160 “Many Indian crew & P refunds will be offered via Apna Dal also asked that the Centre file a review Indian crew members and eight some Indian passengers are on " $ travel agencies through which Government to ensure that petition before the apex court. Indian passengers on the ship. board the cruise ship Diamond the passengers made their reservation continues irre- After the Opposition Sarkar, in a video recorded Princess quarantined off Japan query please contact First Those on the ship have bookings. spective of SC ruling. accused the Centre of failing to from the ship, appealed to the due to Coronavirus (nCoV),” it Secretary (Consular) been asked to wear masks and The company will addi- The Janata Dal (U) reject- defend the reservation system, Indian Government and the tweeted, without giving a spe- @IndianEmbTokyo at allowed limited access to the tionally cover all costs incurred ed Opposition’s charge of BJP Social Justice Minister UN to segregate the Indians on cific number of Indians on the [email protected] open decks as they are advised by those quarantined aboard being anti-reservation saying it Thawarchand Gehlot told the board on urgent basis. ship. @CPVIndia @MEAIndia to remain in the cabins most of the ship since last Tuesday, was the Modi Government Lok Sabha that the Modi “None of them have been “In this context, for any @PMOIndia,” it said. the times to contain the spread when passengers were origi- which brought an ordinance to Government was not a party to nally scheduled to disembark at neutralise the SC ruling on the case, which is about a 2012 ! Yokohama. SC/ST Atrocities Act. The decision of the previous "!# & ' (O* +,' -. %&% % ! Her condition was “stable”, Kasaragod districts. ""$% /', they said. “A total of 3,252 are still ' /0/ uch to the relief of the In Kerala as of now, 34 peo- under observation across the 1123456 ( Mhealth authorities here, ple are in isolation wards across State, of which 3,218 are under '( ,7 the first patient in the country various hospitals in the State. home quarantine,” said a , to be affected by the deadly “The blood test result of release issued by the Health '. coronavirus is recovering well the first patient from Thrissur, Department which has sent at and her samples that were sent from the National Institute of least 345 samples for testing at P to the Kerala unit of National Virology (NIV) testing centre the NIV Pune and so far 326 Institute of Virology (NIV) at Alappuzha, shows a negative results have returned negative. ""$% !8'9 have tested negative. result. With various fake news - Health officials are await- But we need confirmation on coronavirus doing the 17'O - ing test reports from NIV, from the NIV at Pune,” said a rounds, Union Environment /',' Pune. At present, the medical senior medical officer from Minister Prakash Javadekar on ( ( ' student, who recently returned the Kerala Government. Monday said “fear psychosis” is '7 /1"/1#. from Wuhan in China, is being After the first positive case being created over the / , / 72 treated at the Thrissur Medical was reported from Thrissur, pathogen and dismissed the ,, (/17' College in an isolation ward two other Keralite students suggestion that migratory birds 2 after testing positive for the from Wuhan had tested posi- could be the reason behind its '( (7* coronavirus on January 30.
Recommended publications
  • New and Bestselling Titles Sociology 2016-2017

    New and Bestselling Titles Sociology 2016-2017

    New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint.
  • Raja Ravi Varma 145

    Raja Ravi Varma 145

    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
  • Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

    Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

    Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil.
  • JHARKHAND BIJLI VITRAN NIGAM LTD. (JBVNL) Area Board –JBVNL

    JHARKHAND BIJLI VITRAN NIGAM LTD. (JBVNL) Area Board –JBVNL

    JHARKHAND BIJLI VITRAN NIGAM LTD. (JBVNL) (CIN: U40108JH2013SGC001702) Engineering Building, HEC, Dhurwa, Ranchi–4 Email: [email protected] Phone: +91 651 2400760 Fax: 0651-2446055 Area Board –JBVNL Contact Details Office Area Board Type Designation Name Ph. No. Mail Id * General Manager DHANBAD 9431135800 [email protected] General Manager DUMKA 9431135850 [email protected] General Manager GIRIDIH 7541836195 [email protected] Area Board General Manager HAZARIBAGH 9431135700 [email protected] General Manager JAMSHEDPUR 9431135900 [email protected] General Manager MEDININAGAR 9431707400 [email protected] General Manager RANCHI 9431135508 [email protected] Circle Office -(DGM)-JBVNL Contact Details Office Type Designation Circle Name Ph. No. Mail Id Circle Dy. General Manger CHAIBASA 9431135910 [email protected] Circle Dy. General Manger CHAS 9431135806 [email protected] Circle Dy. General Manger DALTONGANJ 9431707401 [email protected] Circle Dy. General Manger DEOGHAR 9431135852 [email protected] Circle Dy. General Manger DHANBAD 9431135805 [email protected] Circle Dy. General Manger DUMKA 9431135854 [email protected] Circle Dy. General Manger GHARWA 9431707402 [email protected] Circle Dy. General Manger GIRIDIH 9431135703 [email protected] Circle Dy. General Manger GUMLA 9431106321 [email protected] Circle Dy. General Manger HAZARIBAGH 9431135702 [email protected] Circle Dy. General Manger JAMSHEDPUR 9431135909 [email protected] Circle Dy. General Manger KODERMA 9431135711 [email protected] Circle Dy. General Manger RAMGARH 9431135701 [email protected] Dy.
  • 20Years of Sahmat.Pdf

