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101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
London Underground Films Over a Century
The Scala Underground film map, station to station Film Underground Station Year 28 Days Later Bank 2002 30 is a Dangerous Age, Cynthia Barking 1968 80 Million Women Want-? Woodford 1913 A Clockwork Orange Fulham Broadway 1971 A Hard Day's Night Goodge Street 1964 A Kind of English Bethnal Green 1986 A Lizard in a Woman's Skin Wood Green 1971 A Matter of Life and Death Ruislip Gardens 1946 A Place to Go Old Street 1963 Abominable Dr. Phibes, The Stanmore 1971 Absolute Beginners White City 1986 Afraid of the Dark West Brompton 1991 Alfie Bayswater 1966 Alien North Acton 1979 All Neat in Black Stockings East Putney 1968 An American Werewolf in London Tottenham Court Road 1981 And Now for Something Completely Different Totteridge & Whetstone 1971 Animal Farm Highbury & Islington 1954 Another Year Wanstead 2010 Arsenal Stadium Mystery, The Arsenal 1939 Attack the Block Brixton 2011 Babymother Harlesden 1998 Bargee, The Moor Park 1964 Bed-Sitting Room, The Leyton 1969 Bedazzled Gunnersbury 1967 Belle Rickmansworth 2013 Berberian Sound Studio Bromley-by-Bow 2012 Beware of Mr. Baker Neasden 2012 Black Narcissus South Ruislip 1947 Blacksmith Scene Kenton 1893 Blowup North Greenwich 1966 Blue Lamp, The Royal Oak 1950 Bob Marley and the Wailers: Live! At the Rainbow Finsbury Park 1977 Boy Friend, The Preston Road 1971 Brazil Holland Park 1985 Breakfast on Pluto Leicester Square 2005 Breaking Glass Barkingside 1980 Breaking of Bumbo, The St. James's Park 1970 Bride of Frankenstein Dagenham Heathway 1931 Bright Young Things Broadgate (closed) 2003 -
2017 Film Writings by Roderick Heath @ Ferdy on Films
2017 Film Writings by Roderick Heath @ Ferdy On Films © Text by Roderick Heath. All rights reserved. Contents: Page La La Land (2016) 2 Waxworks (Das Wachsfigurenkabinett, 1924) / The Man Who Laughs (1928) 10 The Manchurian Candidate (1962) 23 Remorques (1941) 35 Shoot the Piano Player (Tirez sur les Pianiste, 1960) 45 Fellini ∙ Satyricon (1969) 54 The Silence of the Lambs (1991) 64 Pink Narcissus (1971) 75 Alien: Covenant (2017) 85 Live and Let Die (1973) / The Spy Who Loved Me (1977) / For Your Eyes Only (1981) 94 T2 Trainspotting (2017) 104 Song To Song (2017) 113 The Lost City of Z (2016) 121 Dunkirk (2017) 130 The Immortal Story (Histoire Immortelle; TV, 1968) 139 Le Samouraï (1967) 162 The Shout (1978) 174 The Ladies Man (1961) 172 Baby Driver (2017) 182 Me, You, Him, Her (Je, Tu, Il, Elle, 1974) / All Night Long (Toute Une Nuit, 1982) 191 The Mummy’s Hand (1940) / The Mummy’s Tomb (1942) / The Mummy’s Ghost (1944) / The Mummy’s Curse (1944) 204 The White Reindeer (Valkoinen Peura, 1953) 223 The Velvet Vampire (1971) 237 Night of the Demon (aka Curse of the Demon, 1957) 245 The Shining (1980) 258 Murder on the Orient Express (2017) 277 Justice League (2017) 287 The Shape of Water (2017) 294 The Disaster Artist (2017) 305 Star Wars: The Last Jedi (2017) 314 2017 Film Writings by Roderick Heath for Ferdy On Films La La Land (2016) Director/Screenwriter: Damien Chazelle By Roderick Heath A clogged LA freeway on a winter‘s day, ―Another Day of Sun,‖ cars backed up for miles on either side. -
The Devils Rose Free
FREE THE DEVILS ROSE PDF Gerald Brom | 128 pages | 01 Oct 2007 | Abrams | 9780810993532 | English | New York, United States The Devils () - IMDb From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. See the full gallery. Cardinal Richelieu and his power-hungry entourage seek The Devils Rose take control of seventeenth-century France, but need to destroy Father Grandier - the priest who runs the fortified town that prevents them from exerting total control. So they seek to destroy him by setting him up The Devils Rose a warlock in control The Devils Rose a devil-possessed nunnery, the mother superior of which is sexually obsessed by him. A mad witch-hunter is brought in to gather evidence against the