DOCSLIB.ORG

Rolling Stone

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rolling Stone 2/2/2018 CHRONICLE - Chris Stills is not afraid of anything - Rolling Stone DO NOT MISS The disparities in music are accentuating Rechercher LG ­ 55" Class (54.6" Diag.) ­ LED ­ 2160p ­ Smart ­ 4K Ultra HD TV Shop N SEE PRICE IN CART 50 YEARS NEWS MUSIC CULTURE URBAN CHRONICLES TOPS TV PLAYLIST SUBSCRIPTION ARCHIVES IN KIOSK ⌂ Home / Chronicles / Listening to / CHRONIC ­ Chris Stills fearless THE PLAYLIST Always Ascending 3 Franz Ferdinand Como Va 4 Catherine Ringer Bluebirds Over the Mount 5 Robert Plant Beautiful Ghost / Introduc 6 U2 OVERALL SERIES Holy Mountain 7 Noel Gallagher's High Flying B Album cover Do not Be Afraid CHRONICLE - Chris Stills is not afraid of anything Author: Writing In Listen , Chronicles 02/02/2018 10:00 0 394 Views Review Find our chronicle of Do not Be Afraid , the new opus of a Chris IPHONE / IPAD APP Our opinion : Stills still inspired Summary: The general impression Of course, we would definitely like to settle awakened by this Do not Be Afraid the issue and no longer have to talk about Good ! is precisely that of a Chris Stills Chris Stills without making the connection with those who gave him the day there is now a slight lease. The birth of this new ANDROID APP User Rating Be the first or the first! album would be in this case the perfect opportunity since the general impression awakened by this Do not Be Afraid is precisely that of a Chris Stills who leaves the moorings or in any case would have decided not to to worry about it. In a word like a hundred, a Chris Stills who would let go well and, in turn, finally asserts itself. Even who would find a real sap artist in this operation "nothing more to fuck". As if he had decided to take literally this Do not Be Afraid , making it more a leitmotiv than a simple POINTS OF SALE album title. That we are not mistaken, it is not so musically that translates this moult: less than ever Stills does not deprive itself here to display the multiplicity of its influences, with a natural inclination towards California, but not necessarily that of those moods Lauren Canyon who had done so well to his father with his cronies Crosby and Nash (well, a little on the chorus of "In Love Again" even if he does not stick to that) but also a few winks to his love of England (hard not to think of Elton John on "Lonely Nights" or Queen on "Do not Be Afraid"). If he still sails cheerfully between pop, folk and rock, it is with the feeling that he does it now CURRENT FLOW by putting his guts on the table. No mistake either, the boy has not become, the forties past, the most expansive of songwriters: the THE MOST LUS I Me Mine delicacy, the "measure", are always in the game, just manage to crumble more willingly and allow more leads the feelings to flow through, such as anger ("Blame Game"). Like not being scared can really be good. Exclusive: Bono, the Roll dance interview 02/02/2018 Xavier Bonnet 14:00 Chuck Berry: The tragic fate of Lynyrd Contains the word (s): CHRIS STILLS POP ROCK FOLK STEPHEN STILLS VERONIQUE SANSON future movie years ago hero https://www.rollingstone.fr/chronique-chris-stills-na-peur-de-rien/ 1/4.