    20Years of Sahmat.Pdf

    SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
  • Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal

    Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal

    [ebook Series 1] Pratibha Spandan Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal Emerging Trends in Art and Literature Emerging Trends in Art and Literature 2020 ISBN 978-81-945576-0-9 (ebook) Editors Him Chatterjee Mritunjay Sharma Pankaj Gupta Virender Kaushal Price: FREE OPEN ACCESS Published by Pratibha Spandan Long View, Jutogh, Shimla 171008 Himachal Pradesh, India. email : [email protected] website : www.pratibha-spandan.org © All rights reserved with Pratibha Spandan and authors of particular articles. This book is published open access. No part of this book may be reproduced or transmitted in any form or by any means electronic or mechanical or other, including photocopy, recording or by any information storage and retrieval system, as long as you give appropriate credit to the original author(s), Editor(s) and the Publisher. The contributors/authors are responsible for copyright clearance for any part of the contents of their article. The opinion or views expressed in the articles are personal opinions of the contributors/authors and are in no sense official. Neither the Pratibha Spandan nor the Editor(s) are responsible for them. All disputes are subject to the jurisdiction of District courts of Shimla, Himachal Pradesh only. 2 Emerging Trends in Art and Literature Dedicated to all knowledge seekers 3 Emerging Trends in Art and Literature PREFACE Present ear is an epoch of multidisciplinary research where the people are not only working across the disciple but have been contributing to the field of academics and research. Art and Literature has been the subject of dialogue from the times of yore.
  • A Fragile Inheritance

    A Fragile Inheritance

    Saloni Mathur A FrAgile inheritAnce RadicAl StAkeS in contemporAry indiAn Art Radical Stakes in Contemporary Indian Art ·· · 2019 © 2019 All rights reserved Printed in the United States o America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library o Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identi£ers: ¤¤ 2019006362 (print) | ¤¤ 2019009378 (ebook) « 9781478003380 (ebook) « 9781478001867 (hardcover : alk. paper) « 9781478003014 (pbk. : alk. paper) Subjects: ¤: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classi£cation: ¤¤ 7304 (ebook) | ¤¤ 7304 .384 2019 (print) | ¤ 709.54/0904—dc23 ¤ record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier o Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy o the artist. Duke University Press gratefully acknowledges the ¤ Academic Senate, the ¤ Center for the Study o Women, and the ¤ Dean o Humanities for providing funds toward the publication o this book. ¶is title is freely available in an open access edition thanks to the initiative and the generous support o Arcadia, a charitable fund o Lisbet Rausing and Peter Baldwin, and o the ¤ Library. vii 1 Introduction: Radical Stakes 40 1 Earthly Ecologies 72 2 The Edice Complex 96 3 The World, the Art, and the Critic 129 4 Urban Economies 160 Epilogue: Late Styles 185 211 225 I still recall my £rst encounter with the works o art and critical writing by Vivan Sundaram and Geeta Kapur that situate the central concerns o this study.
  • Social Science TABLE of CONTENTS

    Social Science TABLE of CONTENTS

    2015 Social Science TABLE OF CONTENTS Academic Tools 79 Labour Economics 71 Agrarian Studies & Agriculture 60 Law & Justice 53 Communication & Media Studies 74-78 Literature 13-14 Counselling & Psychotherapy 84 7LHJL *VUÅPJ[:[\KPLZ 44-48 Criminology 49 Philosophy 24 Cultural Studies 9-13 Policy Studies 43 Dalit Sociology 8 Politics & International Relations 31-42 Development Communication 78 Psychology 80-84 Development Studies 69-70 Research Methods 94-95 Economic & Development Studies 61-69 SAGE Classics 22-23 Education 89-92 SAGE Impact 72-74 Environment Studies 58-59 SAGE Law 51-53 Family Studies 88 SAGE Studies in India’s North East 54-55 Film & Theatre Studies 15-18 Social Work 92-93 Gender Studies 19-21 Sociology & Social Theory 1-7 Governance 50 Special Education 88 Health & Nursing 85-87 Sport Studies 71 History 25-30 Urban Studies 56-57 Information Security Management 71 Water Management 59 Journalism 79 Index 96-100 SOCIOLOGY & SOCIAL THEORY HINDUISM IN INDIA A MOVING FAITH Modern and Contemporary Movements Mega Churches Go South Edited by Will Sweetman and Aditya Malik Edited by Jonathan D James Edith Cowan University, Perth Hinduism in India is a major contribution towards ongoing debates on the nature and history of the religion In A Moving Faith by Dr Jonathan James, we see for in India. Taking into account the global impact and the first time in a single coherent volume, not only that influence of Hindu movements, gathering momentum global Christianity in the mega church is on the rise, even outside of India, the emphasis is on Hinduism but in a concrete way, we are able to observe in detail as it arose and developed in sub-continent itself – an what this looks like across a wide variety of locations, approach which facilitates greater attention to detail cultures, and habitus.
  • List of Urban Areas Under Phase III of Cable TV

