Bell Names in the History of the Russian Language (Linguistic and Cultural Aspect)
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Mending Bells and Closing Belfries with Faust
Proceedings of the 1st International Faust Conference (IFC-18), Mainz, Germany, July 17–18, 2018 MENDING BELLS AND CLOSING BELFRIES WITH FAUST John Granzow Tiffany Ng School of Music Theatre and Dance School of Music Theatre and Dance University of Michigan, USA University of Michigan, USA [email protected] [email protected] Chris Chafe Romain Michon Center for Computer Research in Music and Acoustics Center for Computer Research in Music and Acoustics Stanford University, USA Stanford University, USA [email protected] [email protected] ABSTRACT to just above the bead line. Figure 2 shows the profile we used with the relative thickness variations between the inner and outer Finite Element Analyses (FEA) was used to predict the reso- surface. nant modes of the Tsar Kolokol, a 200 ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a con- cert for Tsar bell and Carillon with the generous support of Meyer Sound and a University of Michigan bicentennial grant. In the concert, the simulated Tsar bell was triggered by the keyboard and perceptually fused with the bourdon of the Baird Carillon on the University of Michigan campus in Ann Arbor. 1. INTRODUCTION In 1735 Empress Anna Ivanovna commissioned the giant Tsar Kolokol bell. The bell was cast in an excavated pit then raised into scaffolding for the cooling and engraving process. When the supporting wooden structure caught fire, the bell was doused with water causing the metal to crack. -
A Proposed Campanile for Kansas State College
A PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built. -
The World Famous Bells (Myanmar and Russia) Swe Swe Aung1
Dagon University Commemoration of 25th Anniversary Silver Jubilee Research Journal Volume 9,No.1 151 The World Famous Bells (Myanmar and Russia) Swe Swe Aung1 Abstract The World‟s largest bell is the Tsar Bell III (Tsar-Kolokol) in Moscow. It is called Tsar Kolokol „III‟ because it was cast three times, and more metal was added cash time. It is a tower bell and made of bronze. The bell is the largest bell in the world, weighing 201,924 kilograms with a heigh of 6.14 meters and diameter of 6.6 meters and thickness of up to 61 centimeters. It is a master piece of 18th century Russian casting technology. The Mingun Bell is a bell located in Mingun, Sagaing Region, Myanmar. Mingun is well known for its huge 90 ton Mingun Bell, the world‟s largest uncracked and ringing Bell. Introduction The history of Russian bell goes back to the 10th century, but in the medieval Russian Orthodox Church, bells, were not typically rung to indicate Church service, but to announce important ceremonies, celebrations and as an alarm in case of fire or enemy attack. One of the largest of the early bells was the original Tsar bell, casted in the 16th century. However, Tsar Bellwas created second time in AD 170, and Tsar Bell was again destroyed by a fire. In AD 1735,Tsar Bellwas castedthird time. Tsarina Anna I ordered that the pieces be casted into a new bell with its weight increased by another hundred tons. So the Tsar Bell III (Russia) is the largest bell in the world, weighing 201,924 Kilograms. -
St Luke's Farnworth BELL CASTING
St Luke’s Farnworth BELL CASTING by Geoffrey Poole In the earliest days they were cast in different sizes to produce different notes but no attempt was made to tune bells until the 16th Century with the advent of change ringing. In those times bells were roughly tuned – where the inside of the bell or the edge of the lip was chipped away with a hammer and chisel – eight bells could be tuned to an octave of eight notes. Some deprived communities used a hagiosideron, a shaped piece of metal which was struck in a similar way to a bell. Also again due to lack of money bellcotes were used instead of costly towers. A bell-cot, bell-cote or bellcote is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist. Bellcote is a compound noun of the words bell and cot or cote. Bell is self-explanatory. The word cot or cote is Old English, from the Germanic. It means a shelter of some kind, especially for birds or animals (see dovecote), a shed, or stall. Examples of bellcotes In order St Luke’s Farnworth Bell-cot at St Edmund's Church, Church Road, Wootton, Isle of Wight, England Church of England parish church of St Alban the Martyr, CharlesStreet, Oxford. -
The Sound Imitation of Some National Instruments in Piano Music 7
