Class of '75 625' Deferments Abolished
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Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Mad Dan Review '
MAD DAN REVIEW ' ECOLOGY SPECIAL THE HAD DAN. REVIEW MARCH-APRIL 1976 volume ONE NUMBER three Editor Marc A.Ortlieb. Contents: . Justification Phase VI page i ■Rubbish page 1 ; Book .reviews., page 4 • Record Reviews page 6 ~ ~ Zine Reviews page 8 The Ghetto Mad Dan page 11 Ghetto Letters page 15 JUSTIFICATION PEASE/VI Well,for a start I gotta apologise for the lateness of this issue,I said in G'Nel .1 that my publishing was going to become more infrequent now I'm back in Adelaide and'I wasn't'far wrong.I'keep getting interupted by visitors,parties,concerts, . dinners,Drama lectures,and just fun living.Dut as Paul Anderson pointed out to me at last Friday's Bangsund Memorial dinner, that's no excuse. The article on the cat in sf has been’shelved in order to get this edition out as- soon as possible.lt should appear somewhere sometime,look foreward to seeing as many neople as possible at Unicon II,(OmegaCon here in Adelaide here was fun) Please excuse some of the duplicating,My Gestetner is turning out to be a proper bitch and sometimes she gets the best of our constant battles. Please note my new address.(Yes another one.) Flat 2/18 Flinders St Edwardstown S.AUST 5059. yours sciencefrictionally p. Marc A Ortlieb adcor prindiv ' (i) Well,I said that this was an ecology special and it is. This particular part is where I recycle all of the rubbish Ortlieb's been hiding in his folder along with his rejection slips from Southerly and The Women's Weekly.I doubt that it'll be any good to anyone but who knows;someone might pick up an idea or so from it.Tell you what,I'11 provide a free copy of the Mad Dan Memoirs to anyone who actually decides to finish one of the things,(Reminds me of one of those "Worst ever story beginnings"they ran in B&SF a while back.) . -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Jefferson Airplane Crown of Creation Mp3, Flac, Wma
Jefferson Airplane Crown of Creation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crown of Creation Country: US Style: Acid Rock MP3 version RAR size: 1587 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1405 mb Rating: 4.7 Votes: 458 Other Formats: ADX AC3 APE ASF MP2 XM MP4 Tracklist Hide Credits Lather A1 2:55 Written-By – Slick* In Time A2 4:07 Written-By – Balin*, Kantner* Triad A3 4:54 Written-By – Crosby* Star Track A4 3:09 Written-By – Kaukonen* Share A Little Joke A5 3:04 Written-By – Balin* Chushingura A6 1:17 Written-By – Dryden* If You Feel B1 3:30 Written-By – Blackman*, Balin* Crown Of Creation B2 2:52 Written-By – Kantner* Ice Cream Phoenix B3 2:59 Written-By – Cockey*, Kaukonen* Greasy Heart B4 3:25 Written-By – Slick* The House At Pooneil Corners B5 5:46 Written-By – Balin*, Kantner* Companies, etc. Recorded At – RCA Studios Mastered At – RCA Studios Pressed By – RCA Records Pressing Plant, Rockaway Manufactured By – Radio Corporation Of America Copyright (c) – RCA Credits Bass [Yggdrasil] – Jack Casady Bongos – Dan Woody* Congas – Tim Davis Design [Album], Art Direction – J. Van Hamersveld* Drums, Percussion [Steel Balls] – Spencer Dryden Effects [Sound] – Gene Twombly Engineer – Rich Schmitt Engineer [Featuring At The 8-Track] – Maurice Guitar – David Crosby Guitar, Vocals – Charles Cockey Humming [Nose Solo] – Gary Blackman Lead Guitar, Percussion [Electric Chicken] – Jorma Kaukonen Percussion [Talking Drum] – Bill Goodwin Photography By [Cover, Back Cover] – Hiro Photography By [Hiroshima Bomb] – USAF Piano, Organ – Grace Slick, Spencer Dryden Producer – Al Schmitt Rhythm Guitar – Marty Balin, Paul Kantner Vocals – Grace Slick, Jorma Kaukonen, Marty Balin, Paul Kantner, Spencer Dryden Notes © RCA, New York, N.Y. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
Misleading Parents' Statements Result in Financial Aid Cuts Despite
MPUS Vol. 95, No. 18 Allegheny College, Meadville, Pa. — Tuesday, September 28, 1971 Misleading parents' statements result in financial aid cuts Ely JOHN TAYLOR ments were then compared with State Income Tax reports, and, based on this, a formula was used Scrutinization of parental financial statements, to determine the student's need. leading to several "eye-opening" discoveries and It is discrepancies between the two reports consequential cuts in student aid is mainly respon- which led to cuts. According to Cathie, some of sible for the lower amounts of grants and loans the reports did not mesh; some parents stated received by some students, according to Walter they made less than they actually did. Some re- Cathie, Director