priest, ready for the big trial. Written by Films Ranked. British director Ken Russell's adaption of Aldous Huxley's book "The Devils of Loudun" is one of the most origional, controversial and daring films ever made. The film takes place in 17th-century France and centres on the hypocritical and licentious behaviour of debauched priest Father Urbain Grandier, brilliantly played by Oliver Reed. The Devils Rose second plot strand involves the humpbacked nunn Sister Jeanne, played by Vanessa Redgrave, who, along with her fellow nuns, is obsessed with Grandier. When the nuns become seemingly possessed, disgruntled representatives of the Catholic Church and corrupt officials move in and seize their opportunity to get rid of Grandier. The film gets off to an excellent start, gradually building up the tension and highlighting the flaws within the Catholic religion. -
The Devils Et the Music Lovers De Ken Russell / the Devils Grande-Bretagne, 1971, 111 Minutes / the Music Lovers, Grande-Bretagne, 1971, 130 Minutes]
Document generated on 09/28/2021 3:43 a.m. Séquences La revue de cinéma The Devils et The Music Lovers de Ken Russell The Devils Grande-Bretagne, 1971, 111 minutes The Music Lovers, Grande-Bretagne, 1971, 130 minutes Maurice Elia Jeunes comédiens : la prochaine vague Number 184, May–June 1996 URI: https://id.erudit.org/iderudit/49527ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Elia, M. (1996). Review of [The Devils et The Music Lovers de Ken Russell / The Devils Grande-Bretagne, 1971, 111 minutes / The Music Lovers, Grande-Bretagne, 1971, 130 minutes]. Séquences, (184), 20–20. Tous droits réservés © La revue Séquences Inc., 1996 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ V A flhIS SnPTAIFhIT The Devils et The Music Lovers de Ken Russell 'était le cinéaste qu'on suivait de près, celui qui n'hésitait pas à portraiturer la vulgarité et parvenait à lui donner du charme, celui C qui osait toujours aller plus loin... et celui qui remplissait à pleine capacité la salle de l'Outremont à Montréal. -
El Brand Placement Elemento Configurador De La Metamarca
UNIVERSIDAD DE VIGO FACULTAD DE CIENCIAS SOCIALES Y DE LA COMUNICACIÓN Departamento de Psicología Evolutiva y Comunicación Programa de Doctorado en Comunicación Tesis doctoral El brand placement, elemento configurador de la metamarca James Bond Presentada por: Vicente Badenes Plá Directora: Dra. Aurora García González Pontevedra - 2015 RESUMEN DE LA TESIS DOCTORAL La tesis pretende demostrar la capacidad configuradora de la técnica del brand placement en la marca James Bond, de modo que ésta deviene en metamarca, esto es, en una marca para las marcas. A través de un completo análisis de contenido de las 23 películas oficiales que conforman la marca-franquicia James Bond, se reseñan cerca de un millar de marcas integradas en sus películas a lo largo de 50 años, indicando el minuto en que aparecen y utilizando 5 categorías para la investigación, que son: Automóviles, Localizaciones, Bebidas, Moda y Complementos, Gadgets & TIC a las que se suma una sexta categoría por exclusión denominada Otros. El objeto de estudio de la tesis son las 23 películas y comprende un marco temporal de medio siglo, los 50 años comprendidos entre 1962, fecha de la primera entrega Agente 007 contra el Dr. No, y 2012, fecha de la 23ª y hasta la fecha última entrega Skyfall. Para alcanzar ese objetivo se ha recurrido al análisis de contenido y se ha utilizado el universo completo. Para localizar las marcas integradas se ha realizado un análisis cuantitativo, con indicación del número de marcas y de su distribución porcentual por categorías y un análisis cualitativo, con la revisión de los casos más destacados en cada entrega, lo que da lugar a un total de más de 60 casos. -
{Download PDF} the Devils Rose
