Yesteryears:Frb 22, 2000 Vol 9 No 37
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Method 'Splicing'
THE CENTRAL COUNCIL OF CHURCH BELL RINGERS Methods Committee Method ‘Splicing’ PRACTICAL HINTS by John P. Fidler A Central Council publication CENTRAL COUNCIL OF CHURCH BELL RINGERS ––––––––––––––––– Methods Committee Method ‘Splicing’ PRACTICAL HINTS by John P. Fidler WITH INTRODUCTION ‘The Theory and Practice of Splicing’ by Joseph W. Parker ––––––––––––––––– SECOND EDITION ––––––––––––––––– 1995 ISBN No. 0-900271-35-3 EDITORIAL NOTES This book was first published in 1925 and comprised a series of articles entitled Hints on splicing and ringing Minor Methods by John P. Fidler, which were reprinted from The Ringing World, together with an introduction by Joseph W. Parker. In preparing the text for this edition some changes to the original text have been considered desirable. The earlier work relied on the availability of the Central Council Collection of Legitimate Methods, 1907 and referred by number to methods which appeared in that publication. These references have been replaced by the actual names of the methods and all the method names have been brought up- to-date. Furthermore, whole leads of the thirty-five methods rung at Norbury have been included. In this edition we have followed the modern conventions that the first blow of the treble’s full lead is called the lead end, the last blow of the treble’s full lead is called the lead head and that the name of the method is shown next to the lead head. In the first edition inconsistent and possibly confusing notations were used. Third’s place Delight and Fourth’s place Delight are no longer considered to be separate classes and so this distinction has been removed. -
Mending Bells and Closing Belfries with Faust
Proceedings of the 1st International Faust Conference (IFC-18), Mainz, Germany, July 17–18, 2018 MENDING BELLS AND CLOSING BELFRIES WITH FAUST John Granzow Tiffany Ng School of Music Theatre and Dance School of Music Theatre and Dance University of Michigan, USA University of Michigan, USA [email protected] [email protected] Chris Chafe Romain Michon Center for Computer Research in Music and Acoustics Center for Computer Research in Music and Acoustics Stanford University, USA Stanford University, USA [email protected] [email protected] ABSTRACT to just above the bead line. Figure 2 shows the profile we used with the relative thickness variations between the inner and outer Finite Element Analyses (FEA) was used to predict the reso- surface. nant modes of the Tsar Kolokol, a 200 ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a con- cert for Tsar bell and Carillon with the generous support of Meyer Sound and a University of Michigan bicentennial grant. In the concert, the simulated Tsar bell was triggered by the keyboard and perceptually fused with the bourdon of the Baird Carillon on the University of Michigan campus in Ann Arbor. 1. INTRODUCTION In 1735 Empress Anna Ivanovna commissioned the giant Tsar Kolokol bell. The bell was cast in an excavated pit then raised into scaffolding for the cooling and engraving process. When the supporting wooden structure caught fire, the bell was doused with water causing the metal to crack. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
A Proposed Campanile for Kansas State College
A PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built. -
The Laguardia Bell Tower Carillon
The LaGuardia Bell Tower Carillon By Frank Angel Although the LaGuardia Tower has housed a carillon from the very first days it opened its doors, details about the original carillon are sketchy at best. About the only thing we know is that is was a manual operation with the bells struck by hand. A carillonneur had to go up to the tower and manually strike the bells. There is no record of who manufactured it or any details of the original design or how many bells were used. Only a cork-covered "sounding" room which housed the system and a few rusted tubular bells are all that remain of that first instrument which indicate that it may only have been able to play the simple Westminster, four note melody. How it was played, how often or by whom, remains a mystery. The first automated carillon capable of playing a double octave of notes and full melodies on campus was installed circa 1959 in the LaGuardia Tower by the Schulmerich Carillon Company of