Eme Awards 2009
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New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto
African Diaspora 7 (2014) 234–259 brill.com/afdi New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto Wayne Modest National Museum of World Cultures, The Netherlands [email protected] Rivke Jaffe Department of Human Geography, Planning and International Development Studies University of Amsterdam, The Netherlands [email protected] Abstract This article explores contemporary ontologies of blackness in the Caribbean island of Jamaica. Approaching blackness as an ontological issue – an issue that pertains to the being, or the existence, of a category of people – we emphasize the spatial dimension of such ontologies. Drawing on Jamaican contemporary art and popular music, we pro- pose that the site of blackness, as it is imagined in Jamaica, has shifted from Africa towards ‘the ghetto.’ Tracing changing Jamaican perspectives on race and nation, the article discusses how self-definitions of ‘being black’ and ‘being Jamaican’ involve the negotiation of historical consciousness and transnational connectivity. During much of the twentieth century, various Jamaican social and political movements looked pri- marily to the African continent as a referent for blackness. In the twenty-first century, the urban space of the ghetto has become more central in Jamaican social commentary and critique. By tracing the historical shifts of the spatial imaginary onto which racial belonging and authenticity are projected, we seek to foreground the mutability of the relation between blackness and Africanness. Keywords Jamaica – contemporary art – dancehall – ontologies of race – spatial imaginary © wayne modest and rivke jaffe, 2014 | doi: 10.1163/18725465-00702004 This is an open access article distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
Jazzweek World Music Albums Nov
airplay data JazzWeek World Music Albums Nov. 9, 2009 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 3 1 Rodrigo Y Gabriela 11:11 ATO 136 166 -30 7 47 1 2 2 1 1 The Wayne Wallace Latin Jazz Quintet Bien Bien Patois 109 154 -45 6 54 3 3 5 5 2 Matisyahu Light JDub/Epic 67 70 -3 22 16 0 4 4 5 4 Mark Levine And The Latin Tinge Off & On Left Coast Clave 66 84 -18 9 32 1 4 7 4 1 Baaba Maal Television Palm Pictures 66 61 5 9 34 0 6 12 11 6 Babatunde Lea Umbo Weti: A Tribute To Leon Thomas Motema 61 48 13 6 28 9 Tuff Gong/Universal/The 7 14 12 1 Bob Marley B Is For Bob Island Def Jam 58 46 12 22 35 0 8 6 8 6 Sean Paul Imperial Blaze VP/Atlantic 56 62 -6 32 15 1 9 20 27 1 CeU Vagarosa Six Degrees 52 35 17 18 40 6 10 12 24 1 Playing For Change Songs Around The World Timeless/Hear 51 48 3 27 23 2 11 11 14 2 The Waitiki 7 Adventures In Paradise Pass Out 48 52 -4 11 21 1 12 18 18 12 Fahir Atakoglu Faces & Places Far & Here 45 41 4 4 17 4 13 31 – 13 Anouar Brahem The Astounding Eyes Of Rita ECM 43 24 19 3 35 23 14 23 17 5 Tarrus Riley Contagious VP 42 33 9 19 28 0 15 16 20 2 Queen Ifrica Montego Bay VP 41 45 -4 22 27 1 16 9 13 9 Vijay Iyer Trio Historicity Act Company 39 56 -17 5 22 7 17 18 15 14 Bebel Gilberto All In One Verve Forecast 37 41 -4 7 22 2 18 47 – 1 NOMO Invisible Cities Ubiquity 36 14 22 26 21 3 19 30 30 2 K’Naan Troubadour Octone/A&M 34 25 9 38 21 0 20 14 10 9 Forro In The Dark Light A Candle Nublu 32 46 -14 7 16 0 21 10 23 10 Various Artists The Biggest Reggae One-Drop Anthems Greensleeves/VP 29 53 -24 -
Cd Cd Cd 2Cd Cd Cd
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 153 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 22.08.2004 BIS 03.09.2004) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD 2CD CD CD 2CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2004 #1 SEITE 2 *** CDs *** ANN & SONIA....................... RISE AGAIN MILLENNIUM......... WORLD SOUNDS... (GBR) (99/99). 20.49EUR LLOYD BROWN......(back in stock).. STRAIGHT NO CHASER............ GROOVE & A QUAR (GBR) (96/96). 19.79EUR BUSH CHEMISTS....(back in stock).. DUB OUTERNATIONAL............. ROIR........... (USA) (95/96). 18.99EUR DON CAMPBELL.....(back in stock).. REGGAE MAX.................... JET STAR....... (GBR) (--/01). 11.99EUR ETERNALS......................... -