Load more

Recommended publications
  • Peuple Versus People. Morpho-Syntaxe Et Sémantique D'un Couple De Paronymes À Cheval Sur Deux Langues
    Faculteit der Letteren & Wijsbegeerte Taal-& Letterkunde : Twee talen : Frans- Spaans Année académique 2009-2010 Peuple versus people. Morpho-syntaxe et sémantique d'un couple de paronymes à cheval sur deux langues Leroy Nele Promoteur : Prof. Dr. Lauwers P. i Nous tenons à remercier ici très sincèrement notre promoteur Prof. Dr. P. Lauwers pour son aide et son soutien lors de la rédaction de notre travail. C’est grâce à ses conseils et ses relectures que la composition du présent travail a été possible. Nous remercions également nos parents et nos amis pour leur soutien tout au long de nos études. ii 1. Introduction Dans le présent travail, nous nous sommes intéressée au fonctionnement de deux mots en français : peuple et people. L’intérêt de ces mots est multiple. D’abord, diachroniquement, ils dérivent du même substantif latin populus, qui a donné pople en ancien français. Peuple s’est naturellement formé en français à partir de ce mot latin, tandis que people est entré plus récemment dans la langue française par le biais d’un emprunt à l’anglais. En effet, people est d’origine anglaise, et est entré en anglais au Moyen Age, grâce à un emprunt à l’ancien français pople. Les deux mots sont donc intimement liés par leur origine commune. En plus, autre particularité de ce couple, c’est que, à l’origine, ils fonctionnaient comme des noms. Ensuite, ils ont tous les deux développé des emplois adjectivaux. Enfin, synchroniquement, peuple et people se comportent comme des paronymes en français, c’est-à-dire des mots qui présentent une certaine analogie phonétique, mais qui ont néanmoins un sens différent, parfois opposé (Trésor de la Langue Française, version informatisée).
    [Show full text]
  • Caution: Merger Ahead Union Officials Plan to Stay The
    INSIDE: METRO DETROIT MOVIE THEATER AND TV LISTINGS MAY 10-16, 1998 THE DETROIT VOL. 3 NO. 26 75 CENTS SuNDAHOURNAL CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ INSIDE Caution: Merger ahead Union officials plan to stay the By Martha Hindes the spring of 1999, would be the same“strike target,” by which the unions Journal Staff Writer if there had been no merger agree­help set a pattern for other automak­ he future seems a bit more ment. ers. uncertain for Chrysler Corp. The announcement last week It was confirmed on Thursday that auto workers, now that theirstunned the automotive world andAmerica’s Chrysler Corp. and company is merging withpushed other events off the eveningGermany’s Daimler-Benz had agreed TGermany’s Daimler-Benz. news. to merge into a wholly new company But United Auto Workers officials The combined new company, calledto be incorporated in Germany. aren’t planning to change their strat­DaimlerChrysler, will move up toBarring governmental rejection of the egy when it comes time to negotiatethird a largest auto company in theplan or a turndown this fall by share­ new national contract in 1999. world in revenues, which are expect­holders of both companies, it is to “What would be different?” askeded to be more than $130 billion takein effect in 1999. It is valued at $92 UAW President Stephen P. Yokich1999, and closer in scope to Generalbillion, the largest industrial merger shortly after news broke of theMotors Corp. and Ford Motor Co.in It history. planned merger by the two giant automight make a better “lead” company, companies.
    [Show full text]
  • Roland Corporation U.S. Proudly Supports Light up the Blues Concert
    FOR IMMEDIATE RELEASE Press Contact: Company Contact: Robert Clyne Rebecca Eaddy President Marketing Communications Mgr. Clyne Media, Inc. Roland Corporation U.S. (615) 662-1616 (323) 890-3718 [email protected] [email protected] ROLAND CORPORATION U.S. PROUDLY SUPPORTS LIGHT UP THE BLUES CONCERT Autographed Musical Instruments Donated for Silent Auction in Support of Autism Awareness Event Emceed by Jack Black Featured Special Performances from Stephen and Chris Stills, Neil Young, and More Los Angeles, CA, June 30, 2016 — Hollywood’s famed Pantages Theatre was host to the fourth annual Light Up the Blues concert, as several rock legends and Hollywood celebrities came together to help raise awareness for autism. The sold-out event was emceed by Jack Black — who wore blue suede sneakers in honor of the cause — and attended by celebrities including Christina Applegate, Andy Dick, Patricia Heaton, Matt Walsh, and many more. Attendees enjoyed musical performances by Neil Young, The Rides (featuring Stephen Stills, Kenny Wayne Shepherd, and Barry Goldberg), Jakob Dylan, The War On Drugs, Nikka Costa, Chris Stills, and others. As part of its ongoing initiative to help raise awareness of autism, Roland Corporation U.S. donated a dozen musical instruments — ranging from pianos and keyboards, to percussion instruments, to guitar effects and amps — that were hand-signed by the performers, as well as a Rock n’ Roll Fantasy Camp package, tickets to future shows at The Pantages, and autographed Light Up the Blues posters, all of which were included in a silent auction to benefit Autism Speaks. Autism currently affects 1 in 68 children in the United States and millions more worldwide.