Pennsylvania. It consisted of eight tuned sounding rods which struck the familiar Westminster melody sequence on the quarter hours as well as striking the hour. The entire clockworks were driven by electro-mechanical components -- a mass of metal rods, pins, relays and motors. Except for the occasional mechanical failure, it was used on a daily basis for nearly twenty years. In 1986, the 17-year- old Schulmerich instrument broke down beyond repair. The carillon and the LaGuardia Tower with its blue-lighted belfry and amber turret lights had long become a cherished fixture of campus life, while the LaGuardia Tower and gold Dome had become the very symbol of Brooklyn College. -
Ross French Climbs the Bell Tower of The
Official Publication of the Sand Lake Historical Society Volume 29, Number 2 Winter 2003 Upcoming Meetings December 10 will be our Christmas Party at 6:30 p.m. at Sand Lake Baptist Church. Bring your favorite dish to share. Also bring a Christmas artifact and/or memory for a Christmas Show & Tell. January 14, 2003, at 7:30 p.m., Eugene Burns, a neighbor of the Andrew Meneely family in Watervliet (West Troy) , will give a slide program on Meneely Bells. When the foundry closed in 1952, he was able to get postcards returned from the western territories before they became states and has quite a collection of them. February 11 will be Historical Video Night. We’re dusting off our collection and reviewing them to bring you our best selections. On March 11, Caryn Neidringhaus, a professional fiddler, and her students will do a program on the history of Hudson River fiddling, from its origin in Scotland. This should be a good, toe-tapping time. Sand Lake Heritage Day Linda Ormsby, Ginny McGreevy, Bea Danks and Marion Hacker are working on a Sand Lake Heritage Day in the spring. Many families have old pictures, documents or letters that would add to the store of local history. Often these are treasured keepsakes. This is a way for you to share those items. You can bring them in, have them copied and take them home with you. At the same time you can view our exhibits and learn about our town's history. We’ll keep you posted! Where is this man going? Ross French climbs the bell tower of the Zion United Church of Christ, Taborton, to view their bell.See that bell and many others in the town, in our feature article inside! Also in- side: An update from President Mary French and a look at an important anniversary at St. -
Peal Ringers
Bell Ringing by Instalments Written by Peter D Wenham Available from www.pdg.btck.co.uk Learning with Simulators. Why have Simulators? Traditionally, learning to ring has been a slow process. It is suggested that this has come about, at least in part, because of the limited time allocated to learners on typical practice nights. This, in turn, can be due to two factors, firstly the requirements of other members of the band, secondly practice time is limited due to noise considerations. Nothing can take the place of ringing on open bells but there is a limit to the tolerance of the public when we practice. The simulator offers a means of extending practice times by having training sessions that are inaudible to the outside world whilst maintaining a reasonable degree of realism within the ringing chamber. There is no thought here of replacing the traditional practice night (or other open ringing) but rather supplementing it to enable longer or more frequent practices to be held without causing annoyance. Using industrial training terms, simulator ringing can be ‘sandwiched’ with open ringing to bring learners to a basic level of competence sooner. A simulator can be used on training days for learners of any level of ability; it can also be used as a ‘practice before the practice’, enabling ‘silent’ training sessions for beginners before the practice proper commences. Ringers of a more advanced level can ‘ring’ a silenced bell with the computer in simulator mode, to practice methods without restrictions which might otherwise imposed by the capabilities of a local band or by the number of bells in one’s home tower. -
Church Bells