THE DEVILS ROSE PDF, EPUB, EBOOK Gerald Brom | 128 pages | 01 Oct 2007 | Abrams | 9780810993532 | English | New York, United States The Devil's Rose by Brom Blackwater by Tara Brown. Shelve Blackwater. Book 7. Midnight Coven by Tara Brown. Shelve Midnight Coven. Book 8. Redeemers by Tara Brown. Happily Ever After They say that if you don't ha… More. Shelve Redeemers. Book 9. Betrayers by T. The world has fallen. Darkness has claimed the Ear… More. Shelve Betrayers. Book Warner Bros. The majority of principal photography took place at Pinewood Studios in late The film faced harsh reaction from national film rating systems due to its disturbingly violent, sexual, and religious content, and originally received an X rating in both the United Kingdom and the United States. It was banned in several countries, and eventually heavily edited for release in others. The film has never received a release in its original, uncut form in various countries. Critics similarly dismissed the film for its explicit content, though it won the awards for Best Director at the Venice Film Festival , as well as from the U. National Board of Review. Film scholarship on The Devils has largely focused on its themes of sexual repression and abuse of power. It has also been recognized as one of the most controversial films of all time by numerous publications and film critics. The film remained banned in Finland until He convinces Louis that the fortifications of cities throughout France should be demolished to prevent Protestants from uprising. Louis agrees, but forbids Richelieu from carrying out demolitions in the town of Loudun , having made a promise to its Governor not to damage the town. -
E-Thesis Submission John Steven Haberman
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive !1 Dual Auteurs? : The Case Study of Gordon Hessler and Christopher Wicking by John Steven Haberman submitted in partial fulfilment for a Doctorate of Philosophy in Film History Research Awarded by De Montfort University Submitted on September 4, 2020 !2 CONTENTS ABSTRACT……………………………………………………………………………………………….3 ACKNOWLEDGEMENTS ………………………………………………………………………………4 Chapter 1 - INTRODUCTION………………………………………………………5 Chapter 2 - LITERATURE REVIEW…………………………………………………………………..16 Chapter 3 - DUAL AUTEURS………………………………………………………………………….43 Chapter 4 - COMPARISONS: FISHER, CORMAN AND REEVES…. ……………………………68 Chapter 5 - THE OBLONG BOX - A KIND OF RETRIBUTION……………………………………87 Chapter 6 - SCREAM AND SCREAM AGAIN - MAN IS GOD NOW…………………………….128 Chapter 7 - CRY OF THE BANSHEE - AGAINST GOD AND THE CROWN……………………158 Chapter 8 - MURDERS IN THE RUE MORGUE - MUST A MAN DIE TWICE………………….198 Chapter 9 - AFTER AIP……………………………………………………………………………….227 Chapter 10 - CONCLUSION………………………………………………………………………….234 APPENDIX A: HESSLER’S CUT AND AIP’S CUT OF CRY OF THE BANSHEE………………239 APPENDIX B: HESSLER CUT AND AIP’S CUT OF MURDERS IN THE RUE MORGUE……243 APPENDIX C: UNREALISED PROJECTS…………………………………………………………247 APPENDIX D: SYNOPSIS OF CHRISTOPHER WICKING’S VAMPIRELLA…………………..254 BIBLIOGRAPHY……………………………………………………………………………………….265 !3 ABSTRACT This thesis examines the four American International Pictures horror movies, The Oblong Box (1969), Scream and Scream -
Revised Osborne Looking at Frankenstein Final Submission
Looking at Frankenstein: Ten Film Visions of Mary Shelley's Novel, 1990-2015 Item Type text; Electronic Dissertation Authors Osborne, James Elliott Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 02:55:22 Link to Item http://hdl.handle.net/10150/627722 LOOKING AT FRANKENSTEIN: TEN FILM VISIONS OF MARY SHELLEY’S NOVEL, 1990-2015 by James Elliott Osborne __________________________ Copyright © James Elliott Osborne 2018 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. -
The Case Study of Gordon Hessler and Christopher Wicking