The sound imitation of some national instruments in piano music 7 The sound imitation of some national instruments in piano music La imitación sonora de algunos instrumentos nacionales en música de piano. aBSTRACT The article reveals the textural, timbre-dynamic, harmonic, performing and other musical means of imitating the sound of national instruments in piano music. Based on the analysis of literature and works by M. Mussorgsky, S. Rachmaninov, F. Liszt, Wang Jiangzhong, Zhu Wanhua, A. Rudenko, R. Kasimov and other composers, summarizing the performing and pedagogical experience of studying piano works shows the means of implementing various instruments to groups of idiophones, membranophones, chordophones and aerophones according to the instrumental classification of Hornbostel-Sachs. The article shows that onomatopoeia is based not only on the sound image of the primary source instrument, but also on recreating the playing techniques of playing it. At the same time, the traditions of academic art, the achievements of European pianism and the sound capabilities of the piano are actualized. Imitation of the sound of the bell, one of the idiophones, occupies an important place in foreign and domestic music. In the works of Russian composers, various types of Orthodox bells ring out, such as Blagovest, Perebor, Perezvon, and Trezvon. In the works of Chinese composers, the sounds of ancient bianzhong ceremonial bells are displayed. The imitation of a bell is based on the reproduction of its timbre-acoustic characteristics, rich in overtones of a booming sound, long and smoothly dying out, accompanied by other harmonies or figurations, pedalization of the piano. The imitation of string-stringed chordophones is notable for its expressiveness, melodic expressiveness, improvisation, and rich ornamentation. -
Bellfounders.Pdf
| ============================================================== | ============================================================== | | | | | | TERMS OF USE | | | | | CARILLONS OF THE WORLD | The PDF files which constitute the online edition of this | | --------- -- --- ----- | publication are subject to the following terms of use: | | | (1) Only the copy of each file which is resident on the | | | GCNA Website is sharable. That copy is subject to revision | | Privately published on behalf of the | at any time without prior notice to anyone. | | World Carillon Federation and its member societies | (2) A visitor to the GCNA Website may download any of the | | | available PDF files to that individual's personal computer | | by | via a Web browser solely for viewing and optionally for | | | printing at most one copy of each page. | | Carl Scott Zimmerman | (3) A file copy so downloaded may not be further repro- | | Chairman of the former | duced or distributed in any manner, except as incidental to | | Special Committee on Tower and Carillon Statistics, | the course of regularly scheduled backups of the disk on | | The Guild of Carillonneurs in North America | which it temporarily resides. In particular, it may not be | | | subject to file sharing over a network. | | ------------------------------------------------------- | (4) A print copy so made may not be further reproduced. | | | | | Online Edition (a set of Portable Document Format files) | | | | CONTENTS | | Copyright November 2007 by Carl Scott Zimmerman | | | | The main purpose of this publication is to identify and | | All rights reserved. No part of this publication may | describe all of the traditional carillons in the world. But | | be reproduced, stored in a retrieval system, or trans- | it also covers electrified carillons, chimes, rings, zvons | | mitted, in any form other than its original, or by any | and other instruments or collections of 8 or more tower bells | | means (electronic, photographic, xerographic, recording | (even if not in a tower), and other significant tower bells. -
The Laguardia Bell Tower Carillon
The LaGuardia Bell Tower Carillon By Frank Angel Although the LaGuardia Tower has housed a carillon from the very first days it opened its doors, details about the original carillon are sketchy at best. About the only thing we know is that is was a manual operation with the bells struck by hand. A carillonneur had to go up to the tower and manually strike the bells. There is no record of who manufactured it or any details of the original design or how many bells were used. Only a cork-covered "sounding" room which housed the system and a few rusted tubular bells are all that remain of that first instrument which indicate that it may only have been able to play the simple Westminster, four note melody. How it was played, how often or by whom, remains a mystery. The first automated carillon capable of playing a double octave