The Tiger Vol. LXV No. 7
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Mad Dan Review '
MAD DAN REVIEW ' ECOLOGY SPECIAL THE HAD DAN. REVIEW MARCH-APRIL 1976 volume ONE NUMBER three Editor Marc A.Ortlieb. Contents: . Justification Phase VI page i ■Rubbish page 1 ; Book .reviews., page 4 • Record Reviews page 6 ~ ~ Zine Reviews page 8 The Ghetto Mad Dan page 11 Ghetto Letters page 15 JUSTIFICATION PEASE/VI Well,for a start I gotta apologise for the lateness of this issue,I said in G'Nel .1 that my publishing was going to become more infrequent now I'm back in Adelaide and'I wasn't'far wrong.I'keep getting interupted by visitors,parties,concerts, . dinners,Drama lectures,and just fun living.Dut as Paul Anderson pointed out to me at last Friday's Bangsund Memorial dinner, that's no excuse. The article on the cat in sf has been’shelved in order to get this edition out as- soon as possible.lt should appear somewhere sometime,look foreward to seeing as many neople as possible at Unicon II,(OmegaCon here in Adelaide here was fun) Please excuse some of the duplicating,My Gestetner is turning out to be a proper bitch and sometimes she gets the best of our constant battles. Please note my new address.(Yes another one.) Flat 2/18 Flinders St Edwardstown S.AUST 5059. yours sciencefrictionally p. Marc A Ortlieb adcor prindiv ' (i) Well,I said that this was an ecology special and it is. This particular part is where I recycle all of the rubbish Ortlieb's been hiding in his folder along with his rejection slips from Southerly and The Women's Weekly.I doubt that it'll be any good to anyone but who knows;someone might pick up an idea or so from it.Tell you what,I'11 provide a free copy of the Mad Dan Memoirs to anyone who actually decides to finish one of the things,(Reminds me of one of those "Worst ever story beginnings"they ran in B&SF a while back.) . -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
Misleading Parents' Statements Result in Financial Aid Cuts Despite
MPUS Vol. 95, No. 18 Allegheny College, Meadville, Pa. — Tuesday, September 28, 1971 Misleading parents' statements result in financial aid cuts Ely JOHN TAYLOR ments were then compared with State Income Tax reports, and, based on this, a formula was used Scrutinization of parental financial statements, to determine the student's need. leading to several "eye-opening" discoveries and It is discrepancies between the two reports consequential cuts in student aid is mainly respon- which led to cuts. According to Cathie, some of sible for the lower amounts of grants and loans the reports did not mesh; some parents stated received by some students, according to Walter they made less than they actually did. Some re- Cathie, Director of Student Aid. ports may have been merely miscalculated, but A $300 rise per student in college expenses others he claims were "blatant misrepresenta- necessitated a re-evaluation of student financial tions" and some "out and out frauds". LIBRARIAN MARGARET MOSER need by the Student Aid office. Since it was finan- Even allowing a 5% variance for the expected cially unfeasible merely to grant the additional income and the actual income, Cathie is able to sum to all students on aid, a total of some $210,000, produce substantial proof of incorrect declara- Cathie's office compared estimates for past years tions. He has an impressive list of at least two dozen such cases and quoted on example of a Despite overcrowding, $10,000 declaration for an actual income of $19,000. This last case may serve as the basis of a court case by the college. -
Psaudio Copper
Issue 1 MARCH 7TH, 2016 The birth of a child is always a cause for celebration. For the new parent, it's also a time of uncertainty and anxiety: Am I doing this right? Is THAT normal?? Creating Copper has been pretty much the same for us. There is exhilaration, the excitement of starting something completely new, of charting the course as we go. And of course, there is the desire to do everything perfectly. The first issue of Copper, now before you, requires a little by way of introduction. Copper is dedicated to furthering the art of home audio reproduction, and growing the community that supports it. Whether you call it Hi-Fi, hi-res, or High-End doesn't matter; such labels tend to separate and isolate people, which is exactly what we don't want to do. We'll do our best not to be audio snobs. Any system, technology, or category of product that faithfully reproduces music, honoring its source and intent, qualifies as fair game to us. Vinyl, digital, portable, expensive, inexpensive, new or old: if it makes music, it's of interest to our readers. Copper is not a traditional audio magazine. It is published by a well-established audio manufacturer, and we hope you do buy our products... but that's not the point of this magazine. Copper won't sell or promote products, services, or advertising. Instead, Copper aims to inform, entertain, inspire, motivate and build community. We believe that a diverse, strong, well informed community of like-minded people, sharing ideas, news, and knowledge benefits all. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Addicts Experience the Same Likelihood of Relapse As Those Afflicted with Other Chronic Diseases