    [Show full text]
  • Doc Nyc Announces Full Lineup for Tenth Anniversary Edition November 6-15, 2019
    DOC NYC ANNOUNCES FULL LINEUP FOR TENTH ANNIVERSARY EDITION NOVEMBER 6-15, 2019 Festival’s Biggest Slate Ever Includes 28 World Premieres, 27 US Premieres Among More Than 300 Films and Events Once Were Brothers: Robbie Robertson and The Band Opens Festival, The Capote Tapes Closes Event Bikram: Yogi, Guru, Predator Screens as Centerpiece Includes New Films by Veteran Documentarians Barbara Kopple, Joe Berlinger, Kim Longinotto, Michael Apted, Patricio Guzmán, Alan Berliner, Eva Mulvad, Weijun Chen, Thomas Balmès, Beth B, Geeta Gandbhir, Dror Moreh, Yung Chang, Kate Davis & David Heilbroner, Jennifer Siebel Newsom, Oren Jacoby, Ngawang Choephel, Treva Wurmfeld, Mark Benjamin & Marc Levin, Julia Ivanova, Deborah Shaffer & Rachel Reichman Special Guests include Robbie Robertson, Dr. Ruth Westheimer, Ben Taylor, Sally Taylor, Kori Withers, Chris Stills, André Leon Talley, Lydia Lunch, Thurston Moore, Donita Sparks, Maurice Hines, Nicholas Kristof, Sheryl WuDunn, Soledad O’Brien, Elliott Erwitt, Audrey Flack, Buster Williams NEW YORK, Oct. 10, 2019 – DOC NYC, America’s largest documentary festival, announced the full lineup for its expanded tenth anniversary edition, running November 6-15 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinépolis Chelsea. The 2019 festival includes 136 feature-length documentaries among over 300 films and events overall, making this landmark year DOC NYC’s biggest edition yet. Included are 28 world premieres, 27 US or North American premieres and 59 NYC premieres, with more than 500 doc
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
    Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981.
    [Show full text]
  • 2020-One-Sheet-R4.Pdf
    The 29th ANNuAL WooDS hoLe FILM FeSTIvAL Schedule subject to change. Please check www.woodsholeflmfestival.org for updates. The 29th Woods Hole Film Festival will take place as a virtual multi-day event from Saturday, VIRTUAL July 25th through Saturday, August 1, 2020. The Woods Hole Film Festival is dedicated to pre- senting the best independent flm from emerging flmmakers from around the world. WHFF Virtual ofers flm screenings on a flm streaming platform combined with live events presented via video EDITION and web conferencing and social media platforms. The flms are available on-demand throughout the Festival. The live events are scheduled. For flms that have a live Q&A, the schedule includes a suggested watch time two hours prior to the Q&A. See below. WHY IS THE 29TH WOODS HOLE FILM FESTIVAL A VIRTUAL EVENT? Due to the pandemic it would not be possible to present an in-person multi-venue, multi-day event as is the summer tradition. So, we worked very hard to reimagine the Woods Hole Film Festival as a VIRTUAL EVENT. We hope you will support us by purchasing a Festival Pass. We have amazing flms Feature FILMs and guests and we are excited to present this edition of the Woods Hole Film Festival. Narrative Features Thank You 5 bribes to avoid destroying homes, while laborers produce A company of foundering thespians attempt to stage a gravel — breaking individual stones by hand with hammers. Being Dead production of ‘Prelude to a Tradition,’ an original work by The herb collectors plot to avoid shakedowns by police and bus operators as they miraculously make their way to Two mid-life scientists who are locked in a distant marriage playwright and director Kurt McAbbott.