Interview with Donovan Germain 25 Years Penthouse Records
Interview with Donovan Germain 25 Years Penthouse Records 02/19/2014 by Angus Taylor Jamaican super-producer Donovan Germain recently celebrated 25 years of his Penthouse label with the two-disc compilation Penthouse 25 on VP Records. But Germain’s contribution to reggae and dancehall actually spans closer to four decades since his beginnings at a record shop in New York. The word “Germane” means relevant or pertinent – something Donovan has tried to remain through his whole career - and certainly every reply in this discussion with Angus Taylor was on point. He was particularly on the money about the Reggae Grammy, saying what has long needed to be said when perennial complaining about the Grammy has become as comfortable and predictable as the awards themselves. How did you come to migrate to the USA in early 70s? My mother migrated earlier and I came and joined her in the States. I guess in the sixties it was for economic reasons. There weren’t as many jobs in Jamaica as there are today so people migrated to greener pastures. I had no choice. I was a foolish child, my mum wanted me to come so I had to come! What was New York like for reggae then? Very little reggae was being played in New York. Truth be told Ken Williams was a person who was very instrumental in the outbreak of the music in New York. Certain radio stations would play the music in the grave yard hours of the night. You could hear the music at half past one, two o’clock. -
“Just Ask Mi 'Bout Brooklyn:” West Indian Identities, Transgeographies, and Livin
“JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sabia McCoy-Torres August 2015 © 2015 Sabia McCoy-Torres “JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE Sabia McCoy-Torres, Ph.D. Cornell University 2015 This ethnography explores the symbiotic relationship between the West Indian Diaspora and performance based, Jamaican originated, reggae culture. The field site was Brooklyn, New York. I analyze the intersections of reggae with racial and cultural identity construction, expressions of gender and sexuality, transnationalism, and place making practices. The formation of a local, West Indian led, reggae related economy is also a subject of focus. In order to theorize the impact West Indians have on Brooklyn and their subjectivities, I develop the concepts transgeographies and figurative citizenship. I argue that the West Indian Diaspora creates transgeographic cultural places that specific sociocultural practices and performance help to form. I offer that performance, action, and material alteration coalesce to physically transform space and imbue it with affect and sensory elements that together constitute links to the various nations of the Caribbean. The West Indian geographies of Brooklyn are thereby brought inside the Caribbean space expanding how geography is conceived of as an analytic. Emergent diasporic subjectivities are formed within these transgeographic cultural places, one of them being what I term figurative citizenship. This work also includes analyses of the relationship of West Indians to U.S. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
From the Harder They Come to Yardie the Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E
UvA-DARE (Digital Academic Repository) From The Harder They Come to Yardie The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E. DOI 10.1080/1369801X.2019.1659160 Publication date 2020 Document Version Final published version Published in Interventions : International Journal of Postcolonial Studies License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E. (2020). From The Harder They Come to Yardie: The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film. Interventions : International Journal of Postcolonial Studies, 20(1), 71-92. https://doi.org/10.1080/1369801X.2019.1659160 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 FROM THE HARDER THEY COME TO YARDIE The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Emiel Martensa,b aDepartment of Arts and Culture Studies, Erasmus University Rotterdam, Netherlands; bDepartment of Media Studies, University of Amsterdam, Netherlands ................. -
Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto
Karen Flynn: Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Karen Flynn Associate Professor University of Illinois, Urbana-Champaign, IL, USA Abstract While there has been an exciting growth in scholarship on dancehall culture, primarily in the fields of cultural and literary studies as they relate to Jamaica, more attention needs to be given to its configuration in other geographical locations and other popular culture arenas. This article explores dancehall culture from a geographic site, in Toronto, which, despite its large Caribbean population, is often a mere footnote in larger diasporic studies. Moving beyond the proclivity of viewing dancehall culture and music from a purely patriarchal misogynistic viewpoint, the article focuses on the redemptive and empowering possibilities that this popular Black expressive form holds. It underscores how dancehall culture and music challenge hegemonic scripts predicated on stereotypes of Black women’s sexuality. Despite the contradictions inherent in the music and the performance of female artists such as Lady Saw and Tanya Stephens, dancehall culture evokes women as active agents who are able to articulate their sexual desires. Keywords: sexuality, dancehall music, Black/Caribbean women, dance 183 www.sta.uwi.edu/crgs/index.asp UWI IGDS CRGS Issue 8 ISSN 1995-1108 Dedication This article is dedicated to KaosKrew (especially Philip Cole), Slim & Trim (Michael Banfield and Leslie Corion) DJ’s Quincy, Bobby B, Mark Anthony, Mike Gibbs, Wayne; my brother DJ Extacy (Dwayne Reynolds), Eddie Williams, Andy Coward, the late Michael Charles and Dorian Major (RIP) and the rest of the Tdot promoters. -
JAMAICA MUSIC COUNTDOWN by Richie B, Host – “HOT MIX” on Hot 102FM FEBRUARY 26, 2010: TOP 25 REGGAE SINGLES
JAMAICA MUSIC COUNTDOWN By Richie B, host – “HOT MIX” on Hot 102FM FEBRUARY 26, 2010: TOP 25 REGGAE SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 1 17 Ears Hard – Vybrant – Major Links Entertainment (2wks@#1) NM 02 2 15 One More Night – Busy Signal – Turf Music NM 03 3 14 King & Queen – Richie Spice & Alison Hinds –Black Coral NM 04 7 12 The Pill – Junior X – Revolutionary Entertainment U-3 05 5 17 Feel So Good – Barbee – Rare Diamond Productions NM 06 6 15 Heavy Load – Tom Laing – Top Tier/Raw Moon NM 07 4 19 Drive By – Nesbeth – Jan Biggs (3wks@#1) D-3 08 9 9 Love this Lifetime – Sheba feat Bounty Killer – Sonic Dynasty U-1 09 11 7 Hold My Hand – Sean Paul feat Keri Hilson – Fresh Ear U-2 10 8 20 Ruff Times – Nico D feat. Jah Mason – Tad’s Int’l Rec/Kontractor Music/J.A.M. (2wks@#1) D-2 11 13 10 You Make My Day – Sizzla – Minor 7, Flat 5 U-2 12 10 19 Rolling Stones – Spanner Banner – Penthouse (pp#4) D-2 13 14 6 Lose A Friend – I-Octane – Truck Back U-1 14 15 8 Million $ Check – Mojo Morgan – Gedion Soldiers Ent U-1 15 12 13 Be By Your Side – Ras Penco – Uprize Music Production (pp#11) D-3 16 16 23 Revolution – Natural Black – Fifth Element Records (pp#2) NM 17 21 4 Love Contagius – Tarrus Riley – VP Records U-4 18 17 23 Falling for You – Lutan Fire – Renaissance (2wks@#1) D-1 19 19 25 Try Jah Love – Josie Mel & Smokey Benz – Minor 7, Flat 5 (3wks@#1) NM 20 23 2 Johnny – LUST – Born Music U-3 21 22 3 Searching – Peter Lloyd – Black Light Records U-1 22 24 2 Rise Again(Tribute to Haiti) – Shaggy, Sean Paul, Sean Kingston, Tessanne Chin, Etana, Alison Hinds, Kees Dieffenthaller, David Rudder, Belo, Shontelle Layne, Destra Garcia, Edwin Yearwood – Birchill Records U-2 23 18 26 Always on my Mind – George Nooks – Tads Records (pp#3) D-5 24 25 2 Nah Stop Try – Zebilum Tucker – Formula One Productions U-1 25 20 21 You Say – Black Queen – Brukkout Production (pp#7) D-5 _____________________NOTES_____________________________________ Numbers in bracket indicate the number of weeks at the No.