Church bells By Trevor Barnes Religion Media Centre Collaboration House, 77-79 Charlotte Street, London W1T 4LP | [email protected] Charity registration number: 1169562 The “Big Ben Brexit bongs” proposed for 31 January, 2020, to signal Britain's withdrawal from the European Union, erupted in controversy. The debate became more animated still when it was suggested that bells be rung in parallel in churches throughout the land to mark what has been a highly divisive moment in history. The Central Council of Church Bell Ringers, approached for comment, remained aloof from the debate, maintaining that while there were historical precedents for such a proposal (the centenary of the Great War armistice, say, or other great occasions of church and state) it could not endorse bell-ringing for political reasons. Individual churches, it added, had discretion to ring bells on such occasions but these would be on a “case by case” basis. A neutral by-product of the debates, however, was to focus attention on the enormous symbolic significance of church bells in the nation’s collective consciousness and on the often unspoken affection in which they are held by churchgoers and non-churchgoers alike. HISTORY Bells are among the oldest musical instruments in the world and were probably first cast in China more than 5,000 years ago. The Hebrew Bible or Old Testament records that they were used by the ancient Israelites in the construction of the Ark of the Covenant and records show that they were incorporated into the worship of Osiris by the ancient Egyptians. They are widely used to this day in Buddhist, Hindu and Shinto devotions. -
Contents of the Southwell and Nottingham Guild of Church Bellringers Library
Contents Of The Southwell And Nottingham Guild Of Church Bellringers Library BELLRINGING BOOKS / BELL MUSIC AND OTHER RINGING MEMORABILIA All of this collection is in the ownership of The Southwell and Nottingham Guild of Church Bell Ringers It is located at Saddlers Cottage, Farm Lane, East Markham, NG22 0QH Note: Errors may have been inserted but every effort has been made to be correct. Last Update 18th January 2021 1 CONTENTSU OF THIS LIST ITEMS IN PAPER FORMAT – BOOKS AND LEAFLETS CENTRAL COUNCIL PUBLICATIONS 3 A.R.T. - ASSOCIATION OF RINGING TEACHERS 9 JASPER SNOWDON CHANGE RINGING SERIES 10 SHERBOURNE TEACHING AIDS 11 GENERAL BOOKS ON BELLS 12 LEAFLETS AND/OR ARTICLES FROM BOOKS 19 CHURCH GUIDES, CHURCH BOOKS AND PARISH MAGAZINES 21 RELIGEOUS BOOKS AND NON BELLRINGING 23 NEWSPAPER ARTICLES 24 VARIOUS GUILD AND ASSOCIATION BOOKS 25 DEDICATION OF BELLS SERVICE SHEETS 33 RINGER’S FUNERAL SERVICE SHEETS 33 ITEMS OF NON-BOOK FORMAT GRAMAPHONE RECORDS 8 INCH RECORDS 33 10 INCH 78’s 34 12 INCH 78’s 35 7 INCH 45’s AND 33’s 36 7 INCH BBC SOUND EFFECTS CHURCH BELLS 38 7 INCH BBC SOUND EFFECTS CLOCK BELLS 40 10 INCH 33 1/3rpm RECORDS 42 12 INCH 33 1/3rpm CHURCH BELLS 43 HANDBELLS 44 CARILLON CHURCH BELLS 51 SCHULMERICH ELECTRONIC CARILLON BELLS 54 OTHER VARIOUS TYPES OF BELLS 56 NON RINGING RELIGON 58 COMPACT DISCS BELLS VARIOUS AND COPY OF RECORDS 59 DOCUMENTS – MS WORD AND OTHER FORMATS 69 BOOKS IN PDF FORMAT 70 VHS PAL VIDEO 75 DVD’S 75 CASSETTE TAPES 76 PROJECTOR SLIDES AND LANTERN SLIDES 76 COMPUTER PROGRAMS 77 BELLRINGING MEMORABILIA 78 LIST OF BRITISH TOWER BELLS ON RECORDINGS 81 LIST OF FOREGN BELLS ON RECORDINGS 82 LIST OF HANDBELL TEAMS ON RECORDINGS 84 LIST OF CHURCH BELL CARILLONS ON RECORDINGS 89 LIST OF ELECTRONIC CARILLON BELLS ON RECORDINGS 91 Note: The Whitechepel Foundary closed down in 2018 The Library can be used by all ringers and must be authorised by the Guild Librarian in the first instance. -
MARCH, 2008 St. Ann's Roman Catholic Church Nyack, New York Cover Feature on Pages 34–35
THE DIAPASON MARCH, 2008 St. Ann’s Roman Catholic Church Nyack, New York Cover feature on pages 34–35 Mar 08 Cover.indd 1 2/11/08 10:19:43 AM WWW.TOWERHILL-RECORDINGS.COM LATEST RELEASE NORTH AMERICAN Christopher Houlihan SOURCE FOR CDS BY Louis Vierne, Second Symphony for Organ ensemble amarcord also includes Vierne: Carillon de Westminster Widor: Allegro from Sixth Symphony in G minor, op. 42, no. 2 Andante sostenuto from Gothic Symphony in c minor, op. 70 And so it goes Rel#: RK ap 10102 Introducing Christopher Houlihan, a young American organist on his way to becoming an important talent who will make a significant contribution to the organ performance scene in this Rel#: TH-72018 The Book of Madrigals country. Rel#: RK ap 10106 ORGAN CDS FROM TOWERHILL French Symphonic Organ Works Stewart Wayne Foster Pierre de la Rue - Incessament at First (Scots) Presbyterian Church Rel#: RK ap 10105 Charleston, South Carolina Rel#: TH-71988 The French Romantics