Party In The Burgh!! Only $36.00 per person* For 5 Hours Includes FULLY Stocked Bar & Club Passes *$36 based on 10-14 passengers Contents Page 4-5............................................Health Page 6................................................Travel Page 7................................Ask The Lawyer Pages 8-9..........................................Dining Pages 10-11........................................Food Page 12..................................Book Review Page 14...............................Local Business Pages 16-17.....................Wine and Spirits Page 18..............................................Music Pages 20-21...................................Theater Pages 22-39.....................................Humor Page 40......................................Classifieds Publisher: Joyce Campisi Editor-in-Chief: Joyce Campisi Executive Editor: Joseph P. Campisi, III Graphic Designer: Dennis Kostley, Casey King Photographer: Jennifer L. Campisi, Trish Imbrogno, Todd Brunozzi, Tim Cartagena www.theislandexpo.com Feature Writers: Trish Imbrogno, Suz Pisano, Erin McClelland Contributing Writers: Bill Mace, Christopher Harper, Jean Mace, Dottie Wilhelm, Gerry Pekol, Lori Hon, Boris Pekol Webmaster: Benjamin Auman Distribution Manager: Warren Rudolph Cover Photo: James Minchin Happy New Year! Copyright ®, SX publications, Nightwire. All rights reserved. SX Publications, Nightwire owns the copyrights of the photographs and contents of this publication. No part of this publication may be reproduced, modified, retransmitted -
Off the Pedestal
Mm* First issue Published irregularly on tho SCRAP Proo Pi'- r Sec-amber 16, 197? VIOIHSM M TH0 (continued .from column l) How is it that throughout ths annals of artistic history, Pew of the vrvaen who rat -sue c.r't women have only speckled its pages? Even the few women who is tic careers keep at it : xot 30. have made the "seen®" basically served both as patrons and It's not vep. fashionable^ you know. as mistress* . Clara Schumann, a good composer in her own Those who a ually m- - early- r ght, wao better known for havirjg fucked Bach. deaths or go in.oan.r- with loneliness. And then there are ths spinster English woman of econ Because the.--, women reoi a deep • •' , omic privilege backed by society for lives of loneliness they express it through their par and near insanity who wrote novels (WITH MALE PEN NAMES). ticular media. In certain respects There is -- quota on wo men's participation in the perform this real nerd (or jvlf-exj-r-ession ing arts and this quota is incredibly low, A violinist or can hamper vosvv: s- ^finally. two is tolerated in an orchestra comprised of 90-100 men. What I mean --tp;!.,;' is mat if you're - Thus women go from comprising $0% of the student body in too busy figrfv! . , you have no time art schools to a mure 1% of those who ever get to perform. for being. This is alec true for When we speak of women artists we are never referring to blacks in {;o arm „ 7- i.-. -
Class of '75 625' Deferments Abolished
!II . Vol. LV., No.4 GEORGETOWN UNIVERSITY, WASHINGTON, D.C. Thursday, September 23, 1971 Future Plans In Question Class of '75 625' Deferments Abolished by Andy Lang • The right to present witnesses and Steve Kurdziel before a local board; • The right to a quorum of local Amendments to the Military or appeal board personnel "during Selective Service Act approved by the registrant's personal appear , the Senate Tuesday afternoon, will ancesj" eliminate student deferments for • The right to a written ex Georgetown's freshman class. planation of a local or appeal Although the revised Military board's decisions, if the board Selective Service Act will abolish rejects a registrant's claim. the" 2S" deferment for the class of The House-Senate conference 1975, students who are inducted that negotiated the final verson of the draft bill deleted the Senate's J. DONALD FREEZE, S.J. may postpone service "until the end of the semester or term." If, original proposal to guarantee "the for example, a student receives an right to be accompanied and l Fr. Freeze induction notice in October, he will advised by private counsel at a not become eligible for service until personal appearance before a local next January. or appeal board." Named ColI. GU's upperclassmen, however, The conference observed that are not affected by the new bill. such a provision would "prevent The amendments specify that Selective Service boards from carry Assistant Dean students who obtained a student ing out their functions in an expeditious manner" and might by Pam Tighe deferment prior to or during the 1970-71 academic school year also "encourage harassing and The Rev. -