of Student Aid. ports may have been merely miscalculated, but A $300 rise per student in college expenses others he claims were "blatant misrepresenta- necessitated a re-evaluation of student financial tions" and some "out and out frauds". LIBRARIAN MARGARET MOSER need by the Student Aid office. Since it was finan- Even allowing a 5% variance for the expected cially unfeasible merely to grant the additional income and the actual income, Cathie is able to sum to all students on aid, a total of some $210,000, produce substantial proof of incorrect declara- Cathie's office compared estimates for past years tions. He has an impressive list of at least two dozen such cases and quoted on example of a Despite overcrowding, $10,000 declaration for an actual income of $19,000. This last case may serve as the basis of a court case by the college. -
Addio a Paul Kantner, “The Brain” Dei Jefferson Airplane
Addio a Paul Kantner, “the brain” dei Jefferson Airplane È morto a 74 anni il chitarrista Paul Kantner, uno dei fondatori della band Jefferson Airplane. Lo riporta il San Francisco Chronicle. Protagonista della scena musicale della west coast americana, Kantner è stato stroncato giovedì 28 gennaio da un attacco di cuore a San Francisco, la città in cui era nato il 17 marzo 1941. Chi era Paul Kantner? Ecco cosa scrive sul sito ufficiale dei Jefferson Airplane Greg Gildersleeve (1998). Anche se non ha mai scritto o cantato come voce leader nessun brano di successo, Paul Kantner ha avuto un impatto maggiore di qualsiasi altro membro sui Jefferson Airplane/Starship. È suo il record della più lunga, ininterrotta appartenenza (19 anni) alla band, ed è stato a volte l’unico membro delle origini della band presente in eventi con JA. Il suo interesse per la fantascienza l’ha portato a trasformare i Jefferson Airplane nei Jefferson Starship, e, in tutto questo, ha presieduto alla democrazia sregolata e talvolta disordinata della band. Se Marty Balin era l’anima della band, e Grace Slick il suo volto, Paul Kantner potrebbe esserne considerato, the brain, il cervello. | 1 Addio a Paul Kantner, “the brain” dei Jefferson Airplane L’unico nativo di San Francisco tra gli iniziatori degli Airplane/Starship, Paul Lorin Kantner nasce il 17 marzo 1941, da Paul S. e Cora Lee (Fortier) Kantner. Paul aveva un fratellastro e una sorellastra parecchio più grandi. Quando Paul aveva otto anni, sua madre morì; e, ricorderà in seguito, non gli fu consentito di partecipare al suo funerale, ma fu portato al circo. -
Addicts Experience the Same Likelihood of Relapse As Those Afflicted with Other Chronic Diseases
Party In The Burgh!! Only $36.00 per person* For 5 Hours Includes FULLY Stocked Bar & Club Passes *$36 based on 10-14 passengers Contents Page 4-5............................................Health Page 6................................................Travel Page 7................................Ask The Lawyer Pages 8-9..........................................Dining Pages 10-11........................................Food Page 12..................................Book Review Page 14...............................Local Business Pages 16-17.....................Wine and Spirits Page 18..............................................Music Pages 20-21...................................Theater Pages 22-39.....................................Humor Page 40......................................Classifieds Publisher: Joyce Campisi Editor-in-Chief: Joyce Campisi Executive Editor: Joseph P. Campisi, III Graphic Designer: Dennis Kostley, Casey King Photographer: Jennifer L. Campisi, Trish Imbrogno, Todd Brunozzi, Tim Cartagena www.theislandexpo.com Feature Writers: Trish Imbrogno, Suz Pisano, Erin McClelland Contributing Writers: Bill Mace, Christopher Harper, Jean Mace, Dottie Wilhelm, Gerry Pekol, Lori Hon, Boris Pekol Webmaster: Benjamin Auman Distribution Manager: Warren Rudolph Cover Photo: James Minchin Happy New Year! Copyright ®, SX publications, Nightwire. All rights reserved. SX Publications, Nightwire owns the copyrights of the photographs and contents of this publication. No part of this publication may be reproduced, modified, retransmitted -
Collecting, Preserving, and Celebrating Ohio Literature Winter 2019 1 Contents QUARTERLY WINTER 2019