of notes and full melodies on campus was installed circa 1959 in the LaGuardia Tower by the Schulmerich Carillon Company of Pennsylvania. It consisted of eight tuned sounding rods which struck the familiar Westminster melody sequence on the quarter hours as well as striking the hour. The entire clockworks were driven by electro-mechanical components -- a mass of metal rods, pins, relays and motors. Except for the occasional mechanical failure, it was used on a daily basis for nearly twenty years. In 1986, the 17-year- old Schulmerich instrument broke down beyond repair. The carillon and the LaGuardia Tower with its blue-lighted belfry and amber turret lights had long become a cherished fixture of campus life, while the LaGuardia Tower and gold Dome had become the very symbol of Brooklyn College. -
History of Metal Casting Fathi Habashi
Laval University From the SelectedWorks of Fathi Habashi August, 2007 History of Metal Casting Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/438/ History of Metal Casting Fathi Habashi Department of Mining, Metallurgical, and Materials Engineering Laval University, Quebec City, Canada [email protected] metallurgy History of Metal Casting—Part 1 by Fathi Habashi, Department of Mining, Metallurgical, and Materials Engineering, Laval University believe that my work would surely be almost a seed without fruit and that I would fail in that cause which disposed me to satisfy your request I to write and form this work if, while labouring on it, 1 did not tell you of the art of casting, since it is a necessary means to very many ends. It is especially necessary since this art and work is not well known, so that no one can practice it who is not, so to speak, born to it, or who does not have much talent and good judgment. For this reason and also because it is closely related to sculpture, whose arms are the support of its life, it is very highly esteemed… it is a profitable and skilful art and in large part delightful. [BIRINGUCCIO, IN PIROTECHNIA, 1540] Introduction The history of metal casting is the history of metal- lurgy. Metals produced in a furnace are melted and cast to form useful objects, whether a piece of jewelry, an agri- cultural tool, or a weapon. Objects made of gold, silver, copper, bronze, brass, tin, lead, and iron conserved in museums are a testimony to the cleverness of the ancient metal workers. -
Ross French Climbs the Bell Tower of The
Official Publication of the Sand Lake Historical Society Volume 29, Number 2 Winter 2003 Upcoming Meetings December 10 will be our Christmas Party at 6:30 p.m. at Sand Lake Baptist Church. Bring your favorite dish to share. Also bring a Christmas artifact and/or memory for a Christmas Show & Tell. January 14, 2003, at 7:30 p.m., Eugene Burns, a neighbor of the Andrew Meneely family in Watervliet (West Troy) , will give a slide program on Meneely Bells. When the foundry closed in 1952, he was able to get postcards returned from the western territories before they became states and has quite a collection of them. February 11 will be Historical Video Night. We’re dusting off our collection and reviewing them to bring you our best selections. On March 11, Caryn Neidringhaus, a professional fiddler, and her students will do a program on the history of Hudson River fiddling, from its origin in Scotland. This should be a good, toe-tapping time. Sand Lake Heritage Day Linda Ormsby, Ginny McGreevy, Bea Danks and Marion Hacker are working on a Sand Lake Heritage Day in the spring. Many families have old pictures, documents or letters that would add to the store of local history. Often these are treasured keepsakes. This is a way for you to share those items. You can bring them in, have them copied and take them home with you. At the same time you can view our exhibits and learn about our town's history. We’ll keep you posted! Where is this man going? Ross French climbs the bell tower of the Zion United Church of Christ, Taborton, to view their bell.See that bell and many others in the town, in our feature article inside! Also in- side: An update from President Mary French and a look at an important anniversary at St. -
Music and Bell Ringing Catalog