    [Show full text]
  • Proceedings of the International Society for Music Education 33Rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018
    Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 ii Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 David Forrest Editor iii Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 Edited by David Forrest ISBN 978-0-6481219-3-0 © 2018 International Society for Music Education (ISME) Published in Australia in 2018 International Society for Music Education (ISME) Suite 148 45 Glenferrie Road Malvern, Victoria 3144 Australia Design: Nicholas Chilvers Copy requests: [email protected] National Library of Australia Cataloguing-in-Publication Data A CIP record is available from the National Library of Australia Dewey Number: 780.7 All rights reserved. Except for the quotation of a short passage for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission from the publisher. The full papers submitted to the 2018 International Conference were double blind refereed by a panel of international authorities before inclusion in the Conference Proceedings. iv Acknowledgements ISME is indebted to the work of the Chairs of the Commissions, Forum and Special Interest Groups of the International Society for Music Education.
    [Show full text]
  • PRESSEMITTEILUNG 26.10.2017 Franz Ferdinand 2018 Mit Neuem
    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 26.10.2017 Franz Ferdinand 2018 mit neuem Album auf Tour Sie zählen nicht nur zu den erfolgreichsten Bands Großbritanniens der letzten 15 Jahre, sie sind auch eine der letzten noch bestehenden Bastionen der gewaltigen Welle an neuen UK- Bands, die die Welt zu Beginn des neuen Jahrtausends mit frischen Rockklängen überrollten. Obendrein sind Franz Ferdinand aus Glasgow nahezu im Alleingang verantwortlich für die globale Renaissance des Postpunk der späten Siebziger- und des New-Wave der frühen Achtzigerjahre. Dabei hat die 2001 als Quartett gegründete Formation diese Klangästhetiken nie einfach nur kopiert, sondern vielmehr adaptiert und sich unter Zuhilfenahme stets wechselnder und ergänzender Genres wie Noiserock, Disco oder Pop mit jedem Album verändert. Nicht nur in ganz Europa, auch in Nordamerika und sogar Asien gelten Franz Ferdinand daher seit Jahren als ein enorm stilsicherer Garant für Rockmusik, die ebenso tanzbar wie anspruchsvoll ist und die damit jeden vom konventionellen Radiohörer bis zum blasierten Musikkritiker unmittelbar in den Bann zieht. Denn mit jedem ihrer bislang vier Alben hat sich die Band um Sänger, Gitarrist und Vordenker Alex Kapranos substanziell weiter entwickelt, ohne dabei die typischen Trademarks – kantige Stakkato-Gitarren, treibende Beats, sofort zündende Hooklines sowie eine selten magische Energie zwischen melancholisch gefärbten Kompositionen und euphorisch lebensbejahender Grundhaltung – aus den Augen zu verlieren. Franz Ferdinand ist damit etwas gelungen, was man in der heutigen Rockwelt nur selten findet: Gleichsam substanziell und massenkompatibel zu sein, sich dabei stets zu entwickeln und trotzdem unverwechselbar zu bleiben.
    [Show full text]
  • Canandaigua Concert History
    Canandaigua Concert History FLPAC CMAC 1983 Season……………..page 1 2006 Season……………..page 21 1984 Season……………..pages 1-2 2007 Season……………..pages 21-22 1985 Season……………..pages 2-4 2008 Season……………..page 22 1986 Season……………..pages 4-5 2009 Season……………..page 23 1987 Season……………..pages 5-6 2010 Season……………..pages 23-24 1988 Season……………..pages 7-8 2011 Season……………..page 24 1989 Season……………..pages 8-9 2012 Season……………..page 25 1990 Season……………..pages 9-10 2013 Season……………..pages 25-26 1991 Season……………..pages 10-11 2014 Season……………..pages 26-27 1992 Season……………..page 12 2015 Season……………..pages 27-28 1993 Season……………..pages 12-13 2016 Season……………..page 28 1994 Season……………..pages 13-14 2017 Season……………..page 29 1995 Season……………..pages 14-15 2018 Season……………..page 29-30 1996 Season……………..page 15 2019 Season……………..page 30-31 1997 Season……………..pages 15-16 2020 Season…………….Covid-19 Virus 1998 Season……………..pages 16-17 1999 Season……………..pages 17-18 2000 Season……………..page 18 2001 Season……………..pages 18-19 2002 Season……………..page 19 2003 Season……………..pages 19-20 2004 Season……………..page 20 2005 Season……………..pages 20-21 Canandaigua Concert History 1 1983 Season July 16 – RPO: All Beethoven Opening Night Gala July 17 – RPO: Pop-Overs! July 18 – Joni Mitchell July 21 – Preservation Hall Jazz Band July 23 – RPO: Russian Romantics July 24 – RPO: Sousa Spectacular! July 30 – RPO: 1812 Classical July 31 – RPO: 1812 Pops! August 6 – RPO: Three Great Romantics August 7 – RPO: Dixieland Night August 9 – Al Jarreau August 13 – RPO: Vive La France! August 14 – RPO: From the Classics to Broadway August 19 – Diana Ross August 20 – RPO: Viennese Classics August 21 – RPO: E.T.