QUARTERLY WINTER 2019 | VOL. 62 NO. 1 Collecting, Preserving, and Celebrating Ohio Literature Winter 2019 1 Contents QUARTERLY WINTER 2019 FEATURES BOARD OF TRUSTEES EX-OFFICIO Fran DeWine, Columbus 4 Ohio Literary Landmarks: The Clocks ELECTED President: Daniel Shuey, Westerville of Columbus Set to Strike for Thurber Vice-President: John Sullivan, Plain City 7 On Being a Writer-in-Residence at Secretary: Bryan Loar, Columbus Treasurer: Jay Yurkiw, Columbus Thurber House Gillian Berchowitz, Athens Rudine Sims Bishop, Columbus 8 Been So Long Helen F. Bolte, Columbus Katie Brandt, Columbus 11 An Interview with Lisa Evans, Johnstown Ellen McDevitt-Stredney, Columbus Jacqueline Woodson Mary Heather Munger, Perrysburg Louise Musser, Delaware Claudia Plumley, Dublin Cynthia Puckett, Columbus David Siders, Cincinnati BOOK REVIEWS Geoffrey Smith, Columbus Yolanda Danyi Szuch, Perrysburg Jacquelyn L. Vaughan, Dublin 13 Nonfiction APPOINTED BY THE GOVERNOR OF OHIO Carl Denbow, Ph.D., Athens 21 Fiction Carol Garner, Mount Vernon H.C. "Buck" Niehoff, Cincinnati 27 Poetry Brian M. Perera, Upper Arlington 27 Young Adult TRUSTEES EMERITUS Francis Ott Allen, Cincinnati 28 Middle Grade Christina Butler, Ph.D., Columbus James Hughes, Ph.D., Dayton 29 Children’s Robert Webner, Columbus OHIOANA STAFF BOOKS AND EVENTS Executive Director..............David Weaver Office Manager...............Kathryn Powers Library Specialist............Courtney Brown Program Coordinator........Morgan Peters 31 Book List Editor...............Leslie Birdwell Shortlidge 45 Coming Soon Co-Editor..................Stephanie Michaels The Ohioana Quarterly (ISSN 0030-1248) is currently published four times a year by the Ohioana Library Association, 274 East First Avenue, Suite 300, Columbus, Ohio 43201. Individual subscriptions to the Ohioana Quarterly are available through membership in the Association; $35 of membership dues pays the required subscription. -
Off the Pedestal
Mm* First issue Published irregularly on tho SCRAP Proo Pi'- r Sec-amber 16, 197? VIOIHSM M TH0 (continued .from column l) How is it that throughout ths annals of artistic history, Pew of the vrvaen who rat -sue c.r't women have only speckled its pages? Even the few women who is tic careers keep at it : xot 30. have made the "seen®" basically served both as patrons and It's not vep. fashionable^ you know. as mistress* . Clara Schumann, a good composer in her own Those who a ually m- - early- r ght, wao better known for havirjg fucked Bach. deaths or go in.oan.r- with loneliness. And then there are ths spinster English woman of econ Because the.--, women reoi a deep • •' , omic privilege backed by society for lives of loneliness they express it through their par and near insanity who wrote novels (WITH MALE PEN NAMES). ticular media. In certain respects There is -- quota on wo men's participation in the perform this real nerd (or jvlf-exj-r-ession ing arts and this quota is incredibly low, A violinist or can hamper vosvv: s- ^finally. two is tolerated in an orchestra comprised of 90-100 men. What I mean --tp;!.,;' is mat if you're - Thus women go from comprising $0% of the student body in too busy figrfv! . , you have no time art schools to a mure 1% of those who ever get to perform. for being. This is alec true for When we speak of women artists we are never referring to blacks in {;o arm „ 7- i.-. -
New Riders of the Purple Sage – Nrpsmusic.Com in the Summer Of
New Riders of the Purple Sage – nrpsmusic.com In the summer of 1969, John Dawson was looking to showcase his songs while Jerry Garcia was looking to practice his brand new pedal steel guitar. The two played in coffeehouses and small clubs initially, and the music they made became the nucleus for a band—the New Riders of the Purple Sage. That same year, David Nelson, expert in both country and rock guitar, joined the group on electric lead guitar. Filling out the rhythm section in those early days were Grateful Dead drummer Mickey Hart and engineer Bob Matthews on bass, who was later replaced by Phil Lesh. In 1970, Dave Torbert took over on bass and the New Riders played every chance they got. Soon enough, smoky clubs all over the San Francisco bay area were filling up with whooping, foot-stomping crowds as their music got tighter and more dynamic. They began to tour extensively with the Dead, and in December of 1970, Spencer Dryden, who had previously showed his impeccable drumming style with the Jefferson Airplane, had stepped in on drums. One of the many gigs with the Dead included the Trans-Canadian Festival Express with Janis Joplin, The Band, and other American and Canadian artists like Ian and Sylvia, who had with them a brilliant, innovative pedal steel player named Buddy Cage. When Garcia's busy schedule made it increasingly difficult for him to play with the New Riders, the talented Cage was the perfect choice to fill the pedal steel spot. He moved from Toronto where he had been working in Anne Murray's band, to California in the fall of 1971 to join the New Riders.