Epideictic Rhetoric in the Context of Ritual Behavior: Rock Concerts
DOCUMENT RESUME ED 074 562 CS 500 219 AUTHOR Purnell, Sandra E. TITLE Epideictic Rhetoric in the Context of Ritual Behavior: Rock Concerts. PUB FATE Dec 72 NOTE 8p.; Paper presented at the Annual Convention of the Speech Communication Association (58th, Chicago, Dec. 27-30, 1972) EDRS PRICE MF-$0.65 HC -$3.2' DESCRIPTORS Attitudes; *Communication (Thought Transfer); Concerts; Group Unity; Identification (Psychological); Music; *Rhetoric; *Rhetorical Criticism; Social Values; *Subculture; *Youth IDENTIFIERS *Rock Music ABSTRACT This study focuses upon the rock concert asa ceremonial or epideictic rhetoric. A major funct:;.on of rhetoric, Kenneth Burke suggests, is to achieve a symbolic transcendence of the sense of division among men. Rock music, the author contends, fulfills this Burkean definition and serves the dual function of identification and unification for the youth subculture. The rock concert is described as a kind of modern ritual. Associated with rock are prescribed standards of dress, behavior, and performance. A life-style, generally challenging the "official" morality, is established. Messages about human relationships and societalnorms are conveyed by the song lyrics of the music and by the progression of the concert itself. These messages are not didactically communicated to the listener, but are open to individual adaptation and interpretation. Thus the music becomes a ritual of self-confirmation. Through the process of sharing the music, youth culture unification is established. (Author/LG) PERMISSION 10 REPRODUCE THIS COPY U.S. DEPARTMENT OF HEALTH. RIGHTED MATERIAL HAS BEEN GRANT ED TO ERIC AND ORGANIZATIONS OPERATING EDUCATION & WELFARE UNDER AGREEMENTS LvITH THE U S OFFICE BY OFF:CE OF EDUCATION Sandra E. -
LAMP POST January 2014
LAMP POST January 2014 Ewbank’s UK Entertainment & Memorabilia Auctioneers join LAMP One man with his finger on the pulse of the film and entertainment collectors’ market is Alastair McCrea, 28, the Rock, Pop, Photography, Cinema and Entertainment memorabilia specialist at Surreys premier fine art and antiques auctioneer, Ewbank’s. “A whole new generation of collectors, young people who have grown up in the in the 1960’s and 70’s, have discovered the fun to be had in searching out things connected to the music and film industry and the pleasure of displaying the objects in their homes. “A wall of film posters, a rare record collection or a display of memorabilia are great features to show off at your home.” Alastair’s next auction of Entertainment memorabilia is on the 16th April 2014 and he is now accepting further entries from prospective sellers all over the world. With the new year comes a new calendar at Ewbank’s, now offering more sales tailored to appeal to collectors in specialist fields, in a brand new, purpose built saleroom at the Burnt Common headquarters. The move comes as the auctioneers celebrate annual turnover of £2.7 million – a new record. “With the country appearing to have turned the corner from the dark days of the recession, we have embarked on expansion and investment in the future,” Ewbank’s principal Chris Ewbank said. “Despite the harsh financial circumstances in which we have operated, our annual turnover has risen year on year from £2 million in 2011, £2.3 million in 2012 to £2.7 million last year. -
David Freiberg an Oral History Interview Conducted by Debra
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Freiberg An Oral History Interview Conducted by Debra Schwartz in 2019 © 2019 by the Mill Valley Public Library TITLE: Oral History of David Freiberg INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 47 pages INTERVIEW DATE: January 24, 2019 In this oral history, David Freiberg, a key figure in the Bay Area music scene from the 1960s onward, recounts his life, career, friends, and family. Born in Boston in 1938 and raised in Cincinnati, David moved out to California in 1959 where he first took up playing the guitar. Touching down in Oakland, he moved to San Francisco in the early 1960s and then over to Mill Valley a few years later. David gives a detailed account of his time playing guitar with Quicksilver Messenger Service in the ’60s and subsequently with Jefferson Airplane/Starship beginning in the ’70s. He discusses many of his friends from that legendary milieu — well-known musicians from the Bay Area rock scene like Marty Balin, John Cipollina, and Paul Kantner — and reminisces about what Mill Valley was like in that era. He also discusses his current life with his wife Linda, also a musician, and his relationship with his daughters, Jessica and Polly. 80 years old and actively touring at the time this oral history was conducted, David concludes by offering advice to up-and-coming musicians. © All materials copyright Mill Valley Public Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library.