    [Show full text]
  • Appetite for Consumption
    BROUGHT TO YOU COURTESY OF 06–07 Tools Best of Midemlab 08–09 Campaigns Bon Iver, The National, Kanye West, Big Narstie 10–14 Behind The Campaign- Kate Ellis IN ASSOCIATION WITH sandbox JUNE 13 2018 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 206 APPETITE FOR CONSUMPTION the drain and strain of making unique content for everyone COVERFEATURE ike a precocious Oliver in a fancifully designed workhouse, the music Lindustry has never been shy of demanding more of its artists: labels want more attention; media want more access; retailers want more content; and live audiences just plain want more. The difference in 2018 is that these demands never stop. Three decades ago, there was a limit to how many in-store appearances Tower Records could fit into its shops, while radio and TV stations were APPETITE FOR limited by strict time slots. But in the digital age, where spatial limits are a thing of the past, there’s little stopping DSPs like CONSUMPTION Spotify, Apple Music and Amazon from packing their platforms with exclusive extra content as they tussle over subscriber numbers. But artists, managers and labels alike are feeling the strain. They spoke to us about the tough realities of this – but only on the condition of anonymity. “This is one of the most important issues in the business right now and one of the biggest conversations we are having in our company around any release,” one international marketer tells music:)ally. “Everyone wants something that is exclusive to them.” For overworked labels and managers, weighing up the constant demands from the drain and strain of making digital platforms for exclusive content is an extra headache to be negotiated.
    [Show full text]
  • Ethan Johns Selected Producer, Mixer & Musician Credits
    ETHAN JOHNS SELECTED PRODUCER, MIXER & MUSICIAN CREDITS: Allison Pierce The Year of The Rabbit (Sony Masterworks) P E Mu A Seth Lakeman ft. Wildwood Kin Ballads Of The Broken Few (Cooking Vinyl) P co-M I'm With Her Forthcoming Album (TBD) P White Denim Stiff (Downtown) P M Boy & Bear Limit of Love (Nettwerk) P M Tom Jones Long Lost Suitcase (Virgin) P M Mu Ethan Johns with The Black Eyed Dogs Silver Liner (Three Crows/Caroline International) Mu W Paul McCartney New (MPL/Concord) P Mu Laura Marling Once I Was An Eagle (EMI) P E M Mu Ethan Johns If Not Now Then When (Three Crows) P E Mu W The Vaccines The Vaccines Come of Age (Columbia) P Tom Jones Spirit In The Room (Island UK) P M The Staves Dead & Born & Grown (Warner) co-P co-M The Staves The Motherlode: EP (Warner) co-P co-M Kaiser Chiefs Future Is Medieval (Fiction/B-Unique) P E M Priscilla Ahn When You Grow Up (Blue Note) P E M Mu Michael Kiwanuka "I'll Get Along" and "I Won't Lie" from Home Again P E M (Deluxe Version) (Polydor) The Boxer Rebellion The Cold Still (Absentee) P E M Red Cortez Forthcoming Album P E M Tom Jones Praise And Blame (Island UK) P E M The London Souls The London Souls (Soul On 10/DD172) P E M Laura Marling A Creature I Don't Know (EMI) P E M Laura Marling I Speak Because I Can (EMI) P E M Paolo Nutini Sunny Side Up (Atlantic UK) P E M Ray LaMontagne Gossip in the Grain (RCA) P E M Mu Grammy Nomination - Best Engineered Album 2009 Ray LaMontagne Till the Sun Turns Black (RCA) P E M Ray LaMontagne Trouble (RCA) P E M Turin Brakes Dark On Fire (EMI) P E M Joe
    [Show full text]