    List of Urban Areas Under Phase III of Cable TV

    Ministry of Information & Broadcasting Ftlez a | 912014- PM U ( DAs) Date: 30th April 2015 Public Notice List of Urban areas under Phase lll of Cable TV digitisation (as per Census 2011 data) is provided for information of all stakeholders. It may be noted that comments of the State Governments have been sought on the list which could be incorporated, if necessary. olvlrr (SHANKER LAL) Deputy Secretary (DAS) Phone: 01 1 -2338 7323, 23gB 1 4T g Cable TV Digitisation List of Urban areas under Phase III of digitisation (as per Census 2011 data) Summary States/ UTs No. of Districts No. of Urban Areas TV Households Andhra Pradesh 13 180 2,353,909 Arunachal Pradesh 16 27 50,849 Assam 27 214 672,631 Bihar 38 198 791,193 Chhatisgarh 18 182 834,713 Goa 2 70 168,827 Gujarat 26 344 1,889,502 Haryana 21 153 1,204,199 Himachal Pradesh 12 59 139,859 Jammu & Kashmir 22 122 287,932 Jharkhand 24 227 858,321 Karnataka 30 330 2,198,176 Kerala 14 520 2,977,827 Madhya Pradesh 50 474 1,956,311 Maharashtra 35 524 3,502,453 Manipur 9 55 117,233 Meghalaya 7 22 84,351 Mizoram 8 23 85,602 Nagaland 11 26 78,167 Orissa 30 221 1,004,124 Punjab 20 214 1,326,671 Rajasthan 33 295 1,674,646 Sikkim 4 9 28,608 Tamil Nadu 32 1,095 6,608,292 Telangana 10 168 1,784,381 Tripura 4 42 172,305 Uttar Pradesh 71 906 3,194,426 Uttara Khand 13 116 488,860 West Bengal 19 858 2,001,845 Delhi Covered in Phase I Andaman & Nicobar 3 5 29,626 Chandigarh Covered in Phase I Dadar and Nagar Haveli 1 6 24,483 Daman & Diu 2 8 28,079 Lakshadweep 1 6 5,493 Pondicherry 4 10 175,180 Total 630 7,709 38,799,074 List of Urban areas in Phase III of Cable TV Digitisation Page 1 Details A) States 1) Andhra Pradesh S.No.
  • Directory Establishment

    Directory Establishment

    DIRECTORY ESTABLISHMENT SECTOR :RURAL STATE : JHARKHAND DISTRICT : Bokaro Year of start of Employment Sl No Name of Establishment Address / Telephone / Fax / E-mail Operation Class (1) (2) (3) (4) (5) NIC 2004 : 1010-Mining and agglomeration of hard coal 1 PROJECT OFFICE POST OFFICE DISTRICT BOKARO, JHARKHAND , PIN CODE: 829144, STD CODE: NA , TEL NO: NA , FAX 1975 51 - 100 MAKOLI NO: NA, E-MAIL : N.A. 2 CENTRAL COAL FIELD LIMITED AMLO BERMO BOKARO , PIN CODE: 829104, STD CODE: NA , TEL NO: NA , FAX NO: NA, 1972 101 - 500 E-MAIL : N.A. 3 PROJECT OFFICER KHASMAHAL PROJECT VILL. KURPANIA POST SUNDAY BAZAR DISTRICT BOKARO PIN 1972 101 - 500 CODE: 829127, STD CODE: NA , TEL NO: NA , FAX NO: NA, E-MAIL : N.A. 4 SRI I. D. PANDEY A T KARGAL POST . BERMO DISTRICT BOKARO STATE JHARKHAND , PIN CODE: NA , STD CODE: 06549, TEL NO: 1960 > 500 221580, FAX NO: NA, E-MAIL : N.A. 5 SRI S K. BALTHARE AT TARMI DAH DISTRICT BOKARO STATE - JHARKHAND , PIN CODE: NA , STD CODE: NA , TEL NO: NA 1973 > 500 P.O.BHANDARI , FAX NO: NA, E-MAIL : N.A. 6 PROJECT OFFICER CCL MAKOLI POST CE MAKOLI DISTRICT BOKARO STATE JAHARKHAND PIN CODE: 829144, STD CODE: NA , TEL 1975 > 500 OFFFI NO: NA , FAX NO: NA, E-MAIL : N.A. NIC 2004 : 1410-Quarrying of stone, sand and clay 7 SANJAY SINGH VILL KHUTR PO ANTR PS JARIDIH DIST BOKARO JHARKHANDI PIN CODE: 829138, STD CODE: 1989 10 - 50 NA , TEL NO: NA , FAX NO: NA, E-MAIL : N.A.
  • The List of Legal Services Clinic at Police Station/ Front Office/ Jails/ Observation Homes/ JJB/ Child Welfare Centres/ Other Legal Services Clinics