!1 Dual Auteurs? : The Case Study of Gordon Hessler and Christopher Wicking by John Steven Haberman submitted in partial fulfilment for a Doctorate of Philosophy in Film History Research Awarded by De Montfort University Submitted on September 4, 2020 !2 CONTENTS ABSTRACT……………………………………………………………………………………………….3 ACKNOWLEDGEMENTS ………………………………………………………………………………4 Chapter 1 - INTRODUCTION………………………………………………………5 Chapter 2 - LITERATURE REVIEW…………………………………………………………………..16 Chapter 3 - DUAL AUTEURS………………………………………………………………………….43 Chapter 4 - COMPARISONS: FISHER, CORMAN AND REEVES…. ……………………………68 Chapter 5 - THE OBLONG BOX - A KIND OF RETRIBUTION……………………………………87 Chapter 6 - SCREAM AND SCREAM AGAIN - MAN IS GOD NOW…………………………….128 Chapter 7 - CRY OF THE BANSHEE - AGAINST GOD AND THE CROWN……………………158 Chapter 8 - MURDERS IN THE RUE MORGUE - MUST A MAN DIE TWICE………………….198 Chapter 9 - AFTER AIP……………………………………………………………………………….227 Chapter 10 - CONCLUSION………………………………………………………………………….234 APPENDIX A: HESSLER’S CUT AND AIP’S CUT OF CRY OF THE BANSHEE………………239 APPENDIX B: HESSLER CUT AND AIP’S CUT OF MURDERS IN THE RUE MORGUE……243 APPENDIX C: UNREALISED PROJECTS…………………………………………………………247 APPENDIX D: SYNOPSIS OF CHRISTOPHER WICKING’S VAMPIRELLA…………………..254 BIBLIOGRAPHY……………………………………………………………………………………….265 !3 ABSTRACT This thesis examines the four American International Pictures horror movies, The Oblong Box (1969), Scream and Scream Again (1970), Cry of the Banshee (1970) and Murders in the Rue Morgue (1971), directed by Gordon Hessler and written by Christopher Wicking between 1969 and 1971, in an effort to discover whether the director and writer were the dual auteurs of these works. The study adopts the philosophy and methodology of the auteur theory as described by Andrew Sarris in his essay, “Some Notes on the Auteur Theory in 1962” (Sarris 2008: 35-45) and modified by Richard Corliss to include his “Synthesis: The Multiple Auteur” in his 1974 book, Talking Pictures (Corliss 1972: xxvii-xxviii). -
Vincent Price, Gender, and the Poe Cycle, 1960-1972
“Much of Madness, and More of Sin”: Vincent Price, Gender, and the Poe Cycle, 1960-1972 Jonathan Malcolm Lampley Approved Graduate Committee: Dr. Linda Badley, Major Professor Dr. David Lavery, Reader Dr. Tom Strawman, Chair of the Department of English Dr. Michael D. Allen, Dean of the College of Graduate Studies Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3255584 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3255584 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. “Much of Madness, and More of Sin”: Vincent Price, Gender, and the Poe Cycle, 1960-1972 Jonathan Malcolm Lampley A Dissertation Submitted to the Graduate Faculty of Middle Tennessee State University in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree May 2007 ii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
The Nun in Film from WWII to the Present
ABSTRACT KROCKER, SARAH ELIZABETH. Half a Woman: The Nun in Film from WWII to the Present. (Under the direction of Maria Pramaggiore.) Half a Woman examines how six prominent nun films signify the changing perception of the nun in postwar America and Great Britain. Through the changing perspective of the populace, as well as historical influences such as the Feminist Movement, the nun has shifted from the angelic entity of the mid-1940s in The Bells of St. Mary's (1945) and Lilies of the Field (1963) to the sexual demon of the 1970s and 1980s with The Devils (1971). After the 1980s, the nun was not only a sexual demon but a platform for political commentary. Agnes of God (1983), Dead Man Walking (1995), and The Magdalene Sisters (2002) all use the nun to express a political stance on topics affecting women, as well as society at the turn of the 21st century. HALF A WOMAN: THE NUN IN FILM FROM WWII TO THE PRESENT by SARAH ELIZABETH KROCKER A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts ENGLISH Raleigh 2005 APPROVED BY: Dr. Maria Pramaggiore, Chair of Advisory Committee Dr. Marsha Orgeron Dr. Thomas Lisk ii DEDICATION It has been a long and winding road to get to this point and there are three people without whom I wouldn't have made it this far. First, I'd like to dedicate this thesis to my husband, Raymond Bonilla, for all of your emotional and editorial support and for listening to the countless hours of mindless ramblings that helped to culminate in my ultimate thesis formation.