Catalog of Music and Bell Ringing for the Chime Master VERSION 3.0 www.ChimeMaster.com Selections Catalog This catalog is provided as a supplement to the Chime Master System Millennium manual. It contains lists of frequently used bell ringing functions as well as specific music selection numbers. Should you need additional instruction, please refer to the Overview and Scheduling Automatic Performances sections of the operating manual. Typically you will only need to enter selection numbers when editing your program schedule, programming function buttons or using the Play Selections menu for special occasions. We highly recommend using random music groups for your weekly program schedule. This both saves you time and the community will always have a great variety of music to enjoy. Entering Selections New selections may be entered over the existing program selections. Entering all zeros for a selection will delete it. In the Setup Function Button menu, and the Play Selections menu, if only one selection is entered, 001 Time(s) will be displayed allowing you to repeat the selection up to 199 times. These repeats are usually used to program the number of strikes of a toll. On Screen Title Lookup Whenever a four digit number is flashing on the editing display, and you don’t remember the number for your favorite selection, press the [NO] cursor down button (as in “No, I don’t know what number I want"). This will bring up the Title Lookup Screen which is subdivided into four groups: User Recordings Titles of recordings that have been recorded by you. Any untitled selections will be displayed as untitled nnnn with its catalog number. -
Saint-Petersburg – Moscow 8 Days / 7 Nights
GOINGRUSSIA GROUPS 2018 SAINT-PETERSBURG – MOSCOW 8 DAYS / 7 NIGHTS www.goingrussia.com | [email protected] | Tel: +7 812 333 09 54 © 1996-2018 GoingRussia. All rights reserved. No part of this document may be reproduced without our prior written permission. ITINERARY SAINT-PETERSBURG – MOSCOW 8D/7N DAY 1 / SAINT-PETERSBURG (ARRIVAL) - Return to Saint-Petersburg - Visit to the Moscow metro - Arrival to Saint-Petersburg - Visit to St. Nicolas Naval Church In option: In option (depending on the arrival time): - Return to the hotel Russian and Cossack folk show Guided walking tour along Nevsky Prospect In option: DAY 6 / MOSCOW Visit of Our Lady of Kazan Cathedral Russian dinner with folk animation at the - Breakfast at the hotel - Transfer to the hotel typical wooden restaurant “Isba Podvorie”, - Visit to the Kremlin and its cathedrals with unlimited vodka and wine DAY 2 / SAINT-PETERSBURG - Free time for lunch - Breakfast at the hotel DAY 4 / SAINT-PETERSBURG - MOSCOW - Visit to the Tretyakov Gallery - Panoramic City Tour - Breakfast at the hotel - Walking tour on Zamoskvorechye area - Visit to the Kuznechny food market - Free morning - Visit to the Cathedral of Christ the Saviour - Exterior visit to the house of Peter the Great In option: In option: - Exterior view of the cruiser Aurora - Excursion to Peterhof and visit of the Grand Performance at the Moscow Circus - Visit to the Peter and Paul Fortress and its Palace, its park, cascades and fountains DAY 7 / MOSCOW - SERGIYEV POSAD - IZMAILOVO cathedral, pantheon of Romanov Tsars - Return to St. Petersburg by hydrofoil - Breakfast at the hotel - Free time for lunch - Transfer to railway station - Excursion to Sergiyev Posad and visit to its - Visit to the Hermitage Museum - Departure to Moscow on high-speed train monastery - Visit of St. -
Church Bells
Church bells By Trevor Barnes Religion Media Centre Collaboration House, 77-79 Charlotte Street, London W1T 4LP | [email protected] Charity registration number: 1169562 The “Big Ben Brexit bongs” proposed for 31 January, 2020, to signal Britain's withdrawal from the European Union, erupted in controversy. The debate became more animated still when it was suggested that bells be rung in parallel in churches throughout the land to mark what has been a highly divisive moment in history. The Central Council of Church Bell Ringers, approached for comment, remained aloof from the debate, maintaining that while there were historical precedents for such a proposal (the centenary of the Great War armistice, say, or other great occasions of church and state) it could not endorse bell-ringing for political reasons. Individual churches, it added, had discretion to ring bells on such occasions but these would be on a “case by case” basis. A neutral by-product of the debates, however, was to focus attention on the enormous symbolic significance of church bells in the nation’s collective consciousness and on the often unspoken affection in which they are held by churchgoers and non-churchgoers alike. HISTORY Bells are among the oldest musical instruments in the world and were probably first cast in China more than 5,000 years ago. The Hebrew Bible or Old Testament records that they were used by the ancient Israelites in the construction of the Ark of the Covenant and records show that they were incorporated into the worship of Osiris by the ancient Egyptians. They are widely used to this day in Buddhist, Hindu and Shinto devotions.