    The List of Legal Services Clinic at Police Station/ Front Office/ Jails/ Observation Homes/ JJB/ Child Welfare Centres/ Other Legal Services Clinics

    The list of Legal Services Clinic at Police Station/ Front office/ Jails/ Observation Homes/ JJB/ Child Welfare Centres/ Other Legal Services Clinics S. No. Name of the SLSA/ Name of the women PLV Presently working in Legal Services Contact Number DLSA/ TLSC Clinic at Police Station/ Front office/ Jails/ Observation Homes/ JJB/ Child Welfare Centres/ Other Legal Services Clinics. 1. Andhra Pradesh DLSA, Smt.N.Saraswathi Legal Services Clinic at Govt. General 9985484118 Ananthapuramu Hospital, Ananthapuramu Kum.G.Rajeswari Legal Services Clinic at Sathya Sai Old 9441465550 Age home, Ananthapuramu Kum. Vadde Gowari Legal Services Clinic at Ammaodi Old 8520843384 age home, Ananthapuramu Kum.K.Lakshmi Legal Services Clinic at Vasavi Old age 9059666247 home Kum. S.Sailavathi Legal Services Clinic at Marthadu 9985859635 village, Garladinne Mandal MLSC, Dhamavaram Kum. Kotla Salamma Legal Services Clinic at Ramgiri MRO 7702732433 office, Ramgiri PS MLSC,Gooty Smt.B.Aruna Front office 8096159278 MLSC, Hindupur Smt. M.Naga Jyothi Legal Services Clinic at Police Station 9849721460 Kum.B.Sanneramma Village Legal Services Clinic at MRO 7330915325 office, Parigi Kum.S.Beebijan Village Legal Services Clinic at MRO 7799636235 office, Hindupur Kum.B.Susella Village Legal Services Clinic at MRO 7036013195 office, Lepakshi Kum.S.Kalavathi Village Legal Services Clinic at MRO 9440617153 office, Govt. Hospital, Hindupur Kum.M.Obulamma Sub-Jail, Hindupur 8897419845 Smt.K.Padmavathi Village Legal Services Clinic at MRO 9948925666 office, Chilamathur MLSC, Kadiri
  • Representations of Street-Life in the Art and Literature of Bhupen Khakhar

    Representations of Street-Life in the Art and Literature of Bhupen Khakhar

    Contemporary Literary Review India CLRI Brings articulate writings for articulate readers. eISSN 2394-6075 | Vol 4, No 4, CLRI November 2017 | p. 28-50 Representations of Street-Life in the Art and Literature of Bhupen Khakhar Antara Bhatia Assistant Professor, Ambedkar University, Delhi. Abstract This paper seeks to examine the works of the artist Bhupen Khakhar (1934-2003), a leading figure in Indian Contemporary Art. I will look at six paintings, one play and one short story to provide an overview of the way in which Khakhar deploys street-life, the ordinary and the mundane to attempt a demystification of the artistic process. Khakhar picks up snippets of everyday life, mainly from erstwhile Bombay where he grew up, and renders them as worthy subjects of art. He redefines the meaning of ‘pop art’ and brings the so-called ‘insignificant’ into artistic focus. In other words, art is removed from its intellectualised, elitist domain into one that is accessible and relatable. Through this process, he questions rigid definitions of art as well as literature and introduces multiple perspectives into the accepted, established canon. According to him, art needs to move away from the abstract and aim to represent the common milieu or the Contemporary Literary Review India | eISSN 2394-6075 | Vol 4, No 4, CLRI November 2017 | Page 28 Representations of Street-Life in the Art and Literature of Bhupen Khakhar Antara Bhatia actual inhabited locale. Similarly, in his short story Maganbhai’s Glue and his play Maujila Manilal, he deliberately places into focus the ‘common man’ as hero/protagonist and thereby carries on the demystification process that began with his paintings.