John Rose at Cathedral of St. Joseph Hartford, Connecticut Rel#: TH-900101 Nun Komm der Heiden Heiland Rel#: RK ap 10205 Festive and Fun Stephen Z. Cook at Williamsburg Presbyterian Church Williamsburg, Virginia Rel#: TH-72012 Star Wars John Rose In Adventu Domini at Cathedral of St. Joseph Rel#: RK ap 10101 Hartford, Connecticut Rel#: TH-1008 also available: This Son So Young Hear the Voice Rel#: apc 10201 John Rose, Organ Liesl Odenweller, Soprano Primavera Rebecca Flannery, Harp Bach, Grieg, Elgar, Poulenc et al. Rel#: TH-71986 Rel#: AMP 5114-2 WWW.TOWERHILL-RECORDINGS.COM For those who may not be aware of the some justifi able pride on the church’s source, this fl owery description is ex- website (www.fi shchurch.org), which THE DIAPASON cerpted from a much longer article that however makes no mention of what went A Scranton Gillette Publication Dr. -
Download Tiffany Ng's CV (PDF)
Tiffany Ng E.V. Moore Building, 1100 Baits Drive, Ann Arbor, MI 48109-2085 T: (415) 488-5004 F: (734) 763-5097 E: [email protected] W: soundcloud.com/carillonista Education University of California, Berkeley (Berkeley, CA) 2008-2015 Ph.D. and M.A. in Musicology with a Designated Emphasis in New Media The Heritage of the Future: Musical Historicism/Musical Technology and the Cold War Richard Taruskin (chair), James Q. Davies, Abigail De Kosnik, and Steven Feld Eastman School of Music (Rochester, NY) 2006-2008 M.M. in Organ Performance & Literature + Arts Leadership Program (ALP) Certificate Royal Carillon School “Jef Denyn” (Mechelen, Belgium) 2005-2006 Licentiate in carillon (magna cum laude; first perfect thesis score in school history) Yale University (New Haven, CT) 2001-2005 B.A. in Music and English (2005 Lloyd Mifflin Prize for outstanding work in English) Employment University of Michigan, Ann Arbor 2015-present Assistant Professor of Carillon University Carillonist Affiliate Faculty, LSA Digital Studies Program St. Olaf College (Northfield, MN) 2014-2015 Visiting Instructor of Music History - Consortium for Faculty Diversity Fellow University of California, Berkeley 2008-2015 Associate Carillonist: Teaching and championing new music. Press coverage: NPR, San Francisco Chronicle, , Straits Times (Singapore), newspapers and television in the Netherlands and England, berkeley.edu homepage feature. Carillon & Organ Recitalist 2005-present 150+ concerts in 15 countries across Europe, North America, and Asia since 2005. Highlights: Nordic concert tour (July 2019); University of Chicago Carillon New Music Festival (May 2018); Historical Keyboard Society of North America (May 2018); Canberra Day International Carillon Festival, Australia (March 2018); Tsar Kolokol Recast at U-M with Stanford and Meyer Sound (Oct. -
Saved by the Bells: a Look at Campanological Rights of U.S
SAVED BY THE BELLS: A LOOK AT CAMPANOLOGICAL RIGHTS OF U.S. CHURCHES Brett J. Haroldson* I. INTRODUCTION: AN OVERVIEW OF CHURCH BELLS IN CULTURE AND COURT It would be hard for someone living in medieval Europe to envision a future where a Christian bishop would be imprisoned simply for ringing the bells of his church. After all, bells were among the first musical instruments known to humankind.1 The melodious and often thunderous sounds they produce have influenced the very course of history itself.2 Bells have been used throughout history as symbols of status and social dominance, as weapons against evil, as effective and often elaborate communicatory devices, as musical instruments, and as tools of religious devotion.3 Yet in 2009, in Phoenix, Arizona, Bishop Rick Painter was imprisoned for ten days for ringing the bells of Christ the King Church in violation of a local noise ordinance.4 In Saint Mark Roman Catholic Parish v. City of Phoenix,5 Bishop Painter and two other local churches hauled the City of Phoenix into federal court to defend its noise ordinance.6 The result: an injunction against the city preventing it from enforcing its noise ordinance against “sound generated in the course of religious expression.”7 Although at first blush this seems like a coup for religious freedom of expression advocates, the ruling was largely due to deficiencies in the ordinance itself that seemed to exempt certain institutions, while leaving religious ones out in the * Associate Notes Editor, Rutgers Journal of Law & Religion, Rutgers University School of Law, Candidate for Juris Doctor, May 2016.